X-Men: Dark Phoenix

BLU-RAY REVIEW:

Fox;
Action;
Box Office $65.85 million;
$29.99 DVD, $37.99 Blu-ray, $45.99 UHD BD;
Rated ‘PG-13’ for intense sequences of sci-fi violence and action including some gunplay, disturbing images, and brief strong language.
Stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, Evan Peters, Kodi Smit-McPhee, Jessica Chastain.

With Dark Phoenix, the Fox era of “X-Men” movies comes to an end not with a bang, but with a whimper.

Of course, looking back at the franchise, while it has left its mark on the landscape of superhero cinema, the films have never really been the most consistent in terms of quality. And a lot of that might owe to the filmmakers’ dubious relationship with not just the source material, but the other films in the franchise as well.

Some have been standouts — X2, Days of Future Past, Deadpool and Logan being the biggest highlights on most lists — and some, such as X-Men Origins: Wolverine, were forgettable enough that even the film that used time travel to reset the timeline ignored it.

Going in, the 12th “X-Men” movie, Dark Phoenix, had a few factors to overcome. It would be following up the disappointing X-Men: Apocalypse with a first-time director, Simon Kinberg, albeit someone who was at least familiar with the franchise having written several of the previous films. And it would be coming out amid Disney’s takeover of the Fox studio, meaning that future “X-Men” movies would likely come from the Marvel Cinematic Universe and feature a whole new cast and creative team and have nothing to do with the Fox movies. That lack of a narrative future combined with the release date for Dark Phoenix getting pushed back further and further left an impression that it was more of a remnant of a bygone era than an entry audiences could really care about.

In that regard, at least it made it to theaters. Fox also left over a New Mutants film that still needs a final polish if it is to ever see the light of day.

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Even so, the signs are evident within Dark Phoenix of a franchise on its last legs even without the intrigue of inter-studio transition (much of this carrying over from Apocalypse).

For his part, Kinberg wanted a second chance to take on the “Dark Phoenix Saga,” one of the most famous “X-Men” storylines from the comics, and one that was adapted somewhat in 2006’s X-Men: The Last Stand, which Kinberg co-wrote. But where it was just one of several storylines serving that muddied third “X-Men” movie, the reboot that came with Days of Future Past would allow Kinberg to spend an entire movie on it.

Dark Phoenix also picks up the tradition begun in 2011’s First Class of setting subsequent “X-Men” movies in a new decade. So the action picks up in 1992, nine years after the events of Apocalypse. Now seen by the world as heroes, the X-Men conduct a mission to rescue a space shuttle crew from a mysterious space cloud, which ends up being absorbed by Jean Grey (Sophie Turner).

The power contained within the cloud ends up unlocking hidden secrets involving Jean, which puts her at odds with Charles Xavier (James McAvoy) and the rest of the X-Men. As she sets out on her own, she is pursued by an alien leader (Jessica Chastain) who wants the power for herself.

So in that description lies the elements for a big, sprawling epic — space adventure, mysterious superpowers, alien invasions. And yet, instead of going big, Kinberg chooses to go small, trimming the potential for more world-building in favor of focusing on Jean’s personal struggles to deal with her new abilities and what that means to Charles. And the aliens are treated as little more than another nuisance for the mutants to handle, rather than the film realizing that this is the first time these films have had to deal with cosmic matters.

This could have been the Avengers: Endgame of Fox’s “X-Men” franchise, but its scope is so limited it ends up feeling more like a direct-to-video sequel.

According to Kinberg in both the feature-length commentary and several behind-the-scenes featurettes, this was by design, as the constraints of a psychological drama more more appealing to the kind of director he wanted to be. So while it’s very much the film he wanted to make, and any director would still have had his script as a starting point, the question of whether his directorial sensibilities were the right fit will always loom over the final product. (And, to be fair, the question of who else they could have gotten to direct also is fair, especially considering how much of a Hollywood pariah franchise stalwart Bryan Singer turned out to be.)

A couple of other factors contribute to the film’s sense of disconnect from the rest of the franchise. First, despite the time jump from the previous film, there is very little sense of character development in the interim. The team is the same as it was at the end of the previous movie, and any new characters are reduced to little more than fan service cameos (a complaint that could be lodged against a number of the previous movies too). Kinberg in one of the featurettes mentions thinking of this film as more of a reboot with the same cast, rather than a continuation of previously established plot threads. This isn’t the first time this kind of approach seems to have been applied to the “X” movies, as numerous potential story points and character relationships are hinted at only to be ignored later, it does seem more in force with Dark Phoenix, which is a shame.

And while musical consistency has never been a strength of this franchise, the previous “X” movies at least demonstrated a musical progression through the themes that composer John Ottman originally introduced in X2. All of that is abandoned here though in favor of the generic synth tones of Hans Zimmer and his musical score factory. It serves Kinberg’s low-key approach but does nothing for sparking the sense of nostalgia this film could have used to send this particular iteration of the franchise out on a higher note.

Of course, getting pushed to a summer release date didn’t do Dark Phoenix any favors, as it simply invited comparisons to Endgame, which traded heavily on its sense of nostalgia for the characters, especially in how it presented the music for them.

The important lesson here is that in adapting a particular comic book storyline into a long-running series (films or TV), is that the ongoing storylines should be serviced by, not sacrificed to the adaptation. The movie, show or franchise still needs to stand on its own, and the best adaptations are able to appease both longtime fans of the material and new viewers unfamiliar with it, often by adhering to the spirit of the work if not a literal re-creation of it.

That doesn’t mean Dark Phoenix is unwatchable. Just the notion of revisiting the “Dark Phoenix Saga” makes the film a curio, if only to compare it to The Last Stand. And make no mistake, there are quite a few echoes of that previous film here.

In addition, there are plenty of dazzling visual effects when the film bothers with them, and the film looks great, particularly during the shuttle rescue sequence.

And it’s still good to see the cast return, even if the story isn’t quite sure how best to utilize them. Ultimately, the film does provide enough of a sense of closure to the Fox era, particularly the four films of the “First Class” continuity.

The Blu-ray is also fascinating in how the bonus materials demonstrate the clear disconnect between how the film unfolds in the filmmakers’ minds, and what it ended up being.

In addition to Kinberg’s commentary (shared with producer Hutch Parker), the Blu-ray also includes three-and-a-half minutes of deleted scenes that mostly offer redundant information to what’s established in the film, but also provide an alternate ending of sorts.

The centerpiece of the extras is the five-part documentary “Rise of the Phoenix: The Making of Dark Phoenix,” which runs about 81 minutes in total and offers a comprehensive view of the production. Supplementing it is a 13-minute scene-breakdown of the creation of a battle on New York’s 5th Avenue (re-created on a stage in Montreal).

Rounding out the package is a lighthearted two-minute video of Beast (Nicholas Hoult) teaching viewers how to fly the X-Jet.

 

 

‘Spider-Man: Far From Home’ Comes Home on Digital Sept. 17, Disc Oct. 1 Including 4K

Spider-Man: Far From Home will fly to digital Sept. 17 and 4K Ultra HD combo pack, Blu-ray combo pack and DVD Oct. 1 from Sony Pictures Home Entertainment.

The film earned $386.1 million in domestic theaters.

Tom Holland returns as the web-slinger Peter Parker in the next chapter after Spider-Man: Homecoming. He joins his best friends Ned, M.J. and the rest of the gang on a European vacation. However, Peter’s plans to leave heroics behind for a few weeks are quickly scrapped when he begrudgingly agrees to help Nick Fury uncover the mystery of several elemental creature attacks. Spider-Man and Mysterio (Jake Gyllenhaal) join forces to fight the havoc unleashed across the continent — but all is not as it seems.

The film also stars Samuel L. Jackson as Nick Fury, Jon Favreau as Happy Hogan and Zendaya as M.J.

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Special features include a new original short, alternate and extended scenes, gag reels, and Easter Eggs. Additional special features include “Teachers’ Travel Tips,” with Mr. Harrington and Mr. Dell on how to traverse the European continent, as well as interviews with the cast and crew focused on stunts and location in “The Jump Off” and “Far, FAR, From Home.” Viewers can explore how Spider-Man was introduced in the Marvel Cinematic Universe in “Stepping Up” and get a closer look at the chemistry between Jon Watts and Tom Holland in “It Takes Two.” Viewers can also dive into the “The Ginter-Riva Effect,” “Thank You, Mrs. Parker” and “Now You See Me” featurettes for more character focused details.

The 4K Ultra HD also features Dolby Vision and Dolby Atmos audio.

Brightburn

BLU-RAY REVIEW:

Sony Pictures;
Horror;
Box Office $17.3 million;
$30.99 DVD, $34.99 Blu-ray, $38.99 UHD BD;
Rated ‘R’ for horror violence/bloody images, and language.
Stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones, Meredith Hagner, Emmie Hunter, Gregory Alan Williams, Annie Humphrey.

The common description of Brightburn paints the film as something of a dark superhero tale, a speculation about what would have happened had Superman turned out to be evil.

Such a summary is a bit of an oversimplification, both in terms of what the movie is trying to achieve and in the implication of what Superman is.

For the most part, though, the film is an effective thriller with a killer hook — what if Superman was the slasher in his own horror film?

The superpowered alien central to Brightburn is not Superman, of course, but a close enough stand-in given the circumstances involved. A childless couple wishes for a baby only to have one fall out of the sky in a spaceship. They adopt the child and raise him as their own, only for him to discover that he possesses wondrous powers.

After living a relatively normal childhood, Brandon Breyer (Jackson A. Dunn) quickly develops the powers of super strength, flight, superspeed and heat vision. Unlike Superman, he can also emit EM pulses to interfere with electronics.

Brandon’s alien nature has begun to assert itself, and his instincts tell him he was sent to Earth to take it over.

So he slowly embarks on his campaign of terror, first tormenting a young classmate he has a crush on. As the locals begin to shun him for his oddness, he grows more willing to kill in order to conceal his true nature. Even his adoptive father (David Denman) begins to distrust him, though his mother (Elizabeth Banks) refuses to give up on him.

The key difference with Superman, of course, is that Clark Kent was never driven by a preordained alien instinct for dominance. He was simply raised as a child with superpowers, and developed the moral lessons imparted upon him by his adoptive parents into his desire to pursue truth, justice and the American way.

But that’s neither here nor there as far as Brightburn is concerned. Produced by James Gunn (Guardians of the Galaxy) and written by his brother and cousin, the film relishes its chance to demonstrate how terrifying the prospect of a superpowered child can be once he realizes he is subject to no mortal constraints. Brightburn is creepy, disturbing appropriately gory in the best traditions of practical horror effects (with a modern assist from CGI).

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The idea at the heart of Brandon’s sudden turn toward bloodlust gives rise to the five-minute “Nature vs. Nurture” featurette included with the Blu-ray, which explores the film’s family dynamic and suggests the film is something of a parable for parenting a difficult child.

The sentiment is echoed by director David Yarovesky in a short “social vignette” and the film’s commentary track, in which he recalls his own troubled upbringing and calls the film a tribute of sorts to his mother for putting up with him.

Yarovesky shares the commentary with his wife, Autumn, who serves as the costume designer, and cinematographer Michael Dallatorre. Their lighthearted and often crude discussion comes across like a group of friends making fun of each other and reminiscing on their shared experiences in relating the story of the making of the film. There are some pretty good insights offered for fans interested in knowing more about the film, as well as a fair share of poop jokes.

The five-minute “Hero-Horror!” featurette takes a look at how the film puts a dark twist on the telling of the usual superhero origin story. It’s mostly a standard-issue behind-the-scenes video of the cast and filmmakers discussing the movie, but it doesn’t go much deeper into really analyzing the influences on the film from among the greater pantheon of superhero mythology.

Rounding out the Blu-ray are the aforementioned social vignettes. Labled “Quick Burns Social Vignettes,” they consist of three videos running a total of two–and-a-half minutes. One video features Elizabeth Banks plugging the movie’s virtues, another offers James Gunn singing the praises of director Yarovesky, and the third is the interview with Yarovesky in which he discusses how his background influenced his vision for the film.

Warner Releasing ‘Wonder Woman: Bloodlines’ Animated Movie in October

Warner Bros. Home Entertainment will release the latest DC Universe animated movie, Wonder Woman: Bloodlines, digitally Oct. 5, and on Blu-ray and 4K Ultra HD Blu-ray Oct. 22.

The film finds Wonder Woman (voiced by Rosario Dawson) helping a troubled young girl against a deadly organization known as Villainy Inc., whose criminal members have their sights set on invading the Amazon warrior’s home island of Themyscira.

The cast includes Jeffrey Donovan as Steve Trevor, Marie Avgeropoulos as Silver Swan, Adrienne C. Moore as Etta Candy, Kimberly Brooks as The Cheetah and Giganta, Courtenay Taylor as Dr. Poison, Constance Zimmer as Veronica Cale, Nia Vardalos as Julia Kapatelis, Michael Dorn as Ferdinand, Cree Summer as Hippolyta, Mozhan Marno as Dr. Cyber, and Ray Chase as Lead Bandit.

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Extras include the “DC Showcase” animated short Death, inspired by Neil Gaiman’s “The Sandman”; the featurette “The Cheetah: Ferocious Archenemy”; and a sneak peak at the next DC Universe animated movie, Superman: Red Son.

The 4K combo pack will include UHD and Blu-ray versions of the movie and a redeemable digital copy. The Blu-ray combo pack will include the movie on Blu-ray and DVD, plus a digital copy.

 

Warner Releasing Supersized ‘Death and Return of Superman’ Animated Movie

Warner Bros. Home Entertainment will release The Death and Return of Superman on Blu-ray Disc, 4K Ultra HD Blu-ray and digitally Oct. 1.

The 166-minute movie is the combination of the previously released DC Universe animated movies The Death of Superman and Reign of the Supermen.

The comprehensive The Death and Return of Superman Complete Film Collection Gift Set will include never-before-seen footage, 45 minutes of new bonus features and an exclusive pack-in Steel figurine.

An adaptation of the “Death of Superman” comic book storyline from the 1990s, the movie features Superman sacrificing himself to stop Metropolis from the rampage of an unstoppable alien menace named Doomsday. In his absence, four new super-powered individuals arrive to carry on the legacy of Superman, while the disappearance of his body leads to speculation that he may still be alive.

The voice cast includes Jerry O’Connell as Superman, Rebecca Romijn as Lois Lane, and Rainn Wilson as Lex Luthor.

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The home video will include the new featurette “Long Live Superman,” a look at how the iconic character has become a symbol for hope across the world.

Returning extras from the previously released disc of the individual movies include the featurettes “The Death of Superman: The Brawl That Topped Them All” and “Lex Luthor: The Greatest Nemesis,” plus bonus cartoon episodes “Dark Victory: Parts 1 & 2” from “Legion of Superheroes,” “Heavy Metal” from “Superman: The Animated Series,” and “Panic in the Sky” from “Justice League Unlimited.”

The 4K Ultra HD Blu-ray combo pack will include The Death and Return of Superman on both a 4K Blu-ray disc with HDR and a regular Blu-ray disc, plus a 4K Ultra HD Blu-ray version of Superman: Doomsday, the abridged version of the story that served as the inaugural DC Universe animated movie in 2007.

FandangoNow Creates Playlists for San Diego Comic-Con

With Comic-Con in full swing in San Diego through July 21, FandangoNow, Fandango’s transactional VOD service, is hosting two new playlists devoted to fan favorites and genre films.

Fandango correspondent Alicia Malone, author of the feminist film histories The Female Gaze and Backwards and in Heels, July 19 is moderating a Comic-Con panel entitled “The Future of Film is Female.” The panel on genre films by female filmmakers features Rotten Tomatoes editor Jacqueline Coley, Fast Color director Julia Hart, Terminator producer Gale Anne Hurd and Black Panther cinematographer Rachel Morrison.

Malone has curated a FandangoNow playlist of her favorite female-helmed genre films, including Patty Jenkins’ Wonder Woman, Mary Harron’s American Psycho, Anna Biller’s The Love Witch, Veronika Franz’s Goodnight Mommy, Karyn Kusama’s Jennifer’s Body, Kathryn Bigelow’s Strange Days, Mimi Leder’s Deep Impact and Ava DuVernay’s A Wrinkle in Time.

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Also in honor of the convention’s 50th anniversary, Rotten Tomatoes has curated a special playlist of 50 Movies that Defined Comic-Con on FandangoNow, featuring such titles as Iron Man, Twilight and “The Lord of the Rings” trilogy.

Shazam!

BLU-RAY REVIEW: 

Street Date 7/16/19;
Warner;
Action;
Box Office $140.24 million;
$28.98 DVD, $35.99 Blu-ray, $44.95 UHD BD;
Rated ‘PG-13’ for intense sequences of action, language, and suggestive material.
Stars Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou, Faithe Herman, Grace Fulton, Ian Chen, Jovan Armand, Marta Milans, Cooper Andrews, Meagan Good, Ross Butler, D.J. Cotrona, Michelle Borth, Adam Brody, John Glover.

The movie based on the character now known as Shazam has been one of the pleasant surprises of late in an entertainment landscape crowded with superhero adaptations.

For his 80th anniversary, the filmmakers have magnificently captured the essence of one of the most influential characters in early comic book superhero history while successfully re-contextualizing him for a world that is now littered with many of the very comic book tropes he helped inspire (and which the film has a lot of fun calling out and subverting).

The story involves a foster kid named Billy Batson (Asher Angel), who is summoned into a magical realm by a wizard seeking to empower a new champion to keep the evil forces of the seven deadly sins at bay. When Billy speaks the word “Shazam,” he is transformed into the hero of the same name, though with an adult body.

The name Shazam is derived from the mythological heroes from which he draws his powers: the wisdom of Solomon, strength of Hercules, stamina of Atlas, power of Zeus, courage of Achilles and speed of Mercury.

The older Shazam version of Billy is played by Zachary Levi, whose goofy charm perfectly embodies the notion of a child trying to be a superhero. The film is essentially the superhero movie version of Big, and you can be sure that the film doesn’t miss its chances to reference that fact.

With Billy still possessing a teenager’s mind while learning to deal with his new powers, he seeks the advice of foster brother Freddy Freeman (not to be confused with the Atlanta Braves first baseman). Freddy (Jack Dylan Grazer) is a huge fan of superheroes and begins building Shazam’s fan base with YouTube videos showing off his powers, which include flight, superspeed and the ability to shoot lightning bolts from his hands.

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The idea of wish fulfillment is a strong recurring theme in the film, as what kid doesn’t daydream about having fantastic abilities that let them put their worries behind them?

The flipside of Billy’s story is Dr. Sivana (Mark Strong), who as a child was rejected by the wizard and has spent 45 years seeking artifacts to return him to the wizard’s cave. In doing so, he becomes the champion for the deadly sins, giving him the power to seek retribution against those who tormented him over the years.

Sivana wants the powers of Shazam for himself so that the spirits of the sins will be free to rain havoc upon the world once more. This of course leads to another classic battle between good and evil that no good comic book movie should be without.

The parallel journeys of Billy and Sivana force the film into a tricky balancing act that director David F. Sandberg somehow pulls off. In contrast to the lighthearted superhero romp of Billy and Freddy, Sivana’s story is more like something out of a horror film, with scary monsters lurking in the shadows causing pain and destruction.

Another positive side effect of the film is the spotlight it puts on foster families, and it’s interesting this film came so soon after 2018’s very good Instant Family, which also dealt with the subject. The foster storyline gives Shazam! a lot of its heart, and the kids in Billy’s foster family end up serving the plot in a huge way that ends up producing one of the biggest fist-pumping moments for fans of the Shazam comics.

Speaking of which, the character’s tumultuous publication history is a big factor in what may be one of the oddest cinematic coincidences of recent years.

The character was introduced by Fawcett Comics in 1939 as Captain Marvel and became the top-selling comic book of the 1940s, even more popular than Superman. He even inspired DC Comics to give Superman the power of flight, when before the Man of Steel was simply able to jump long distances. Captain Marvel was also one of the first heroes to inspire a family of sidekicks with similar powers, including a female version of the main hero.

Nonetheless, DC sued Fawcett claiming that Captain Marvel was basically a ripoff of Superman, and by the early 1950s Fawcett discontinued the character.

In the meantime, Marvel Comics created its own Captain Marvel in the 1960s and seized the trademark on the name, so that when DC acquired publishing rights to the original Captain Marvel and revived the character in the 1970s it couldn’t use the character’s original name in comic book titles, which is how he became known as just Shazam.

As it turned out, a movie based on the Marvel Comics version would end up coming out just a month before Shazam!, the dueling “Captain Marvel” properties adding to Hollywood lore of similarly themed movies hitting theaters at the same time, like the rival James Bond movies of 1983, multiple Columbus movies of 1992, and the Armageddon vs. Deep Impact asteroid movies of 1998.

And, as if Shazam not being allowed to use his original name weren’t enough, Marvel’s movie wasn’t even based on the original version of its own Captain Marvel, but a rebooted version with a previously obscure female superhero taking up the mantle.

In another coincidence, both Captain Marvel movies would feature Djimon Hounsou, who plays the wizard in Shazam! and reprises his Guardians of the Galaxy role as a Kree soldier in Captain Marvel.

In fact, Shazam! is something of an amalgamation of the current superhero movie trend. Like Spider-Man: Homecoming, it plays a Ramones song over an animated end credits sequence (though Shazam!’s serves the motifs of the movie better).

Adam Brody and D.J. Cotrona, who in 2007 had been cast in a now-canceled “Justice League” movie, finally get their chance to play superheroes in Shazam!. Mark Strong returns to the DC Comics fold having previously played Sinestro in the awful Green Lantern movie. And with his role as Sivana’s father, John Glover has now played the father of two DC supervillains,, having played Lex Luthor’s father on “Smallville” (he’s also voiced “The Riddler” in Batman cartoons and played a villain in Batman & Robin).

The Shazam! Blu-ray contains a sequel of sorts in the form of a four-minute motion comic called “Superhero Hooky” in which Billy must explain why he and his foster siblings ditched school for a superhero adventure.

The Blu-ray also includes a whopping 16 deleted scenes that run about 37 minutes in total. About half of them are alternate or lesser-developed versions of sequences in the final film, taken from an earlier cut before the story was tweaked to add a bit bigger scale. There are also some fun additional moments featuring the Shazam family, and a tease of a future supervillain to be played by Dwayne Johnson.

Among the behind-the-scenes material, the most comprehensive is the 27-minute “The Magical World of Shazam,” which delves into all aspects of the production. The making of the climactic battle is the focus of a separate 10-minute scene study. The three-minute “Super Fun Zac” puts a spotlight on Levi in the title role, while the six-minute “Shazamily Values” looks into the foster family aspect of the movie.

Finally, the history and identity of the character is touched upon on the six-minute “Who Is Shazam?”

Sinister Superhero Flick ‘Brightburn’ Flying to Digital Aug. 6, Disc Aug. 20 From Sony

The superhero horror story Brightburn is coming to digital Aug. 6 and 4K Ultra HD Blu-ray and DVD Aug. 20 from Sony Pictures Home Entertainment.

Producer James Gunn (Guardians of the Galaxy, Slither) presents a subversive take on the superhero film, asking the question: What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?

Elizabeth Banks, David Denman, Jackson A. Gunn, Matt Jones and Meredith Hagner star.

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Bonus materials include:

  • three “Quick Burns” vignettes, hosted by Banks, producer James Gunn and director David Yarovesky;
  • the “Hero-Horror!” featurette, in which producer James Gunn and screenwriters Brian and Mark Gunn discuss the genre-bending category;
  • the “Nature vs. Nurture” featurette, about what motivates the film’s antihero;
  • and filmmaker commentary with Yarovesky, director of photography Michael Dallatorre, and costume designer Autumn Steed.

‘Avengers: Endgame’ Arriving Digitally July 30, on Disc Aug. 13 From Disney

Disney will release Marvel Studios’ blockbuster Avengers: Endgame digitally July 30 (including Movies Anywhere), and on Blu-ray, DVD, 4K Ultra HD Blu-ray and on demand Aug. 13.

The 22nd film in the Marvel Cinematic Universe concludes the first “Avengers” saga that has spanned 11 years, beginning with 2008’s Iron Man. The film, in which the Avengers take one final stand against Thanos, has earned $834.9 at the domestic box office. Its $2.75 billion worldwide box office tally is the highest-ever for a film in its initial theatrical run (without a re-release).

Bonus features include a tribute to Stan Lee; the tale of Robert Downey Jr.’s casting as Iron Man; the evolution of Captain America; Black Widow’s dramatic story arc; directors Anthony and Joe Russo’s experience at the helm of both Avengers: Infinity War and Avengers: Endgame; the making of an epic battle scene with the women of the MCU; the creation of Bro Thor; deleted scenes; a gag reel and more.

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The digital release, available in 4K Ultra HD, HD and SD, offers access to an exclusive extra highlighting the love story of Steve Rogers (Captain America) and Peggy Carter.

Consumers can also buy a digital bundle of all four films in the Avengers franchise, which includes Marvel’s The Avengers, Avengers: Age of Ultron, Avengers: Infinity War and Avengers: Endgame.

The film’s theatrical run is expanding June 28 with an introduction by the Russo Brothers and additional post-credits footage.

‘Fast Color’ Arriving on Digital June 18, Disc July 16 From Lionsgate

The female superhero movie Fast Color arrives on digital June 18 and Blu-ray (plus digital), DVD and on demand July 16 from Lionsgate.

Starring Gugu Mbatha-Raw (Beauty and the BeastA Wrinkle in TimeMiss Sloane), Lorraine Toussaint (Selma, TV’s “Into the Badlands,” TV’s “Orange Is the New Black”), Saniyya Sidney (FencesHidden Figures, TV’s “The Passage”), Christopher Denham (TV’s “Billions,” ArgoShutter Island), and Academy Award nominee David Strathairn (2005, Best Actor, Good Night, and Good Luck), the film follows a young woman whose superhuman abilities keep her on the run until she finally decides to go home and search for help.

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Extras include a making-of featurette and audio commentary with writer-director Julia Hart and writer-producer Jordan Horowitz.