Solo: A Star Wars Story

BLU-RAY REVIEW:

Street Date 9/25/18;
Disney/Lucasfilm;
Sci-Fi;
Box Office $213.75 million;
$29.99 DVD, $39.99 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for sequences of sci-fi action/violence.
Stars Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Joonas Suotamo, Paul Bettany, Thandie Newton, Phoebe Waller-Bridge, Jon Favreau.

The idea of exploring what Han Solo was up to before he encountered Luke Skywalker in that dusty cantina at the edge of the galaxy is certainly not a new concept in the realm of “Star Wars” fiction. No fewer than six novels have been devoted to the subject. A young Han was even considered for a cameo in Revenge of the Sith before that ill-conceived idea was scrapped. Still, the idea of a live-action prequel film devoted to the character was not something most fans would have considered to be in the realm of possibility prior to Disney’s purchase of Lucasfilm.

In retrospect it’s easy for some fans to say they always thought such a movie was a bad idea, that exploring the backstory of the popular rogue would take some of the shine off his mystery and charm. But really, the prospect of a Han Solo origin movie, in the right creative hands, wasn’t without a certain appeal. It’s just, ask the average “Star Wars” fan what they would want to see covered in a spinoff film, and Young Han probably wouldn’t have been at the top of their list.

But it was at the top of the list of Lawrence Kasdan, the Hollywood veteran who in his own youth wrote the screenplays for The Empire Strikes Back and Return of the Jedi, and was pretty familiar with the character of Han (he also wrote Raiders of the Lost Ark, a playground for Harrison Ford’s other most famous character). So if anyone was the right choice to write a young Han movie, it would be him (joined by his son, Jon).

That he didn’t sign on to direct it, too, may very well have been at the nexus of what the public would come to perceive as a very troubled production.

Now, two names you won’t hear mentioned throughout any of the bonus materials on a packed Solo Blu-ray are Phil Lord and Christopher Miller, the duo originally hired to direct the Kasdans’ script. They ended up leaving the project under curious circumstances very late in the production, reportedly due to their comedic sensibilities not meshing with the studios’ intended tone of the film. (They ended up with an executive producer credit on the final film.)

Arcane union rules blocked Lawrence Kasdan from taking the directing reins, leaving the studio to turn to another Lucasfilm veteran, Ron Howard (who directed 1988’s Willow), who supposedly re-shot much of the film.

The only reference made on the Blu-ray that even hints at what happened before Howard came on board is the mention of a “hiatus,” brought up during a 22-minute roundtable discussion between Howard and the cast that segues into an anecdote about “Star Wars” creator George Lucas visiting the set of the Millennium Falcon just as the new director had come on board. Lucas apparently offered some key advice on how to portray Han on screen.

As for Lord and Miller’s influences that carried over into the finished project, fans should check out some production notes posted by Jon Kasdan on his Twitter feed.

The finished movie is hardly the mess it could have been — Howard is too skilled a director to let that happen. But it’s not exactly a masterpiece, either. It’s really just a serviceable “Star Wars” movie — a slick, fun adventure that doesn’t probe much beneath the surface of Han’s backstory beyond showcasing a rundown of some of the key events we had heard about in the original trilogy.

Think of it as the “Star Wars” equivalent of the Young Indy flashback at the beginning of Indiana Jones and the Last Crusade, stretched to feature length. Of course, that Last Crusade sequence would go on to inspire “The Young Indiana Jones Chronicles” TV series. So, maybe the prequelitis in the air from the similar efforts to present younger versions of two iconic Harrison Ford characters has contributed a bit to Solo feeling more like a solid episode of a “Star Wars” anthology TV series, or even a TV movie with top-notch production values. It fits in with the saga, but it’s more like something you can watch to fill in the blanks. It does cast a few scenes from the original trilogy in a new light, so it has that going for it.

Some of the initial concern about the project stemmed from the idea of trying to find an actor to embody the young Solo without drawing too many comparisons to Ford. While Alden Ehrenreich may not have been many fans’ first choice, he’s quite capable in a role that, if given the chance, he may have very well made his own. The problem, alas, is that lackluster box office might limit his chances of playing Han in further prequel adventures. And if this does turn out to be his only chance in the cockpit, then his performance is liable to be viewed in the same vein as George Lazenby’s was in his one-and-only chance trying to replace Sean Connery as James Bond.

This Lazenby effect is the biggest stumbling block to the notion that Ehrenreich’s Han is the same character Ford played, an awkwardness that may well be alleviated if audiences ever gets the chance to get used to him from several appearances that in turn retroactively improve the perception of him in his first.

This is much less of a problem for Donald Glover as Lando, who handles the chores of personifying a young Billy Dee Williams rather effortlessly. Really, though, the whole cast came to play, and the character dynamics are really the biggest strength of the film, particularly between Han and Chewbacca once they finally meet (in a fun sequence that lets the two future partners fight each other).

The story involves Han trying to escape his Dickensian upbringing as an orphan in a street gang, vowing to return to find his lost love, Qi’ra (Emilia Clarke). After joining the Imperial military to learn how to fly, he ends up deserting his post to take up with a crew of thieves looking to steal high-grade spaceship fuel for one of the galaxy’s roughest criminal syndicates. When it turns out Qi’ra is a top advisor to the syndicate boss, Han is given a crash course on the intricacies on life in the underworld.

Viewed within the larger context of the saga, this is really the first film to focus on the criminal underpinnings of the “Star Wars” galaxy hinted at in the other films. Thematically, then, the film is of a kind with the franchise’s other prequels, each tied to the role the original trilogy’s three main heroes — Luke, Leia and Han — represented to the story of how the Rebellion defeated the Empire. The Jedi backstory, which Luke came to embody, was explored in Episodes I, II and III. The military and political aspects of the Rebellion symbolized by Leia were fleshed out in Rogue One. And with Solo we get the flavor of the underworld and the shadier dealings of the scoundrels who might not necessarily care who’s in charge.

In addition, composer John Powell’s score imbues the film with a sense of whimsy, meshing fresh material with recognizable cues from the previous films, anchored by a new Han Solo theme composed by the maestro himself, John Williams.

The film takes a few steps to place itself within the larger shared “Star Wars” universe, with references and connections to other movies and TV shows that hardcore fans will notice and are clearly meant to set up larger storylines to pay off in other films that may or may not be direct sequels. Regrettably, the film’s underwhelming box office results caused Disney to pump the brakes on the rapidity of production of future “Star Wars” spinoff films, which would be a real shame if it meant they never made the only potential spinoff the fans actually seem to want, which would be an Obi-Wan movie with Ewan McGregor back in the role).

In addition to the roundtable discussion, the Blu-ray also includes about 70 minutes of behind-the-scenes featurettes detailing various subjects such as the writing process, the visual effects, executing key action sequences, and re-creating and re-imagining elements familiar to audiences from the original trilogy.

There are also 15 minutes of deleted scenes, including some interesting looks at Han at the Imperial Academy and an extended version of the fight between Han and Chewie.

Amazon’s ‘Mrs. Maisel,’ HBO’s ‘Game of Thrones’ Lead Way at 70th Emmys

For the second year in a row, a show from a streaming service won the Emmy for best series in its category.

While last year Hulu’s “The Handmaid’s Tale” won Outstanding Drama Series, this year it was Amazon Video taking the top prize in the Outstanding Comedy Series category with the first season of “The Marvelous Mrs. Maisel.”

“Maisel” ended up with eight Emmys, including Outstanding Lead Actress in a Comedy Series for Rachel Brosnahan as the title character, and Outstanding Supporting Actress for Alex Borstein (who won another Emmy this year for her voiceover work on Fox’s “Family Guy”).

The 70th Annual Primetime Emmy Awards were announced Sept. 17 at a televised ceremony in Los Angeles and at the Creative Arts ceremony a week earlier.

Netflix and HBO ended up tied as the top networks with 23 wins apiece.

Outstanding Drama Series again went to HBO’s “Game of Thrones,” this time for its seventh season, which is readily available for digital download or on Blu-ray and DVD.

“Game of Thrones” previously won the Best Drama Series Emmy in 2015 and 2016 for its fifth and sixth seasons, respectively, but a quirk in its production meant the show didn’t air during the 2017 eligibility period, opening the door for “Handmaid’s Tale” to win last year.

“Thrones” won nine Emmys this year, including Peter Dinklage winning his third trophy for Outstanding Supporting Actor for the role of Tyrion Lannister (previously won in 2011 and 2015).

FX’s The Assassination of Gianni Versace: American Crime Story won seven Emmys, including Outstanding Limited Series. The nine-episode miniseries is available for digital download.

Among some other notable categories, HBO’s “Barry” (on DVD Oct. 2) won Outstanding Actor and Supporting Actor in a Comedy Series for Bill Hader and Henry Winkler, respectively. Matthew Rhys won Outstanding Lead Actor in a Drama Series for the sixth and final season of FX’s “The Americans,” coming to DVD Oct. 23 from 20th Century Fox Home Entertainment. Claire Foy won Outstanding Lead Actress in a Drama Series for playing Queen Elizabeth II in the second season of Netflix’s “The Crown.” And Thandie Newton won Outstanding Supporting Actress in a Drama Series for season two of HBO’s “Westworld,” which will be available on Blu-ray, DVD and 4K Ultra HD Blu-ray Dec. 4 from Warner Bros. Home Entertainment.

For a complete list of 2018 winners, visit Emmys.com.

Second Season of ‘Westworld’ on Disc Dec. 4

Warner Bros. Home Entertainment will release Westworld: Season Two — The Door on Blu-ray, DVD and 4K Ultra HD Blu-ray on Dec. 4.

The HBO series was recently nominated for 21 Emmy Awards, including Outstanding Drama Series.

In the 10-episode second season, the futuristic theme park’s robotic hosts have become aware of their existence and plot their liberation and retaliation against humankind. The cast includes Ed Harris, Evan Rachel Wood, Thandie Newton, Jeffrey Wright, James Marsden and Tessa Thompson.

The season will be released through digital channels July 23 with new bonus content. The Blu-ray editions will also include a digital copy of the season.

Digital and Blu-ray extras include three “Bring Yourself Back Online” featurettes: “Reflections on Season Two — Dolores, Teddy and Bernard; “Of Love and Shogun — Maeve, Hector and Lee”; and “Journeys and Technology — Stubbs, Logan and Clementine.” Also included will be the featurettes “The Buzz: On the Red Carpet” and “Return To Westworld.” Additional featurettes will be grouped under “Creating Westworld’s Reality” — “An Evocative Location,” “Fort Forlorn Hope,” “The Delos Experiment,” “Shogun World,” “Inside the Cradle,” “Chaos In The Mesa,” “Ghost Nation,” “Deconstructing Maeve,” “The Valley Beyond” and ‘The Drone Hosts.”

The Blu-ray will also include the featurettes “Paved With the Best Intentions: The Evolution of the DELOS Corp.” and “Violent Delights Have Violent .”

The limited-edition UHD Blu-ray will feature Dolby Vision. The UHD and Blu-ray editions will feature Dolby Atmos soundtracks remixed specifically for the home theater environment.