Shout! Studios;
$39.98 UHD BD;
Rated ‘PG.’
Stars Tim Curry, Eileen Brennan, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Lesley Ann Warren, Lee Ving, Colleen Camp, Howard Hesseman, Jane Wiedlin, Bill Henderson, Jeffrey Kramer, Kellye Nakahara.

Nowadays the thought of making a movie based on a board game wouldn’t be an altogether surprising creative choice for a studio. But in 1985 the notion would have been downright absurd. Then Paramount released Clue, a trailblazer of sorts for the genre of mining games for source material.

The basic premise of the game itself, of course, has no real story. Players begin with the knowledge that a murder has taken place in a mansion, and must simply use a process of elimination to determine a who did it, with what weapon, and in which room. Clue the movie takes all the famous elements of the game (originally released as Cluedo in the U.K. in 1949) and crafts an Agatha Christie-style mystery around them by filling in the backstory with some tropes of the genre (the butler, the maid, unwanted visitors, a dark and stormy night, and so on).

The screenplay, which director Jonathan Lynn rewrote from an original treatment by John Landis, gets by on an almost excessive amount of puns and witty wordplay. The result isn’t necessarily a satisfying mystery, but a charming romp of talented performers that comes across more as a spoof of the genre while remaining true to the spirit of the game.

Tim Curry gives a terrific performance as Wadsworth, a butler who arranges for all the characters to meet for dinner at a secluded mansion. The setting is the Red Scare of the 1950s, and each of the characters is someone connected to the government and being extorted by an unknown blackmailer. When their secrets are threatened to be exposed, the bodies start piling up. The six central characters from the game search the house for clues, setting up any number of comedic gags, until after an hour or so Wadsworth declares he knows who the killer is, and Curry spends the final act of the film retracing the plot to explain it all.

This then leads to the film’s most famous twist, in that it was originally released to theaters with three different endings (a fourth ending was cut because it just didn’t work, according to the director). Judging by the retrospective featurettes included with Shout! Studios’ new 4K Ultra HD Blu-ray of the film, the gimmick was apparently conceived of in order to build audience interest in repeated viewings of the film, but the studio marketing department didn’t quite know how to handle releasing them. Thinking the need to see the movie three times to see all the endings would boost the films’ box office, the studio booked theaters using a letter coding that told audiences which of the three endings they could see (A, B or C). However, the maneuver was mostly panned by critics and succeeded in little more than confusing audiences to the point of the film underperforming at the box office.

Lynn says he wanted the three endings to play together, thus demonstrating how clever the script and staging of the film was to the point where each ending makes sense. The first home video releases of the film then presented the film with all three endings back-to-back-to-back, and Clue became a cult hit that is now fondly remembered as a staple of the murder mystery genre.

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Clue is a film where a little nostalgia goes a long way. The recent Shout! Studios edition presents a new 2023 4K scan of the film that looks terrific, providing nice color contrasts despite the sometimes darker settings, while preserving the texture of a mid-’80s film.

The combo pack includes the film on both a 4K disc and a regular Blu-ray, both containing the remastered cut of the film. Each offers the option of viewing the film with one of the three random endings in the theatrical style, or with the home video-style “trilogy ending.”

Supplemental materials can be found on the regular Blu-ray disc in the set and include the film’s trailer and three new featurettes.

The 28-minute “The Perfect Motive: Directing Clue” presents a fresh interview with writer-director Jonathan Lynn, and provides the best look back at the making of the film. The 22-minute “Scene of the Crime: Producing Clue” adds to this with an interview of associate producer Jeffrey Chernov. Completing the set is the nine-minute “Not Just a Game: Scoring Clue,” in which film music historian Daniel Schweiger discusses the contributions of John Morris, the longtime Mel Brooks collaborator who passed away in 2018.

Shout! Factory Preps 30th Anniversary Blu-ray + DVD Combo of ‘FernGully’

In the latest instance of an independent film distributor licensing movies from the major studios for disc release, Shout! Factory is prepping a 30th anniversary edition of FernGully: The Last Rainforest for Aug. 23 release in a Blu-ray + DVD combo pack.

The 1992 animated family feature, originally released by 20th Century Fox, has been restored from a brand-new 4K scan of the original film elements and will be issued under the Shout! Kids banner in a two-disc set.

Special features on FernGully: The Last Rainforest 30th Anniversary Edition include a new introduction from director Bill Kroyer, which includes never-before-seen pencil, character and animation tests. Other features include multiple commentaries, featurettes, a music video, a multi-angle scene study, a script-to-scene comparison, and more. 

FernGully is set deep in the heart of a forest, home to a paradise filled with tiny sprites, winged fairies, tree spirits, and all kinds of animals who live together in joyful harmony. But when their home is threatened by humans, one courageous sprite must give her all to save it.

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The film features an all-star voice cast, including Robin Williams, Christian Slater, Samantha Mathis, Tim Curry, Cheech Marin, Tommy Chong and Tone Loc.

FernGully is based on the series of books by Australian author Diana Young. The filmmakers used what was then brand-new special effects technology for penetrating layers of backgrounds, and to generate the beginning stages of drawings which were then completed by hand. Some 150,000 cels were created for FernGully, a total of 38 miles of artwork if they were laid end-to-end. Although many steps were computer assisted, every shot was primarily painted and animated by hand.

The key creative team spent time in the Australian rainforest and drew inspiration from the multi-hued colors of the forest and exotic wildlife.