‘Fighting With My Family’ Director’s Cut on Digital April 30, Disc May 14

Universal Pictures Home Entertainment will release MGM’s Fighting With My Family digitally April 30, and on Blu-ray and DVD May 14.

Written and directed by Stephen Merchant, the comedy set in the world of professional wrestling is based on the true story of WWE Superstar Paige (Florence Pugh). Born into a tight-knit wrestling family, Page and her brother Zak (Jack Lowden) are invited to try out for the WWE. But when only Paige earns a spot in the competitive training program, she must dig deep to prove she can become a star. The cast includes Lena Headey, Nick Frost, Vince Vaughn and Dwayne “The Rock” Johnson, who plays himself and also produced the film.

Fighting With My Family earned $22.5 million at the domestic box office.

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The Blu-ray combo pack will include a director’s cut of the film with new and extended scenes not seen in theaters.

The DVD and Blu-ray will include deleted and extended scenes, a gag reel, a commentary with Merchant, the featurette “A Family’s Passion: A Making Of” and a “Learning the Moves” featurette about depicting the wrestling scenes in the film.

Disney Outranks Netflix and Amazon Prime in Brand Study

Disney ranked No. 1 followed by Amazon Prime and Netflix in the media and entertainment industry portion of MBLM’s Brand Intimacy 2019 Study.

The study is the largest study of brands based on emotions, according to the company.

Disney rose in the ranking from fifth overall in the 2018 study to first this year.

The remaining brands in the Top 10 for the media & entertainment industry were, in order, PlayStation, YouTube, Xbox, Nintendo, Hulu, HBO and WWE.

MBLM defines Brand Intimacy as “the emotional science that measures the bonds we form with the brands we use and love.” Top intimate brands in the U.S. continued to significantly outperform the top brands in the Fortune 500 and S&P indices in both revenue and profit over the past 10 years, according to the study.

“Media & entertainment continues to be our most intimate industry,” Mario Natarelli, managing partner of MBLM, said in a statement. “The need to escape reality, consume content on demand, and lose ourselves in stories is a powerful combination of factors. Disney is leveraging its nostalgic associations to cultivate stronger bonds with customers. It has also improved its performance with men, while continuing to innovate and expand its offerings.”

Additional findings in the media and entertainment industry were:

  • Disney was the No. 1 brand with both men and women as well respondents aged 45-64;
  • Disney was also the top brand for people making over $100,000;
  • YouTube ranked first for millennials;
  • YouTube also ranked first for those making $35,000-$50,000; and
  • Media and entertainment was also the No. 1 industry for millennials.

The Brand Intimacy 2019 Study is based on the responses of 6,200 consumers and 56,000 brand evaluations across 15 industries in the United States, Mexico and the UAE. To view the media & entertainment industry findings, please click here. To download the full Brand Intimacy 2019 Study or explore the Data Dashboard click here.

WWE YouTube Channel Reaches 40M ‘Subscribers’

World Wrestling Entertainment announced on Twitter that its YouTube channel has generated 40 million subscribers and 30 billion lifetime views.

A YouTube channel subscriber is typically generated when someone clicks to follow for free.

The channel, which essentially markets WWE pay-per-view events, branded pay-TV channels (“Raw,” “Smackdown Live”) and WWE Network subscription streaming video service, streams highlight clips, interviews and promotional PPV segments.

“Thank you to everyone that chooses to watch http://YouTube/WWE!” tweeted chief brand officer Stephanie McMahon.

WWE earlier this month disclosed that its SVOD service had topped 1.59 million paying subscribers.

WWE Streaming Video Service Tops 1.59 Million Subscribers

World Wrestling Entertainment (WWE) Feb. 7 reported a 7% (110,000) increase in fourth-quarter (ended Dec. 31, 2018) subscribers to its WWE Network over-the-top video streaming service. The platform ended the period with 1.59 million subs.

Media revenue grew 40% to a quarterly record of $205.3 million, primarily due to the distribution of certain live, in-ring programming content in international markets, which was partially offset by the timing and performance of the company’s portfolio of original movies.

Additionally, media revenue reflected the contractual escalation of core content rights fees, including license fees from the distribution of WWE’s flagship programs “Raw” and “SmackDown,” as well as increased sales of advertising and sponsorship across platforms and the continued growth of WWE Network.

“In 2018, WWE generated the highest level of revenue and earnings in the company’s history by leveraging our brand strength to increase the monetization of our content worldwide,” CEO Vince McMahon said in a statement. “Our long-term growth strategy will continue to focus on content creation, digitization and international development.”

 

Neulion Rebranded to Endeavor Streaming, Snatches WWE from Disney’s BamTech Media

Backend tech support for streaming video is becoming big business.

Endeavor Talent Agency, whose subsidiaries include William Morris Endeavor, IMG, and Ultimate Fighting Championship, announced the formation of Endeavor Streaming, encompassing the company’s video streaming products and services.

The over-the-top video venture is driven by Neulion, which Endeavor acquired in 2018 for $250 million.

NeuLion, which provides backend support for live-sports streaming, is being absorbed within the new group alongside Endeavor’s internally developed video platform technology, and now operates under the Endeavor Streaming moniker.

Endeavor Streaming provides backend tech support for the NFL, NBA, UFC, and Euroleague. Notably, the platform just signed professional wrestling brand WWE away from Disney’s BamTech Media.

BamTech, which Disney acquired for about $3 billion, provides streaming tech support for ESPN+, HBO Now, PlayStation Vue, The Blaze and WatchESPN, among other services. It will also power Disney’s upcoming branded SVOD service.

With more than 1.6 million subscribers, WWE Network is one of the largest sports-entertainment OTT platforms in the world. Endeavor also supports U.K.-based BT and its new service, BT Sport Box Office; and OSN, the Middle East and North Africa’s entertainment network.

Endeavor Streaming will be co-led by chief technology officer Nick Wilson and president of business operations Will Staeger. Staeger previously served as SVP within IMG’s original content division following time at ESPN, WWE, and Dick Clark Productions.

“We’ve integrated Endeavor’s scalable platform with NeuLion’s industry leading technology and feature set to provide clients with the best tools and services in video streaming, removing technology as a barrier in reaching their consumers,” Wilson and Staeger said in a co-statement.

Endeavor Streaming will continue servicing major media providers, including Univision, Sportsnet, Sky Sports, MSG, National Geographic, and Big Ten Network. The group will also continue supporting Endeavor properties like PBR (Ride Pass) and UFC (UFC.tv and Fight Pass).

The platform recently streamed “UFC 229: Khabib vs. McGregor,” and received the “OTT TV Service of the Year” award at the Content Innovation Awards ahead of MIPCOM for its work on the NBA League Pass International product.

Meanwhile, the group has launched several new consumer products, including “Serie A Pass” and “Strive,” the latter of which features action from both Serie A and La Liga, Italy and Spain’s professional soccer leagues, respectively.

 

 

Netflix, Amazon Prime and Hulu Lead Parks Associates Top 10 OTT Services List

Netflix, Amazon Prime and Hulu, in that order, lead Parks Associates updated list of the top 10 subscription over-the-top (OTT) video services in the U.S. market. The list, released Nov. 7, is based on estimated number of subscribers.

The full list in order is:

  1. Netflix
  2. Prime Video Users (Amazon Prime)
  3. Hulu (SVOD)
  4. HBO Now
  5. Starz
  6. MLB.TV
  7. Showtime
  8. CBS All Access
  9. Sling TV
  10. DirecTV Now

 

“Which company is the leading OTT video subscription service remains a topic of debate,” said Brett Sappington, senior director of research, Parks Associates, in a statement. “According to our estimates, Amazon has more Prime Members than Netflix has subscribers. However, when you consider only those Prime Members that use Prime Video, Netflix is the largest. Hulu remains the third largest but continues to grow its subscriber base.”

The firm noted the rise of a second tier of OTT video services from services with recognized brands, including several with high profile original content. Online pay-TV services Sling TV and DirecTV Now round out the top 10, ahead of similar services Hulu with Live TV, YouTube TV and PlayStation Vue. Online pay TV has been one of the fastest growing segments in the OTT video space, with aggressive marketing by all, according to Parks.

“HBO, Starz, Showtime, and CBS All Access demonstrate the powerful attractiveness of original content through series like ‘Game of Thrones’ and ‘Star Trek: Discovery,’” Sappington said in a statement. “This pattern suggests new services such as WarnerMedia’s DC Universe and the forthcoming streaming service from Disney could achieve success quickly.”

The top subscription sports OTT video services are MLB.TV, WWE Network and ESPN+. MLB.TV continues to lead the sports OTT subscription category, benefiting from its long tenure as a streaming service and popularity among dedicated baseball fans, according to Parks. WWE also has a dedicated fan base and publicly reported having more than 1.2 million U.S. subscribers at the end of Q3 2018, according to Parks. ESPN+ is a newcomer to the OTT video marketplace but recently announced that it had exceeded 1 million subscribers.

Other findings include:

  • OTT video subscription penetration has reached 64% of U.S. broadband households, with more than two-thirds subscribing only to one of the top three services, Netflix, Prime Video, or Hulu;
  • The online pay-TV audience is similar to the OTT audience — they are younger and quicker to adopt new technologies when compared to traditional pay-TV households; and
  • Over the past three years, OTT churn rates have gradually fallen each year from 31% of OTT subscriptions cancelled each year in 2015 to 28% in 2018.

World Wrestling Entertainment Ups Q2 SVOD Subs 10%

World Wrestling Entertainment (WWE) said second-quarter (ended June 30) over-the-top video subscriptions of WWE Network increased 10% to 1.8 million from 1.62 million during the previous period.

Digital engagement continued to grow through the first six months of 2018, with video views up 58% to 14.4 billion and hours consumed up 71% to 509 million across digital and social media platforms.

The staged wrestling entertainment promotor completed agreements with USA Network and Fox Sports, effective Oct. 1, 2019, which increase the average annual value of WWE’s U.S. distribution 3.6 times that of the prior deal with NBC Universal.

Revenueincreased 31% to $281.6 million from $214.6 million, driven by the increased monetization of content as reflected in the media segment.

Operating incomenearly doubled to $21.2 million from $10.7 million in the prior-year quarter, reflecting increased profit from the media segment, which was partially offset by an increase in management incentive compensation based on anticipated strong full-year results and the rise in the company’s stock price.

Operating income margin was 8% as compared to 5% in the prior year quarter.

Through the first six months, operating income ballooned 192% to $43 million from $14.7 million on revenue of $469.3 million, which was up 16.5% from $403 million last year.

“We’re pleased with our continued success in increasing the monetization of WWE content globally,” chairman/CEO Vince McMahon said in a statement. “This success is evidenced by the completion of our new U.S. distribution agreements with USA Network and Fox Sports, the staging of another record-breaking WrestleMania, and the development of a 10-year strategic partnership with the Saudi General Sports Authority.”

Indeed, WWE produced more than 165 hours of content in the quarter, including versions of its “Best of WWE”series in Spanish, Portuguese, and German, and plans to launch a new series, “WWE Now”in Arabic.

WWE Ups OTT Video Subs 5%, Stops Reporting Disc Sales

World Wrestling Entertainment May 3 reported a 5% increase in first-quarter (ended March 31) WWE Network subscriptions to 1.56 million. The over-the-top video service had 1.48 million during the previous-year period.

The professional wrestling media company no longer reports WWE home entertainment results, having folded disc sales into its media division, which includes legacy pay-per-view events and flagship TV programs “Raw,” and “Smackdown.”

Media revenue increased 10% to $133.4 million from $121.2 million during the previous-year period. Operating income jumped 74% to $43.6 million from $25.1 million last year.

Live event operating income decreased 22% to $2.7 million on revenue of $30.8 million. Consumer products income fell 59% to $6 million on revenue of $23.5 million.

The fiscal reporting switch is understandable considering WWE home entertainment posted Q4 operating loss of $700,000 on revenue of just $900,000, compared to operating income of $1.9 million and revenue of $4.2 million during the previous-year period. It was the unit’s first fiscal loss.

 

 

 

 

WWE Streaming Video Service Tops 2 Million Subscribers

WWE Network, the subscription streaming video service affording live (and catalog) access to WWE pay-per-view events, reported 2.1 million paid subs following April 8 “Wrestlemania 34,” – up 9% from 1.95 million subs after “WrestleMania 33” on April 3, 2017.

Paid subs topped 1.8 million compared to 1.66 million last year. WWE Network subscribers viewed 25.2 million hours during WrestleMania Week, or 14 hours per subscriber during the week. This compares to 22.5 million hours last year, a 12% year-over-year increase.

“WWE Network’s continued growth along with our massive reach across traditional television as well as digital and social platforms, reaffirms the effectiveness of our global, multi-platform content strategy,” George Barrios, co-president of WWE, said in a statement.

WWE said the SVOD service attracted about 1.56 million subs during the first quarter 2018 (ended March 31), up 5% from the previous-year period. The company said average SVOD paid membership was in-line with guidance of about 1.53 million subs.

“We expect to deliver record subscriber levels, revenue and adjusted [pre-tax earnings] in 2018,” Barrios said.

 

Pro Sports Using OTT Video to Target Younger Viewers

Formula 1 auto racing is a global brand generating more than $3 billion in revenue. It attracts an audience of 500 million people – largely older than Madison Avenue’s coveted 18-34-year-old demo. In the U.S., the rival to IndyCar remains a niche TV sport.

A survey by Ampere Analysis found just 6% of U.S. sports fans identify F1 as a sport they would watch on TV. Indeed, domestic viewers will rely on a repurposed feed from U.K. satellite TV operator Sky to watch any coverage of the 2018 FIA Formula 1 World Championship season.

F1 TV, the sport’s newly-launched over-the-top video service, is seeking to buck its older demo fan base by targeting younger viewers (under the age of 40) usually associated with streaming video.

London-based Ampere contends the $8-$12 monthly service – available in four languages (English, French, German and Spanish) and in nearly two dozen markets, including the U.S., will appeal to younger viewers because of the OTT element.

“As more sports become available OTT, it gives less popular leagues an opportunity to monetize markets where they are not mainstream enough to be attractive to a major broadcaster,” analyst Alexios Dimitropoulos wrote in a blog.

Even mainstream sports are taking the hint.

In the U.S., Major League Baseball, National Basketball Association, National Hockey League, Major League Soccer and World Wrestling Entertainment have launched OTT platforms — MLB with spectacular results.

The national pastime spearheaded the OTT movement among U.S. professional sports through its MLB Advanced Media division. The unit – which is co-owned by all 30 MLB franchises – recently sold backend digital tech subsidiary, BAMTech, to Disney in a deal worth more than $3.5 billion.

“Sports fans face a myriad of distractions and while commercial opportunities are still developing, it’s critical for rights owners to build their presence on social platforms to help maintain loyal audiences, support tune-in and provide a content experience which meets the needs of viewers who watch much less linear TV,” Gareth Capon, CEO at digital media aggregator Grabyo, told consulting firm KNect365.com.

Indeed, WWE, which makes millions marketing pay-per-view wrestling entertainment, generates significant ancillary revenue from WWE.tv, an OTT platform with almost 1.5 million subscribers.

“We expect more leagues and events to follow the same route … over the next few years,” said Dimitropoulos.