Lionsgate’s ‘The Last Full Measure’ A True-Blue American Hero’s Tale

It’s the tale of a true-blue American hero, one who didn’t have superpowers, but was exceptional nonetheless.

Sebastian Stan (left) and William Hurt

The Last Full Measure, its title echoing the words of Abraham Lincoln about the ultimate sacrifice, is based on the true story of the three-decade effort to have William H. Pitsenbarger recognized for an act of selflessness in the Vietnam War that cost him his life on April 11, 1966.

The film is available now on Digital, and arrives on Blu-ray (plus Digital), DVD and On Demand April 21 from Lionsgate.

The story follows Pentagon staffer Scott Huffman (Sebastian Stan), who investigates a Congressional Medal of Honor request made by Pitsenbarger’s mission partner and parents to posthumously recognize the U.S. Air Force medic (played in flashback by Jeremy Irvine) who saved more than 60 men before making the ultimate sacrifice in the bloody Vietnam battle Operation Abilene. Huffman interviews Army vets to learn more about Pitsenbarger’s courageous acts — and uncovers a high-level conspiracy behind the medal’s denial.

Christopher Plummer (left) and Diane Ladd play parents looking to honor their son.

“We never know in life when we show a random act of kindness or a random act of sacrifice what the effect might be 20, 30 years down the line,” says writer-director Todd Robinson in the extras.

“There’s a lot of remarkable courage out there, but Bill’s story is one at the top,” adds historian William Chivalette.

In addition to Stan, the star-studded ensemble cast includes Christopher Plummer, William Hurt, Peter Fonda (in his last big screen performance), Diane Ladd, Amy Madigan, Bradley Whitford, Ed Harris and Samuel L. Jackson. Plummer and Ladd portray Pitsenbarger’s long-suffering parents, who wait patiently for their son to be properly recognized. Jackson, Hurt, Fonda and Harris play former servicemen who witnessed Pitsenbarger’s heroism and are still haunted by their war experiences.

Peter Fonda plays a haunted vet in his last big-screen performance.

“This is the struggle that all of our veterans face every day, is finding purpose and reason, and that’s really what the movie is all about,” says writer-director Todd Robinson in the extras. “I wanted to tell a story that transcends the Vietnam War — and frankly transcends war. They had a search for purpose that took 32 years, and in that purpose, came their healing.”

A featurette among the extras explores the film’s original score by composer Philip Klein, who felt the music had to match the heroism of its subject.

“The story deserved an orchestral score. It deserved something big and powerful,” he says in the featurette. “There was this enormous amount of responsibility that we all felt to make this worthy of this man.”

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Other extras include interviews with the servicemen who actually witnessed Pitsenbarger’s actions in 1966, awed by his selflessness. Even three decades later, his choice to stay and help the wounded mystifies.

“There’s not a one of us that wouldn’t have left there if we could, and the only guy that could leave was Pitsenbarger, and he didn’t,” comments serviceman Ron Haley in the extras.

Follow us on Instagram

Also included in the extras is footage of a screening for veterans of Operation Abilene and Pitsenbarger’s family at the National Museum of the United States Air Force in Dayton, Ohio.

“Our wish for you is simply that, when you leave here tonight, this picture has cracked the door open just a little wider for communication, that if you are a veteran, you either tell your part of this story or one like it, or that the rest of us might do our part to be good, patient witnesses and listen,” Robinson tells them.

BLU-RAY/DVD/DIGITAL SPECIAL FEATURES INCLUDE:

  • “The Women of The Last Full Measure” Featurette
  • “Medal of Honor Ceremony Shoot” Featurette
  • “That Others May Live: Remembering Operation Abilene” Featurette
  • “USAF Museum Screening with Veterans & Pitsenbarger Family” Featurette
  • “The Music of The Last Full Measure” Featurette
  • “William Pitsenbarger Tribute” Photo Gallery

Drama ‘The Last Full Measure’ Due on Digital April 7, Disc April 21 From Lionsgate

The drama The Last Full Measure will arrive on digital April 7 and Blu-ray (plus digital), DVD and on demand April 21 from Lionsgate.

The film is inspired by the courageous acts of Vietnam War hero William H. Pitsenbarger, a U.S. Air Force medic who personally saved more than 60 men before making the ultimate sacrifice in Vietnam’s bloodiest battle. Three decades later, Pentagon staffer Scott Huffman investigates a Congressional Medal of Honor request made by Pitsenbarger’s mission partner and parents. Huffman interviews Army vets to learn more about Pitsenbarger’s courageous acts — and uncovers a high-level conspiracy behind the medal’s denial.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The ensemble cast includes Sebastian Stan (Avengers: Endgame, Captain America: Civil War, I, Tonya), Academy Award winner Christopher Plummer (2011, Actor in a Supporting Role, Beginners), Academy Award winner William Hurt (1985, Actor in a Leading Role, Kiss of the Spider Woman), and Academy Award nominee Peter Fonda (1997, Actor in a Leading Role, Ulee’s Gold) in his last big screen performance. The film also stars Academy Award nominee Diane Ladd (1991, Actress in a Supporting Role, Rambling Rose), Academy Award nominee Amy Madigan (1985, Actress in a Supporting Role, Twice in a Lifetime), Golden Globe nominee Bradley Whitford (2001, 2002, 2003 Best Supporting Actor – Television, “The West Wing”), with Academy Award nominee Ed Harris (2002, Actor in a Supporting Role, The Hours), and Academy Award nominee Samuel L. Jackson (1994, Actor in a Supporting Role, Pulp Fiction).

Follow us on Instagram

Extras include five featurettes and a photo gallery.

Jungle Fever

BLU-RAY REVIEW:

Kino Lorber;
Drama;
$29.95 Blu-ray;
‘R’ for sensuality, strong language, drug content, and for violence.
Stars Wesley Snipes, Annabella Sciorra, Samuel L. Jackson, John Turturro, Ossie Davis, Ruby Dee.

A whole big bunch of things are much easier to accomplish than figuring out just what the genre of this ambitious 1991 Spike Lee potpourri is, which means that “Romantic Social Drama” will have to do for now. Though Jungle Fever is a movie I really like and possibly more to the point, really enjoy, I do wonder about the second feature Lee made after the outrageous failure of Do the Right Thing to win the Best Picture Oscar a couple years earlier. Yet if I overrated Fever in my original USA Today review, it still scintillates for me in a way that several best picture winners of the past 20 years have not (though, no, this wasn’t the case with Parasite). Yet, it’s on the messy side, as well as the first historical indication I had of a problem that has plagued the writer-director’s features throughout his career (though not, I would add, his great documentaries).

This is the tendency of Lee to overstuff his narratives (and the running times that usually go along with this) to a degree that would altogether wreck a lot of pictures that lack most of his filmography’s redemptive drive, dependably provocative subject matter, imaginative smorgasbord-like casting and sheer filmmaking passion. Never has that been more true than here, where there are two distinctive storylines that Lee can’t find a way to mesh without large 1.85 seams showing — even if they do feature (but don’t always emphasize to equal degree) at least some of the same characters. In fact, even within the same storyline, the movie sometimes stops to digress, as when a spurned light-skinned Harlem wife (Lonette McKee) and her women friends spend maybe 10 minutes bandying about the frequent tendency of black men to pursue white women in a way that complicates matters for everyone. It doesn’t quite stop the picture but just misses doing so.

Interracial “jungle” attraction is indeed Fever’s main thrust, as McKee’s otherwise sturdy architect husband (Wesley Snipes) shoots past the 98.6 standard with his new Italian temp/secretary (Annabella Sciorra), a Bensonhurst native whose hiring he initially resisted. This is all happening during a period of Snipes resentment toward his white superiors, who are going the namby-pamby route to foil his partnership aspirations despite the highly visible contributions he has made to the firm. Tim Robbins and a cleaned-up Brad Dourif have these roles, and can Robbins ever play this kind of smoothie in his sleep. Snipes ends up getting himself in what one would assume to be financial peril from the accumulation of these events, though this presumed cause-effect is curiously unaddressed.

What is addressed is the racist cretinism of Sciorra’s father and brother, Italian stereotypes of a certain sub-breed who unfortunately don’t come off as stereotypes here — or at least in the way that an unbridled Anthony Quinn (one of those Quinn performances where he risks a hernia reading his dialogue) does playing John Turturro’s oppressive father. Turturro, as the spurned Sciorra boyfriend who works the counter in the family neighborhood drug store, is the sole voice of reason despite getting no help from his own black-hating buddies, who include the Sciorra brothers. Turturro will have nothing of the latter vitriol and despite his pain over having been dumped, is toying with asking out a frequent black store customer who encourages his self-improvement regimen (the exceptionally attractive Tyra Ferrell).

Follow us on Instagram

The movie’s in-name-only other half rates significantly less than 50% screen time but nonetheless provides Jungle with its one indisputably great claim to fame. Nowadays, Samuel L. Jackson is so ubiquitous that if you’re in bed having one of those surreal Melatonin dreams at night, he’s as likely as not to show up in it, even if the dream’s setting is, say, your boss’s toddler daughter’s birthday party. But there was a time when he wasn’t well known, and his performance as Snipes’ crackhead brother so ambushed critics and audiences that, to give one example, the Cannes Film Festival created its first supporting actor award just so that Jackson could be recognized. He’d been around in small roles — there’d even been an appearance in GoodFellas the year previously — but nothing like this. It was something akin to when a relatively obscure Morgan Freeman got cast as a pimp in 1987’s Street Smart from the more often than not ignominious Cannon Films and made such a striking surprise impression that he eventually got an Oscar nomination.

Compared to brother Snipes and, for that matter, nearly everyone else in the picture, Jackson is the bad seed — regularly putting the financial touch on his desperate but enabling mother (Ruby Dee) after his father (Ossie Davis) long ago forbade him even to enter their home. Sometimes, mom’s out of enough cookie-jar money, so dad’s color TV will have to do, whose theft will provide either solace or the funds to go up his nose in a street-side crack den in the company of his companion (Halle Berry — does this movie have a cast or what)? This leads to the movie’s most powerful set piece when Snipes, as a favor to mother Dee, pounds the pavement to find Jackson as Stevie Wonder’s timeless “Living for the City” provides the musical backdrop.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

I would have thought, by 1991 and with an entire Wonder score, the movie would have a stereo track, and matter of fact, there’s one listed at the end of the glorious end credits (more on these in a second). This Blu-ray doesn’t, nor is there any commentary nor much to speak of in terms of chapter stops, which I’m speculating is true as well with other Universal-released Lees that Kino has just issued and that I’m hot to re-see: Mo’ Better Blues; Crooklyn; and Clockers. Also not here is (and I think it would have been) is that great sweaty blacksmith coda — amusingly purloined from Jack Webb’s old Mark VII Productions — that signified one of Lee’s 40 Acres and a Mule Filmworks productions.

But in any rendering, Fever’s exit music is “Feeding Off the Love of the Land,” my favorite Stevie ballad ever and for some reason a song not on the original soundtrack CD, an omission that rated a zillion-decibel string of profanities from me in 1991 before it much later showed up on a couple of pricey Wonder sets. (Motown released it as a single, but I suspect it was without the strings that Spike’s musician father Bill Lee added for the movie’s version, which I personally think “makes” the finale.)  I also love the way its lyrics splash across the screen a line at the time, an effect I don’t think I’ve ever seen in any other movie. It’s a very powerful way to send audiences home (or wrap up a viewing-room evening) — even if, as frequently compelling as Jungle is, a viewer can be forgiven for wondering what exactly he or she has just seen.

Mike’s Picks: ‘Cimarron’ and ‘Jungle Fever’

Apple Halts ‘The Banker’ Movie Debut

Apple unexpectedly pulled a Nov. 21 screening of its first theatrical movie, The Banker, citing unspecified concerns surrounding the film.

The company subsequently postponed the film’s theatrical release as well, according to Variety, as filmmakers probe accusations of historical inaccuracy and sexual abuse by co-producer Bernard Garrett Jr., whose father is portrayed in the film by Anthony Mackie.

The film stars Mackie and Samuel L. Jackson as two black businessmen who train a working-class white man (Nicholas Hoult) to be the face of their growing real estate and banking operations while they pose as a janitor and a chauffeur. Their success ultimately draws the attention of the federal government, which threatens everything they have built. The movie also stars Nia Long.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Pegged as a potential awards contender, The Banker was set to screen at the AFI confab in Los Angeles, with a Dec. 6 theatrical launch thereafter.

“We purchased The Banker earlier this year as we were moved by the film’s entertaining and educational story about social change and financial literacy,” Apple said in a media statement. “Last week some concerns surrounding the film were brought to our attention. We, along with the filmmakers, need some time to look into these matters and determine the best next steps.”

The film also was scheduled to bow on Apple’s upstart Apple TV+ subscription streaming service in January, a launch that is now also off the books. Apple is spending upwards of $6 billion on original content for its service targeting iPhone and Android users.

Spider-Man: Far From Home

BLU-RAY REVIEW:

Street Date 10/1/19;
Sony Pictures/Marvel;
Action;
Box Office $389.86 million;
$30.99 DVD, $38.99 Blu-ray, $45.99 UHD BD;
Rated’PG-13’ for sci-fi action violence, some language and brief suggestive comments.
Stars Tom Holland, Jake Gyllenhaal, Zendaya, Samuel L. Jackson, Cobie Smulders, Jon Favreau, Martin Starr, JB Smoove, Jacob Batalon, Angourie Rice, Tony Revolori, Peter Billingsley, Marisa Tomei.

Well, that could have been awkward.

Amid reports that Sony Pictures and Disney would not renew their landmark deal to share Spider-Man, the home video release of the latest film featuring the character looked to be in the unenviable position of reminding audiences just how valuable the partnership had been, both from a financial and a creative standpoint.

And since Spider-Man: Far From Home ends with a cliffhanger that recasts the future of the Marvel Cinematic Universe and Spidey’s place within it, a fresh viewing of the film under the shadow of its sequel potentially not being connected to the MCU only puts a more glaring spotlight on the impasse, much to the disappointment of fans. The bonus materials accompanying the release don’t sidestep the issues, either, with direct discussions of Spidey’s impact on the MCU (particularly the four-minute “Stepping Up” featurette).

Fortunately, such prospects were avoided with the news of a new agreement to allow Marvel to make a proper sequel, completing a trilogy with Tom Holland as the title character at the very least, and paving the way for whatever Sony has planned for the character down the road.

And that’s very good news indeed, as Far From Home offers a spectacular adventure, from the perspective of both a Spider-Man story and the 23rd chapter of the MCU (serving as the epilogue of Phase 3).

Subscribe HERE to the FREE Media Play News Daily Newsletter!

With the world adjusting to the aftermath of Avengers: Endgame, Peter Parker (Holland) and his high school class take a summer trip to Europe, where Peter hopes to relax, take some time away from being Spider-Man, and explore a relationship with MJ (Zendaya). Unfortunately, he is recruited by Nick Fury (Samuel L. Jackson) to help Mysterio (Jake Gyllenhaal) battle a threat from another dimension. As Peter struggles to balance his personal and superhero lives, he is confronted by the legacy of Tony Stark.

But as Peter questions what his place within that legacy is, he learns that things are not what they seem, forcing him to step up to become the hero he was destined to be.

The film looks great, blending scenic European locales with dazzling visual effects to create an eye-popping piece of entertainment.

Holland remains one of the most likeable stars of the MCU, handling with ease whatever challenges the movie throws at him. Gyllenhaal makes for an engaging Mysterio, an effective counterbalance to Peter’s crisis of confidence. Far From Home features a lot of surprises, both in terms of how the story unfolds and in references to earlier Marvel movies.

As with the previous film in this particular franchise, 2017’s Spider-Man: Homecoming, the villains are remnants of Stark’s actions in prior films, which has left some fans a bit miffed that the MCU Spider-Man seems more like an Iron Man Jr. cleaning up Stark’s messes. There is some truth to that, but within the context of the story of the films, it works really well.

The Blu-ray also includes what is billed as a new original short, but it’s essentially a three-and-a-half minute deleted scene of Peter preparing for his vacation, clips of which were used in some of the earliest Far From Home trailers.

Separately, the disc includes another six minutes of deleted and alternate scenes, plus a three-and-a-half-minute gag reel.

The four-and-a-half-minute “Stealthy Easter Eggs” featurette shows off some of the film’s hidden references, while the five-minute “Teachers’ Travel Tips” offers a comedic look at the chaperones played by Martin Starr and JB Smoove trying to ensure a smooth trip.

For behind-the-scenes footage, the disc offers nine featurettes that run about 40 minutes in total. These cover everything from the new suits, new locations and new cast members seen in the film, to the extensive stunts, a look at MCU guest stars, and how director Jon Watts put his spin on the material.

Another section of the extras offers eight minutes of comparisons between pre-vis storyboards and the final version of select scenes.

Finally, there’s a 12-minute video called “The Brother’s Trust,” an inspiring look at the charity work of Holland and his brothers.

 

‘Spider-Man: Far From Home’ Comes Home on Digital Sept. 17, Disc Oct. 1 Including 4K

Spider-Man: Far From Home will fly to digital Sept. 17 and 4K Ultra HD combo pack, Blu-ray combo pack and DVD Oct. 1 from Sony Pictures Home Entertainment.

The film earned $386.1 million in domestic theaters.

Tom Holland returns as the web-slinger Peter Parker in the next chapter after Spider-Man: Homecoming. He joins his best friends Ned, M.J. and the rest of the gang on a European vacation. However, Peter’s plans to leave heroics behind for a few weeks are quickly scrapped when he begrudgingly agrees to help Nick Fury uncover the mystery of several elemental creature attacks. Spider-Man and Mysterio (Jake Gyllenhaal) join forces to fight the havoc unleashed across the continent — but all is not as it seems.

The film also stars Samuel L. Jackson as Nick Fury, Jon Favreau as Happy Hogan and Zendaya as M.J.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Special features include a new original short, alternate and extended scenes, gag reels, and Easter Eggs. Additional special features include “Teachers’ Travel Tips,” with Mr. Harrington and Mr. Dell on how to traverse the European continent, as well as interviews with the cast and crew focused on stunts and location in “The Jump Off” and “Far, FAR, From Home.” Viewers can explore how Spider-Man was introduced in the Marvel Cinematic Universe in “Stepping Up” and get a closer look at the chemistry between Jon Watts and Tom Holland in “It Takes Two.” Viewers can also dive into the “The Ginter-Riva Effect,” “Thank You, Mrs. Parker” and “Now You See Me” featurettes for more character focused details.

The 4K Ultra HD also features Dolby Vision and Dolby Atmos audio.

Latest ‘Shaft’ Movie Coming Home in September

Warner Bros. Home Entertainment will release the 2019 edition of Shaft digitally Sept. 10, and on Blu-ray and DVD Sept. 24.

In the fifth film in the “Shaft” franchise, cyber-security expert John Shaft Jr. (Jessie T. Usher) investigates his best friend’s death and gets a lesson in street smarts from his legendary father, John Shaft (Samuel L. Jackson).

The cast also includes Regina Hall, Alexandra Shipp, Matt Lauria, Titus Welliver, Cliff “Method Man” Smith and Richard Roundtree, the original John Shaft.

Directed by Tim Story, the film earned $21.4 million at the domestic box office.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The film is a sequel to the franchise’s 2000 installment, also called Shaft, which itself was a remake/sequel to the 1970s “Shaft” films starring Roundtree: 1971’s Shaft, 1972’s Shaft’s Big Score! and 1973’s Shaft in Africa.

The DVD and Blu-ray will include a “Can Ya Dig It? The Making of Shaft” featurette.

The Blu-ray will also include deleted scenes, a gag reel and the three-part documentary A Complicated Man: The Shaft Legacy, comprised of “Part One: A Bad Mother Born,” “Part Two: No Questions Asked” and “Part Three: A Legend of His Time.”

Captain Marvel

BLU-RAY REVIEW:

Street Date 6/11/19;
Disney/Marvel;
Action;
Box Office $425.98 million;
$39.99 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for sequences of sci-fi violence and action, and brief suggestive language.
Stars Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annette Bening, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Clark Gregg.

The 21st film in the Marvel Cinematic Universe, Captain Marvel, is the most entertaining backstory for a pager you’re likely to see.

First and foremost, the film answers the question of who Nick Fury was contacting in the post-credits sequence of Avengers: Infinity War as half of all life in the universe was turning to dust as a result of Thanos’ snap. And in doing so, it provides the introduction of a key hero who would otherwise be considered little more than a deus ex machina in Avengers: Endgame.

The film serves as a prequel for the rest of the MCU (aside from the World War II setting of Captain America: The First Avenger), and its 1995 setting is a big indicator of what direction the humor and soundtrack are going to go.

It starts off as something of a space opera, shades of “Guardians of the Galaxy,” focused an alien task force that includes the warrior Vers (Brie Larson). The team is helping the Kree Empire (the blue aliens seen in other MCU movies and the TV series “Agents of S.H.I.E.L.D.”) fight a war against the shape-shifting Skrulls.

When a mission goes awry and Vers finds herself captured by the Skrulls, she escapes to Earth, where the Skrulls are searching for a mysterious power source.

After encountering S.H.I.E.L.D., she learns she is really Carol Danvers, a human test pilot believed killed several years before in a crash that in actuality was an attack that left her with superpowers and no memory of her previous self.

Carol’s abilities in the film have been frequently compared with a hero from” rival DC Comics: Superman, which is interesting considering that Danvers” is also the last name of Supergirl’s human alter ego. She also wouldn’t even be the first Captain Marvel to be compared with Superman — that would be the Fawcett Comics Captain Marvel from the 1940s that was eventually acquired by DC Comics and renamed Shazam to avoid confusion with the Marvel Comics version of the character. (That the Shazam! movie would finally hit screens just a month after Captain Marvel is one of cinema’s great coincidences.)

Captain Marvel attempts to fiddle with the tropes of the superhero origin story by using a flashback mystery structure, which is a nice exercise in technique even if Vers’ true identity will only be a mystery to anyone who hasn’t seen the film’s trailers beforehand or has any passing familiarity with her comic book history (or has already seen the movie, of course). There are other surprises to be had and some subversion of expectations, which balances it all out.

It’s a perfectly entertaining adventure that doesn’t rise beyond more than mid-level Marvel at best (which in the greater scheme of things is still pretty good). It has fun filling in some pieces of the larger Marvel franchise, though it could use a lesson in subtlety.

The film is at its strongest when it involves Carol on her mission, be it as part of the Kree Starforce, or paired with the younger version of Nick Fury (Samuel L. Jackson, effectively de-aged by the magic of computers) in a kind of buddy cop movie.

The film is ultimately a piece of bright, cheery fun that will light up HD TV screens with warm colors and the kind of razzle-dazzle we’ve come to expect from Marvel’s cosmic adventures.

This was also the first MCU movie released after the death of Marvel legend Stan Lee, and contains one of his best cameos in the franchise, calling back to what he was actually up to in 1995. That’s in addition to the touching opening tribute that presents the Marvel Studios logo with video from his various cameos over the years.

These are the only tributes to Stan Lee on the Blu-ray, though, as there isn’t a separate bonus feature devoted to it, aside from a mention in the commentary track from co-directors Anna Boden and Ryan Fleck.

Otherwise, the commentary is a fairly typical back-and-forth in which they discuss various behind-the-scenes challenges, story points and their enjoyment of working with certain actors.

The movie also comes with an optional two-minute introduction by the directors.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The Blu-ray includes a two-minute gag reel, nine minutes of deleted and alternate scenes, and six behind-the-scenes featurettes that total about 24 minutes of viewing time.

The seven-minute “Becoming a Super Hero” and three-and-a-half-minute “Big Hero Moment” deal with Larson taking on the role and the significance of having a superhero movie fronted by a female lead, while “The Dream Team” is a three-minute video about the directors.

“The Skrulls and the Kree” offers a three-and-a-half-minute primer on the primary conflict of the film.

The three-and-a-half-minute “The Origin of Nick Fury” gets MCU stars from other movies to discuss his character’s appearance over the years.

Finally, there’s “Hiss-sterical Cat-titude,” a tongue-in-cheek three-and-a-half-minute propaganda video about the cat named Goose that serves a central role in the story.

The digital copy of the film includes a seven-minute visual effects featurette, and a five-minute exploration about crafting an action scene for a Marvel movie. There are also galleries of set photos and concept art.

Vudu has an additional digital exclusive, a three-minute vignette called “Her Story,” which seems like a promotional piece cobbled together from video used in the other featurettes.

‘The Illusionist,’ ‘Winter Passing’ and ‘Resurrecting the Champ’ Among Star-Studded Films Joining MVD Marquee Collection

The MVD Marquee Collection is adding five films from Yari Film Group to its lineup on DVD and Blu-ray Disc.

Due June 25 are Resurrecting the Champ, Winter Passing and The Illusionist.

Resurrecting the Champ, directed by Rod Lurie (The Contender), stars Samuel L. Jackson and Josh Hartnett with Alan Alda, Kathryn Morris, Teri Hatcher, David Paymer and Peter Coyote. In the film, sportswriter Erik Kernan (Hartnett) wants nothing more than to discover a story great enough to make headlines. When he meets Champ (Jackson), a former boxing champion living on the streets, he knows he has a shot to save them both. Recording his newfound friend’s tale of triumph and defeat, Kernan gets his story and his fame. But as Champ’s tale falls under more scrutinizing eyes, Kernan learns what truly makes a story great is the quality of the man behind it. Bonus material includes a feature audio commentary from Lurie, a behind-the-scenes featurette, interviews with the cast and crew, and the original theatrical trailer.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Winter Passing is an offbeat film about homecoming and reconciliation that features Zooey Deschanel, Will Ferrell, Ed Harris, Amy Madigan, Dallas Roberts, Michael Chernus, Anthony Rapp, Sam Bottoms and Rachel Dratch. When a book editor (Madigan) offers to buy the love letters of Reese Holden’s (Deschanel) parents, she returns home to recover them, only to find her widowed dad (Harris) golfing upstairs, sleeping outside and living with roommates — a pretty grad student (Amelia Warner) and a quirky wannabe musician (Ferrell). Bonus material includes a behind-the-scenes featurette and the original theatrical trailer.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The Illusionist stars Paul Giamatti and Edward Norton along with Jessica Biel, Rufus Sewell, Eddie Marsan and Aaron Taylor-Johnson. In the film, acclaimed illusionist Eisenheim (Norton) has not only captured the imaginations of all of Vienna, but also the interest of the ambitious Crown Prince Leopold (Sewell). But when Leopold’s new fiancée (Biel) rekindles a childhood fascination with Eisenheim, the Prince’s interest evolves into obsession and the city’s chief inspector (Giamatti) finds himself investigating a shocking crime. As the Inspector engages him in a dramatic challenge of wills, Eisenheim prepares for his most impressive illusion yet. Bonus material includes a feature audio commentary from writer/director Neil Burger, “The Making of the Illusionist” featurette, the “Jessica Biel on the Illusionist” featurette and the original theatrical trailer.

Taking 18 years from the start of production to theatrical release, Shortcut to Happiness finally makes its debut on Blu-ray and DVD July 16. Originally titled The Devil and Daniel Webster, the film was to be the directorial debut of Alec Baldwin. With the film plagued by investor problems and rumored creative differences, Baldwin had his director credit removed from the film and replaced with the pseudonym Harry Kirkpatrick. Producer Bob Yari rescued the film from bankruptcy court and finished it without Baldwin’s participation. It received limited theatrical screenings in 2007. Years later, it aired on Showtime and Starz channels. Set in New York’s literary world, Shortcut to Happiness is a contemporary re-telling of the classic short story ”The Devil and Daniel Webster,” starring Baldwin, Dan Aykroyd, Anthony Hopkins, Jennifer Love Hewitt, Kim Cattrall, Bobby Cannavale, Amy Poehler and Darrell Hammond. It follows Jabez Stone (Baldwin), a down on his luck writer who sells his soul to the devil (Love-Hewitt) in exchange for fame and fortune. When things don’t turn out as planned, Stone ultimately decides that he wants his old life again and enlists the help of Daniel Webster (Hopkins) in order to win his soul.

Finally, Sept. 17 comes Find Me Guilty from director Sidney Lumet (Serpico, Network, Dog Day Afternoon). Vin Diesel stars with Peter Dinklage, Annabella Sciorra, Alex Rocco, Ron Silver and Linus Roache in this true story. When police arrest 20 members of the Lucchese crime family, the authorities offer Jackie Dee DiNorscio (Diesel) a bargain: a shortened prison term if he’ll testify against his own. But the wisecracking DiNorscio has other ideas. Refusing to cooperate, he decides to defend himself at his own trial and proceeds to turn the courtroom upside-down, culminating in one of the most shocking verdicts in judicial history. Bonus material includes the “A Conversation with Director Sidney Lumet” featurette, the original theatrical trailer and three TV spots.

‘Captain Marvel’ Soaring to Digital May 28, Disc June 11 From Disney

Captain Marvel will fly to digital in HD and 4K Ultra HD (including Movies Anywhere) May 28, and land on Blu-ray and 4K Ultra HD Blu-ray June 11 from Disney, Direct to Consumer and International.

The home release dates were revealed during the May 8 espnW Summit NYC, at which Marvel Studios hosted a Captain Marvel panel.

The film, which has surpassed $1 billion at the box office worldwide, chronicles the origin story of the female superhero.

The release includes featurettes that highlight the transformative journey of Brie Larson (Captain Marvel) and her character’s impact on audiences around the globe; the influence of Nick Fury (Samuel L. Jackson) on significant events within the Marvel Cinematic Universe; the pairing of directors Anna Boden and Ryan Fleck; the ongoing conflict between the Skrulls and the Kree; and the talent behind the feline named Goose. Viewers also gain access to six deleted scenes, director commentary, a gag reel, and never-before-seen concept art and production photography.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The digital release includes two exclusive features, including a behind-the-scenes visit with the visual effects team and an inside look at the team effort that goes into an action sequence in a Marvel Studios film.

At the panel, Marvel also unveiled a new trailer.