Streaming Series ‘The Crown,’ ‘The Mandalorian’ Top Emmy Awards Nominations

Streaming series dominated nominations for the 73rd Emmy Awards, with “The Crown” (Netflix) and “The Mandalorian” (Disney+) leading the pack, with 24 program nominations each, the Academy of Television Arts and Sciences announced July 13.

Awards were announced during a live virtual ceremony hosted by father-daughter duo Ron Cephas Jones (“This Is Us”) from Los Angeles and Jasmine Cephas Jones (“Blindspotting”) from New York, joined by Television Academy chairman and CEO Frank Scherma.

Other leading series nominees include Disney+ limited series “WandaVision,” with 23 noms; Hulu’s “The Handmaid’s Tale” and “Saturday Night Live,” each with 21; Apple TV+ comedy “Ted Lasso,” with 20;  HBO/HBO Max’s “Lovecraft Country” and Netflix’s “The Queen’s Gambit,” each with 18; and HBO’s “Mare of Easttown,” with 16. Less than two weeks earlier, HBO announced it would not renew “Lovecraft Country” for a second season.

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HBO/HBO Max garnered the most nominations, with 130. Netflix had the second-most nominations (129), with Disney+ at No. 3, with 71, and NBC in fourth place, with 46.

“Television has provided a lifeline for so many around the globe this year, delivering a constant source of entertainment, information and inspiration during some of our most difficult days,” Scherma said. “We are thrilled to honor the diversity of storytelling in television today by recognizing talented artists, programs, producers, directors and craftspeople throughout our industry and celebrating their commitment to this extraordinary medium.”

“Bridgerton,” “Lovecraft Country” and “The Boys” are new to the Outstanding Drama Series category, joining returning nominees “Pose,” “The Crown,” “The Mandalorian,” “This Is Us” and previous category winner “The Handmaid’s Tale.”

Seventy-five percent of this year’s nominees for Outstanding Comedy Series are new to the category, including “Cobra Kai,” “Emily in Paris,” “Hacks,” “Pen15,” “Ted Lasso” and “The Flight Attendant.” Returning favorites include “Black-ish” and “The Kominsky Method.”

In total, there were 44 first-time performer nominations across the lead, supporting, guest and short form categories this season.

Jonathan Majors, Josh O’Connor and Regé-Jean Page received their first-ever Emmy nominations for Outstanding Lead Actor in a Drama Series, joining previous Emmy winners in this category Sterling K. Brown, Billy Porter and Matthew Rhys. Emma Corrin, Jurnee Smollett and Mj Rodriguez received their first nominations for Outstanding Lead Actress in a Drama Series, while previous Emmy winner Uzo Aduba was nominated for the first time in this category. They were joined by returning nominee Olivia Colman and previous Emmy winner in this category Elisabeth Moss.

Kaley Cuoco received her first-ever Emmy nomination for Outstanding Lead Actress in a Comedy Series, while previous Emmy winner Jean Smart and previous Emmy nominee Aidy Bryant were nominated for the first time in this category. They joined previous Emmy nominee Tracee Ellis Ross and Emmy winner Allison Janney. Jason Sudeikis received his first-ever Emmy nomination for Outstanding Lead Actor in a Comedy Series, while previous Emmy winner Kenan Thompson was nominated for the first time in this category. They joined six-time nominee in the category Anthony Anderson, along with previous Emmy winners Michael Douglas and William H. Macy.

Individuals with multiple nominations this year included David Attenborough, Sterling K. Brown, Aidy Bryant, Bo Burnham, Steven Canals, Dave Chapelle, Michaela Coel, Jon Favreau, Derek Hough, Brendan Hunt, Maya Rudolph, Jean Smart, Jason Sudeikis and Kenan Thompson.

The complete list of Emmy nominations, as compiled by the independent accounting firm of Ernst & Young LLP, and other Academy news is available at Emmys.com.

The 73rd Emmy Awards will be hosted by Cedric the Entertainer. The Emmys will be broadcast on Sept. 19, 8-11 p.m. live ET and 5-8 p.m., live PT, on the CBS Television Network and will be available to stream live and on demand on Paramount+. The 2021 Creative Arts Awards will be broadcast on Sept. 18  at 8 p.m. ET/PT on FXX.

Parrot: Death of Prince Philip Gave ‘The Crown’ a Demand Bump

The death of the U.K.’s Prince Philip increased global demand for the Netflix series “The Crown,” according to Parrot Analytics.

In the days immediately following Prince Philip’s death, “The Crown” saw double digit percentage increases in demand worldwide, and in the show’s two most popular markets — the United Kingdom and the United States.

From April 8 (the day before Prince Philip’s death) to April 10, Parrot Analytics tracked the following increases in audience demand for “The Crown”:

  • U.S. demand increased by 47.1%, peaking at 28.1 times more in-demand than the average series in the United States on April 10;
  • U.K. demand increased by 28.8%, peaking at 30.4 times more in-demand than the average series in the United Kingdom on April 10;
  • Worldwide demand increased by 30.1%, peaking at 51.4 times more in-demand than the average series globally on April 10.

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By April 10, “The Crown” rose up the demand ranks, becoming the 30th most in-demand series in the United States across all platforms, up from 96th most on April 8; the fifth most in-demand series in the United Kingdom across all platforms, up from 12th most on April 8; and the eighth most in-demand series worldwide across all platforms, up from 25th most on April 8.

While the Prince Philip bump has been a boon for “The Crown,” Parrot tracked even higher global and United Kingdom demand for the show following two other recent news events — the show’s multiple wins at the Golden Globes on Feb. 28 and Prince Harry and Meghan Markle’s bombshell interview with Oprah Winfrey on March 7.

Parrot Analytics’ proprietary metric Demand Expressions measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

‘WandaVision’ No. 1 on Parrot’s Digital Originals Chart for Third Week

“WandaVision,” the first Disney+ series set in the Marvel Cinematic Universe, remained No. 1 for a third consecutive week on Parrot Analytics’ digital originals U.S. chart the week ended March 13. It had 50.7 times the demand of an average series, and was No. 3 on Parrot’s list of all TV shows.

The Disney+ live-action “Star Wars” series “The Mandalorian” stayed No. 2 for a third week on the digital originals chart, with the show garnering 40.9 times the demand of the average show. It was No. 10 on the overall list.

Netflix’s perennially popular “Stranger Things” stayed No. 3 on the digital originals chart with 35.3 times average demand.

Netflix’s “Cobra Kai” held onto the No. 4 spot on the digital originals chart with 30.9 times average demand.

Netflix’s “The Crown” rose a spot to No. 5 after Oprah’s widely seen interview with Meghan and Harry. It had 27.6 times average demand.

The Apple TV+ comedy “Ted Lasso” rose to No. 8 on the digital originals demand chart. When it premiered last year, the show was slow out of the gate in terms of Parrot’s tracking, but has attracted a strong following and garnered a lot of attention the past few weeks thanks to awards recognition, most notably star Jason Sudekis winning the Golden Globe for best actor in a comedy series. Sudekis plays a U.S. college football coach recruited to coach an underperforming British Premier League soccer club.

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A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

The No. 1 overall TV series in terms of online demand was “SpongeBob SquarePants,” with 70 times average demand.

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Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s proprietary metric called Demand Expressions, which measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

Netflix Content Dominates 2021 Golden Globes in Banner Year for Streamers

Netflix TV shows and movies won 10 trophies at the 78th Annual Golden Globe Awards ceremony held Feb. 28 and broadcast on NBC. In a sign of the times, content that debuted on streaming services won 20 of the 25 categories presented by the Hollywood Foreign Press Association.

The big gun for Netflix came on the TV side, with the fourth season of “The Crown” winning in all four categories it was nominated (it had two nominees in two of the acting categories), including Best Drama Series. Emma Corrin won Best Actress in a Drama series for her role as Princess Diana, beating out co-star Olivia Colman, who played Queen Elizabeth. Josh O’Connor won for Best Actor in a Drama series for playing Prince Charles, while Gillian Anderson won Best Supporting Actress for playing Margaret Thatcher.

Netflix won two more statuettes for The Queens’ Gambit, which won Best Miniseries or Television Film, and Best Actress for Anya Taylor-Joy.

Among other TV categories, The Apple TV+ original series “Ted Lasso” won Best Actor in a Musical or Comedy Series for Jason Sudeikis, while Amazon Prime’s “Small Axe” won Best Supporting Actor for John Boyega, and HBO’s I Know This Much Is True won Best Actor in a Miniseries or Television Film for Mark Ruffalo.

“Schitt$ Creek,” the complete series of which is streaming on several services including Netflix, and available on DVD from Lionsgate, won Best Musical or Comedy Series and Best Actress for Catherine O’Hara.

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On the movie side, because of theatrical shutdowns due to the coronavirus pandemic, the HFPA opened eligibility to movies otherwise intended for theaters that had to be rescheduled and ultimately ended up at a streaming platform. Also, the eligibility period covering 2020 films was extended to include early 2021 releases.

Subsequently, Borat Subsequent Moviefilm, which debuted on Amazon Prime Video in October and never played in theaters, won for Best Motion Picture — Musical or Comedy, while star Sacha Baron Cohen won Best Actor for reprising his role as the title character in the politically charged sequel.

Best Motion Picture — Drama went to Nomadland, which was released concurrently in theaters and on Hulu Feb. 19 (though it did screen at some film festivals and limited engagements last year). Chloé Zhao won Best Director for the film.

Another Hulu movie, The United States vs. Billie Holiday, won Best Actress in a drama for Andra Day in the title role.

Judas and the Black Messiah, which premiered at the 2021 Sundance Film Festival on Feb. 1, and was released in the United States by Warner Bros. Pictures Feb. 12 simultaneously in theaters and for streaming on HBO Max, won Best Supporting Actor for Daniel Kaluuya.

Netflix’s movie haul included the late Chadwick Boseman winning Best Actor in a drama for Ma Rainey’s Black Bottom; Aaron Sorkin winning Best Screenplay for The Trial of the Chicago 7; Rosamund Pike winning Best Actress in a musical or comedy for I Care a Lot; and “Lo Si (Seen)” winning Best Song for Italian film The Life Ahead.

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Pixar’s Soul, which saw its theatrical release scrapped in lieu of a Christmas Day debut on Disney+ domestically (it played in theaters internationally), won two trophies, for Best Animated Feature and Best Original Score.

STX Films’ The Mauritanian, which will debut on Amazon Prime April 1, won Best Supporting Actress for Jodi Foster.

Finally, A24’s Minari, an American production in Korean, won Best Foreign-Language Film.

 

Netflix’s ‘The Crown’ Remains Atop Nielsen Weekly SVOD Chart

Netflix’s award-winning original series “The Crown” finished at No. 1 on Nielsen’s weekly chart of the most-viewed SVOD programs on TV in the United States for the period of Nov. 16 to 22. The fourth season of the series showcasing Queen Elizabeth II, portrayed by Olivia Colman, generated 3.35 billion minutes viewed across the show’s 40 episodes.

The previous Nielsen record for minutes streamed in a week belonged to Netflix’s “The Umbrella Academy” with 3 billion.

“The Crown” knocked from the top spot Netflix’s chess-themed original, “The Queen’s Gambit,” which had 1.09 billion minutes across seven episodes. Former NBC sitcom “The Office” remained on the podium at No. 3 with 1.06 billion minutes streamed across 192 episodes. The series leaves Netflix at the end of the year for WarnerMedia’s HBO Max.

Notably, the Disney+”Star Wars” spinoff “The Mandalorian” dropped to No. 4 despite increasing streamed minutes to 939 million across 12 episodes, from 873 million minutes across 11 episodes the week before.

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Source: Nielsen SVOD Content Ratings (Amazon Prime, Disney+, Hulu, and Netflix), Nielsen National TV Panel, U.S. Viewing through Television.

‘Mandalorian’ Maintains Dominance on Parrot’s TV Charts

The Disney+ live-action “Star Wars” series “The Mandalorian” topped Parrot Analytics’ digital originals rankings for a seventh-straight week the week ended Dec. 5, and also held onto the top spot on Parrot’s list of all TV shows for a fifth week. It had 126.4 times the demand of an average TV series for the week and saw a 27.1% surge in demand expressions, the proprietary metric Parrot uses to gauge a show’s popularity.

The boost is likely due to hype surrounding the return of a few fan-favorite characters in highly regarded, action-packed episodes. The Nov. 27 episode of “The Mandalorian” featured the live-action debut of Ahsoka Tano, a character heavily featured in the animated “Star Wars: The Clone Wars” series. And the Dec. 4 episode featured the return of Boba Fett, the bounty hunter from The Empire Strikes Back and Return of the Jedi, whose presence was teased earlier in the season.

In fact, the “Clone Wars” rose two spots on the digital originals chart to No. 4 after a 44.6% increase in demand gave it 57.1 times average demand, a boost no doubt directly attributable to synergy with the “Mandalorian” crossovers.

Hulu’s revival of the animated series “Animaniacs” moved up a spot to No. 2 on the digital originals chart. It had a 25.1% jump in demand expressions to give it 62.3 times average demand.

Netflix’s “The Crown” dropped a spot to No. 3 on the digital originals chart. While the Internet continues to speculate as to how the portrayal of the British royal family on the series is affecting audience perception of them now, the show had a 12.8% drop in demand expressions to give it 62 times average demand.

Netflix’s perennially popular “Stranger Things” slid a spot to No. 5 on the digital originals chart, with 44.3 times average demand and expressions down 10.3%. While fans await season four, there is new content available from the show in the form of a couple of comic book series and tie-in novels.

Another Netflix original, “The Umbrella Academy” moved up two spots to re-enter the top 10 at No. 9 with 34 times average demand. It saw a 22.3% boost in demand expressions, likely tied to star Elliot Page’s Dec. 1 transgender status announcement.

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A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

After “Mandalorian,” The No. 2 overall TV series was “SpongeBob SquarePants,” with 95.8 times average demand. Four digital originals cracked the overall top 10, with “Animaniacs” at No. 4, “The Crown” at No. 5 and “Clone Wars” at No. 6.

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Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s proprietary metric called Demand Expressions, which measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

‘Mandalorian’ Tops Parrot’s Digital Originals Chart for Sixth Week

The Disney+ live-action “Star Wars” series “The Mandalorian” topped Parrot Analytics’ digital originals rankings for a sixth-straight week the week ended Nov. 28, and also held onto the top spot on Parrot’s list of all TV shows for a fourth week with 99.7 times the demand of an average TV series, though it saw a 0.9% drop in demand expressions, the proprietary metric Parrot uses to gauge a show’s popularity.

The show’s success continues to impact other “Star Wars” content. The Disney+ animated series “Star Wars: The Clone Wars” remained on the chart at No. 6 after a 0.3% increase in demand gave it 39.6 times average demand. The fifth episode of the second season of “Mandalorian” featured the live-action debut of Ahsoka Tano, a character heavily featured in “Clone Wars.”

Netflix’s “The Crown” remained No. 2 on the digital originals chart as the Internet is being bombarded with articles fact-checking the fourth season and the relationship between Prince Charles and Princess Di. Demand was down 1.8% from the previous week. It had 71.2 times average demand and was No. 3 on the overall TV series list.

The No. 3 digital original, and No. 9 among all TV shows, was Hulu’s revival of the animated series “Animaniacs.” It had a 60.1% jump in demand expressions to give it 49.9 times average demand, climbing four spots on the digital originals chart.

That pushed Netflix’s perennially popular “Stranger Things” down a spot to No. 4 on the digital originals chart, with 49.5 times average demand and expressions up 5.8%.

Rounding out the top five was HBO Max’s “Titans” with 42.7 times average demand and expressions up 16% after new character costume designs were revealed for the in-production third season.

Netflix’s “The Witcher” jumped back into the top 10, climbing four spots to No. 8, after season two production photos bumped demand expressions up 12.8% to give it 30.4 times average demand.

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A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

The No. 2 overall TV series was “SpongeBob SquarePants,” with 94.3 times average demand.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s proprietary metric called Demand Expressions, which measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

‘The Crown’ Joins ‘Mandalorian’ Among Parrot’s Most-Demanded Digital Originals

The Disney+ live-action “Star Wars” series “The Mandalorian” topped Parrot Analytics’ digital originals rankings for a fifth-straight week the week ended Nov. 21, and also held onto the top spot on Parrot’s list of all TV shows for a third week. with 99.5 times the demand of an average TV series after a 1.2% increase in demand expressions, the proprietary metric Parrot uses to gauge a show’s popularity.

The show’s success continues to buoy other “Star Wars” content, with the Disney+ animated series “Star Wars: The Clone Wars” climbing a spot to No. 4 after an 11.3% increase in demand gave it 39.1 times average demand.

Netflix’s “The Crown” moved up to No. 2 on the digital originals chart after all 10 episodes of its fourth season became available Nov. 15. The latest season chronicles Queen Elizabeth’s life in the 1980s dealing with Prime Minister Margaret Thatcher and her son Prince Charles’ marriage to Princess Diana. Demand was up 141.3% from the previous week, when it was No. 10. It had 71.8 times average demand. It was No. 4 on the overall TV series list.

That pushed Netflix’s perennially popular “Stranger Things” down a spot to No. 3 on the digital originals chart, with 46.3 times average demand and expressions down 11.1%.

HBO Max’s “Titans” dropped to No. 5 on the digital originals chart with 36.4 times average demand, with expressions up 2.1%.

CBS All Access’ “Star Trek: Discovery” dropped three spots to No. 6 after a 0.7% drop in demand expressions to give it 36 times average demand.

Joining the top 10 was Hulu’s revival of the animated series “Animaniacs,” which had 30.8 times average demand to enter the chart at No. 7. The new season of 13 episodes debuted Nov. 20.

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A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

The No. 2 overall TV series was “SpongeBob SquarePants,” with 97.7 times average demand.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s proprietary metric called Demand Expressions, which measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

The Crown: Season Four

STREAMING REVIEW:

Netflix;
Drama;
Not rated.
Stars Olivia Colman, Tobias Menzies, Helena Bonham Carter, Gillian Anderson, Josh O’Connor, Emma Corrin, Marion Bailey, Erin Doherty, Stephen Boxer, Emerald Fennell.

The acclaimed series about the British monarchy takes a turn in its fourth season to focus on the women who defined the United Kingdom in the 1980s.

With Elizabeth II (Olivia Colman) having served as Queen for several decades, the series shifts further away from dealing with her adjusting to the position, and puts more emphasis on examining the appropriateness of a monarchy in modern society, and the impact that open question has on Elizabeth’s growing family.

In particular, the season introduces Princess Diana (Emma Corrin) and takes a hard look behind the scenes of her marriage to Prince Charles (Josh O’Connor), which famously ended in divorce before her tragic death in a car accident in 1997.

Diana is depicted as a bright-eyed teenager looking for a fairy tale life and getting a lot more than she expected, with Charles marrying her only out of convenience to satisfy the pressures of his hereditary duties. Much to the chagrin of his family, he remains in a discreet relationship with Camilla Parker Bowles (Emerald Fennell), who the previous season had been deemed unsuitable as a match for the future king.

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Meanwhile, the other major thread of the season concerns the rise of Margaret Thatcher (Gillian Anderson) as prime minister, who vows to reshape the country from the bottom up. This leads to a bit of a clash of personalities with the Queen, who doesn’t always see eye-to-eye with her policies — a disagreement that eventually spills out into the press in a breach of protocol that proves scandalous. Thatcher, in turn, finds the royal family to be a bit boorish and out of touch with her perception of the common British citizen. As they are roughly the same age, the season takes the obvious, but effective, move of exploring their parallel tracks toward leadership — working class republicanism versus aristocratic duty.

The season also hits upon some of the other historical milestones of the 1980s, such as the Falklands War, and even finds time for a welcome cameo from some familiar faces from earlier seasons. One fascinating detour involves focusing an episode on the story of Michael Fagan, an unemployed commoner who managed to break into Buckingham Palace in 1982 and managed to have a conversation with the Queen in her private bedroom.

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With this latest batch of 10 episodes, the series maintains its usually high marks for writing and acting, and while the veracity of certain off-the-record events might be open to scrutiny, the season will likely be up for several awards when the time comes.

‘Antebellum’ Arrives on Disc; Complete ‘Game of Thrones’ Series Now Out on 4K Ultra HD Blu-ray

Lionsgate’s  Antebellum, Paramount’s SpongeBob SquarePants: The SpongeBob Musical — Live on Stage! and the third season of “The Crown,” the Netflix historical series about the reign of Queen Elizabeth II, top the slate of new releases available for home viewers beginning Nov. 3.

Also newly available for purchase are 4K Ultra HD Blu-ray editions of V for Vendetta and the complete HBO series “Game of Thrones,” both from Warner Bros., and Lionsgate’s Kick-Ass.

The time-shifting horror drama Antebellum is now available on Blu-ray Disc and DVD. It was initially released by Lionsgate on premium VOD at $20 on Sept. 18. The film stars Janelle Monáe as a successful modern-day writer trapped during America’s slavery era.

Read an EXCLUSIVE INTERVIEW with Janelle Monáe here!

SpongeBob SquarePants: The SpongeBob Musical — Live on Stage!, from Nickelodeon, is making its DVD debut on Nov. 3 at $9.99. The disc edition includes an exclusive, extended sing-along version.

The Crown: The Complete Third Season is now out as a four-disc Blu-ray and DVD set from Sony Pictures.  The series is produced by Left Bank Pictures and Sony Pictures Television for Netflix. Season 3 takes place between 1964 and 1977 and introduces Camilla Parker Bowles, who would later marry Prince Charles, heir to the British throne.

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V for Vendetta and Kick-Ass are the latest high-profile films to be released on the 4K Ultra HD Blu-ray format, which is getting a renewed push by the big Hollywood movie studios as they continue to grapple with a lack of fresh theatrical product.

Also newly available on 4K Ultra HD Blu-ray on Nov. 3 is Game of Thrones: The Complete Collection. The set, listed at $254.99, includes all 73 episodes, plus more than 15 hours of bonus content, and a digital copy of the episodes.

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Extras include material previously released in the “Game of Thrones” complete season sets and the 2019 complete series on standard Blu-ray, including a two-part reunion special hosted by Conan O’Brien; the documentary Game of Thrones: The Last Watch chronicling the making of the final season; Conquest & Rebellion: An Animated History of Seven Kingdoms; and audio commentaries, deleted and extended scenes, behind-the-scenes featurettes, and more.

A 4K “Game of Thrones” complete-series set also is available in an exclusive limited-edition version at Best Buy at $285.43, with all eight seasons featured in individual Steelbooks and housed in individually numbered metal cases.

A complete list of new disc and digital releases, compiled each week by the Media Play News market research team, can be found here.