‘Elvis’ Returns to No. 1, ‘A Man Called Otto’ Debuts No. 5 in U.K. Home Entertainment Sales Chart

Movie consumers in the U.K. renewed their interest in Warner Bros. Home Entertainment’s Elvis, as the eight-time Oscar nominee returned to the top of the U.K.’s Official Film Chart for a third time on digital retail sales through March 22.

Last week’s chart topper, Universal Pictures Home Entertainment’s Puss In Boots: The Last Wish dropped to No. 2, while Sony Pictures Home Entertainment’s Roald Dahl’s Matilda The Musical moved to No. 3. Sony Pictures Home Entertainment’s Whitney Houston: I Wanna Dance With Somebody moved up two spots to No. 4.

This week’s highest new entry is Sony’s comedy-drama A Man Called Otto, at No. 5. Tom Hanks stars as the title character, a grumpy old man who has given up on life following the death of his wife – only to form an unlikely friendship with a family that moves in next door.

Lionsgate U.K.’s British drama Living, starring Bill Nighy (6), and Paramount Home Entertainment’s Top Gun: Maverick (7) both dropped two spots. Warner’s Black Adam rebounded two spots to No. 8, knocking Oscar-nominated The Banshees of Inisherin (20th Century Studios) down one spot to No. 9.

Finally, Paramount’s Scream (2022) rounded out the Top 10 following the release of Scream VI in theaters.

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The Official Film Chart Top 10 – March 22, 2023

Last Week Position Movie Distributor
3 1 ELVIS WARNER BROS. HOME ENTERTAINMENT
1 2 PUSS IN BOOTS – THE LAST WISH UNIVERSAL PICTURES HOME ENTERTAINMENT
2 3 ROALD DAHL’S MATILDA THE MUSICAL SONY PICTURES HOME ENTERTAINMENT
6 4 WHITNEY HOUSTON – I WANNA DANCE WITH SOMEBDOY SPHE
NEW 5 A MAN CALLED OTTO SPHE
4 6 LIVING LIONSGATE U.K.
5 7 TOP GUN – MAVERICK PARAMOUNT HOME ENTERTAINMENT
10 8 BLACK ADAM WARNER
8 9 THE BANSHEES OF INISHERIN 20TH CENTURY STUDIOS
13 10 SCREAM (2022) PARAMOUNT

© Official Charts Company 2023

‘Magic Mike’s Last Dance’ Available Now on Premium Digital, on Disc April 18

The comedy-drama Magic Mike’s Last Dance is available now for premium digital ownership (PEST) and rental (PVOD), and will be released on Blu-ray Disc and DVD April 18 from Warner Bros. Discovery Home Entertainment.

In Magic Mike’s Last Dance, the third installment in the franchise, “Magic” Mike Lane (Channing Tatum) takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite (Salma Hayek Pinault) who lures him with an offer he can’t refuse — and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he — and the roster of new dancers he’ll have to whip into shape — be able to pull it off?

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The film, directed by Steven Soderbergh, also stars dancers from the “Magic Mike Live” shows in London and Las Vegas.

Blu-ray and digital extras include “Magic Mike’s New Moves” and a deleted scene.

Magic Mike’s Last Dance earned $47.8 million at the box office.

Dearth of Releases Undermines Warner Bros. Q4 Home Entertainment Revenue

Warner Bros. Discovery Feb. 23 reported a 26% decline in content distribution revenue to $3.63 billion in the fourth-quarter (ended Dec. 31, 2022), from revenue of $4.91 billion in the previous-year period.

Content distribution, which includes theatrical, home entertainment, TV licensing and video games, saw TV licensing revenue decline mainly due to greater TV licensing deals in the prior year quarter, while games and home entertainment revenue dropped due to greater COVID-induced consumer demand in the prior year. Home entertainment revenue was further impacted by fewer new theatrical releases in the current year.

CFO Gunnar Wiedenfels, speaking on the fiscal call, said the home entertainment revenue drop was in part due to management’s decision to seek alternative distribution options for select titles.

Black Adam was released in Q4 2022, but that compares to Dune, The Matrix Resurrections, King Richard and The Many Saints of Newark all released in the
prior-year quarter.

Warner Bros. Pictures’ Dune and The Batman ended 2022 as the studio’s top-selling digital/packaged media releases — the former released in retail channels more than a year ago.

The studio said it plans to produce new Lord of the Rings theatrical movies after inking a new distribution deal between Warner Bros. Pictures, New Line Cinema, and Embracer Group, J.R.R. Tolkien’s Middle Earth novels’ rights holder.

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Oscar-Nominated ‘The Banshees of Inisherin’ Tops Weekly U.K. Home Entertainment Sales

Searchlight Pictures’ Oscar-nominated dramedy The Banshees of Inisherin landed at No. 1 on the Official Film Chart as the top-selling movie in the United Kingdom for the week ended Feb. 8. Released into retail channels late last year, the Martin McDonagh-directed Irish movie features Colin Farrell, Barry Keoghan and Brendan Gleason embroiled in a dark relationship reunion.

The movie knocked previous chart topper, Warner Bros. Discovery Home Entertainment’s Black Adam to No. 2. Newcomer The Woman King (Universal Pictures Home Entertainment) entered the chart at No. 3, edging out chart mainstays and Oscar nominees Top Gun: Maverick (Paramount Home Entertainment) at No. 4, Elvis (Warner) at No. 5, and Universal’s Jurassic World Dominion at No. 6.

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Also new to the chart (No. 8) was Sony Pictures Home Entertainment’s re-release of Groundhog Day in honor of the comedy’s 30th anniversary.

The Official Film Chart Top 10 – Feb. 8, 2023

Rank Previous Week Movie Distributor
1 2 THE BANSHEES OF INISHERIN 20TH CENTURY
2 1 BLACK ADAM WARNER BROS.
3 NEW THE WOMAN KING UNIVERSAL
4 3 TOP GUN: MAVERICK PARAMOUNT
5 4 ELVIS WARNER
6 6 JURASSIC WORLD DOMINION UNIVERSAL
7 5 THE MENU 20TH CENTURY
8 NEW GROUNDHOG DAY SONY PICTURES
9 15 THE BATMAN WARNER
10 7 HALLOWEEN ENDS UNIVERSAL

 © Official Charts Company 2023

Q&A: Former Warner Bros. Home Entertainment Chief Jim Wuthrich’s Exit Interview

Warner Bros. Discovery content sales president Jim Wuthrich’s decision to resign late last year was as sudden as it was unexpected. The 58-year-old executive had played a critical role at Warner Bros. — and in the home entertainment industry — since joining the studio in 1998, just as support for DVD was revving up. Hired as a director of marketing and quickly promoted to VP, he was thrust in the middle of the aggressive campaign to launch DVD as the successor to the VHS videocassette, which involved not just a completely new product but also a dramatic shift in consumer habits, from renting movies to buying and collecting them. 

Once DVD was established, Wuthrich pioneered the development of digital products and distribution. After running international and then the Americas, he was promoted to worldwide head of home entertainment and games in 2018 and weathered two mergers as well as the rise to dominance of streaming. Most recently, he added WBD content licensing to his portfolio and led the team responsible for the theatrical windowing strategy that maximized the exposure and value of WB Pictures’ films after they left the theater.

Media Play News caught up with Wuthrich for an “exit interview” just after he led his family on a hiking adventure in Tanzania up Mount Kilimanjaro, the highest mountain in Africa and the highest freestanding mountain above sea level in the world. 

MPN: What was Warner Home Video, as the home entertainment division was called back then, like when you arrived in 1998?

Wuthrich: WHV was on the cusp of a major expansion due to the growth in DVD, which had been introduced the year before. It was oddly formal, at least compared to my expectation of a studio located in SoCal. But WHV was preparing for a major expansion into mass market retail, so the organizational model was more consumer packaged goods than Hollywood. I had just left a startup and all the chaos and excitement of that world was present at Warner, just at a larger scale. It was a bit old school and I remember getting my office and, not seeing a computer, being told it would take a couple of weeks, but I should be happy to have a phone. So no email, not what I was used to.

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It was still early days for DVD and there were many skeptics. The market was largely rental, so the idea of people owning movies, much less having to buy a new player, was a stretch. In these early days there was a public format war between digital tape, a temporary digital disc format (Divx) and what ultimately became DVD. This played out on the front pages of The Wall Street Journal, with WHV often at the center of the battle.

Building a business on a global scale was challenging and fun. There were lavish DVD launch parties, global travel and the opportunity to work with people across the industry.

MPN: Looking back over the past 24 years, what is your single fondest memory?

Wuthrich: There were many but, as cliché as it is, it’s all about the people. I was fortunate to meet so many people around the world, many of whom remain friends to this day. Smart, creative, caring, interesting. We are fortunate to work in an industry that is the nexus of creativity, technology and consumer, as it attracts bright and interesting individuals. If our paths crossed during these many years, thank you for making the journey so special.

People were a major reason for staying, but so was the ability to learn. Every couple of years, I’d get a new assignment or educational opportunity that stretched me further and allowed me to grow — it was like a new job every couple of years. It began with developing the market for DVD, then building digital, overseeing games and finally content licensing. One of the educational highlights was attending the 11-week Harvard Advanced Management Program.

MPN: What was your biggest challenge?

What goes up, comes back down. DVD transformed the business, and it required a lot of people to get those discs in homes. As the industry transitioned to digital, it didn’t need as many people, and we had to say goodbye to many talented colleagues. It’s part of the business cycle, but that doesn’t mean you have to like it. At the same time, we were building the digital business and that was very rewarding as it was a whole new set of challenges.

MPN: Who were some of your most memorable people at Warner Bros., and why?

Wuthrich: I’m reluctant to name individuals, as so many people had a memorable impact, but this journey would not have begun without Mark Horak bringing me in or Mike Saksa guiding me in the early days. Ron Sanders was my steadfast champion for most of my career, providing invaluable coaching along the way. I learned so much from Thomas Gewecke, especially how to be an inclusive leader. Kevin Tsujihara showed how to boldly lead and gave me the opportunity to expand on a global basis. And, of course, Warren Lieberfarb, who had an outsized role in driving the industry. More recently there was Jason Kilar, who I met my first week at Warner Bros. when he was building the Amazon DVD store and later led WarnerMedia, accelerating the expansion of HBO Max despite the naysayers. Those were some of the leaders, but there are countless others on the teams that got the work done and those that made Warner Bros. special like George Feltenstein, the Oracle of the Warner library, and Sheldon Moore, Concierge (visit the new WBD Second Century facility and he’ll be the first to greet you with a bow tie and a smile).

MPN: What’s next for Jim Wuthrich?

Wuthrich: I’d like to apply all I’ve learned and build something that brings value to the world. In the meantime, I’ll stay active in the entertainment community, finishing out my term as DEG Chair Emeritus, meeting with colleagues and exploring emerging technologies. I really enjoy working with people who are building their careers and will continue to be a mentor. On the personal front, I have a long to-do list that includes spending time with people I care about, adding more adventure to my days and making Los Angeles more bike friendly through my work with BikeLA. Reflecting on the last 24 years, I have nothing but gratitude for having had the opportunity.

Warner’s ‘Black Adam’ Retains Spot as Top-Selling U.K. Home Entertainment Title for Week Ended Feb. 1

Warner Bros.’s DC Comics antihero film Black Adam retained the No. 1 sales ranking in the United Kingdom for the week ended Feb. 1.

Starring Dwayne Johnson as the eponymous character, the movie leads the Official Film Chart on digital sales for another week, with 57% of its revenue made up of electronic sellthrough.

Separately, 20th Century Studios’ Oscar-nominated The Banshees of Inisherin moved up two spots to No. 2, with Paramount Home Entertainment’s former chart topper Top Gun: Maverick climbing back up to No. 3 for the week ahead of Warner’s Elvis at No. 4.

Disney-owned Searchlight Pictures’ The Menu, led by Anya Taylor-Joy, Ralph Fiennes and Nicholas Hoult, moved up four spots to No. 5, while Universal Pictures Home Entertainment’s Jurassic World Dominion jumped two spots to No. 6, ahead of Halloween Ends (No. 7) and Sony Pictures Home Entertainment’s Lyle, Lyle, Crocodile (No. 8).

Lionsgate’s demonic horror Prey For The Devil (No. 9) entered the top 10 for the first time from No. 14. In the film, a nun (Jacqueline Byers) believes she is answering a call to become an exorcist. As she battles to save the soul of a young girl, she discovers mysterious ties to her own past.

Finally, rounding out the top 10 was Universal’s family favorite Sing 2.

The Official Film Chart Top 10 – Feb. 1, 2023

Rank Previous Week Movie Distributor
1 1 BLACK ADAM WARNER
2 4 THE BANSHEES OF INISHERIN DISNEY/SEARCHLIGHT
3 5 TOP GUN: MAVERICK PARAMOUNT
4 3 ELVIS WARNER
5 9 THE MENU DISNEY/SEARCHLIGHT
6 8 JURASSIC WORLD DOMINION UNIVERSAL
7 2 HALLOWEEN ENDS UNIVERSAL
8 7 LYLE, LYLE, CROCODILE SONY PICTURES
9 13 PREY FOR THE DEVIL LIONSGATE
10 11 SING 2 UNIVERSAL

© Official Charts Company 2023

Hollywood Blockbusters Upped 2022 U.K. Home Entertainment Retail Revenue 6% to $775.5 Million

Entertainment consumers in the United Kingdom still love to purchase movies and TV shows across digital and physical formats. New data from the British Association for Screen Entertainment found that consumers spent more than $775 million acquiring video content — led by Paramount Home Entertainment’s Top Gun: Maverick and Sony Pictures Home Entertainment’s Spider-Man: No Way Home

Maverick was the biggest-selling home entertainment title with 1.566 million combined unit sales across transactional VOD, electronic sellthrough, Blu-ray Disc and DVD. The original 1986 Top Gun was a top-selling transactional VOD title.

No Way Home, the 2021 global box office champion, sold 1.365 million combined unit sales across all transactional formats. HBO’s House of the Dragon: Season One was the top-selling TV show on disc. 

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More than 50 movies were released on premium electronic sellthrough (PEST) and PVOD, a 6.3% rise from 2021, with the average theatrical window per movie hovering around 35 days.

Electronic sellthrough (digital purchase) generated $281 million, with 13 titles selling more than 100,000 units. Transactional VOD revenue increased 6.1% to $162.4 million, from $153 million in 2021.

Packaged media generated $257.2 million in sales across DVD, Blu-ray Disc and 4K UHD Blu-ray, with 13 titles selling more than 100,000 units. Blu-ray and Blu-ray 4K UHD upped their physical market share  to 40%, with 4K UHD demonstrating 14.7% growth from 2021. 

Warner Bros. Home Entertainment was the leading transactional content studio distributor across physical (34% market share) and digital (17.8% share) channels.

‘House Party’ Reboot Available for Premium Digital Rental and Purchase Jan. 31, on Disc Feb. 14

The comedy House Party will be available for premium digital rental ($19.99) and purchase ($24.99) Jan. 31, and on Blu-ray Disc and DVD beginning Feb. 14 from New Line Cinema and Warner Bros. Discovery Home Entertainment.

In the reboot of the franchise that spawned from the 1990 movie of the same name,  House Party follows aspiring club promoters and best buds Damon (Tosin Cole) and Kevin (Jacob Latimore) who are barely keeping things together. Out of money, down on their luck and about to lose the roofs over their heads — and freshly fired from their low-lift jobs as house cleaners — the pair needs a huge windfall to make their problems go away. In a “what the hell?” move, they decide to host the party of the year at an exclusive mansion, the site of their last cleaning job, which just happens to belong to none other than LeBron James.

The film made $8 million at the global box office.

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‘Black Adam’ Remains Atop Redbox Disc Rentals; ‘Ticket to Paradise’ No. 1 on Digital Chart

Warner Bros. Discovery Home Entertainment’s Black Adam remained No. 1 for a second week on the Redbox disc rental chart the week ended Jan. 15. The DC superhero film stars Dwayne Johnson as the title antihero, an ancient warrior freed from a 5,000-year imprisonment.

No. 1 on the Redbox on Demand chart, which tracks digital VOD and sellthrough transactions, and No. 2 on the disc chart, which tracks DVD and Blu-ray Disc rentals at Redbox’s thousands of red kiosks, was Universal Pictures’ Ticket to Paradise, starring George Clooney and Julia Roberts.

Lionsgate’s Prey for the Devil, a horror film about a nun who answers a calling to become the first female exorcist, was the No. 3 disc rental and No. 2 digital title.

The No. 4 disc rental, and No. 8 digital title, was Universal’s The Estate, a comedy about members of a twisted family scheming to get on their cancer-ridden aunt’s good graces to inherit her fortune.

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The No. 3 digital title was Universal’s animated sequel Puss in Boots: The Last Wish, while No. 4 was Warner’s Elvis.

No. 5 on the digital chart and No. 6 on the disc chart was Sony Pictures’ The Woman King. The historical drama stars Viola Davis as the titular character and is inspired by true events that took place in the Kingdom of Dahomey, one of the most powerful states of Africa in the 18th and 19th centuries.

Top DVD and Blu-ray Disc Rentals, Redbox Kiosks, Week Ended Jan. 15:

  1. Black Adam — Warner
  2. Ticket to Paradise — Universal
  3. Prey for the Devil — Lionsgate
  4. The Estate — Universal
  5. Top Gun: Maverick — Paramount
  6. The Woman King — Sony Pictures
  7. Lyle, Lyle, Crocodile — Sony Pictures
  8. On the Line — Paramount
  9. Smile — Paramount
  10. Paradise City — Lionsgate

 

Top Digital (VOD + Sellthrough), Redbox On Demand, Week Ended Jan. 15:

  1. Ticket to Paradise — Universal
  2. Prey for the Devil — Lionsgate
  3. Puss in Boots: The Last Wish — Universal
  4. Elvis — Warner
  5. The Woman King — Sony Pictures
  6. Lyle, Lyle, Crocodile — Sony Pictures
  7. Top Gun: Maverick — Paramount
  8. The Estate — Universal
  9. Mindcage — Lionsgate
  10. Smile — Paramount

 

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‘Black Adam’ Ascends to Top Spot on DVD and Blu-ray Sales Charts

Warner Bros. Discovery Home Entertainment’s Black Adam debuted at No. 1 on the NPD VideoScan First Alert chart, which tracks combined DVD and Blu-ray Disc unit sales, and the dedicated Blu-ray Disc sales chart the week ended Jan. 7.

The DC superhero film stars Dwayne Johnson as the title antihero, an ancient warrior freed from a 5,000-year imprisonment. It made $168 million at the domestic box office. Blu-ray Disc formats accounted for 62% of total Black Adam unit sales, with 22% from 4K Ultra HD Blu-ray and 40% from regular Blu-ray.

The arrival of Black Adam marks the end of Top Gun: Maverick‘s streak of nine weeks atop the overall disc sales chart. The Paramount Home Entertainment sequel dropped to No. 2 on both charts in its 10th week.

The previous week’s top Blu-ray seller, Universal Pictures’ Halloween Ends, slipped to No. 3 on both charts. Cinedigm’s horror sequel Terrifier 2 slipped to No. 4 on the overall sales chart, and No. 6 on the Blu-ray chart.

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No. 5 on both charts was Warner’s House of the Dragon: The Complete First Season.

The No. 4 Blu-ray seller, and No. 6 on the overall sales chart, was another newcomer, Lionsgate’s Prey for the Devil, a horror film about a nun who trains to become the first female exorcist. It earned $19.8 million at the domestic box office. Blu-ray formats accounted for 62% of its first-week unit sales, with 16% from 4K disc and 46% from regular Blu-ray.

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The Media Play News rental chart for the week ended Jan. 8 also had Black Adam at No. 1, pushing Universal’s Ticket to Paradise to No. 2 after three weeks in the top spot.

Prey for the Devil debuted at No. 3, followed by Sony Pictures’ The Woman King at No. 4, and Top Gun: Maverick at No. 5.

Top 20 Sellers for Week Ended 1-7-23
Top 20 Rentals for Week Ended 1-8-23
Top 20 Selling Blu-ray Discs for Week Ended 1-7-23
Top 20 Blu-ray Market Share for Week Ended 1-7-23
Sales Report for Week Ended 1-7-23
Digital Transactions Snapshot for Week Ended 1-9-23