Animated DC Comics Movie ‘Injustice’ Slated for Blu-ray and Digital Release Oct. 19

Warner Bros. Home Entertainment will release the newest DC Universe animated movie, Injustice, on Blu-ray Disc, 4K Ultra HD Blu-ray and via digital sellthrough Oct. 19.

Inspired by the Injustice: Gods Among Us video game and the Injustice: Gods Among Us — Year One graphic novel based on it, the film is set in an alternate world gone mad, where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Superman decides to take control of the Earth for humanity’s own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes, leading to an all-out superhero war.

Justin Hartley of “This Is Us” provides the voice of Superman, returning to the DC realm after playing Green Arrow on “Smallville.” Anson Mount of “Star Trek: Discovery” voices Batman. The voice cast also includes Janet Varney as Wonder Woman; Brandon Micheal Hall as Cyborg; Kevin Pollak as Joker and Jonathan Kent; Anika Noni Rose as Catwoman; Reid Scott as Green Arrow and Victor Zsasz; Edwin Hodge as Mr. Terrific and Killer Croc; Gillian Jacobs as Harley Quinn; Oliver Hudson as Plastic Man; Laura Bailey as Lois Lane and Rama Kushna; Faran Tahir as Ra’s al Ghul; Derek Phillips as Nightwing and Aquaman; Yuri Lowenthal as Mirror Master, Flash and Shazam; Zach Callison as Damian and Jimmy Olsen; Brian T. Delaney as Green Lantern; Fred Tatasciore as Captain Atom; and Andrew Morgado as Mirror Master Soldier.

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The film is rated ‘R’ for bloody violence.

The Injustice 4K Ultra HD Blu-ray Combo Pack includes the film on a 4K disc with HDR and on a regular Blu-ray. Both the 4K and Blu-ray editions include a digital copy.

Extras include the making-of featurette “Adventures in Storytelling – Injustice: Crisis and Conflict,” plus the “Injustice for All” two-parter from the “Justice League” cartoon that aired in 2002, and featurettes about previously released DC movies The Death of Superman and Reign of the Supermen.

A sneak peek of Injustice will be available at the DC FanDome virtual event Oct. 16.

 

‘Superman: The Animated Series’ Flying to Blu-ray Oct. 12

Warner Bros. Home Entertainment will release “Superman: The Animated Series” on Blu-ray Oct. 12 to celebrate the show’s 25th anniversary.

Running for 54 episodes from 1996 to 2000, “Superman: The Animated Series” was produced by Bruce Timm, Paul Dini and Alan Burnett, the creative team behind the groundbreaking “Batman: The Animated Series,” leading to crossovers between the two characters and other DC Comics heroes as a precursor to the “Justice League” and “Justice League Unlimited” animated series.

Tim Daly led the voice cast as Clark Kent/Superman alongside Dana Delany as Lois Lane, David Kaufman as Jimmy Olsen, and Clancy Brown as Lex Luthor.

All 54 episodes have been remastered from the original 35mm interpositive sources, giving special attention to extensive color correction, dirt and scratch clean-up, and adding a grain reduction pass to create a pristine picture, all while making sure not to affect the original lines in the artwork of the animation. The audio was retransferred from the original audio masters, and the series is presented in its original aspect ratio of 4:3.

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The six-disc Superman: The Complete Animated Series boxed set will include the new retrospective featurette “Superman: Timeless Icon,” a look at the complicated journey of the show and those who created the new mythology for the Man of Steel.

Also included will be a special video commentary for the episode “Mxyzpixilated,” and audio commentaries for the episodes “Stolen Memories,” “The Last Son of Krypton — Part 1” and “The Main Main — Part 2,” with the show’s producers and episode directors.

Also included will be the featurettes “A Little Piece of Trivia”; “Superman: Learning to Fly,” about the creation of the show; “Building the Mythology: Superman’s Supporting Cast”; “Menaces of Metropolis: Behind the Villains of Superman,” a look at the show’s rogues’ gallery of baddies, including traditional opponents Lex Luthor, Brainiac, Bizarro, Metallo, Mr. Mxyzptlk, Toy-man and Parasite, as well as new villains created for the series such as Live Wire and Luminus; and “The Despot Darkseid: A Villain Worthy of Superman.”

The Blu-ray set will also include a code to access digital copies of the episodes.

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Complete ‘Smallville’ Series Debuting on Blu-ray Oct. 19

In honor of the 20th anniversary of the Superman series, Smallville: The Complete Series will soar onto Blu-ray for the first time ever from Warner Bros. Home Entertainment Oct. 19.

The set features all 218 episodes along with more than 28 hours of bonus features from all 10 seasons, plus digital copy (U.S. only).

The Emmy-winning, 10-season series based on the DC comics character explored the origins of Superman from Krypton refugee Kal-El’s arrival on Earth through his tumultuous teen years to Clark Kent’s final steps toward embracing his destiny as the Man of Steel.

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Starring Tom Welling as Clark Kent, Allison Mack as Chloe Sullivan, Kristin Kreuk as Lana Lang,  Michael Rosenbaum as Lex Luthor, John Glover as Lionel Luthor, Erica Durance as Lois Lane, Annette O’Toole as Martha Kent, John Schneider as Jonathan Kent, Justin Hartley as Oliver Queen, Sam Jones III as Pete Ross, Cassidy Freeman as Tess Mercer, Aaron Ashmore as Jimmy Olsen, Eric Johnson as Whitney Fordman, Laura Vandervoort as Kara, Callum Blue as Zod, Jensen Ackles as Jason Teague and Sam Witwer as Davis Bloome, “Smallville” has also featured guest stars including Terence Stamp, James Marsters, Michael McKean, Ian Somerhalder, Jane Seymour, Brian Austin Green, Pam Grier, Helen Slater, Michael Ironside, Julian Sands, Tori Spelling, Rutger Hauer and Christopher Reeve.

Smallville: The Complete Series — 20th Anniversary Edition includes two DVD discs with more than 28 hours of bonus features originally released on the season DVD sets. They include “The Adventures of Superboy,”  the original 1961 pilot starring John Rockwell; “A Retrospective Look at the Series’ 10-Year Journey,” an in-depth, season-by-season look at the creation of this television series; the “A Decade of Comic-Con” featurette; a Paley Festival featurette; “Smallville’s 100th Episode: Making of a Milestone,” an extended version of the original featurette included in the season five set; “Secret Origin: The American Story of DC Comics,” a feature-length documentary chronicling DC’s 75 years; audio commentaries; deleted and extended scenes; gag reels; and behind-the-scenes featurettes.

Smallville: The Complete Series is currently available to own on digital.

Justice Society: World War II

BLU-RAY REVIEW:

Street Date 5/11/21;
Warner;
Animated;
$29.98 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for violence and some bloody images.
Voices of Stana Katic, Matt Bomer, Omid Abtahi, Geoffrey Arend, Chris Diamantopoulos, Matthew Mercer, Liam McIntyre, Elysia Rotaru, Armen Taylor, Darren Criss.

The plot mechanics that presumably served as the jumping off point for Justice Society: World War II ultimately cause the latest DC Universe animated movie to struggle to become a satisfying standalone adventure.

The film starts off in modern times, with Barry Allen (Matt Bomer) interrupting a picnic with his girlfriend to become the Flash and help Superman hold off an attempt by Brainiac to invade Metropolis. The battle ends up opening a rift that sends the Flash to World War II, where he encounters the Justice Society of America, the team of the greatest superheroes of that era (known in comic book lingo as the Golden Age).

They are led by the ageless Wonder Woman (Stana Katic, effectively laying on her best Gal Gadot accent). But the team also includes the Golden Age version of the Flash, Jay Garrick (Armen Taylor), allowing the iconic speedsters of two eras to meet each other.

As Barry works to figure out how to get home, he agrees to help the JSA on their mission, which involves stopping Hitler from collecting mystical artifacts (a nice nod to Indiana Jones), and leads them to uncover a Nazi plot involving the undersea kingdom of Atlantis, ruled by Aquaman (Liam McIntyre).

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The film is loaded with some great animated action sequences, nice character dynamics and some intriguing plot twists. But what could have been a good period piece about Golden Age comic book characters during WWII gets sidetracked by the question of why the future Flash had to be involved for the story to work.

Turns out there are a couple of reasons for it, and it has more to do with franchise building and comic book history than servicing the story (or, at the very least, the story that they appear to be telling).

Based on a half-hour roundtable with the filmmakers included on the Blu-ray, the genesis for the film seems to be adapting the classic 1961 comic book story called “Flash of Two Worlds,” which is generally credited with establishing the idea of a comic book multiverse. That story, by Flash creator Gardner Fox, was a fun, meta examination of the nature of comic book storytelling. A number of characters from the Golden Age (roughly the 1940s through the mid 1950s) had been either retired or redesigned heading into the Silver Age (mid-1950s through the 1960s). The Flash was one of the ones redesigned for a new audience, switching from the maskless, helmeted Jay Garrick to the red-suited Barry Allen we still know today. “Flash of Two Worlds” saw Barry Allen’s Flash cross into the dimension where Garrick had been the Flash 20 years earlier, putting the two on an adventure together. The multiverse was significant in that it freed writers from adhering to established continuity when it no longer made sense due to the passage of time (e.g., Superman and Batman supposedly being the same age in the 1960s as they were when they were created in the 1930s), while allowing them to honor the legacies of characters from the eras in which they were introduced.

So, building a version of “Flash of Two Worlds” into a movie then begins with the concept of sending Barry Allen into Jay Garrick’s time. Which then requires the filmmakers to develop Garrick and his era.

The other factor that seems to have influenced this movie is that it’s apparently set in the same continuity as 2020’s Superman: Man of Tomorrow. The animation styles are similar and Darren Criss voices Superman in both movies. So, that makes the two films an early attempt to establish a new DC shared animated universe, and uses the story of Barry Allen meeting the JSA to inspire him to help build the team of modern heroes that will be known as the Justice League for future movies.

Otherwise, the Golden Age trappings are just a great excuse to either revisit characters that don’t get as much screentime anymore, or look at familiar characters through a different lens.

This just leads back to the idea of the JSA fighting Nazis being a strong enough premise on its own without the Flash framing device pulling focus from it. Of course, time will tell if future movies pay off some of the story threads introduced here in a way that reframes how this particular movie ends up being perceived.

The filmmaker roundtable is a fun watch and a nice departure from the usual talking-heads featurettes usually included with the DC animation Blu-rays. The format provides for a fun conversation about exploring different superheroes and bringing their stories to life through animation in a way that both satisfies the curiosities of the writer and entertains the audience.

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The Blu-ray also includes the two-part “Legends” episode of the “Justice League” animated series which tells the same basic story — the Flash and some other Justice League team members are sent to an alternate dimension where they encounter another superhero team that is eerily similar to yet slightly different from their own.

The other notable inclusion on the Blu-ray is the 18-minute animated short film Kamandi: The Last Boy on Earth. This is a fun adventure set in an apocalyptic future that begins with some clever nods to Planet of the Apes. Kamandi is a teenager trying to survive in a world in which humans are gone and animals have evolved into walking, talking tribes. A clan of apes captures Kamandi and some of this friends and subjects them to a series of tests, hoping to find the reincarnation of the great warrior who shaped the world after the fall of society. Kamandi’s backstory (created by the legendary Jack Kirby) and the world of humanoid animals give the short the feeling of a classic 1980s Saturday morning cartoon.

Rounding out the extras are previews for other DC animated movies, including the upcoming Batman: The Long Halloween.

Pauly Shore’s ‘Guest House’ Most-Viewed New-Release Movie in U.S. Homes

Three new films appeared on the weekly “Watched at Home” chart for the week ended Sept. 12: Guest House at No. 7, Superman: Man of Tomorrow at No. 12, and The Karate Kid at No. 14.

Guest House, from Lionsgate, is a comedy starring Pauly Shore, best known for a string of 1990s comedies such as Encino Man and Jury Duty. Shore, the son of comedian Sammy Shore and The Comedy Store founder Mitzi Shore, plays a squatter who refuses to move from a guest house even after the property is sold to a newly engaged couple. The film was released through digital platforms and retailers on Sept. 4, ahead of its Nov. 10 DVD and Blu-ray Disc release date.

Superman: Man of Tomorrow, from Warner Bros. Home Entertainment, was released as a Blu-ray/DVD combo pack and 4K Ultra HD Blu-ray on Sept. 8, two weeks after its digital release. It’s the 40th entry in the direct-to-video DC Universe series of superhero movies based on DC Comics characters, produced by Warner Bros. Animation and DC Entertainment. It details the early days of the Man of Steel’s shy alter ego, Clark Kent, in Metropolis.

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The Karate Kid is a 1984 martial arts drama starring Ralph Macchio Jr., who reprises his role as Daniel LaRusso in “Cobra Kai,” a Web series based on the movie and its sequels. Consumers were likely motivated to watch the movie by the recent surge in popularity of “Cobra Kai,” the first two seasons of which became available on Netflix on Aug. 28.

The political satire Irresistible, from Universal Pictures Home Entertainment, made the biggest jump on the “Watched at Home” chart, which tracks transactional video activity (both digital and on DVD and Blu-ray Disc) compiled from studio and retailer data through DEG: The Digital Entertainment Group.

Irresistible moved up to No. 10 after debuting at No. 19 the prior week in the wake of its Sept. 1 release on DVD and Blu-ray Disc (though its disc version hasn’t cracked the top 50 on VideoScan’s sales chart in either its two weeks on shelves). The film was written and directed by Jon Stewart and features a cast headed by Steve Carell, Rose Byrne, Chris Cooper, Mackenzie Davis and Topher Grace. Carell portrays a campaign strategist who runs a Democratic mayoral candidate (Cooper) in a small right-wing town. A Focus Features production, Irresistible was rerouted from a May 2020 theatrical release by the coronavirus pandemic and instead debuted in June on premium VOD. It became available through regular digital channels on Aug. 18.

The top five remain relatively unchanged from the prior week  — and from the week before that. Paramount’s popular TV drama series “Yellowstone,” long a favorite among home viewers, again took the top three spots on the chart, though this week season three leapfrogged season two to take the No. 2 spot. Universal’s The King of Staten Island switched places with RLJ FIlms’ The Tax Collector to finish as No. 4 and No. 5, respectively.

  1. Yellowstone: Season 1 (Paramount)
  2. Yellowstone: Season 3 (Paramount)
  3. Yellowstone: Season 2 (Paramount)
  4. The King of Staten Island (Universal)
  5. The Tax Collector (RLJ Entertainment)
  6. Harry Potter Complete 8-Film Collection (Warner)
  7. Guest House (Lionsgate)
  8. Trolls World Tour (Universal/DreamWorks)
  9. 42 (Warner)
  10. Irresistible (2020, Universal)
  11. The Silencing (2020, Lionsgate)
  12. Superman: Man of Tomorrow (Warner)
  13. Harry Potter and the Sorcerer’s Stone (Warner)
  14. The Karate Kid (Sony)
  15. Rogue (Lionsgate)
  16. The Vanished (2020, Paramount)
  17. The Outpost (Screen Media)
  18. Scoob! (Warner)
  19. 1917 (Universal)
  20. Made In Italy  (IFC Films)

 

Source: DEG: The Digital Entertainment Group
Includes U.S. digital sales, digital rentals, and DVD, Blu-ray Disc and 4K Ultra HD sales for the week ended Sept. 12.

Superman: Man of Tomorrow

BLU-RAY REVIEW:

Street Date 9/8/20;
Warner;
Animated;
$24.98 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for violence, some bloody images, suggestive material, language, smoking and brief partial nudity.
Voices of Darren Criss, Alexandra Daddario, Zachary Quinto, Ike Amadi, Ryan Hurst, Brett Dalton, Neil Flynn, Bellamy Young, Eugene Byrd.

The latest DC Comics animated movie takes a look at young Clark Kent’s early days as Superman as a fresh-faced potential journalist newly arrived in Metropolis.

This version of Clark, while aware of his powers, has no clue about his Kryptonian origins. He begins attracting the attention of the press through a series of heroic deeds, though he has yet to be branded Superman or even don his iconic costume (though his reasons for needing the costume provide one of the film’s biggest laughs)..

However, his exploits also get noticed by the notorious intergalactic bounty hunter Lobo, who comes to Earth looking for a fight. Though Clark finds an ally in the mysterious Martian Manhunter, his battle with Lobo ends up unleashing a deadly creature known as Parasite, who grows stronger by absorbing energy and draining the life force of his victims.

To stop Parasite’s rampage, Clark (voiced by Darren Criss) must enlist the help of Lex Luthor (Zachary Quinto), a man destined to one day become his sworn enemy. But this story occurs before all those pieces fall into place.

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The movie also gives some attention to the young Lois Lane (Alexandra Daddario), a recent graduate looking to establish herself as the top reporter at the Daily Planet, where Clark has been working as an intern bringing everyone their coffee.

The film does a nice job of establishing Clark’s eagerness to fit in. He knows he’s an alien, but isn’t sure from where or who else knows, so he knows his heroic excursions come with an element of risk. In fact, one of the big motifs of the film is finding the humanity in beings who otherwise aren’t human, particularly as Superman tries to re-connect with the man Parasite used to be.

Man of Tomorrow, the 40th entry in the DC Universe series of animated superhero movies, is a standalone film, not connected to the brand’s recent string of interconnected movies, though it could very well prove a good jumping off point for a new continuity.

The animation is crisp and lively, and the colors pop in high-definition. The filmmakers have crafted some exciting action sequences, including the initial all-out brawl between young Clark Kent and Lobo. The third-act battle against Parasite takes on much of the flavor of a typical “Godzilla” movie, but for the most part this is a pretty entertaining Superman adventure. Fans of Lobo should get a kick out of finally seeing him in action in one of these DC movies.

The Blu-ray includes two Lobo-centric episodes from “Superman: The Animated Series,” plus a 10-minute featurette on the history and popularity of Lobo.

There’s also a nine-minute featurette about the legacy of the Martian Manhunter.

Rounding out the extras are a trailer, featurettes for earlier DC animated movies, and a 12-minute preview of the next animated DC movie, a kung-fu-style Batman adventure set in the 1970s.

Hollywoodland

BLU-RAY REVIEW: 

Street Date 8/25/20;
Kino Lorber;
Drama;
$24.95 Blu-ray;
Rated ‘R’ for language, some violence and sexual content.
Stars Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Robin Tunney, Kathleen Robertson, Lois Smith, Caroline Dhavernas, Molly Parker, Zach Mills, Jeffrey DeMunn, Joe Spano.

Given how much the current entertainment landscape is dominated by superhero movies and TV shows, it’s easy to forget the genre only came into prominence in the last 20 years or so. Even when Hollywoodland first hit theaters in 2006, the era of the superhero movie was just in its infancy, and still two years away from the dawn of the Marvel Cinematic Universe.

So, looking at Hollywoodland now, it’s hard not to see the film as a fascinating time capsule of a time when comic book fare was considered kids’ stuff, and actors decried being too closely associated with a single character.

Hollywoodland delves into the story of George Reeves, the actor best known for playing Superman on TV in the 1950s who died under mysterious circumstances from a gunshot wound to the head in 1959. Officials ruled it a suicide, but there were enough shenanigans surrounding his life that the specifics of his death have sparked numerous conspiracy theories that linger on to this day.

Rather than adopt a strict biopic or docudrama approach, Hollywoodland frames Reeves’ story as a case taken on by a hotheaded (and completely fictional) private investigator named Louis Simo, played with smarmy aplomb by Adrien Brody. Simo is hired on by Reeves’ mother (Lois Smith), who doesn’t buy the official reports. So Simo dips his toes into the waters of 1950s Hollywood to uncover the seedier aspects of show business, with Reeves’ story told in flashback.

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Reeves (Ben Affleck) dreaded the prospect of playing Superman on a show for kids, but he needed the money. Like most actors, he dreamed of a career in pursuit of serious art, but after a bit role in Gone With the Wind he mostly struggled to get noticed on the big screen. Superman made him a star, and he seemed to hate every minute of it, particularly during a disastrous screening of From Here to Eternity in which the audience can’t help but yell Superman catch-phrases at the screen every time Reeves appears.

To top it off, Reeves finds himself wilting as the kept boy-toy of Toni Mannix (Diane Lane), wife of notorious MGM honcho Eddie Mannix (Bob Hoskins). He doesn’t seem to mind her tryst, however, seeing as how he accompanies them on a double-date with his own mistress. But Toni also doesn’t use her connections to help Reeves advance his career, furthering some resentment.

So the questions arise over how Reeves was shot. Did Eddie order it, to protect his wife? Was in an accident during an argument between Reeves and his fiancée (Robin Tunney)? Or did Reeves, in pain from years of nagging injuries and emotionally drained from the stress of his career, simply put a gun to his head?

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The screenplay bounced around in the early 2000s until landing at Focus Features (indie arm of Universal). During production, it was known as Truth, Justice, and the American Way, a phrase so connected to Superman that it’s hardly surprising Warner Bros., which controls the film rights to the DC characters, would make Focus change it to something more generic, which likely dampened the film’s box office fortunes. Further, with Warner releasing Superman Returns in 2006, Hollywoodland was forbidden from even using the Superman logo in marketing the film — leading to the shot in the trailer (also included on the Blu-ray) of Affleck looking at himself in costume in the mirror with a chest noticeably missing the iconic ‘S.’ Superman imagery was allowed in the final film however, though the filmmakers had to re-create the famous opening sequence to the TV show as Warner wouldn’t license it to them.

Another scene depicts the likely apocryphal story of a child approaching an in-costume Reeves at a promotional event and asking if he can shoot him with a gun to watch the bullets bounce off. Played as a tense moment in the film, the screenplay ingeniously manages to connect it to the larger plot. But the scene is also memorable for its sense of whimsy in how it adopts the anything-goes imagination mashup that was classic Hollywood — Reeves is performing for kids as Superman at a Wild West stunt show, stopping a pair of bank robbers of the type he would never find himself fighting in the comics.

The use of the film noir structure, another homage to classic Hollywood, sets Simo up as a mirror to Reeves, reflecting on his own career as he untangles the fate of his case subject. As noted in a newly recorded commentary track by entertainment journalist Bryan Reesman, What emerges is the parallel story of two men striving to become more than what anyone around them is willing for them to be, and struggling to take stock of the things in their lives actually worth living for.

Reesman also finds a lot of interesting contrasts between Reeves and Affleck, who unlike the man he’s playing had no problem stepping into the realm of comic book heroics. Affleck had played the title character in Daredevil in 2003, but the film was too poorly received to blossom into the franchise that perhaps the actor expected it too when he signed on.

But Hollywoodland also came at the tail end of the first phase of Affleck’s career, with audiences tuning out as he appeared in a string of brainless actioners and tepid comedies (including the infamous Gigli). Hollywoodland represented something of the first step of a reinvention, as he wanted to demonstrate he could handle more serious fare, and, indeed, he earned a Golden Globe nomination for Best Supporting Actor, in addition to wins at the Saturn Awards and Venice Film Festival, among a slew of accolades.

The next year, Affleck would make his feature directorial debut with 2007’s acclaimed Gone Baby Gone, following up with 2010’s The Town and 2012’s Best Picture Oscar winner Argo (for which Affleck was snubbed for an Academy directing nomination after winning the DGA trophy). The career boost would culminate in his casting as Batman for 2016’s Batman v Superman: Dawn of Justice and a couple subsequent DC films. Given his scenes as Reeves making and promoting the “Adventures of Superman” TV series, Affleck would probably be the only person to wear both the Superman and Batman costumes on the big screen. He’d also reunite with Diane Lane in BvS, where she would play, of all people, Superman’s mother.

While Hollywoodland wasn’t much of a financial performer upon its release, it’s still fondly remembered for its cast and subject matter, particularly among fans of superhero movies.

In addition to the interesting Reesman voiceover, the Blu-ray also carries over all the extras from Universal’s old DVD release of the film, including an informative commentary by director Allen Coulter, three featurettes and a handful of mostly unremarkable deleted scenes.

Warner Slates Animated ‘Superman: Man of Tomorrow’ Movie

Warner Bros. Home Entertainment will release the animated movie Superman: Man of Tomorrow through digital retailers Aug. 23, and on Blu-ray Disc, DVD and 4K Ultra HD Blu-ray Sept. 8.

The latest entry in the DC Universe movie line from Warner Bros. Animation deals with young Daily Planet intern Clark Kent (Darren Criss) in his early days as Superman, as Metropolis is introduced to a new age of heroes. As the budding hero fights for good, he confronts the intergalactic bounty hunter Lobo (Ryan Hurst) and the power-hungry alien Parasite (Brett Dalton).

The cast also includes Zachary Quinto as Lex Luthor, Alexandra Daddario as Lois Lane, Ike Amadi as Martian Manhunter, Piotr Michael as Perry White, Neil Flynn as Jonathan Kent and Bellamy Young as Martha Kent, plus Cristina Milizia, Eugene Byrd, April Stewart, Cissy Jones and David Chen.

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Blu-ray and digital extras include the featurettes “Lobo: Natural Force of Chaos” and “Martian Manhunter: Lost and Found,” the “Superman: The Animated Series” episodes “The Main Man” parts one and two, and previews of other DC Universe animated movies.

Warner Archive Releasing ‘Legion of Super Heroes’ Animated Series on Blu-ray

Warner Archive Collection on July 14 will release Legion of Super Heroes: The Complete Series on Blu-ray Disc.

In season one, Legionnaires Bouncing Boy (Michael Cornacchia), Brainiac 5 (Adam Wylie), Saturn Girl (Kari Wahlgren) and Lightning Lad (Andy Milder) travel back in time to convince an awkward teen named Clark Kent (Yuri Lowenthal) to join the Legion and battle their archnemeses, the Fatal Five. Season two presents Superman and the Legion with an even greater challenge: Kell-El, the Superman of the 41st century.

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The Blu-ray will include all 26 episodes from the 2006-08 animated series, plus the featurette “We Are Legion” and an exclusive audio commentary on the series’ two-part finale, “Dark Victory,” with producer James Tucker, director Brandon Vietti and Wahlgren.

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The first season was previously released in three DVD volumes. Warner Archive will also be releasing a DVD of the second season.

Animated Elseworlds Adventure ‘Superman: Red Son’ Flying to Home Video in 2020

Warner Bros. Home Entertainment will release the DC Universe animated superhero adventure Superman: Red Son through digital retailers Feb. 25, 2020, and on Blu-ray Disc, DVD and 4K Ultra HD Blu-ray March 17.

The film is an adaptation of the 2003 graphic novel Superman: Red Son, part of DC Comics’ “Elseworlds” imprint that provides alternate histories and settings for some of the company’s famous characters. The story takes place in an alternate reality in which the spaceship bearing the last survivor of Krypton crash lands not in America, but in Stalinist Russia, and is raised to defend the ideas of the Soviet Union.

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The cast includes Jason Isaacs as the Soviet Superman, Diedrich Bader as Lex Luthor, Amy Acker as Lois Lane, Vanessa Marshall as Wonder Woman, Phil Morris as James Olsen, Paul Williams as Brainiac, Roger Craig Smith as Batman, Sasha Roiz as Hal Jordan, Phil LaMarr as John Stewart, Jim Meskimen as John F. Kennedy, Travis Willingham as Superior Man, William Salyers as Joseph Stalin, and Winter Ave Zoli as Svetlana.

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The Blu-ray and digital versions will include the new DC Showcase animated short Phantom Stranger, by Bruce Timm. Set in the 1970s, the short follows young adult Jess as she joins her friends at a party in a dilapidated mansion hosted by the mysterious Seth, when odd things begin to happen. Peter Serafinowicz voices Phantom Stranger, and Michael Rosenbaum provides the voice of Seth. The voice cast also includes Natalie Lander, Grey Griffin and Roger Craig Smith.

Other extras include the featurette “Cold Red War,” two episodes from Superman: Red Son – The Motion Comics, and a preview of the next DC Universe movie, Justice League Dark: Apokolips War.