The Mandalorian: Season 2

STREAMING REVIEW:

Disney+;
Sci-Fi;
Not rated.
Stars Pedro Pascal, Gina Carano, Temuera Morrison, Ming-Na Wen, Katee Sackhoff, Mercedes Varnado, Rosario Dawson, Timothy Olyphant, Bill Burr, Carl Weathers, Horatio Sanz, Giancarlo Esposito.

The eight episodes of the second season of “The Mandalorian” offer the kind of “Star Wars” moments the franchise’s fans have been clamoring to see for decades.

Series creator Jon Favreau and executive producer Dave Filoni are drawing from nearly all aspects of “Star Wars” lore for inspiration — not just the original trilogy, but also the prequels and animated spinoffs as well.

Instead of trying to reinvent the universe the way the sequel trilogy seemed to be trying to do, “The Mandalorian” unmistakably wants to play in George Lucas’ sandbox. The episodes have all the fun and joy of what it’s like to play with “Star Wars” toys as a kid, and imagine all the adventures possible in that galaxy far, far away.

It’s not fan service. It’s fantastic.

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Picking up from last season, bounty hunter Din Djarin, the Mandalorian of the title, embarks on his quest to return to the Jedi the child everyone refers to as “Baby Yoda” (whose name is finally revealed to be Grogu). But doing so will require a great deal of compromise and sacrifice. Along the way he encounters Bo-Katan (Katee Sackhoff), a Mandalorian from the “Clone Wars” and “Rebels” animated shows who desires to reclaim her home planet from the chaos of the Empire’s wrath. She leads Mando to another animated character brought into live-action, the former Jedi Ahsoka Tano (Rosario Dawson), who needs his help to free a village from a warlord in one of the season’s standout episodes.

Another great episode sees the return of Bill Burr, who has to help Mando on a mission to locate the menacing Moff Gideon (Giancarlo Esposito). Their infiltration of an Imperial base leads to some of the tensest moments on the show, culminating in the “Star Wars” version of the great basement shootout from Inglourious Basterds.

And if that weren’t enough, we get the return of Boba Fett (Temuera Morrison), last seen being swallowed by the Sarlacc in Return of the Jedi. Not only did he survive, but he’s finally living up to the potential for badassery only hinted at in his limited screen time in the movies but which has nonetheless made him a fan favorite since his introduction.

The season also has a few more surprises in store, leading to one of the most emotional and satisfying finales a fan could hope for.

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There have been some grumblings about the wide variance in running times of the episodes — ranging from barely more than a half-hour to more than 50 minutes. But this just demonstrates the creative advantages of posting content to an ad-free streaming service as opposed to needing to fill a set run time to account for a time slot and advertising. The show’s creators are telling the stories they want to tell, and they are using the time they need to tell them. No more, no less. And the results speak for themselves.

 

Ava DuVernay-Produced Limited Series ‘DMZ’ Headed to HBO Max

HBO Max has ordered the Max Original four-part limited series “DMZ,” from Emmy nominee Roberto Patino, Emmy winner/Academy Award nominee Ava DuVernay, and Warner Bros. Television.

Rosario Dawson and Benjamin Bratt lead the cast of the futuristic drama, which is set amid a second American civil war and is based on the comic series published by DC. Patino. Patino will write all episodes and showrun. The pilot episode was directed by DuVernay. Patino and DuVernay are the executive producers.

Production on the limited series is scheduled to begin in 2021.

“I couldn’t be more thrilled to bring this epic to the screen with my boundary-pushing partners at WBTV and HBO Max, a sublime cast led by Rosario and Benjamin, and my partner and friend, the inimitable and ever-inspiring Ava DuVernay,” Patino said in a statement. “‘DMZ’ offers up an explosive playground which, more than anything else, exalts the resilience of community and the human spirit. I can’t wait to welcome the die-hard fans of the comic books and new viewers alike to this intoxicating, haunting and inspiring world.”

“‘DMZ’s’ unflinching story of a country torn apart resonates eerily and profoundly amid our current state of the union,” Sarah Aubrey, head of original content, HBO Max, said in a statement. “With the powerhouse visionary team of Ava and Roberto at the helm, bringing this critically acclaimed DC gem to life promises to entertain and inspire hope.”

In the series in the near future, America is embroiled in a bitter civil war, leaving Manhattan a demilitarized zone (DMZ), destroyed and isolated from the rest of the world. “DMZ” chronicles the harrowing journey of fearless and fierce medic Alma Ortega (Dawson), who sets out on a harrowing journey to find the son she lost in the evacuation of New York City at the onset of the conflict. Throwing gasoline on the flames of that conflict is Parco Delgado (Bratt), the popular and deadly leader of one of the most powerful gangs in the DMZ. He wants to rule this new world — and will stop at nothing to secure that outcome. In the drama, which examines a stark political and cultural divide in American society, Alma must contend with the gangs, militias, demagogues and warlords that control this lawless no man’s land.

In addition to Dawson and Bratt, “DMZ” series stars include Hoon Lee (“Banshee,””Warrior”), Freddy Miyares (“When They See Us,” “The L Word: Generation Q”) and Jordan Preston Carter (“The Haves and the Have Nots”).

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“DMZ” is produced by DuVernay’s Array Filmworks in association with Warner Bros. Television.

Patino and DuVernay are both under overall deals with Warner Bros. Television Group (WBTVG).

Prior to “DMZ,” Patino was a writer and executive producer for the Emmy-nominated HBO/Warner Bros. Television series “Westworld.” He previously was a writer/producer on FX’s “Sons of Anarchy,” was a writer for NBC’s “Prime Suspect,” and wrote the feature film Cut Bank.

Through her WBTVG overall deal, DuVernay is currently executive producing the OWN/Warner Bros. Television drama series “Queen Sugar” and “Cherish the Day,” as well as the upcoming NBC family social experiment “Home Sweet Home” and the HBO Max docuseries “One Perfect Shot,” both from Warner Horizon Unscripted Television. Separately from her WBTVG deal, DuVernay is executive producing the upcoming Netflix limited series “Colin in Black & White,” about the life of all-star athlete/activist Colin Kaepernick. She previously helmed the acclaimed Emmy-winning Netflix miniseries “When They See Us,” the Oscar-winning feature Selma, Oscar-nominated/Emmy-winning documentary 13th, and films A Wrinkle in Time, Middle of Nowhere and I Will Follow.

Justice League Dark: Apokolips War

BLU-RAY REVIEW: 

Warner;
Animated;
$24.98 Blu-ray; $39.99 UHD BD;
Rated ‘R’ for bloody violence, language and some sexual references.
Voices of Matt Ryan, Jerry O’Connell, Jason O’Mara, Taissa Farmiga, Stuart Allan, Tony Todd, Rosario Dawson, Shemar Moore, Christopher Gorham, Rebecca Romijn, Rainn Wilson.

Justice League Dark: Apokolips War is among the most brutal superhero movies and animated movies one is likely to encounter.

The film is the 15th and final chapter of the DC Animated Movie Universe, a series of direct-to-video films that started in 2013 with a string of ‘PG-13’ adventures and gradually pushed the envelope into ‘R’-rated territory. This film earns its rating, with multiple scenes of superheroes being dismembered and torn in half.

The film begins with Superman (Jerry O’Connell) urging the Justice League to attack the planet Apokolips to end the threat of Darkseid, who has attempted several invasions of Earth throughout these movies. However, the battle is a disaster for the heroes, who are nearly all slaughtered, with many being turned into cyborg minions of Darkseid’s army.

Cut to two years later, and Darkseid’s forces have conquered Earth and are sucking minerals from the planet’s core. Superman, depowered due to kryptonite poisoning, recruits the few remaining heroes, as well as Harley Quinn and the Suicide Squad, on a desperate mission to divide the armies of Apokolips so they have a chance to kill Darkseid.

Key to the plan are John Constantine (Matt Ryan), the practitioner of the dark arts whose magics are needed in the final battle, and Damian Wayne (Stuart Allan), the son of Batman (Jason O’Mara), who has been brainwashed into serving as Darkseid’s chief tactician.

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The filmmakers have pulled out all the stops for this one, producing an animated equivalent of Avengers: Endgame for the DC Comics characters. The film manages to involve nearly every character who ever played a part in one of the movies of the series, even if it’s just a small background cameo.

One of the key strengths of the film is how it serves both as a fitting conclusion to the 15-movie cycle while also working effectively well as a standalone adventure. The extreme circumstances the heroes find themselves in almost qualify the movie as an Elseworlds alternate reality tale, which adds to the fun.

It also helps that the premise gives a lot of the franchise’s quirky breakthrough characters to shine, with Matt Ryan’s Constantine (a role he also plays in live action on “DC’s Legends of Tomorrow”) is practically an institution at this point, and always a sure bet to carry the story to where it needs to go.

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The Blu-ray includes a good commentary track with executive producer James Tucker, directors Matt Peters and Christina Sotta, and screenwriter Ernie Altbacker.

The disc also includes a good 15-minute featurette about the comic book history of Darkseid, plus a few bonus cartoons.

There are also previews for other DC Universe animated movies, including the upcoming Superman: Man of Tomorrow.

The Blu-ray also includes the 16-minute animated short film DC Showcase: Adam Strange, a gritty mini tale for the classic character (voiced by Charlie Weber) who finds himself trapped on a mining colony after his homeworld is invaded. Unable to return to his family and unaware of their fate, he finds himself scorned as a drunk, but must rise to defend the people who would cast him aside when they are attacked by a horde of deadly insects. It’s a decent update to the character.

Growing Up With Jay and Silent Bob

It’s been more than 25 years since audiences first met Jay and Silent Bob in Kevin Smith’s Clerks, and they’ve remained the same carefree stoners despite their adventures in a slew of the director’s View Askewniverse films, including Chasing Amy, Mallrats and Dogma.

Blu-ray/DVD/Digital Extras Include:
• Cast Interviews
• Kevin & Jay Interview Cast & Crew
• Bloopers
• Hair Reel

In Jay & Silent Bob Reboot — available on Blu-ray (plus digital), DVD, digital and on demand from Lionsgate — the duo confronts their past, as does the film’s director.

“Jay and Silent Bob have given me so much — 25 years of earning off the backs of Jay and Silent Bob in one way or another,” says Smith in the disc extras.

“I get to make a movie where Jay gets to grow up,” he says.

In Reboot, Jay (Jason Mewes) and Silent Bob (Smith) confront old friends and foes as they discover that Hollywood is rebooting Bluntman and Chronic, a movie based on them. Thus, they embark on another cross-country mission to stop the madness. The journey includes all-star cameos and appearances from Matt Damon, Ben Affleck, Chris Hemsworth, Rosario Dawson, Melissa Benoist, Joe Manganiello, Molly Shannon, Shannon Elizabeth, Jason Lee, Justin Long and more.

“We follow up on the story of Clerks and see where Dante is in his life,” Smith says in the extras. “We follow up on Mallrats and see where Brody is in his life. We follow up on Chasing Amy and see where Holden and Alissa are in their lives.”

“My character is the same character that I played in Chasing Amy many, many, many years ago,” Ben Affleck (Holden McNeil) says in the extras.

“This is like my little franchise, my Kevin Smith franchise. It’s just like being in another kind of franchise, except they don’t pay you any money,” he joked.

Matt Damon, who played Loki in Dogma, says in the extras the duo of Jay and Silent Bob “just struck a chord.”

“They’re funny,” he says. “You buy into their relationship. They’re two guys you want to go on an adventure with.”

(L-R): Co-stars Treshelle Edmond, Harley Quinn Smith, Alice Wen and Aparna Brielle

For Smith, it’s now a family affair, with his daughter, Harley Quinn Smith, playing a central part in Reboot, and other family members making appearances.

“It just became more than I thought it was going to be, and now it’s just this weird statement film,” Smith said. “It turned into this testimony of my life, both personally and professionally. It’s filled with the people I’ve spent my life making pretend beside. It’s filled with my family. At one point, I’m behind my mother and she’s dressed like Silent Bob.”

 

 

JAY AND SILENT BOB IN THE VIEW ASKEWNIVERSE

(Titles available now on Blu-ray, DVD and Digital from Lionsgate)

 

Clerks (1994)

The laid-back stoners make their film debut as supporting characters in this story of a day in the life of convenience store employees Dante and Randal.

Chasing Amy (1997)

The supporting player stoners offer inspiration to comic book artist Holden, who falls for fellow comic artist Alyssa, a lesbian.

Jay and Silent Bob Strike Back (2001)

The comic Bluntman and Chronic is based on Jay and Silent Bob, so when they get no profit from the film adaptation they try to wreck it.

Zombieland: Double Tap

BLU-RAY REVIEW:

Street Date 1/21/20;
Sony Pictures;
Comedy;
Box Office $73.09 million;
$30.99 DVD, $34.99 Blu-ray, $45.99 UHD BD;
Rated ‘R’ for bloody violence, language throughout, some drug and sexual content.
Stars Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Zoey Deutch, Avan Jogia, Rosario Dawson, Luke Wilson, Thomas Middleditch.

The original Zombieland in 2009 was such a delightful surprise that most fans considered a sequel to be an inevitability. Yet the years without one started to pile up, save for a pilot episode in 2013 of a TV adaptation for Amazon Prime Video that wasn’t picked up.

Ruben Fleischer, director of both the original film and this 10-years-later follow up, recalls in his commentary that plans for the sequel stalled because the creative team wasn’t satisfied with the script, so it was put on hold. Writers Rhett Reese and Paul Wernick at least tried to resurrect the concept on Amazon, albeit with a new cast, before moving on to pen the “Deadpool” movies. Fleischer himself went on to direct Venom.

Eventually, though, they found a concept that works, and here we are with the hilarious Double Tap, dropping back in on the post-apocalypse to see how the core quartet of Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone) and Little Rock (Abigail Breslin) have adjusted to a decade of life fighting zombies.

Pretty well, it turns out. They’ve taken up residence in the abandoned White House, while Columbus and Wichita have graduated to a full-fledged romantic relationship. That leaves the now grown-up Little Rock a bit restless to find a boyfriend of her own, so she hits the road with a pacifist musician named Berkeley (Avan Jogia), who promises to take her to a walled off commune where weapons are banned and the residents hide out from the zombie hordes by getting stoned in a village atop a skyrise.

So the rest of the group sets off to find her, joined by Madison (Zoey Deutch), a ditzy blonde they find living at the mall.

The zombies have also evolved into different sub-groups, some smarter than others, some harder to kill than others, which ups the danger factor of their road trip.

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The joy of the “Zombieland” movies is that they fully embrace the blood, gore and dystopian flavor of the genre, while at the same time spoofing the hell out of it. This time around, the movie even engages in a bit of self-parody, such as when Columbus and Tallahassee encounter another duo (Luke Wilson and Thomas Middleditch) whose personalities are eerily similar.

The casting of Middleditch as a doppelganger for Eisenberg is but one example of the film’s meta-humor, owing to Eisenberg’s performance as Facebook founder Mark Zuckerberg in The Social Network, and Middleditch as the tech startup CEO on HBO’s “Silicon Valley.” The similarity in their characters is so pronounced that Fleischer even calls Eisenberg “Tom” at one point in his commentary. Oops.

There are quite a few running gags at play in Double Tap, from an expansion of the survival rules introduced in the first film, to the elaborate “Zombie Kill of the Week” cutaways, to the search for the ideal post-apocalyptic vehicle, to reflections of the past 10 years from the point of view of a society frozen in 2009. And the filmmakers have filled the screen with enough clever background details that it may take several viewings to fully appreciate.

At its core, though, as with the first film, Zombieland: Double Tap is anchored by the winning chemistry of its cast and the audience’s eagerness to spend more time with them.

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The Blu-ray is loaded with some great bonus materials, starting with the aforementioned director’s commentary, which offers some good behind-the-scenes information.

The making of the film is also the focus of five featurettes totaling nearly 35 minutes, covering the creation of the film’s memorable vehicles and sets, to the new cast members, and a look at making the fantastic mid-credits sequence that calls back to a memorable cameo from the first film.

Another two-minute video gives viewers a director’s-eye view of one of the film’s notable fight scenes.

Fans should be especially thrilled by the nearly 13 minutes of deleted scenes on the disc, which offer some great character moments that didn’t quite work for the film’s pacing but offer some interest tidbits on their own, particularly when it comes to the Columbus/Wichita relationship.

Rounding out the extras are an amusing five-minute blooper reel and a 30-second PSA using the film’s premise to encourage viewers to prepare their own emergency survival kits.

 

 

Sony Pictures Sets Home Release Dates for ‘Zombieland: Double Tap’

Sony Pictures has set home release dates for Zombieland: Double Tap, the zombie comedy sequel that hit the big screen earlier this year — 10 years after the original Zombieland.

The film, which grossed an estimated $72.2 million in North American movie theaters, will be released on digital Dec. 24 and on Blu-ray Disc, DVD and 4K Ultra HD Jan. 21, 2020.

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Bonus materials for the home edition include audio commentary by director Ruben Fleischer, a blooper reel, nine alternate and extended scenes, and several behind-the-scenes featurettes about the making of the film.

Returning cast members include Woody Harrelson, Jesse Eisenberg, Abigail Breslin  and Emma Stone. They are joined by newcomers Rosario Dawson (TV’s “The Defenders”), Zoey Deutch (TV’s “The Politician”), Luke Wilson (Old School), Avan Jogia (Shaft), and Thomas Middleditch (TV’s “Silicon Valley”).

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Set one decade after the events of the first film, Zombieland: Double Tap finds Tallahassee (Harrelson), Columbus (Eisenberg), Little Rock (Breslin), and Wichita (Stone) working together to kill zombies from their new home in the now-vacant White House.

A full list of bonus materials:

  • Extended bloopers and outtakes
  • Alternate and extended scenes
      • “The Beast is Gone”: Tragedy falls upon Tallahassee.
      • “Van Rides”: A vehicle says a lot about a person.
      • “Would Have Never Met”: Wichita and Columbus discuss what their lives would have been like if not for the zombie apocalypse.
      • “In Bed”: Tallahassee gets randy
      • “Breakfast at Babylon”: Cruelty-free breakfast and conversation.
      • “Car Ride”: Road trips were made for family bonding.
      • “Melting Gun”: Tallahassee says goodbye to another friend.
      • “There’s a Party Tonight”: Hanging out with a bunch of hippies.
      • “Alternate Proposal”: Love is the perfect mix of cool and uncool.
  • “The Doppelgangers”: From stunts to special effects, this in-depth piece breaks down doppelgangers Flagstaff and Albuquerque through interviews, demonstrations, and multiple cameras.
  • “The Rides of Zombieland”: From the Beast to Big Fat Death (and a hated Pontiac Trans Sport in between) this short focuses on the cars the zombie killers use to get around.
  • “Rules of Making a Zombie Film”: A documentary on the rules of making a zombie film.
  • “Making Babylon”: Explore the climactic third act location in the film. known in Zombieland as Babylon.  Part fortress, part freshman dormitory, Babylon is the safe-place for a generation of misguided peace-loving retro-hippies.
  • “New Blood”: Profiles on new cast members Rosario Dawson, Zoey Deutch, and Avan Jogia.
  • “Single Take Doppelganger Fight”: Director Fleischer shares the camera monitor during the Doppelganger fight sequence.
  • Commentary with Fleischer.
  • “Zombieland Ad Council”

Reign of the Supermen

Completing the adaptation of the classic 1990s “Death of Superman” comic books, Reign of the Supermen pays off the storyline began in last year’s The Death of Superman with some solid action sequences and some nice character moments that will be appreciated by fans of the DC Universe animated movies.

BLU-RAY REVIEW:

Street Date 1/29/19;
Warner;
Animated;
$24.98 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for sequences of action violence.
Voices of Jerry O’Connell, Rebecca Romijn, Rainn Wilson, Cress Williams, Cameron Monaghan, Patrick Fabian, Tony Todd, Charles Halford, Jason O’Mara, Rosario Dawson, Shemar Moore, Nathan Fillion, Christopher Gorham, Nyambi Nyambi.

As the second part of a two-film event, Reign of the Supermen provides a worthy conclusion to the storyline set up in last year’s The Death of Superman.

Six months after Superman seemingly died stopping an alien monster from destroying Metropolis, four new heroes have arrived in the city to claim the legacy of the Man of Steel. And since Superman’s body disappeared from his tomb, there’s some discussion in the media as to whether one of these new heroes actually is Superman.

The most likely candidate is the Cyborg Superman, who claims his robotic appearance is due to a Kryptonian healing technique.

Another candidate is the mysterious Eradicator, who isn’t big into sticking around and talking after eliminating the bad guys.

A third is Superboy, who is working for Lex Luthor as part of his efforts to rehabilitate the city. Lois Lane discovers he’s a clone of Superman created by Lex to fill the void left by the original Superman with a hero Lex can control.

And finally, there’s Steel, who isn’t a clone or robot or anyone claiming to be Superman, but a man in a super-powered suit with a rocket-powered hammer. He’s basically a Superman-inspired version of Iron Man (with a little Thor’s hammer mixed in).

As Lois continues to investigate what’s really going on, the Justice League’s launch of their new orbital headquarters is interrupted by an alien attack that only raises the stakes in discovering the true nature of the impostor Supermen.

Reign of the Supermen is not as character driven as its predecessor, but still offers some impressive action sequences, especially when the various Supermen have to fight each other. And there are some nice touches that play off moments from several of the previous DC Universe movies.

In fact, this probably should have been the basis for a Man of Steel sequel in the live-action DC films had they not muddled their Justice League storylines in their crash course attempt to catch up with the Marvel Cinematic Universe.

While The Death of Superman and Reign of the Supermen are distinct on their own, they also fit together nicely as a nearly three-hour epic, which is how they were shown in some Fathom events screenings prior to the disc release. It wouldn’t be surprising to see Warner release a Blu-ray that edits them into a single film, as was done with The Dark Knight Returns a few years ago.

The Reign of the Supermen Blu-ray offers an interesting 16-minute featurette about Lex Luthor that analyzes some of his best-known character traits and what makes him a good Superman villain. The disc also includes episodes from “Superman: The Animated Series” and “Justice League Unlimited” that deal with similar subject matter as the movie.

Finally, there’s a 10-minute preview of the upcoming animated movie Justice League vs. The Fatal Five, which appears to be a tie-in with the “Justice League Unlimited” continuity and style, and not a continuation of the DC Universe animated continuity (though Reign of the Supermen does provide a post-credits tease for where its storyline could be headed next).

Reign of the Supermen

The Death of Superman

BLU-RAY REVIEW: 

Street Date 8/7/18;
Warner;
Animated;
$19.98 DVD, $24.98 Blu-ray, $39.99 Blu-ray gift set, $39.99 UHD BD.
Rated ‘PG-13’ for sequences of violence and action including some bloody images.
Voices of Jerry O’Connell, Rebecca Romijn, Rainn Wilson, Jason O’Mara, Rosario Dawson, Shemar Moore, Nathan Fillion, Matt Lanter, Christopher Gorham.

The Death of Superman packs a punch, in more ways than one.

The latest entry in the DC Universe brand of animated superhero movies is one of the more faithful representations of its source material, resulting in one of the most emotionally resonant movies based on a comic book in quite some time.

The Death of Superman is based on the legendary 1992-93 storyline that saw Superman sacrifice himself to save Metropolis from an unstoppable alien entity called Doomsday. Subsequent storylines dealt with Superman’s return amid the arrival of four new heroes each claiming the legacy of the Man of Steel, but that’s the subject for the next DC Universe movie, Reign of the Supermen.

The “Death of Superman” has provided inspiration for several adaptations over the years, most prominently in Batman v Superman: Dawn of Justice (though the subsequent Justice League movie ignored most of the comic book’s storyline for his resurrection). A highly condensed version of the death and return arcs formed the basis of the first DC Universe animated movie, Superman: Doomsday, back in 2007.

And while Superman: Doomsday remains among the best-selling of the DC animated movies, it’s also regarded as something of a lost opportunity to really dive into the juiciest aspects of the storyline, given how much of it was altered to fit into the limited running time of a single movie. The Death of Superman does much to rectify that.

The new film is a continuation of a continuity that has established within the DC Universe films the past few years, allowing this film to build upon pre-existing character relationships. However, Superman was mostly a background player among an ensemble in those, so this is really the first of the sub-group to really give the character his due.

The movie begins with Superman, in his guise as Clark Kent, fumbling through a newfound love affair with Lois Lane, and getting relationship advice from, of all people, Wonder Woman, who had dated Superman in one of the earlier films.

The screenplay by Peter Tomasi is filled with wonderful insights about the Lois and Clark relationship as it explores the challenges of finding love when one is living a double life to conceal superpowers, as well as the tug-of-war between being a hero for the public and enjoying a private life.

There are also fun nods to other movies featuring the characters, such as Wonder Woman joking about an uptick in her popularity in the past year, and references going as far back to the 1978 Superman movie and its own iconic portraying of Superman’s courtship of Lois Lane.

The effectiveness of the story is given considerable weight by a great voice cast led by real-life husband-and-wife Jerry O’Connell as Superman and Rebecca Romijn as Lois (whose natural chemistry comes through despite the two not recording their lines together).

Rainn Wilson also has some fun in his portrayal of Lex Luthor, who is maneuvering in the background to understand what makes Doomsday tick even as Superman and the Justice League give their all to stop the monster’s rampage.

The film’s efforts to layer in its character dynamics pay off with a terrific climactic fight between Doomsday and Superman, who is all that stands in the creature’s way when the rest of the Justice League can’t stop it.

The Blu-ray includes a 16-minute featurette called “The Death of Superman: The Brawl That Topped Them All,” a good retrospective about the original comic book storyline involving many of the creative minds behind it, intercut with an analysis of the fight itself.

There’s also a 10-minute preview of the Reign of the Supermen movie due next year.

Finally, the Blu-ray includes the “Legion of Superheroes” certoon series two-part episode “Dark Victory,” which incorporated some ideas from the “Death of Superman” storyline.