‘Game of Thrones,’ ‘Big Little Lies’ Drive HBO Nordic Sub Growth

Scandinavia (especially Sweden) has long been a hotbed for subscription streaming video. HBO launched its first over-the-top video service — HBO Nordic — long before the domestic rollout of HBO Now in 2014.

HBO Nordic remains a formidable competitor to Netflix and other local SVOD services notably this year thanks to “Game of Thrones” and “Big Little Lies,” among other programming.

New data from Mediavision contends the final season of “Thrones” and second season of “Lies” jumpstarted HBO Nordic subscriber growth to more than 200,000 members in Sweden in the second quarter (ended June 30) — up 50% from the previous-year period.

By comparison, market leader Netflix grew 14% year-over-year.

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Mediavision believes the sub growth can also be attributed to new seasons of “Big Little Lies,” and “The Handmaid’s Tale,” — the latter available in the U.S. exclusively on Hulu. HBO’s original (created by Comcast-owned Sky) miniseries — “Chernobyl” — also received a strong reception from both Swedish audiences and critics.

As is the trend globally among OTT and traditional media distributors, original content is driving subscriber interest. But it’s not just global services that are increasing their content investments.

In Sweden, both C More and Viaplay have launched new drama series, in addition to extending existing episodic programming. Viaplay’s owner NENT has announced that it intends to launch six new original series in 2019.

Netflix, of course, has taken original content one step further. Its Swedish original series, “Greatest of all,” is produced for Netflix by the Swedish production company FLX — a strategy the SVOD pioneer is emulating in markets worldwide.

“We are moving towards a period where the value of many and strong titles is likely to increase further,” Marie Nilsson, CEO of Mediavision, said in a statement. “The hunt for new customers is also learning to intensify, as major players such as Disney and Apple are ready to enter Sweden, too. This will help drive the streaming market further.”

Study: Online TV Is Second-Most-Popular TV Viewing Choice in U.K., Sweden and Germany

A new survey of TV viewers in the United Kingdom, Sweden and Germany found that online TV is now the second most popular viewing source behind pay-TV, with usage ranging from just under 40% in Germany to more than 50% in the U.K. and Sweden.

Nielsen company Gracenote and digital media analyst firm nScreenMedia conducted the survey, “TV Universe — U.K., Sweden, Germany: How People Watch Television Today,” in the first quarter of 2019, focusing on pay TV, free-to-air and online TV viewership in the three European countries that account for 31% of the European Union’s total population, according to Statista.

The online TV viewership growth in the three countries “is a remarkable rise as online TV is a relatively new offering,” according to the research firms. In fact, Netflix launched in the United Kingdom in just 2012. Whereas 12 years ago most homes relied on a single-source for TV, today nearly half of viewers in all three of the countries studied are multi-source television households, the researchers noted.

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“Consumer behavior relating to TV viewing is changing rapidly in Europe as it is around the world,” said Simon Adams, chief product officer, Gracenote, in a statement.

Pay TV is currently the most popular television source in the U.K. and Sweden with nearly two in three consumers in each market using it, the survey found, but in Germany the most popular source is free-to-air TV, which accounts for the vast majority of viewers at nearly eight in 10.

In all three European markets surveyed, consumers pointed to on-screen program guides and user interfaces as being critical tools for finding content to watch. Six in 10 viewers indicated visual imagery and TV artwork displayed in guides exert important influence on their viewing choices. Among the 18-to-24-year-old demographic, the number jumped up to around 90%. In addition, respondents indicated TV show and movie descriptions that shed light on content are also factors in their tune-in decision-making, with 70% of U.K. viewers, 65% of Swedes and 57% of Germans saying the program descriptions were at least somewhat important.

The study also found free-to-air TV is gaining traction on mobile with more free-to-air viewers using broadcaster apps to supplement viewing than pay TV viewers use their operator “TV Everywhere” apps. In fact, more than half of free-to-air users in each country use broadcaster apps.

The smart TV is the preferred device to watch video content on in all three countries, according to the study. A significant 70% of total viewing time is on the TV screen in the United Kingdom and Germany, while in Sweden, it is 60%. Samsung is the most popular TV brand in all three countries.

Other insights include:

  • 17% of the U.K. study group use all three TV sources available to them, higher than in Sweden and Germany;
  • While the on-screen guide is the dominant way Swedes and Brits find content to watch, newspaper TV guides and channel flipping are the main ways for Germans; and
  • 31% of Swedes consider online TV to be their primary TV source, the highest of the three countries studied.

 

“The new TV Universe study shows that online TV has become the second most popular source of TV entertainment in a remarkably short period of time,” said Colin Dixon, founder and chief analyst at nScreenMedia in a statement. “Also telling is the fact that, though most online viewing takes place on the television, consumers don’t have the discovery tools they need to efficiently find something to watch there. Features such as voice and cross-service search are thinly used in each country. There is also plenty of room for improvement with content recommendations as a quarter or less think they accurately reflect their interests.”

The consumer research study conducted from February to March 2019 surveyed 1,500 adult TV viewers in the United Kingdom, Germany and Sweden. The data was weighted to represent the general population of each country. The full report is available for free download now at nScreenMedia.com.

Mexico vs. Sweden World Cup Soccer Generates Telemundo’s Highest Non-Super Bowl Digital Audience

With the United States and Canada not playing in the ongoing 2018 soccer World Cup in Russia, Mexico represents North America’s biggest draw.

The El Tri didn’t disappoint (except for losing 3-0), with the June 27 streaming presentation Mexico vs. Sweden in group play generating a record 1 million concurrent live streams on digital devices across TelemundoDeportes.com, the Telemundo Deportes En Vivo app, and the NBC Sports app.

Despite the loss, Mexico (and Sweden) advances to the elimination round following defending champion Germany’s 2-0 loss to South Korea.

The digital tally was the most for any event in NBC Sports Digital history, excluding Super Bowls, and the only event other than the Super Bowl to hit the 1 million mark.

Fox Sports has exclusive U.S. broadcast rights to Russia 2018. Telemundo is owned by Comcast, which is attempting to acquire 20thCentury Fox Film.

In addition, the 1.02 million concurrent livestreams topped by 53% the prior non-Super Bowl mark – 665,000 for the Mexico-South Korea match on June 23.

On June 26, the World Cup reached 3.2 million unique digital users and generated 106 million minutes viewed. To date, the quadrennial tournament has reached 9.3 million total unique users and generated 89.1 million livestreams and 1.35 billion total minutes viewed, averaging 2.0 million livestreams per match.

Notably, Argentina’s last-minute win over Nigeria, which advanced the Lionel Messi-led squad to the second round, delivered an average of 2.85 million streaming viewers – ranking as Telemundo Deportes’ most-watched weekday match through June 26.

Telemundo delivered its best-ever June 26 daytime (7 a.m.-5 p.m. ET), averaging 1.58 million digital viewers for its World Cup coverage – topping the prior record set June 20 by 41% (1.12 million).