Universal Movies to Stream on Peacock 45 Days After Theatrical Release

NBCUniversal Dec. 9 announced a new theatrical window model that will see most movies from Universal Filmed Entertainment Group streaming exclusively on Peacock as early as 45 days after their theatrical and PVOD release. The new distribution model will begin with the studio’s 2022 film slate and will maintain the studio’s existing premium VOD deals with exhibitors.

With the beginning of the pandemic, Universal was one of the first studios to rejigger the traditional theatrical window, bowing some movies on premium VOD as early as 17 days after their box office debut, depending on ticket sales.

“As we continue investing in the most valued and sought-after content for Peacock, films are essential to that mix,” Kelly Campbell, president of Peacock, said in a statement.

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The 2022 theatrical slate features titles from Universal Pictures, Focus Features, Illumination and DreamWorks Animation, including The 355, the hard-driving original approach to the globe-trotting espionage genre starring Jessica Chastain, Penélope Cruz, Bingbing Fan, Diane Kruger and Lupita Nyong’o; Ticket To Paradise, starring George Clooney and Julia Roberts; The Black Phone from Blumhouse Productions starring Ethan Hawke; Marry Me starring Jennifer Lopez and Owen Wilson; new movies from DreamWorks Animation including The Bad GuysDownton Abbey: A New Era from Focus Features; Ambulance, the breakneck thriller from director-producer Michael Bay; and the final installment of the “Halloween” franchise,  Halloween Ends, among others.

This year, Universal released select movies concurrently in theaters and on Peacock, including most-recently for Halloween Kills.

“Prioritizing the theatrical experience … remains the cornerstone of our business,” said Peter Levinsohn, vice chairman and chief distribution officer for UFEG. “By ensuring our upcoming slate has both a theatrical window and timely Peacock debut, we satisfy the needs and expectations for key stakeholders across the spectrum, from our filmmakers and producing partners, to cinemagoers and Peacock subscribers.”

The new expanded windowing structure underscores NBCUniversal’s push to drive subscriber/user growth at Peacock, which continues to struggle adding paid subscribers.

Peacock, which launched 18 months ago, is currently available on the Roku platform; Amazon FireTV and Fire tablets; Apple devices including iPhone, iPad, iPod touch, Apple TV 4K and Apple TV HD; Google platforms and devices including Android, Android TV devices, Chromecast and Chromecast built-in devices; Microsoft’s Xbox One family of devices, including Xbox One S and Xbox One X; Sony PlayStation4 and PlayStation 4 Pro; Samsung Smart TVs; Vizio SmartCast TVs, and LG Smart TVs.

Comcast’s eligible Xfinity X1 and Flex customers, as well as eligible Cox Contour customers, can access Peacock Premium at no additional cost.

AMC Theatres Threatens to Drop Distribution of Universal Pictures Movies; Studio Responds

The world’s largest movie theater chain is fighting back against NBCUniversal’s plans to release at least some movies simultaneously to theaters and to homes.

On the heels of Universal Pictures’ animated feature film Trolls World Tour generating upwards of $100 million from premium video-on-demand and other digital channels in less than three weeks of release, NBCUniversal CEO Jeff Shell April 28 told The Wall Street Journal the studio would pursue a simultaneous theatrical/home entertainment release strategy going forward.

“The results for Trolls World Tour exceeded our expectations and demonstrated the viability of PVOD,” Shell said. “As soon as theaters reopen, we expect to release movies on both formats.”

AMC Theatres CEO Adam Aron promptly fired off a letter to the studio’s chairwoman, Donna Langley, saying it would no longer screen Universal movies if it turns a cold shoulder to the traditional 90-day theatrical window.

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“This radical change by Universal to the business model that currently exists between our two companies represents nothing but downside for us and is categorically unacceptable to AMC Entertainment,” Aron wrote in the letter. “Going forward, AMC will not license any Universal movies in any of our 1,000 theaters globally on these terms.”

AMC’s strategy mirrors exhibitor sentiment that has shunned Netflix original movies since the subscription streaming video behemoth releases its movies concurrently with any theatrical distribution.

Aron, along with 600 AMC executives, has been furloughed as the chain saw its business literally shuttered over night to help curb spread of the coronavirus. He said Shell’s comments suggest Universal is moving away from a long-term business model between AMC and Universal.

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Aron said the chain, which remains largely closed despite governors in select states authorizing the re-opening of theaters, would not distribute Universal — or any other studio’s content — globally if they stray away from the “theaters first” doctrine.

The executive said theatrical releases is a segue for future retail distribution, including boosting publicity, positive word-of-mouth, critical acclaim and downstream revenue. Aron said Universal wants to have its cake and eat it too by combining distribution channels.

“[Universal] assumes that we will meekly accept a reshaped view of how studios and exhibitors should interact, with zero concern on how its actions affect us,” Aron said.

He said AMC has invested significant time and energy with Universal executives over the past few years trying to figure out a new distribution models that would be beneficial both parties. Aron has previously mentioned helping studios distribute movies on its website and in theaters — the latter through packaged media.

“AMC is willing to sit down with Universal to discuss different windows strategies and different economic models between your company and ours,” Aron wrote. “However, in the absence of such discussions, and an acceptable conclusion thereto, our decades of incredibly successful business activity together has sadly come to an end.”

Universal Pictures, in a statement, called Aron’s letter disappointing. It said the decision to release Trolls World Tour on PVOD was done to offer consumers sheltering in home an alternative entertainment option.

“Based on the enthusiastic response to the film, we believe we made the right move,” Universal said. “In fact, given the choice of not releasing Trolls World Tour, which would not only have prevented consumers from experiencing the movie but also negatively impacted our partners and employees, the decision was clear.”

The studio said it still believes in the theatrical business model and said it has made no comment to contrary. It said it always seeks to make its movies available to as wide an audience as possible.

“We look forward to having additional private conversations with our exhibition partners, but are disappointed by this seemingly coordinated attempt from AMC and [trade group National Association of Theatre Owners] to confuse our position and our actions,” Universal said.

30th Anniversary Blu-ray of ‘The Wizard’ Due March 24

Shout! Factory will release The Wizard: Collector’s Edition on Blu-ray Disc through the Shout Select premium imprint March 24, 2020.

The 1989 film tells the story of young Jimmy Woods (Luke Edwards), who runs away to California with his brother, Corey (Fred Savage), while being pursued by their father (Beau Bridges) and older brother (Christian Slater). Along the way they encounter street-smart teen Haley (Jenny Lewis), and discover Jimmy’s hidden talent for video games, leading them to enroll in a tournament at Universal Studios.

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The two-disc collector’s edition includes a new 4K scan of the film and new bonus features, including an audio commentary from director Todd Holland and never-before-released deleted scenes.

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Featurettes include “The Road to Cali-forn-ia,” a retrospective with new interviews from Holland Savage and Edwards, writer-producer David Chisholm, producer Ken Topolsky and more; “How Can I Help You? Confessions of a Game Play Counselor”; “A Clinical Analysis of The Wizard”; and a post-screening Q&A from the Let’s Play Gaming Expo 2019 with Edwards, Chisholm and Topolsky.

The set also includes trailers and a photo gallery.