Disney+’s ‘Ms. Marvel’ Top New Show, Netflix’s ‘The Umbrella Academy’ Top Returning Show Anticipated in June

Disney+’s “Ms. Marvel” was the top anticipated new show, Netflix’s “The Umbrella Academy” was the most-anticipated returning show, and Universal Pictures’ Jurassic World: Dominion was the top anticipated movie on the Whip Media charts for June.

“Ms. Marvel” starts streaming on Disney+ June 8. The Marvel Studios’ series introduces Kamala Khan, a Muslim American teenager growing up in Jersey City. An avid gamer and a voracious fan-fiction scribe, Kamala is a superhero mega fan with an oversized imagination — particularly when it comes to Captain Marvel. Yet Kamala feels like she doesn’t fit in at school and sometimes even at home — that is, until she gets superpowers like the heroes she’s always looked up to.

The third season of “The Umbrella Academy” starts streaming on Netflix June 22. The series, based on the comic books of the same name, follows a group of superheroes adopted at birth by a mysterious billionaire who face the end of the world.

Jurassic World: Dominion debuts in theaters June 10. It’s the third in the “Jurassic World” series and the sixth in the series that started with Jurassic Park. It takes place four years after Isla Nublar has been destroyed as dinosaurs live — and hunt — alongside humans all over the world.

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TV Time, a Whip Media company, is a free TV and movie viewership tracking app with 21 million global users, according to the company. TV Time’s “Anticipation Report” is based on data from those users.

Most Anticipated New Shows for June:

  1. “Ms. Marvel” (Disney+) — June 8
  2. “The Old Man” (FX) — June 16
  3. “Dark Winds” (AMC) — June 12
  4. “First Kill” (Netflix) — June 10
  5. “Baymax!” (Disney+) — June 29

 

Most Anticipated Returning Shows for June:

  1. “The Umbrella Academy” (Netflix) — June 22
  2. “The Boys” (Prime Video) — June 3
  3. “Only Murders in the Building” (Hulu) — June 28
  4. “Westworld” (HBO) — June 26
  5. “The Orville” (Hulu) — June 2

 

Most Anticipated Movies for June:

  1. Jurassic World: Dominion — June 10
  2. Lightyear — June 17
  3. The Black Phone — June 24
  4. Elvis — June 24
  5. Spiderhead — June 17
  6. Hustle — June 8
  7. Father of the Bride — June 16
  8. Fire Island — June 3
  9. Cha Cha Real Smooth — June 17
  10. My Fake Boyfriend — June 17

‘Moon Knight,’ ‘The Adam Project’ Top Weekly Whip Media Streaming Charts

The Disney+ series “Moon Knight” again led the chart of top streaming originals while Netflix’s The Adam Project led the Whip Media chart of top streaming movies among U.S. consumers the week ended April 17.

“Moon Knight,” which started streaming in weekly episodes March 30, is based on the Marvel Comics. The series stars Oscar Isaac as a mild-mannered gift shop employee who finds he’s been given the powers of an Egyptian moon god.

Rising from No. 2 to the top spot on the streaming movies chart was The Adam Project, released on Netflix March 11. It’s a science-fiction action film, starring Ryan Reynolds, Mark Ruffalo and Jennifer Garner, that follows a man who travels through time and meets his younger self.

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TV Time, a Whip Media company, is a free TV and movie viewership tracking app with 21 million global users. The streaming originals chart rankings are determined by streaming original TV series with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app. The movie rankings are determined streaming movies with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app.

Landing at No. 2 on the streaming originals chart was Netflix’s reality series “The Ultimatum: Marry or Move On,” the first eight episodes of which started streaming April 6. Hosted by Nick and Vanessa Lachey, the series follows couples who put their love to the test while having encounters with other potential matches.

Netflix’s Shonda Rhimes series “Bridgerton,” season two of which began streaming March 25, fell from No. 2 to No. 3 on the streaming originals chart. It’s a costume romance drama inspired by Julia Quinn’s novels that follows the eight close-knit siblings of the Bridgerton family as they seek love and happiness in London high society.

Disney-owned 20th Century’s Death on the Nile, which started streaming on both Hulu and HBO Max March 29, fell from the top spot to No. 2 on the streaming movies chart. It’s director Kenneth Branagh’s adaptation of Agatha Christie’s 1937 murder mystery novel. In addition to Branagh as detective Hercule Poirot, the film also stars Tom Bateman, Annette Bening, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer, Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders and Letitia Wright.

Landing at No. 3 on the streaming movies chart was Netflix’s horror thriller Choose or Die, which started streaming April 15. In the film, tempted by a chance to win unclaimed prize money, two friends reboot a mysterious 1980s video game and step into a surreal world of next-level terror.

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Top Streaming Originals Among U.S. Consumers for the Week Ended April 17:

  1. “Moon Knight” — Disney+
  2. “The Ultimatum: Marry or Move On” — Netflix
  3. “Bridgerton” — Netflix
  4. “Halo” — Paramount+
  5. “Severance” — Apple TV+
  6. “Star Trek: Picard” — Paramount+
  7. “Elite” — Netflix
  8. “Minx” — HBO Max
  9. “Young Justice” — HBO Max
  10. “The Girl From Plainville” — Hulu

 

Top Streaming Movies Among U.S. Consumers April 15-17:

  1. The Adam Project — Netflix
  2. Death on the Nile — HBO Max/Hulu
  3. Choose or Die — Netflix
  4. Turning Red — Disney+
  5. Fantastic Beasts and Where to Find Them — HBO Max/Peacock/Fubo TV
  6. Fantastic Beasts: The Crimes of Grindelwald — HBO Max/Peacock/Fubo TV
  7. Encanto — Disney+
  8. Metal Lords — Netflix
  9. Free Guy — HBO Max/Disney+
  10. The Bubble — Netflix

Hulu’s ‘Under the Banner of Heaven’ Top New Show, Netflix’s ‘Russian Doll’ Top Returning Show Anticipated in April

Hulu’s “Under the Banner of Heaven” was the top anticipated new show, Netflix’s “Russian Doll” was the most anticipated returning show, and Sony Pictures’ Morbius was the top anticipated movie on the Whip Media charts for April.

Starring Andrew Garfield, “Under the Banner of Heaven” starts streaming on Hulu April 28. The limited series, inspired by the true-crime bestseller, follows the events that led to the 1984 murder of Brenda Wright Lafferty and her baby daughter in a suburb in Salt Lake Valley, Utah.

The second season of “Russian Doll” starts streaming on Netflix April 20. The series follows Nadia (Natasha Lyonne), a woman caught in a time loop in which she dies repeatedly.

Morbius, debuting in theaters April 1, is based on the Marvel Comics character of the same name. It stars Jared Leto as Dr. Michael Morbius, who becomes a vampire after he cures himself of a rare disease.

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TV Time, a Whip Media company, is a free TV and movie viewership tracking app with 21 million global users, according to the company. TV Time’s “Anticipation Report” is based on data from those users.

Most Anticipated New Shows for April:

  1. “Under the Banner of Heaven” (Hulu) — April 28
  2. “The First Lady” (Showtime) — April 17
  3. “Slow Horses” (Apple TV+) — April 1
  4. “The Offer” (Paramount+) — April 28
  5. “Tokyo Vice” (HBO Max) — April 7

 

Most Anticipated Returning Shows for April:

  1. “Russian Doll” (Netflix) — April 20
  2. “The Flight Attendant” (HBO Max) — April 21
  3. “Barry” (HBO) — April 24
  4. “Better Call Saul” (AMC) — April 18
  5. “Undone” (Prime Video) — April 29

 

Most Anticipated Movies for April:

  1. Morbius — April 1
  2. Fantastic Beasts: The Secrets of Dumbledore — April 15
  3. Ambulance — April 8
  4. Sonic the Hedgehog 2 — April 8
  5. The Northman — April 22
  6. The Unbearable Weight of Massive Talent — April 22
  7. The Bad Guys — April 22
  8. The Contractor — April 1
  9. The Bubble — April 1
  10. All the Old Knives — April 8

Q&A: Whip Media’s Carol Hanley on the Need for Data in the New Era of Streaming and Content Licensing

Carol Hanley is president of Whip Media, a leading enterprise software platform and data provider to some of the world’s largest entertainment organizations. Hanley joined the company in 2017 as chief revenue officer to lead the company’s business strategy, revenue, sales and marketing. She also oversaw the development of new measurement solutions that combine audience consumption data with financial information to enable smarter TV and film buying and selling decisions in a rapidly evolving entertainment ecosystem. Under her leadership, Whip Media acquired Mediamorph, with a platform that powered more than two-thirds of all global digital transactional revenue for the film and television industries, and the TV & movie metadata platform TVDB. She also scaled Whip Media’s global sales team and expanded customer relationships with global content providers, broadcasters and operators. Prior to joining Whip Media, Hanley served as CRO of Deluxe Entertainment Services Group. Before her term at Deluxe, Hanley spent 13 years as the EVP and chief revenue and marketing officer at Nielsen Audio. She also served as SVP and CRO of Arbitron, before Nielsen acquired it, and as a managing partner at Morrison and Abraham.

Ahead of MIPTV next week, Whip Media has launched a global licensing and research platform for film and TV content called the Whip Media Exchange. The Exchange predicts demand across hundreds of thousands of film and TV titles to help customers identify those most likely to work for a specific audience.

Media Play News asked Hanley about how Whip Media is helping its customers tackle this new era of streaming and content licensing, along with what’s ahead for the industry as a whole.

MPN: Tell me about Whip Media. What needs in the entertainment business do you fulfill?

Hanley: Whip Media is a global enterprise software platform and data provider to leading entertainment companies. We provide solutions across licensing, content planning and financial operations to help our customers drive revenue, growth and solve for the challenges they are facing in their businesses. We also play a central role in the content distribution ecosystem, as we manage more than 2 trillion global VOD and EST transactions annually and 20 million avails for major content providers and distributors globally. Our roster of clients consists of more than 50 of the biggest media and entertainment companies, including all major Hollywood studios, top broadcasters, and the largest global MVPD operators in the world.

MPN: Whip Media recently launched a new solution for streaming services to manage performance tracking and revenue for their subscription apps. Tell us about the significance of this.

Hanley: The rapid growth of mainstream and niche subscription streaming apps, whether bundled in a mobile plan, cable TV offering, or available on app stores, has generated billions in revenue and created massive numbers of reports in different formats for the studios and distributors that manage them. Oftentimes teams are manually processing deferred revenue from annual subscriptions or redemptions of vouchers, which is a time-consuming and error-prone process. Whip Media’s solution for subscription streaming apps not only consolidates and centralizes performance data across global platforms, but also automates accounting processes to manage revenue. Whip Media currently manages performance tracking and revenue management for more than 60% of VOD and EST transactions annually for the largest film studios and distributors across 1,100-plus global platforms, so this is a natural extension of our business.

MPN: One of the most visible aspects of Whip Media is your weekly chart tracking the popularity of movies and shows on the various streaming platforms. It’s a crowded field — so why is your data better than the others?

Hanley: Our TV and movie data is successful because it’s different and not available from other sources. It’s global, first-party viewer engagement and audience demand data across all platforms and devices. This is a key differentiating factor. Our data provides a deeper understanding of viewer sentiment and behaviors, as well as the competitive landscape — which complements the viewing data that our customers already have internally. Further, our panel is continuously capturing viewing intent, engagement and affinity data for content across 1,900 platforms in 130-plus countries. This data helps drive marketing, licensing, programming and development decisions for our customers. 

MPN: Whip Media’s data-driven approach to content licensing allows for content predictions — a “demand score.” With streamers increasingly looking to international markets, why is this important?

Hanley: As streaming services are expanding globally and the demand for content increases, companies are struggling to keep up with all of this change and to identify the right licensing opportunities at scale. The Whip Media Exchange, which just launched commercially, is a game-changer when it comes to global content licensing. The backbone of the Demand Score and the Exchange overall is Whip Media’s consumer sentiment and engagement data from 21 million TV and movie fans around the world. This data-driven foundation provides a unique score for each film and TV title on the Exchange — allowing customers to predict how content will perform in a particular territory and on a particular platform.

This is vital. Content buyers and sellers using The Exchange now have the ability to compare the predicted performance of a movie or TV series against hundreds of thousands of new and library titles worldwide. That applies to content rights both listed and not listed on the Exchange. This is a critical new content planning tool that allows Exchange customers to both research and make better-informed content choices for their platforms. How does it do this? By offering key insights on important audience characteristics, including the age and gender of viewers, as well as similar titles that may appeal to their audience. This proprietary and market-leading data helps make it quicker and easier for customers to evaluate what content to buy or sell, and where. A number of major entertainment companies have already seen this, too: Whip Media Exchange customers include Lionsgate, Pluto TV, Globo,  TelevisaUnivision’s ViX, AMC Networks International Latin America, Vodafone Hungry, Tastemade and Keshet International, among many others. 

MPN: You’re in a great position to take a step back and observe industry trends. Give us your prognosis for the streaming market, including the competitive landscape, streaming fatigue and the rise of AVOD.

Hanley: International markets will continue to be the big battleground in the streaming wars. The largest streaming platforms are expanding, and therefore competing for subscribers. Established players that already have large subscription bases will have to look to territories whose economies may need lower price points to acquire subscribers. Also, more consolidation will happen. 

In the U.S., according to our data, consumers subscribe to an average of 4.7 services and plan to add only one more. A large majority (70%) feel that there are too many subscription services on the market and most of them (85%) say it’s getting too expensive to have this many subscriptions. As a result, we are seeing growth for AVOD and FAST services, like Pluto TV.

Whip Media: ‘Don’t Look Up’ Most-Viewed Best Picture Oscar Nominee

Netflix’s Don’t Look Up is the most-viewed Best Picture Academy Award nominee, according to data from Whip Media’s TV Time app.

Ahead of the Oscars March 27, Whip Media gathered data on the Best Picture nominees with the most views. 

The analysis is based on data insights from Whip’s TV Time app, which has 21 million registered users globally following their favorite shows and movies on the app. 

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The 10 Best Picture nominees ranked based on view share according to Whip Media’s TV Time app:

1. Don’t Look Up
2. Dune
3. West Side Story
4. Nightmare Alley
5. The Power of the Dog
6. King Richard
7. Licorice Pizza
8. CODA
9. Belfast
10. Drive My Car 

‘The Adam Project,’ ‘Upload’ Top Weekly Whip Media Streaming Charts

Prime Video’s “Upload” led the chart of top streaming originals while Netflix’s The Adam Project led the Whip Media chart of top streaming movies among U.S. consumers the week ended March 13.

“Upload,” season two of which premiered March 11, is a science-fiction series set in a future in which people can upload themselves into a virtual afterlife of their choosing.

The Adam Project, released on Netflix March 11, is a science-fiction action film starring Ryan Reynolds, Mark Ruffalo and Jennifer Garner. It follows a man who travels through time and meets his younger self.

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TV Time, a Whip Media company, is a free TV and movie viewership tracking app with more than 20 million global users. The streaming originals chart rankings are determined by streaming original TV series with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app. The movie rankings are determined by theatrical or streaming movies with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app.

Landing at No. 2 on the streaming originals chart was “The Marvelous Mrs. Maisel,” season four of which started streaming Feb. 17. Set in the late 1950s and early 1960s, it stars Rachel Brosnahan as a New York housewife who discovers she has a talent for stand-up comedy.

Taking the bronze on the streaming originals chart was “The Last Kingdom,” season five of which began streaming on Netflix March 9. It’s a British historical fiction series based on Bernard Cornwall’s novels.

Landing at No. 2 on the streaming movies chart was Turning Red, the latest Pixar animated feature, which started streaming on Disney+ March 11. It follows Mei Lee, a 13-year-old torn between staying her mother’s dutiful daughter and the chaos of adolescence. As if changes to her interests, relationships and body aren’t enough, whenever she gets too excited, she “poofs” into a giant red panda.

In the No. 3 spot on the streaming movies chart was Paramount Pictures’ new Scream. The 2022 horror flick relaunch, available on Paramount+ after a theatrical run, reunites Neve Campbell, Courteney Cox and David Arquette, reprising their roles. The story takes place 25 years after a streak of brutal murders shocked the quiet town of Woodsboro as a terrifying new killer resurrects the Ghostface mask. As the deaths mount, Woodsboro’s new targets must seek help from the survivors of the original attacks.

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Top Streaming Originals Among U.S. Consumers for the Week Ended March 13:

  1. “Upload” — Prime Video (Season Premiere)
  2. “The Marvelous Mrs. Maisel” — Prime Video
  3. “The Last Kingdom” — Netflix (Season Premiere)
  4. “How I Met Your Father” — Hulu
  5. “Star Trek: Discovery” — Paramount+
  6. “Pam & Tommy” — Hulu
  7. “The Boys Presents: Diabolical” — Prime Video
  8. “Love Is Blind” — Netflix
  9. “Pieces of Her” — Netflix
  10. “Star Trek: Picard” — Paramount+

 

Top Streaming Movies Among U.S. Consumers March 11-13:

  1. The Adam Project — Netflix
  2. Turning Red — Disney+
  3. Scream — Paramount+
  4. Free Guy — HBO Max/Disney+
  5. The King’s Man — HBO Max/Hulu
  6. Fresh — Hulu
  7. West Side Story (2021) — HBO Max/Disney+
  8. Encanto — Disney+
  9. The Weekend Away — Netflix
  10. Eternals — Disney+

‘The Weekend Away,’ ‘Marvelous Mrs. Maisel’ Top Weekly Whip Media Streaming Charts

Prime Video’s “The Marvelous Mrs. Maisel” led the chart of top streaming originals while Netflix’s The Weekend Away led the Whip Media chart of top streaming movies among U.S. consumers the week ended March 6.

“The Marvelous Mrs. Maisel,” season four of which started streaming Feb. 17, rose from No. 3 to the top spot. Set in the late 1950s and early 1960s, it stars Rachel Brosnahan as a New York housewife who discovers she has a talent for stand-up comedy.

The Weekend Away, a thriller based on the book of the same name, hit Netflix on March 3. It follows a woman (Leighton Meester) who races to figure out what happened when her best friend vanishes during a girls’ trip to Croatia. Each clue yields another unsettling deception.

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TV Time, a Whip Media company, is a free TV and movie viewership tracking app with more than 20 million global users. The streaming originals chart rankings are determined by streaming original TV series with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app. The movie rankings are determined by theatrical or streaming movies with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app.

Remaining at No. 2 on the streaming originals chart was the reality dating series “Love Is Blind,” season two of which began to be released on Netflix in batches of episodes starting Feb. 11.

Taking the bronze on the streaming originals chart was “Vikings: Valhalla,” a sequel to History’s “Vikings” that began streaming on Netflix Feb. 25. Set 100 years after the events of “Vikings,” it chronicles the beginning of the end of the Viking Age, marked by the Battle of Stamford Bridge in 1066.

Taking the silver on the streaming movies chart was Fresh, a comedy thriller starring Daisy Edgar-Jones and Sebastian Stan. The story follows a woman who discovers the evil nature of a man she begins dating. The film was released on Hulu March 4.

Landing at No. 3 on the streaming movies chart was Steven Spielberg’s Oscar-nominated remake of West Side Story. The film began streaming on both Disney+ and HBO Max March 2.

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Top Streaming Originals Among U.S. Consumers for the Week Ended March 6:

  1. “The Marvelous Mrs. Maisel” — Prime Video
  2. “Love Is Blind” — Netflix
  3. “Vikings: Valhalla” — Netflix
  4. “1883” — Paramount+
  5. “How I Met Your Father” — Hulu
  6. “Inventing Anna” — Netflix
  7. “Star Trek: Discovery” — Paramount+
  8. “Space Force” — Netflix
  9. “The Boys Presents: Diabolical” — Prime Video (Series Premiere)
  10. “Pam & Tommy” — Hulu

 

Top Streaming Movies Among U.S. Consumers March 4-6:

  1. The Weekend Away — Netflix
  2. Fresh — Hulu
  3. West Side Story (2021) — HBO Max/Disney+
  4. The King’s Man — HBO Max/Hulu
  5. Free Guy — HBO Max/Disney+
  6. Scream — Paramount+
  7. Eternals — Disney+
  8. Encanto — Disney+
  9. No Exit — Hulu
  10. A Madea Homecoming — Netflix

‘Free Guy,’ ‘Space Force’ Top Weekly Whip Media Streaming Charts

Netflix’s “Space Force” led the chart of top streaming originals while 2oth Century Studios’ Free Guy led the Whip Media chart of top streaming movies among U.S. consumers the week ended Feb. 27.

Free Guy began streaming on two services, HBO Max and Disney+, Feb. 23. The action comedy stars Ryan Reynolds as a bank teller who discovers he is actually a background player in an open-world video game and decides to become the hero of his own story. It debuted in theaters in August.

“Space Force,” season two of which began streaming Feb. 18, stars Steve Carell, John Malkovich and Ben Schwartz. In the series, a four-star general (Carell) teams up with an eccentric scientist (Malkovich) to get the U.S. military’s newest agency, Space Force, ready for lift off.

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TV Time, a Whip Media company, is a free TV and movie viewership tracking app with more than 20 million global users. The streaming originals chart rankings are determined by streaming original TV series with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app. The movie rankings are determined by theatrical or streaming movies with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app.

Dropping to No. 2 on the streaming movies chart was The King’s Man, which like Free Guy also is streaming on two services, HBO Max and Hulu. The action thriller, which began streaming Feb. 18, tells the origin story of the world’s very first independent intelligence agency and is set during World War I. It came out in theaters in December.

Landing at No. 3 on the streaming movies chart was A Madea Homecoming, which started streaming on Netflix Feb. 25. In the film, Madea’s back and not putting up with any nonsense as family drama erupts at her great-grandson’s college graduation celebration.

Falling from the top spot to No. 2 on the streaming originals chart was the reality dating series “Love Is Blind,” season two of which began to be released on Netflix in batches of episodes starting Feb. 11.

Landing at No. 3 on the streaming originals chart was Prime Video’s “The Marvelous Mrs. Maisel,” season four of which started streaming Feb. 17. Set in the late 1950s and early 1960s, it stars Rachel Brosnahan as a New York housewife who discovers she has a talent for stand-up comedy.

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Top Streaming Originals Among U.S. Consumers for the Week Ended Feb. 27:

  1. “Space Force” — Netflix
  2. “Love Is Blind” — Netflix
  3. “The Marvelous Mrs. Maisel” — Prime Video
  4. “Inventing Anna” — Netflix
  5. “1883” — Paramount+
  6. “How I Met Your Father” — Hulu
  7. “Peacemaker” — HBO Max
  8. “Ozark” — Netflix
  9. “Reacher” — Prime Video
  10. “Star Trek: Discovery” — Paramount+

 

Top Streaming Movies Among U.S. Consumers Feb. 25-27:

  1. Free Guy — HBO Max/Disney+
  2. The King’s Man — HBO Max/Hulu
  3. A Madea Homecoming — Netflix
  4. Texas Chainsaw Massacre — Netflix
  5. The Tinder Swindler — Netflix
  6. No Exit — Hulu
  7. Encanto — Disney+
  8. Eternals — Disney+
  9. The 355 — Peacock
  10. Don’t Look Up — Netflix

Disney+’s ‘Moon Knight’ Top New Show, Netflix’s ‘Bridgerton’ Top Returning Show Anticipated in March

Disney+’s “Moon Knight” was the top anticipated new show, Netflix’s “Bridgerton” was the most anticipated returning show, and Warner Bros.’ The Batman was the top anticipated movie on the Whip Media charts for March.

Based on the Marvel Comics, “Moon Knight,” which starts streaming on Disney+ March 30, follows Steven Grant, a mild-mannered gift-shop employee who becomes plagued with blackouts and memories of another life. He discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. The series stars Oscar Isaac and Ethan Hawke.

The second season of the Shonda Rhimes series “Bridgerton” starts streaming on Netflix March 25. Inspired by Julia Quinn’s novels, the series follows the eight close-knit siblings of the Bridgerton family as they seek love and happiness in London high society.

The Batman, debuting in theaters March 4, is a reboot of Warner’s DC Comics-based feature series, this time starring Robert Pattinson as the caped crusader. It will hit the HBO Max streaming service after a 45-day theatrical window.

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TV Time, owned by Whip Media, is a free TV viewership tracking app that tracks consumers’ viewing habits worldwide and is visited by more than 1 million consumers every day, according to the company. TV Time’s “Anticipation Report” is based on data from those users.

Most Anticipated New Shows for March:

  1. “Moon Knight” (Disney+) — March 30
  2. “Halo” (Paramount+) — March 24
  3. “Our Flag Means Death” (HBO Max) — March 3
  4. “Winning Time: The Rise of the Lakers Dynasty” (HBO) — March 6
  5. “The Dropout” (Hulu) — March 3

 

Most Anticipated Returning Shows for March:

  1. “Bridgerton” (Netflix) — March 25
  2. “Upload” (Prime Video) — March 11
  3. “Atlanta” (FX) — March 24
  4. “The Last Kingdom” (Netflix) — March 9
  5. “Outlander” (Starz) — March 6

 

Most Anticipated Movies for March:

  1. The Batman — March 4
  2. The Lost City — March 25
  3. The Adam Project — March 11
  4. Turning Red — March 11
  5. Everything Everywhere All at Once — March 25
  6. Deep Water — March 18
  7. The Outfit — March 18
  8. The Weekend Away — March 3
  9. X — March 18
  10. Cheaper by the Dozen — March 18

‘The King’s Man,’ ‘Love Is Blind’ Top Weekly Whip Media Streaming Charts

20th Century Studios’ The King’s Man led the Whip Media chart of top streaming movies, while Netflix’s “Love Is Blind” led the chart of top streaming originals among U.S. consumers the week ended Feb. 20.

The King’s Man began streaming on two services, HBO Max and Hulu, Feb. 18. The action thriller tells the origin story of the world’s very first independent intelligence agency and is set during World War I. It came out in theaters in December.

Season two of the reality dating series “Love Is Blind” began to be released on Netflix in batches of episodes starting Feb. 11.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

TV Time, a Whip Media company, is a free TV and movie viewership tracking app with more than 20 million global users. The streaming originals chart rankings are determined by streaming original TV series with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app. The movie rankings are determined by theatrical or streaming movies with the greatest share of views in the given week, among a balanced panel of U.S. users of the TV Time app.

Landing at No. 2 on the streaming movies chart was Netflix’s Texas Chainsaw Massacre, based on the classic horror film. It follows a group of influencers who encounter the notorious Leatherface.

Falling from No. 2 to No. 3 on the streaming movies chart was The Tinder Swindler, which started streaming on Netflix Feb. 2. It’s a documentary that tells the story of a prolific conman who posed as a billionaire playboy on tinder, and the women who set out to bring him down.

Taking the silver on the streaming originals chart was HBO Max’s “Peacemaker,” based on the DC Comics character and starring John Cena. It began streaming weekly on HBO Max Jan. 13.

Landing at No. 3 on the streaming originals chart was Netflix’s “Inventing Anna,” a miniseries about a notorious conwoman who fools New York’s elite. Created by Shonda Rhymes based on a true story, it began streaming Feb. 11.

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Top Streaming Originals Among U.S. Consumers for the Week Ended Feb. 20:

  1. “Love Is Blind” — Netflix
  2. “Peacemaker” — HBO Max
  3. “Inventing Anna” — Netflix
  4. “Space Force” — Netflix (Season Premiere)
  5. “Dollface” — Hulu
  6. “Ozark” — Netflix
  7. “Reacher” — Prime Video
  8. “1883” — Paramount+
  9. “How I Met Your Father” — Hulu
  10. “Sweet Magnolias” — Netflix

 

Top Streaming Movies Among U.S. Consumers Feb. 18-20:

  1. The King’s Man — HBO Max/Hulu
  2. Texas Chainsaw Massacre — Netflix
  3. The Tinder Swindler — Netflix
  4. Marry Me — Peacock
  5. Encanto — Disney+
  6. Eternals — Disney+
  7. Nightmare Alley — HBO Max/Hulu
  8. Fistful of Vengeance — Netflix
  9. I Want You Back — Prime Video
  10. Don’t Look Up — Netflix