Rated ‘PG’ for some cartoon violence and some language.
Stars LeBron James, Don Cheadle, Cedric Joe, Khris Davis, Sonequa Martin-Green, Ceyair J Wright, Harper Leigh Alexander, Sue Bird, Anthony Davis, Draymond Green, Damian Lillard, Klay Thompson, Nneka Ogwumike, Diana Taurasi.
Borrowing the same basic concept of its 1996 predecessor, Space Jam: A New Legacy dives into the realm of video games to bring the Looney Tunes back to the basketball court.
As with the original, the story involves an NBA player teaming up with Bugs Bunny and the gang in a high-stakes basketball game with dire consequences if they lose. The 1996 version starred Michael Jordan, who was recruited to help save the Tunes from being imprisoned by the owner of a cartoon amusement park planet.
The 21st century version of the premise involves LeBron James, the current era’s equivalent of a player with Jordan’s superstar stature. However, fans of the original film looking for another fun romp that doesn’t take itself too seriously will likely find themselves disappointed early in the proceedings, as A New Legacy quickly devolves into what is essentially a promotional reel for Warner Bros. IP.
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Space Jam: A New Legacy plays like a collaboration between the marketing departments of the NBA and WarnerMedia, resulting in a script that seems like it was developed by a PR committee that just finished a marathon of the original Space Jam, Ready Player One, Tron and the “Wreck-It Ralph” movies.
The story involves LeBron being recruited by Warner Bros., for a partnership involving a new slate of films in which he would be scanned into a computer and inserted into several movies created by a algorithm named Al G. Rhythm (given humanoid form by Don Cheadle) that controls the supercomputer where all Warner’s characters are stored.
LeBron’s reaction to this little piece of meta-commentary on Hollywood’s creative bankruptcy is to declare that the idea of athletes acting in movies is a bad idea, and thus Al’s proposal is stupid. The movie then proceeds to do exactly what it thinks it’s cleverly making fun of.
After Al takes offense to LeBron’s rejection, he somehow traps LeBron and his movie son, Dom (Cedric Joe), in the computer to get revenge.
Conveniently for the plot, 12-year-old Dom is some sort of genius video game designer, so Al steals his basketball video game as the arena for the contest that will allow LeBron to win his son back and earn their freedom.
For their team, the Goon Squad, Al and Dom create super-powered avatars based on some of the top NBA and WNBA players. All LeBron has to do is recruit a team of Warner Bros. characters to compete with them. His first instincts are to team up with the likes of Superman and King Kong, but then LeBron meets Bugs Bunny and his plans are derailed.
It seems Bugs is the only character left in the Looney Tunes section of the Warner Bros. Serververse (where each franchise has its own “world” that looks like a cartoon planet) because Al convinced the other Tunes their talents would be better served elsewhere. Daffy Duck, for example, hangs out in the DC Comics-based world posing as superman, complete with the John Williams theme.
Bugs uses LeBron’s predicament as an excuse to round up his friends on the pretense that they’re the ones being recruited to play. And thus, LeBron ends up teaming up with the Tune Squad for the big game, just like Mike 25 years earlier.
LeBron’s version, though, is more of a reboot or a remake than a sequel. It’s a completely standalone adventure that makes just a few passing references to the original while mostly ignoring its established worldbuilding. The original featured the Tunes as real-world characters living in their own realm beneath the surface of Earth (not unlike Toontown from Who Framed Roger Rabbit), while the bad guys were cartoon aliens from another planet, hence the “space” in Space Jam. The new iteration is more like “Cyberspace Jam” given how it pretty much all takes place in virtual reality.
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The creators of A New Legacy also appear to have misunderstood what made the story of the original work beyond the basic premise. The original film was as much the story of Jordan rediscovering his love of basketball as it was about the Looney Tunes playing alongside him. The movie famously chronicles Jordan’s real-life foray into an attempt to play professional baseball after he abruptly retired from the NBA following three championships. The film ties into this by having the evil aliens steal the talent from top NBA stars; as Jordan was away from basketball, his talent was left intact, leaving him for the Looney Tunes to recruit.
A New Legacy, on the other hand, has such a cut-and-paste story that they could have plugged nearly any marketable NBA player into it without it being fundamentally different, since the player’s family at the center of the story is entirely fictional. And then they chose LeBron James, one of the most unlikable players in the NBA, who in some metrics is considered the league’s most-hated player.
For the big game, the movie’s creators are essentially just playing a game of “spot the famous Warner Bros. character” in the audience, as the court is surrounded by extras dressed in recognizable costumes but who bear little resemblance to the original actors who played them (the guy dressed as Robin from the 1960s “Batman” show is especially distracting as he dances around every time he’s on camera).
As much as it all is an excuse for glitzy graphics and flashy colors, it should at the very least keep small children entertained.