Paramount+ Adds 4.1 Million Subs, Ends Q1 With 60 Million Paid Subs, Launching Integrated Showtime Streaming Service, Price Hike This Summer

Paramount Global May 4 said its branded Paramount+ subscription streaming VOD service added 4.1 million paid subscribers in the first quarter (ended March 31) to end the period with an all-time high of 60 million subscribers — up from 39.1 million subs in the previous-year period.

Paramount’s ad-supported streaming service Pluto TV ended the quarter with 80 million monthly active users, another record.

The company plans to roll out an integrated Paramount+-Showtime Anytime streaming service this summer, at a higher subscription price.

Paramount’s direct-to-consumer business segment saw revenue soar 39% to more than $1.5 billion from $1 billion during the previous-year period. Subscription revenue grew 50% year-over-year to $1.11 billion, principally reflecting sub growth on Paramount+, including the benefit from previous
launches in international markets.

Advertising revenue rose 15% year-over-year driven by strong engagement
on Paramount+, with revenue up 65% year-over-year driven by subscriber growth and increased advertising revenue.

At the same time, the direct-to-consumer operating loss increased 12% to $511 million from a loss of $456 million during the previous-year period, reflecting higher costs to support the growth of Paramount+.

“We are focused on continuing to drive market-leading streaming growth while navigating a dynamic macroeconomic environment,” CEO Bob Bakish said in a statement.

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Paramount CEO: Not Interested in $3B Showtime Offer, Streaming Platform Won’t Be in Less-Expensive Paramount+ Essentials Subscription Tier

Paramount Global’s planned integration of the Paramount+ and Showtime Anytime subscription streaming video services this year will include monthly rate hikes, and Showtime will not be made available on the lower-priced, ad-supported Paramount+ Essentials subscription tier.

CEO Bob Bakish

That’s according to CEO Bob Bakish, speaking March 8 at the Morgan Stanley Technology, Media and Telecom Conference in San Francisco, who reiterated past comments on the projected $700 million in synergistic savings, planned $2 and $1 respective monthly rate hikes for Paramount+ Premium and Essentials tiers, and future content focus surrounding legacy Showtime content brands, including “Billions,” “Your Honor,” “Yellowjackets,” “Ray Donovan” and “Dexter,” among other titles.

Bakish disclosed that Showtime would not be available to the pending priced $5.99 Paramount+ Essentials option when the two platforms integrate. It will be available on the pending $11.99 priced Paramount+ Premium tier.

“You’ll have to buy the more expensive version [of Paramount+] to get Showtime,” Bakish said.

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The CEO noted Paramount+ is not among the SVOD price leaders, which he said include around $20 monthly for Netflix’s top tier and $15.99 for HBO Max.

“So, we are very comfortable raising prices on Paramount+,” Bakish said.

Paramount ended 2022 with 77 million paid subscribers across Paramount+, Showtime OTT, Noggin and BET+, among others. Company guidance is an estimated 100 direct-to-consumer million subscribers in 2024, a tally Bakish said could be impacted following the integration and price hikes.

In a surprise, Bakish admitted the company received an unsolicited $3 billion offer for Showtime, a bid the CEO said senior management wasn’t considering. The Wall Street Journal reported that former Showtime executive David Nevins made the offer backed by private equity firm General Atlantic.

“The reality is that [the offer] was not that interesting to us,” Bakish said, adding that management’s internal “value plan” projections for Showtime are for more valuable.

“It just didn’t make sense to divest the asset anywhere near that price,” Bakish said. “We think there’s enormous value to unlock with the integration of Showtime and Paramount+.”

Paramount+ Adds Record 9.9 Million Year-End Subs, Integrating Showtime, Price Hike in Q3

Paramount+ added a record 9.9 million subscribers in the fourth quarter (ended Dec. 31, 2022), to end the year with 55.9 million subscribers. When combined with Showtime Anytime, MTV+ and Noggin, Paramount Global ended the period with 77 million streaming subs worldwide.

The media giant will integrate Showtime Anytime with Paramount+ in the third quarter (ending Sept. 30), with the ad-free monthly subscription price rising to $11.99 from $9.99. The ad-supported plan will increase to $5.99 from $4.99.

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Paramount’s free ad-supported streaming TV/AVOD platform Pluto TV added 6.5 million average monthly viewers to end the year with nearly 79 million average monthly users.

Paramount’s direct-to-consumer business generated nearly $1.4 billion in quarterly revenue, up from $1 billion in the previous-year period. Full-year revenue increased to $4.9 billion, from $3.3 billion at the end of 2021.

Increased revenue were offset by increased expense as well. Fourth-quarter operating loss increased to 575 million, from 505 million million in the previous-year period. For the year, operating losses ballooned to more than $1.8 billion, from operating losses of $992 million in 2021.

“Our content and platform strategy is working and, with even more exceptional content coming this year, we expect to return the company to earnings growth in 2024,” CEO Bob Bakish said in a statement.

JustWatch: HBO’s ‘The Last of Us,’ Oscar-Nominated ‘Everything Everywhere All at Once’ Top Weekly Streaming Through Feb. 5

Industry awards nomination favorite movie Everything Everywhere All at Once (Paramount+/Showtime Anytime) and HBO Max original series “The Last of Us,” topped weekly streaming through Feb. 5, according to new data from JustWatch, which tracks the streaming video habits of 20 million users across 59 markets, including the United States.

Video game-inspired “The Last of Us,” which has been renewed for a second season, topped the episodic chart for the third-straight week, again holding off Peacock newcomer “Poker Face,” starring Natasha Lyonne as an offbeat detective, and Apple TV+ newcomer “Shrinking,” co-starring Harrison Ford and Jason Segel.

Feature films rounding out the most-streamed movie podium included Oscar-nominated psychological drama Tár, starring two-time Oscar winner Cate Blanchett, and the 1993 comedy classic Groundhog Day, co-starring Bill Murray, Andie MacDowell, and the late Harold Ramis, among others.


Paramount Looking to Extend Streaming Brand Across All Consumer Access Points

Since rebranding erstwhile subscription streaming platform CBS All Access to Paramount+ less than two years ago, the service has tracked the fastest subscriber growth across the entire SVOD market, which includes Netflix, Disney+, Prime Video, Peacock and HBO Max. The service ended the most-recent fiscal period with 46 million subscribers, which, when combined with Showtime Anytime, BET+ and Noggin, totaled 67 million subs worldwide for the company’s SVOD digital footprint.

Paramount’s ad-supported free streaming service, Pluto TV, ended the period with 72 million monthly active users globally.

To generate subscriber growth, Paramount has aggressively sought out third-party companies to introduce the Paramount+ service to wider audiences, including Prime Channels (access to Amazon’s massive Prime membership), Walmart+ (free streaming members), and free access to international passengers on British Airways and most recently, domestic travelers on Delta Air Lines, one the nation’s largest carriers handling 50 million passengers annually.

To Jeff Schultz, chief strategy officer and chief business development officer of Paramount Streaming, the moves underscore the media company’s goal to expose subscription streaming and free, ad-supported content to a diverse consumer base across the world’s largest retailer, e-commerce platform and airline. 

With streaming the focus among Paramount’s content studios, brands, franchises, ad sales and distribution, product and technology in 30 markets around the globe, being able to attract a household of users (rather than individuals) through diversity of content such as kids content, procedurals, sports and news, is a competitive advantage , according to Schultz.

In addition to the “Top Gun,” “Paw Patrol,” “Scream,” “Sonic the Hedgehog” and “Mission: Impossible” movies, Paramount+ offers access to TV franchises such as Criminal Minds,” “SpongeBob,” “NCIS,” “CSI” and “Yellowstone.”

“Paramount brings a unique level of creativity and ambition to deal-making and we’re not satisfied unless we’re doing deals that are different and differentiated from others,” Schultz said in the company’s “Stream On” interview.

The executive contends that the diversity of content, franchises and distribution are all distinct competitive advantages that money can’t buy.

A franchise is not a decision, it’s an asset,” Schultz said. “What the streaming market has shown us in recent years is that money is not enough. We bring that to streaming as a unique competitive advantage over even the biggest streamers.”

Paramount+ App Bundled With Showtime Anytime for $7.99 Limited-Time Monthly Price

Paramount Global Aug. 31 announced it is adding the Showtime Anytime streaming service to the Paramount+ app, effective immediately. To entice new subscribers, Paramount, for a limited time (through Oct. 2), is offering the Paramount+/Showtime bundle for $7.99 per month with limited ads, $12.99 without commercials. Thereafter, the bundle will cost $11.99 monthly with ads, and $14.99 without ads.

By simplifying access to Paramount+ and Showtime via one app, Paramount is hoping consumers will be drawn to streaming Showtime programs, including “Yellowjackets,” “Billions,” and “Dexter: New Blood,” in addition to Paramount+ shows “Star Trek: Discovery,” “Halo” and “1883,” among others.

“The Paramount+ with Showtime bundle offers consumers unprecedented value by providing one of the broadest content libraries in streaming at one of the lowest prices in the marketplace,” Tom Ryan, president and CEO of Paramount Global Streaming, said in a statement. “This singular user experience streamlines sign-up and enhances discovery, and this lower price will allow more households to enjoy this exceptional combined entertainment offering.”

Paramount ended the most-recent fiscal period (ended June 30) with nearly 64 million streaming video subscribers across its Paramount+, Showtime Anytime, BET+ and Noggin streaming platforms. Individually, Paramount+ added 4.9 million subs to end the quarter with more than 43 million subs.

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Paramount CEO Bakish Eyeing 3 Million DTC Sub Loss in Q2 Due to Russia/Ukraine Conflict

The ongoing military conflict between Russia and neighboring Ukraine is expected to cost Paramount Global upwards of 3 million direct-to-consumer subscribers in the current second quarter, ending June 30.

Speaking on the May 3 fiscal call, CEO Bob Bakish said the sub losses are due to the company’s decision to withdraw all business operations from Russia in response to the government’s unprovoked invasion of Ukraine — a conflict that has resulted in the destruction of Ukraine cities, deaths of thousands of soldiers on both sides, in addition to thousands of innocent Ukraine civilians.

Bob Bakish

Bakish said the decision to suspend business in Russia would negatively affect full-year pre-tax earnings by $70 million to $80 million, the largest component of which will fall to the TV Media segment.

The executive said Paramount is in the process of reviewing existing streaming bundle relationships in Russia. And starting in the current quarter, Bakish said he expects Russian subscribers will be removed from reported D2C subscribers.

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“This change will reduce Q2 D2C subscriber growth by approximately 3 million subs, roughly two-thirds of which are subscribers to a non- Paramount+ service specific to the Russian market,” Bakish said.

Except for the removal of subscribers to streaming services in Russia, Bakish said Paramount Global’s full-year D2C sub growth expectations are unchanged.

“Given the nature of the affected services, the financial contribution is immaterial,” Bakish said.

With Paramount+ not available in Russia, the sub loss won’t affect the SVOD, unlike Netflix, which is projecting a two-million sub loss in the current quarter, much of it due to the Ukraine conflcit.

Paramount Global CFO: Separating SVOD, AVOD Strengthens the Brand

Paramount contends it can reach 100 million global subscribers by 2024, after adding 21 million subs in 2021 across both Paramount+, Showtime Anytime, and Noggin, among other services, in addition to generating $1 billion in revenue from free ad-supported streaming television service Pluto TV.

Paramount Global CFO Naveen Chopra

Speaking March 15 at the Deutsche Bank 30th Annual Media, Internet & Telecom Conference, CFO Naveen Chopra said management has its foot on the gas pedal transitioning Paramount+ into what he characterized is a “top-tier” streaming business model.

Chopra reiterated that Paramount+, unlike other pureplay SVOD services, would diversify its content by offering a “much wider” program selection that includes news, reality and live sports, in addition to scripted programming across the 35 countries it is operating in. By contrast, market heavyweight Netflix does not offer live sports or news.

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“So, broad content is a critical part of our strategy,” Chopra said, adding that the company has a broader strategy regarding streaming, which he said includes separating SVOD from ad-supported VOD and FAST. Paramount+ does offer a less expensive ad-supported subscription streaming option.

He said Paramount Pictures would continue to implement a “fast-follow” strategy releasing theatrical releases into digital streaming and retail channels 45 days after their box office debut. The studio will also “lean heavily” on successful franchises, which include “Paw Patrol,” “Sonic the Hedgehog,” “Transformers,” “A Quiet Place,” “Top Gun” and “Mission: Impossible,” among others.

“Without well-known IP, you’re not stuck in the mode of having launch new shows and build new audiences every single time,” Chopra said.

Paramount is also touting its relationship with Taylor Sheridan, creator of the “Yellowstone” series, and “1883” spin-off mini-series series, starring Kevin Costner, Sam Elliott, Tim McGraw and Faith Hill, among others, respectively.

“We’ve also done some very savvy things like, ‘how do you take an NFL audience and get them into that next scripted show, that’s going to make them really sticky and cause churn to decrease significantly?'” Chopra said.

The executive said Paramount aims to attract consumers that covet SVOD and AVOD separately, calling it a wider target market than most streaming platforms are focused on.

“If you want to have both free ad-supported and subscription, we think it’s important to keep those things separate,” Chopra said. “It’s very confusing to have all that in one service.”

He said that with ad-supported Pluto TV, the company has the ability to shout from the rooftop that the platform is free to consumers. By contrast, Paramount+ is marketed offering higher-quality content than FAST.

“We really like that positioning because it clarifies the value proposition in customers’ minds and allows us to address the entirety of that [total addressable market],” Chopra said.

Research: Customers More Satisfied With Video Streaming Than With TV Subscription Services

Customer satisfaction with video streaming services far eclipses that of subscription TV service, according to the American Customer Satisfaction Index (ACSI) 2018 Telecommunications Report.

Video streaming services debuted in this year’s telecom report with an ACSI score of 75, well above subscription TV’s score of 62, which declined 3.1% from last year.

“Video streaming services significantly outperformed subscription TV,” said David VanAmburg, managing director at the ACSI, in a statement. “Streaming services don’t have the hidden fees and six-month rates that subscription TV does, not to mention they’re cheaper and simpler. But because consumers don’t have many options when choosing a subscription TV provider, those businesses don’t see a lot of risk in customer dissatisfaction, and we’re unlikely to see dramatic changes any time soon.”

The American Customer Satisfaction Index (ACSI) measures and analyzes customer satisfaction with more than 380 companies in 46 industries and 10 economic sectors. Reported on a scale of 0 to 100, ACSI scores are based on data from interviews with roughly 250,000 customers annually. The ACSI Telecommunications Report 2018 includes data on subscription TV services, video streaming, video-on-demand, internet service providers, fixed-line and wireless telephone services, and cell phone manufacturers. It’s based on 45,292 customer surveys collected between April 19, 2017 and March 17, 2018. The full report is available for download here.

With an ACSI score of 75, video streaming services were the highest-performing telecom industry measured in the 2018 study. Netflix, Sony PlayStation Vue, and Twitch all led the pack, tying at a score of 78. Apple iTunes and the Microsoft Store took second place at 77, with YouTube Red in third at 76.

Amazon Prime Video, Google Play, Hulu, and Vudu all registered at the industry average of 75, followed by the network channel subscriptions: CBS All Access at 74, and HBO Now and Starz at 72.

Bringing up the rear were Sling TV (71), DIRECTV NOW (70), Showtime Anytime (70), and Sony Crackle (68).

Still, even Sony Crackle in last place rated higher than nearly all subscription TV services.

Video streaming services received high marks for ease of understanding the bill (80), website satisfaction (80), and call centers (75), but customers downgraded them on availability of the current season’s TV shows (71) and availability of new movie titles (69).

Customer satisfaction with subscription TV fell to 62, an 11-year low for the industry.

AT&T’s U-verse TV topped the list with a 70, one of only two scores that stayed the same instead of dropping. Verizon Fios fell 4% year over year to a 68 for second place, while DISH Network held steady at 67 for third.

In the middle of the pack, DIRECTV and Optimum both fell 6% to 64 and 62, respectively. Cox Communications shed 2% to 60, while Spectrum and Suddenlink both plunged 8% to 58.

Comcast Xfinity decreased 27% to 57, Frontier Communications dropped 7% to 56, and Mediacom placed last with a 55, down 2%.

The top-rated part of the subscription TV experience was HD picture quality, which holds steady at a score of 80. Picture quality was close behind, down 1% to 78.

While courtesy and helpfulness of store and service center staff had a relatively good score of 77, and speed of store and service center transactions received a 76, call center satisfaction continued to be the weak spot of the industry, slipping 3% to 63.

“If you look at retail, airlines, and many other industries, companies like to reward customer loyalty, offering perks or discounts for doing business with them,” said VanAmburg in a statement. “Telecom is the exact opposite. In many ways, loyalty is punished because subscription TV is focused on customer acquisition and offering the best deal to lure customers away from competitors. In the long run, that doesn’t leave customers very satisfied.”

Among video-on-demand services, AT&T’s U-verse TV took the top spot with a 74, followed by DISH Network at 73, and Verizon Fios at 72. At 70, AT&T’s DirecTV came in far below its U-verse offering, but ahead of the industry average.

Optimum led all cable companies in video-on-demand at the industry average of 68, while Cox Communications and Xfinity tied at 67, and Spectrum came in last at 64.

Video-on-demand viewers were pleased with the number of TV shows (75), current seasons (74) and variety by category (74) available. However, the availability of a past season’s shows was lacking (69) as were free on-demand content (69) and new movie titles (68). Call centers received the lowest marks (67), but call center service performed better for on-demand customers than for internet and subscription TV.

While video streaming services received much better customer satisfaction scores than subscription TV, obviously viewers still need internet access to get it. Unfortunately, internet service providers (ISPs), along with subscription TV, had the lowest customer satisfaction of all industries tracked by the ACSI.

ISPs were down 3.1% to 62, and while customers clearly weren’t satisfied with their service, more than half of Americans had only one choice for high-speed broadband. Every major ISP deteriorated this year except Xfinity, which remains unchanged.

Verizon Fios stayed in first place at 70 after a 1% dip. AT&T Internet also fell 1% for a second-place score of 68, followed by Optimum, which dropped 6% to 64.

Suddenlink and Spectrum both plummeted 8% to 61 and 60, respectively, followed by Xfinity, unchanged at 60. Mediacom placed last with a 53 after a 9% fall from last year.

Call center satisfaction, already low, fell another 3% to 59. Customers were also less satisfied with overall data transfer speed, which sank 3% to 67, and the variety of internet plans available, which fell 3% to 64. The one bright spot was courtesy and helpfulness of store and service center staff and speed of store and service center transactions, at 76 and 74, respectively, though both were down from last year.