Fast X

4K ULTRA HD BLU-RAY REVIEW:

Street Date 8/8/23;
Universal;
Action;
Box Office $145.96 million;
$24.98 DVD, $29.98 Blu-ray, $34.98 UHD BD;
Rated ‘PG-13’ for intense sequences of violence and action, language and some suggestive material.
Stars Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Chris ‘Ludacris’ Bridges, John Cena, Nathalie Emmanuel, Jordana Brewster, Sung Kang, Scott Eastwood, Daniela Melchior, Alan Ritchson, Helen Mirren, Brie Larson, Rita Moreno, Leo Abelo Perry, Jason Statham, Jason Momoa, Charlize Theron.

As over the top as Fast X may be, at least they don’t go into space this time. New franchise director Louis Leterrier brings the action back down to Earth a bit while finding new ways to push the audiences’ suspension of disbelief to its limits.

As shown in the bonus material, Leterrier seems excited for the chance to put his stamp on a franchise that has had a tenuous relationship with verisimilitude for a number of films, if only for the excuse to bring to life action concepts ruminating in his head since he was a child.

The story stems from the events of Fast 5, which set the stage for the series’ outlandish change of course with its ridiculous heist climax featuring two muscle cars dragging a multi-ton vault through the streets of Rio de Janeiro. The villain of Fast 5 was killed during that final chase, and 10 years later his son, Dante (Jason Momoa), wants revenge.

Setting out with the flamboyancy of a 1960s Batman villain, Dante must first level-up his resources in order to go toe-to-toe with Dom Toretto (Vin Diesel) and his family, who since that film have morphed from simple street racing hustlers to global secret agents. To demonstrate how dangerous he is, the film has him take over the high-tech operations of Charlize Theron’s Cipher, the villain of the last couple of “Fast” films, and arranges to split Team Toretto apart on different missions. From there Dom and his family are subjected to an elaborate series of death traps around the world designed to make them suffer until he can maneuver them into one final improbable battle.

Almost lost among the spectacle is that the massive cast has managed to bring together two actors who have played Aquaman — in addition to Momoa, there’s Alan Ritchson, who portrayed the master of the sea on “Smallville,” on hand here as an Agency supercop whose skepticism of Team Toretto’s loyalties provides another wrinkle to the plot.

This film was touted is the beginning of the end for the franchise, as the first part of a grand finale for the characters, so it shouldn’t come as a surprise that the film ends with a series of cliffhangers and teases for more movies to come.

Still, as exhausting as Fast X can be at times, it can at least be admired for the sheer audacity of the stunts we are expected to believe are happening within the realm of a real physical world. The mayhem looks great in 4K, though the vivid explosions and the exploits of Dom’s seemingly indestructible super-car tend to verge on the cartoonish side.

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In addition to a solo commentary from an enthusiastic Leterrier, the Blu-ray also includes a five-minute gag reel, two forgettable music videos, and nearly 75 minutes of informative (but repetitive) behind-the-scenes featurettes.

The general making of the film is covered in the 35-minute “This Is Family.” Additional featurettes include the 13-minute “Xtreme Rides of Fast X” that profiles the vehicles in the film (which are actually described as the superhero suits to the films’ characters); the seven-minute “Belles of the Brawl” that looks at how the women of the film prepared for their action scenes; the five-minute “Tuned Into Rio” looks at the film’s connections to Fast 5; The two-minute “Jason Momoa: Conquering Rome” focuses on the actor’s role in the franchise, his stunts and a key sequence set in Rome; the three-minute “Little B Takes the Wheel” takes a look at Leo Abelo Perry joining the franchise as Dom’s son; and the minute-and-a-half “A Friend in the End” looks at the film’s post-credits sequence.

Finally, there’s a nearly eight-minute segment of Leterrier breaking down specific action scenes.

Guardians of the Galaxy Vol. 3

4K ULTRA HD BLU-RAY REVIEW:

Street Date 8/1/23;
Disney/Marvel;
Sci-Fi;
Box Office $358.95 million;
$29.99 DVD, $34.99 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements.
Stars Chris Pratt, Zoë Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Bradley Cooper, Sean Gunn, Chukwudi Iwuji, Will Poulter, Maria Bakalova, Linda Cardellini, Nathan Fillion, Sylvester Stallone.

The release of Guardians of the Galaxy Vol. 3 represents the end of an era for the Marvel Cinematic Universe. With writer-director James Gunn jumping ship to lead rival DC’s production slate, the MCU loses one of its strongest creative voices, and the results are becoming evident.

As the MCU flounders trying to regain the narrative momentum it had prior to Avengers: Endgame, Gunn’s concluding chapter to his “Guardians” trilogy caps off what is probably Marvel’s last reliable sub-franchise in terms of consistent quality. (Losing a key player off the bench should make Disney all-the-more desperate to secure a deal with Sony for more Tom Holland “Spider-Man” movies, but time will tell).

Picking up after last year’s Guardians of the Galaxy Holiday Special, Gunn’s latest tale of the ragtag group of offbeat interstellar adventurers delves into the backstory of the wisecracking talking raccoon Rocket (voiced by Bradley Cooper). Rocket turns out to be the result of the cruel experiments of the High Evolutionary (Chukwudi Iwuji), a megalomaniacal geneticist cursed with delusions of godhood who dreams of creating perfect societies. As Rocket was his only creation to ever develop the gift of technological inventiveness, the Evolutionary wants to study him to learn how to use that spark of insight to create the perfect life form.

However, when Rocket is critically injured by the efforts of the Evolutionary’s minions to capture him, the Guardians’ only hope to save him is to steal the Evolutionary’s proprietary technology, setting up a cataclysmic final battle that could destroy the entire team.

The premise provides not only for some emotional character dynamics, but allows Gunn to indulge his penchants for inventive but unconventional visual designs. The film is equal parts bright and colorful and gooey and grotesque, providing for a splendid 4K experience. And of course there are plenty of opportunities for laughs despite the heavy subject matter.

The “Guardians” movies are also known for their iconic needle-drop soundtracks of classic 1970s rock, and while the third film isn’t as memorable in that regard, it still offers a great array of tunes, this time expanding the selection into the 2000s.

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Gunn in the bonus materials delves into how each film in the trilogy relates to the theme of family. With Chris Pratt’s Star-Lord’s mother and father weighing heavily on the events of the first two films as the Guardians come together to form their own ersatz family unit, the third film deals with each coming to terms with their own sense of self — particularly Rocket, whose story is told in flashbacks as he lies dying on a medical bed.

The highlight of the extras is the full-length commentary with Gunn, who provides a lot of insight into the story and characters, and how much it meant for him to be able to close out a franchise that has defined his life for a decade.

Fans will also be interested in checking out the deleted scenes. There are eight included on the Blu-ray, each running about a minute. They include a number of interesting character interactions, including what might be Kraglin’s funniest line (as delivered by James’ brother Sean Gunn) in the series. Also included is the cameo appearance by Pete Davidson that was ultimately cut for stalling the momentum of the final act (the commentary details how Davidson ended up being given a CGI alien head after his dialogue was cut).

There’s also a fun five-minute gag reel, and two behind-the-scenes featurettes that contextualize the making of the film within the trilogy as a whole. The nine-and-a-half-minute “Creating Rocket Raccoon” looks at the process of bringing the character to life, while the 11-minute “The Imperfect, Perfect Family” focuses on the legacy of all the characters.

All told, the behind-the-scenes footage is a bit sparse considering what was being released online during the film’s theatrical run. And it would have been nice if the studio found a way to include the Holiday Special as part of the package, given how much it sets up this film. But maybe it will find its way onto disc eventually as part of a “Guardians” boxed set, since keeping it relegated to a Disney+ exclusive just accentuates the hole that exists in fans’ physical media collections.

Action Hit ‘Fast X’ Racing to Regular Digital Aug. 1, Disc Aug. 8

Universal Pictures Home Entertainment will release the action hit Fast X (previously available at a premium digital price) on regular digital Aug. 1, and on Blu-ray, DVD and 4K Ultra HD Blu-ray Aug. 8.

The latest installment of the “Fast & Furious” franchise finds Dom Toretto (Vin Diesel) and his family dealing with the son (Jason Momoa) of a former foe who is out for revenge.

In addition to Diesel and Momoa, Fast X stars Michelle Rodriguez (The Fast and the Furious), Tyrese Gibson (2 Fast 2 Furious), Chris ‘Ludacris’ Bridges (2 Fast 2 Furious), John Cena (F9: The Fast Saga), Nathalie Emmanuel (Furious 7), Jordana Brewster (The Fast and the Furious), Sung Kang (The Fast and the Furious: Tokyo Drift), Scott Eastwood, Daniela Melchior, Alan Ritchson, Helen Mirren (The Fate of the Furious), Brie Larson (Captain Marvel), Rita Moreno, Jason Statham (Furious 7) and Charlize Theron (The Fate of the Furious). It also features a few surprise cameos from the franchise’s past.

The film has earned $704.7 million at the global box office.

The home release includes a commentary by director Louis Leterrier, a gag reel, two music videos from the original motion picture soundtrack, and more than an hour of behind-the-scenes featurettes detailing the making of the film from the streets of Los Angeles to the Colosseum in Rome, plus scene breakdowns with Leterrier.

‘Fast X’ Available for Purchase on Vudu June 9 With Whole Series Bundle at $99.99

The Universal Pictures action film Fast X will be available for purchase on the platform starting June 9 in SD, HD and UHD at $24.99. 

Vudu is also offering a bundle deal for the franchise, selling the whole 10-film series at $99.99. 

In Fast X, Dom Toretto and his family are targeted by the vengeful son of drug kingpin Hernan Reyes.

The film has earned more than $604 million at the global box office and $128.8 million domestically.

Universal’s ‘Fast X’ Speeds to $319 Million Global Theatrical Opening, Despite Slower Domestic Debut

Universal Pictures’ Fast X, the 10th installment in the primary “Fast & Furious” speeding cars action franchise, generated more than $67 million in projected North American ticket sales in its theatrical debut through the weekend ended May 21. Globally, the Vin Diesel-led movie topped $319 million, the sixth highest in the post-pandemic era, and much-needed considering the movie’s reported record $340 million production budget.

At the same time, the North American tally looks to fall slightly short of previous franchise release F9, which generated more than $70 million in its opening weekend debut in 2021. In fact, Fast X looks to finish behind 2017’s The Fate of the Furious ($98.8 million), Furious 7 ($147.2 million), Fast & Furious 6 ($97.3 million), 2011’s Fast 5 ($86.2 million), and 2009’s Fast & Furious at $71 million. The movie does surpass the $60 million opening box office for 2019 spin-off Fast & Furious Presents: Hobbs & Shaw.

Not surprisingly, Universal is looking at the global picture, including more than $250 million in foreign ticket sales, excluding Canada.

“What a tremendous global debut for this incredible, unique franchise,” Jim Orr, president of domestic theatrical distribution, said in a statement. “Audiences were revved up to see their beloved Fast family back in theaters with all the spectacular action and familial themes that resonate so well across the globe.”

In addition, the movie easily held off previous box office No. 1, Disney/Marvel Studios’ Guardians of the Galaxy Vol. 3, which saw another $32 million in ticket sales to up its North American box office past $267 million, and $659 million globally.

Rounding out the podium: Universal’s animated behemoth The Super Mario Bros. Movie, which added almost $10 million in revenue despite being available in the home to buy or rent digitally priced from $24.99. The movie has now surpassed Disney’s Incredibles 2 as the No. 3 all-time grossing animated movie with $1.24 billion in ticket sales. Super Mario Bros. remains the top-grossing North American release in 2023 with almost $550 million in revenue.

Universal’s box office presence continued with Book Club: The Next Chapter adding $3 million in ticket sales, upping the sequel’s total past $13 million, still behind its reported $20 million production budget.

Warner Bros. Pictures’ supernatural horror film Evil Dead Rise sold another $2.3 million worth of tickets to up the scratched HBO Max original movie’s global tally past $140 million worldwide.

Finally, Lionsgate’s Are You There God? It’s Me, Margaret generated $1.3 million to up its North American total near $19 million. John Wick: Chapter 4 took in an estimated $1.3 million to up its North American tally past $185 million. And Lionsgate’s World War II drama Sisu added $171,600 in ticket sales to up its domestic tally past $7 million.

The Guardians of the Galaxy Holiday Special

STREAMING REVIEW:

Disney+;
Sci-Fi Comedy;
Not rated.
Stars Chris Pratt, Dave Bautista, Pom Klementieff, Karen Gillan, Sean Gunn, Kevin Bacon, Vin Diesel, Bradley Cooper, Maria Bakalova, Michael Rooker, The Old 97’s.

Checking in on the Guardians of the Galaxy’s adventures within the Marvel Cinematic Universe is usually a fun time, and their new Disney+ holiday special is no exception.

Written and directed by the Guardians guru himself, James Gunn, The Guardians of the Galaxy Holiday Special avoids the cheesy pitfalls of most Christmastime larks, while still managing to inject a dose of sweet sentimentality thanks to Gunn’s offbeat sense of humor and a story that stays true to the characters.

It also serves as a bit of a preview for next year’s Guardians of the Galaxy Vol. 3, as it was made as a side project during production of the film. It quickly gets the audience up to speed on what the Guardians have been up to since their last appearance in Thor: Love and Thunder, as well as introduces Maria Bakalova as the voice of Cosmo the Spacedog, heretofore a background character but sure to be an audience favorite.

Just because the Guardians are the stars doesn’t mean the special isn’t packed with Christmas cheer. The focus is primarily on Mantis and Drax (Pom Klementieff and Dave Bautista), who decide that their leader, Peter “Star-Lord” Quill (Chris Pratt) needs some cheering up, as he is overwhelmed with work since the Guardians took over administration of Knowhere, the space colony inside a giant alien head as seen in the first “GOTG” film. Their plan is to travel to Earth to kidnap Kevin Bacon, one of Quill’s childhood idols, whom they believe is a true hero and not just a movie actor. Drax and Mantis are a good pairing within the group, and their misadventures on Earth as they search for Kevin Bacon (who plays himself) are hysterical.

Gunn has delivered one of the MCU’s better forays into television, complete with a hilarious new Christmas song (imagine the holiday as interpreted by weird aliens), and a soundtrack infused with solid holiday tunes.

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F9: The Fast Saga

Universal;
Action;
Box Office $173.01 million;
$34.98 DVD, $39.98 Blu-ray, $49.98 UHD BD;
Rated ‘PG-13’ for sequences of violence and action, and language.
Stars Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, John Cena, Jordana Brewster, Nathalie Emmanuel, Sung Kang, Michael Rooker, Helen Mirren, Kurt Russell, Charlize Theron.

By continuing the trend of its predecessors, the latest entry in the “Fast & Furious” franchise is a contender for one of the most absurd movies of all time. In addition to the franchise’s repeated assaults on the laws of physics, F9 adds long-lost family members and yet another character’s return from the dead.

Marking the 20th anniversary of The Fast and the Furious, F9 is the 10th film in the franchise, but the ninth in the main storyline, with 2019’s Hobbs & Shaw being a spinoff. It also features the return to the director’s chair of Justin Lin, who previously directed the third through sixth entries. Lin had previously directed the 2002 crime drama Better Luck Tomorrow, which could be considered the unofficial 11th film in the franchise as it introduced the character of Han (Sung Kang), who went on to appear in all of Lin’s “FF” movies and makes his return here, bringing the franchise’s main arc full circle as it prepares for its finale.

The story finds Dom Toretto (Vin Diesel) living in seclusion with his wife, Letty (Michelle Rodriguez), and son, but he’s called back into action when it turns out his brother, Jakob (John Cena) is the leader of a clandestine group trying to steal a device that can hack into every computer on the planet. So the usual “FF” gang reunites for another round of car chases, explosions and quips from Tyrese.

The screenplay injects some pathos into the mix by exploring the sibling relationship between Dom and Jakob, in the form of flashbacks to when they were teenagers and their father was killed in a race, for which Dom blames Jakob. The flashbacks account for the “saga” aspect of the title as the film tries to connect nearly every character and plot thread from all the earlier films.

Once upon a time, these were movies about thieves in a street racing gang before it became about international missions to save the world. Now the characters are basically acknowledging they’re in a movie, joking about how they always survive against impossible odds, and pointing out the structure of the plot as a reason to switch sides for a third-act swerve.

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The film’s home video editions include a director’s cut that runs about six minutes more and improves the movie with important character moments, as well as another scene in Cardi B’s cameo.

Lin provides a good commentary track in which he discusses his return to the franchise, his desire to provide some weight to whatever drama exists in the franchise’s margins, and hints at future revelations.

The Blu-ray also includes a three-and-a-half-minute gag reel and more than 70 minutes of comprehensive behind-the-scenes featurettes.

There’s also a three-and-a-half minute featurette on the “Justice for Han” movement that influenced the film, and the fun four-and-a-half-minute “John Cena: Supercar Superfan,” in which the wrestler-turned-actor shows off several high-performance cars, including some used in the film.

The 4K disc contains the same bonus content as the regular Blu-ray.

 

 

‘F9: The Fast Saga’ Racing to Digital Sept. 7, Disc Sept. 21

F9: The Fast Saga, the latest installment in the “Fast and Furious” franchise, will come out with a new director’s cut on digital Sept. 7 and 4K Ultra HD, Blu-ray and DVD Sept. 21 from Universal Pictures Home Entertainment.

The film has generated more than $600 million worldwide.

The release features the original theatrical version, the director’s cut and more than an hour of exclusive bonus content, including a behind-the-scenes look at the stunts and cars and a gag reel.

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In the film, Dom Toretto (Vin Diesel) thought he’d left his outlaw life in the rear-view mirror, but not even he can outrun the past. When his forsaken brother Jakob (John Cena, Bumblebee) unexpectedly resurfaces as an elite assassin, the crew comes back together to help Dom confront the sins of his own past and stop a world-shattering plot.

Franchise veteran Justin Lin, who helmed the third, fourth, fifth and sixth installments of the series, returns to the director’s seat for F9.

F9 also stars returning franchise cast members Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Jordana Brewster and Sung Kang, with Helen Mirren and Charlize Theron.

Mattel, Universal Pictures Working With Vin Diesel on ‘Rock ‘em Sock ‘em Robots’ Live-Action Movie

Mattel April 19 announced plans to develop with Universal Pictures a live-action movie based on the Rock ‘Em Sock ‘Em Robots tabletop game, and starring Vin Diesel — lead actor of the studio’s “Fast and Furious” franchise.

Mattel Films will produce the project alongside Diesel and Samantha Vincent (Fast and the Furious) from Diesel’s One Race Films production company. Ryan Engle (“Rampage,” “The Commuter”) penned the screenplay for the action adventure, which follows a father and son who form an unlikely bond with an advanced war machine. Kevin McKeon will lead the project for Mattel Films.

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“We are proud to bring this iconic piece of Mattel IP to life on the big screen,” Robbie Brenner, executive producer of Mattel Films, said in a statement.

Launched in 1966, the Rock ‘em Sock ‘em Robots game was inspired by an arcade boxing game, which pitted Red Rocker against Blue Bomber in a fight to knock his rival’s block off. A staple in pop culture since its debut, the brand’s bright and bold gameplay has appeared in films, television shows and commercials over the past five decades.

The movie is the second project between Mattel Films and Universal Pictures, which are also developing a movie based on the “Wishbone” television series. Other Mattel Films projects in development, include movies based on American Girl, Barbie, Barney, Hot Wheels, Magic 8 Ball, Major Matt Mason, Masters of the Universe, Thomas & Friends, Uno and View-Master.

MVD Releasing ‘Flash Gordon’ and ‘Pitch Black’ as Arrow’s First 4K Ultra HD Blu-rays

Arrow Video is set to release its first-ever 4K Ultra HD Blu-ray titles — the sci-fi cult movies Pitch Black, starring Vin Diesel, and Flash Gordon, featuring an iconic soundtrack by the rock band Queen.

Restored in 4K with Dolby Vision, the releases include numerous extras. The titles, distributed by MVD Entertainment Group, will also be available on as standalone Blu-rays.

“At Arrow we have always sought to have the best standards in home video presentation so it seemed a logical step that we would embrace this new format, to present you with the best versions of the finest cult and classic films,” said Francesco Simeoni, Arrow Video’s director of acquisitions and business development, in a statement.

Arrow is producing a slate of 4K releases, many completed in-house, but also in partnership with world leading labels.

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“Whilst we are focused on new releases, we do have select releases we are planning to release from our catalog in 4K with Dolby Vision,” said Simeoni in a statement. “For this year this will be releasing all upcoming UHD titles in separate UHD and new Blu-ray editions. This development will not change our processes at Arrow, and you can continue to expect the same variety of special and limited editions for our UHD releases as you have our Blu-rays. Whilst we would love to release certain titles on UHD, rights restrictions and materials will not make all releases possible. Any releases currently planned for Blu-ray will not have plans for subsequent UHD releases.”

Arriving Aug. 18 is Flash Gordon, produced by Dino De Laurentiis (Dune, Barbarella), which brings Alex Raymond’s classic cartoon strip and the long running movie serial to the big screen with director Mike Hodges at the helm. With camp style and the sonic stylings of rock band Queen, the film stars include Max von Sydow, Sam J. Jones, Melody Anderson, Ornella Muti, Timothy Dalton and Brian Blessed.

The director-approved limited edition 4K Ultra HD release includes:

  • A new 4K restoration by Studiocanal from the original camera negative approved by director Hodges;
  • a booklet featuring new writing on the film by critics and film historians including Neil Snowdon, Dennis Cozzalio, John-Paul Checkett, A.K. Benedict, and Kat Ellinger illustrated with original stills;
  • a fold-out double-sided poster featuring original and newly commissioned artwork;
  • six double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images; and
  • limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais.

 

Disc one (4K Ultra Blu-ray) has Flash Gordon (1980) and special features, including:

  • archival audio commentary with Hodges;
  • archival audio commentary with Blessed;
  • interviews with actors Sam J. Jones, Melody Anderson, Blessed, Queen icon Brian May, composer Howard Blake, and poster designer Renato Casaro;
  • “Behind the Scenes of Flash Gordon,” an archival documentary on the making of the film;
  • archival interviews with Hodges, screenwriter Lorenzo Semple Jr. and comic book artist Alex Ross;
  • “Lost in Space: Nic Roeg’s Flash Gordon,” a new documentary program exploring the version Roeg (The Man Who Fell to Earth) had originally planned to make with producer Dino De Laurentiis;
  • “Gremlin’s Finest Hour,” an episode from the animated “Flash Gordon” TV show written by J. Michael Reaves from November 1982;
  • deleted scenes and original endings with prop collector Bob Lindenmayer discussing dropped sequences and sequel ideas;
  • a 35th anniversary greenroom featurette, in which Hodges meets the cast for the first time since filming at the 35th anniversary reunion;
  • a 35th anniversary reunion featurette, in which the cast and crew discuss Flash Gordon;
  • Entertainment Earth on Flash Gordon merchandise;
  • a storyboards gallery;
  • a stills gallery;
  • the original trailer; and
  • Easter eggs.

 

Disc 2 (Blu-ray) has Life After Flash and special features, including:

  • 2017 feature length documentary by filmmaker Lisa Downs on the rollercoaster life of Sam J. Jones since his role in Flash Gordon, featuring the main cast and crew as well as a host of fans. including Stan Lee, Robert Rodriguez, Mark Millar and more;
  • “Sam J. Jones,” a variety of interviews and featurettes including coverage of a script read from the Chattanooga Film Festival, Sam discussing his career in Mexico, his “prayer walk,” and more;
  • “Melody Paintings Extended,” in which actress Melody Anderson talks about her love of painting and talks about various pieces displayed in her home;
  • “Topol,” a variety of interviews with the actor on his collections, awards and charity work;
  • “Brian Blessed,” in which the actor recounts amusing stories about Flash Gordon;
  • “Late, Great Wyngarde,” in which actor Peter Wyngarde discusses his experiences filming Flash Gordon and his relationship with Hodges;
  • “Deep Roy,” in which the actor raps about ambition and recounts an amusing story about “Eastbound & Down”;
  • “Alex Ross Talks Early Art,” in which the artist talks about Flash Gordon and the many pieces of art he created for it from childhood to modern day;
  • “Tell Me More About the This Man Houdini,” in which actor Rich Fuller and Jason Lenzi, founder of toy brand Bif Bang Pow, discuss a scene from Flash Gordon;
  • a Comic-Con early draft, a featurette looking at the phenomenon that is Comic-Con, featuring interviews with attendees and a host of regular talent including Sam J. Jones, Rich Fulton, Jason Mewes, Michael Rooker, Claudia Wells and more;
  • an interview with Lisa Downs, the director of Life After Flash, exploring her motivation to make the film and experiences during the production;
  • “Life After Flash on the Road,” a variety of featurettes on the film travelling to various festivals and production including Q&A excerpts with the Flash Gordon cast, behind-the-scenes footage and the Kickstarter funding video;
  • a trailer.

 

The director-approved special edition 4K Ultra HD release includes:

  • new 4K restoration by Studiocanal from the original camera negative approved by director Hodges;
  • archival audio commentary with Hodges;
  • archival audio commentary with Blessed;
  • interviews with actors Jones, Anderson, Blessed, Queen icon Brian May, composer Howard Blake, and poster designer Renato Casaro;
  • “Behind the Scenes of Flash Gordon,” an archival documentary on the making of the film;
  • archival interviews with Hodges, screenwriter Lorenzo Semple Jr. and comic book artist Alex Ross;
  • “Lost in Space: Nic Roeg’s Flash Gordon,” a new documentary program exploring the version Roeg (The Man Who Fell to Earth) had originally planned to make with producer Dino De Laurentiis;
  • “Gremlin’s Finest Hour,” an episode from the animated “Flash Gordon” TV show written by J. Michael Reaves from November 1982;
  • deleted scenes and original endings, in which prop collector Bob Lindenmayer discusses dropped sequences and sequel ideas;
  • a 35th anniversary greenroom featurette, in which Hodges meets the cast for the first time since filming at the 35th anniversary reunion;
  • a 35th anniversary reunion featurette, in which the cast and crew discuss Flash Gordon;
  • Entertainment Earth on Flash Gordon merchandise;
  • a storyboards gallery;
  • a stills gallery;
  • the original trailer;
  • Easter eggs; and
  • a reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais.

 

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Arriving Sept. 1, pushed back from its original Aug. 18 street date, is the 2000 film Pitch Black. The standalone Blu-ray version is still slated for Aug. 18.

Starring Vin Diesel, the film is about the crew of a crashed spaceship fighting for survival, is a creature-feature in which the monsters outside finally meet their match against a monster within. The release includes director’s cuts of the film and a host of behind-the-scenes featurettes. They include:

  • A new 4K restoration by Arrow Films of the theatrical and director’s cuts of the film, approved by director David Twohy;
  • archive commentary with Twohy and stars Diesel and Cole Hauser;
  • archive commentary with Twohy, producer Tom Engelman and visual effects supervisor Peter Chiang;
  • “Nightfall: The Making of Pitch Black,” a newly filmed interview with director/co-writer Twohy;
  • “Black Box: Jackie’s Journey,” a newly filmed interview with actor Rhiana Griffith
  • “Black Box: Shazza’s Last Stand,” a newly filmed interview with actor Claudia Black;
  • “Black Box: Bleach Bypassed,” a newly filmed interview with cinematographer David Eggby;
  • “Black Box: Cryo-Locked,” a newly filmed interview with visual effects supervisor Peter Chiang;
  • “Black Box: Primal Sounds,” a newly filmed interview with composer Graeme Revell;
  • “The Making of Pitch Black,” a short behind-the-scenes featurette;
  • “Pitch Black Raw,” a comparison between early CG tests and the final footage
  • additional behind-the-scenes footage from the making of the film;
  • 2004 archive bonus features, including an introduction by Twohy, “A View Into The Dark,” and “Chronicles of Riddick Visual Encyclopedia”;
  • “Johns’ Chase Log,” a short prequel narrated by Cole Hauser detailing the character’s hunt for Riddick;
  • “The Chronicles of Riddick: Dark Fury,” an animated short film directed by Peter Chung that acts as a bridgepoint between Pitch Blackand The Chronicles of Riddick, featuring vocal performances by Diesel, Keith David and Griffith reprising their roles;
  • “Dark Fury” bonus features, including “Bridging the Gap,” “Peter Chung: The Mind of an Animator,” “A View Into The Light” and a “pre-animation” version of the film;
  • “Slam City,” a motion comic from the film’s official website;
  • “Into Pitch Black,”a TV special offering an alternative non-canon glimpse into what happened before and after the events of the film;
  • “Raveworld: Pitch Black Event,” footage of a dance music event held to promote the film;
  • theatrical trailers, plus trailers for the two sequels and video game
  • image galleries; and
  • a reversible sleeve featuring newly commissioned ‘night’ and ‘day’ artwork by Luke Preece.

 

For the first pressing only, editions include a collectors’ booklet featuring new writing by Simon Ward on the film’s creature designs (including a new interview with creature designer Patrick Tatopolous), original production notes and information from the film’s official website, and an archive interview with Vin Diesel from Starlog magazine.

Arrow announced that due to a printing error, its UHD versions of Pitch Black in all territories will no longer include a slipcase.