‘Nobody’ Tops Vudu and FandangoNow Charts

The Bob Odenkirk suspense actioner Nobody took the top spot on the Vudu and FandangoNow charts the week ended April 18.

Both are transactional VOD services owned by Fandango.

Available for premium VOD rental, Universal Pictures’ Nobody stars Odenkirk (“Better Call Saul”) as a seemingly ordinary suburban husband and father whose pent-up fury is unleashed when his home is broken into. His search for vengeance unveils a secret from his past.

Disney’s animated Raya and the Last Dragon dropped to No. 2 on both charts after leading them for two consecutive weeks. The fantasy adventure became available for digital purchase April 2 following its debut in theaters and via Premier Access with an added charge for subscribers to the Disney+ streaming service. In the film, long ago, in the world of Kumandra, humans and dragons lived together in harmony. When sinister monsters known as the Druun threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, those same monsters have returned, and it’s up to a lone warrior, Raya, to track down the last dragon in order to finally stop the Druun for good.

Warner Bros.’ animated and live action-comedy Tom & Jerry grabbed the third spot on both charts. Available for premium rental starting April 16, the film previously debuted simultaneously in theaters and on the HBO Max streaming service. In the film, the iconic mouse Jerry moves into New York City’s finest hotel on the eve of “the wedding of the century,” forcing the event’s desperate planner (Chloë Grace Moretz) to hire Tom to get rid of him. The ensuing cat and mouse battle threatens to destroy her career, the wedding and possibly the hotel itself. But soon, an even bigger problem arises: a diabolically ambitious staffer conspiring against all three of them.

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Entering the FandangoNow chart in the fourth spot (No. 10 on Vudu) was Lionsgate’s The Courier, which became available for premium VOD rental April 16. In this true-life Cold War spy thriller, unassuming British businessman Greville Wynne (Benedict Cumberbatch) becomes entangled in one of the greatest international conflicts in history. Recruited by MI6 and a CIA operative (Rachel Brosnahan, “The Marvelous Mrs. Maisel”), Wynne forms a covert partnership with a Soviet officer, and both men risk everything in a danger-fraught race against time to provide the intelligence needed to prevent nuclear confrontation and end the Cuban Missile Crisis.

Coming in at No. 4 on the Vudu chart (No. 5 on FandangoNow) was City of Lies, which became available for digital rental and purchase April 9. Starring Johnny Depp and Forest Whitaker, it follows a disgraced L.A.P.D. detective who — unable to solve his biggest case, the murders of rap icons Tupac Shkur and The Notorious B.I.G. Poole — enters into an uneasy partnership to put the case to rest.

Warner Bros.’ DC comic-based Wonder Woman 1984, starring Gal Gadot, took the fifth spot on the Vudu chart. It became available for digital purchase March 16 following its PVOD rental run.

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Vudu’s top 10 titles for the week ended April 18, in terms of revenue, were:

  1. Nobody
  2. Raya and the Last Dragon
  3. Tom & Jerry
  4. City of Lies
  5. Wonder Woman 1984
  6. Chaos Walking
  7. The SpongeBob Movie: Sponge on the Run
  8. The Croods: A New Age
  9. The Little Things
  10. The Courier

 

FandangoNow’s top 10 titles for the week ended April 18, in terms of revenue, were:

  1. Nobody
  2. Raya and the Last Dragon
  3. Tom & Jerry
  4. The Courier
  5. City of Lies
  6. Chaos Walking
  7. The Little Things
  8. Wonder Woman 1984
  9. Nomadland
  10. News of the World

Deloitte Survey: 82% of U.S. Consumers Subscribe to at Least One Paid Streaming Video Service

The average U.S. subscriber has four paid video streaming services, and 82% of U.S. consumers subscribe to at least one paid streaming video service, according to Deloitte’s annual “Digital Media Trends” survey, 15th edition.

In addition, 55% of respondents now watch a free ad-supported video service.

Subscribers cite an increase in price as the biggest reason they would cancel a paid video, music or gaming service.

The online survey of 2,009 U.S. consumers was conducted in February 2021.

Streaming music subscribers pay for an average of two paid music services, and those who subscribe to gaming services pay for an average of three.

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For Generation Z, playing video games is their No. 1 favorite entertainment activity (26%), followed by listening to music (14%), browsing the Internet (12%), and engaging on social platforms (11%). Only 10% of Generation Z say that watching TV or movies at home is their favorite form of entertainment (which is No. 1 for all other generations).

Watching TV and movies at home continues to be the overall favorite entertainment option, with 57% ranking it in their top three (out of 16 entertainment activities). However, only 10% of Generation Z say that watching TV or movies at home is their No. 1 favorite form of entertainment. Playing video games is Generation Z’s favorite entertainment choice (26%), followed by listening to music (14%). Watching TV and movies was their fifth choice for entertainment.

When asked what factors caused people to cancel a paid video, music or gaming service, an increase in price was the biggest reason.

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However, from October 2020 to February 2021, Deloitte found that the churn rate for streaming video services is still hovering around 37%.

Other findings include:

  • Content (35%) and cost (46%) are the most important factors in deciding to subscribe to a new paid streaming video service.
  • Fifty-two percent find it difficult to access content across so many services, and 49% are frustrated when a service doesn’t make good recommendations for them.
  • Fifty-three percent of those surveyed are frustrated by needing multiple service subscriptions to access the content they want.
  • Sixty-six percent get frustrated when content they want to watch is removed from a service.

 

“Not only are American consumers more reliant than ever on digital media and entertainment, information gathering and social connection, there is also more competition for audiences among a crowded field of entertainment options,” Kevin Westcott, vice chairman of Deloitte LLP and U.S. technology, media and telecom leader, said in a statement. “This requires consumers to ‘dance’ between services introducing frustrations as they try to manage multiple subscriptions and keep track of their favorite content. Media and entertainment companies with a deeper understanding of customer concerns about content, cost and ad-tolerance across all entertainment options and generations, can cultivate long-term relationships and reduce churn.”

Generation Z has strikingly different entertainment preferences, often seeking video games and music over watching TV and movies — unlike older consumers who are “video first,” according to the survey. As early adopters, Generation Z may actually influence the behaviors of Millennials and Generation X — and possibly younger generations that follow them, according to Deloitte.

Findings about content preferences include:

  • Eighty-seven percent of Generation Z are playing video games daily or weekly on devices such as smartphones, gaming consoles and computers.
  • A strong majority of Generation Z, Millennials and Generation X agree that during the pandemic video games have helped them stay connected to other people and get through difficult times.
  • Close to half (46%) say that video games have taken away from other entertainment time.
  • For all generations, listening to music is a top-three favorite entertainment activity. Around 60% of respondents have a paid streaming music service, and the same amount have used a free, ad-supported music service.
  • For those who pay, the library of music was the primary reason, followed by an ad-free and reasonably priced experience. For those using a free, ad-supported music service, zero cost was the primary reason, followed by ease of access and a broad range of content.

 

Social media is a gateway to entertainment and information, but trust is a concern, according to survey respondents. Beyond connection and sharing, social media services have become a gateway for consuming music, video, games and news. However, there is tension between the value that consumers get from social media and the challenges of establishing trust, responsibility for content and the role of regulation. Consumers value social media, but they want more control over their data, and information that is more trustworthy.

Findings about social media include:

  • Half of Generation Z rank social media as the No. 1 way they prefer to get news, whereas only 12% prefer to get news from network or cable TV. Conversely, 58% of Boomers say they prefer news on network or cable TV, and only 8% look to social media first for news stories.
  • While more people, across generations, go to social media for news, 67% don’t trust the news they see on these services.
  • For Generation Z, the top two activities on social media are listening to music, followed by playing video games.
  • Consumers are divided around the 2020 U.S. Presidential Election; 43% of respondents felt that social media companies did a good job managing misinformation, while conversely 44% of respondents felt that they could have done more.
  • Seventy-seven percent of respondents believe that the government must do more to regulate data collection and use.
  • Forty-five percent said they are willing to pay for social media if it didn’t collect their data.

 

“It’s clear that consumers like the convenience of social media as a delivery platform for everything from entertainment to news, however they also want to trust that social media companies are committed to distributing truthful, reliable information while protecting their own personal data,” Jana Arbanas, vice chairman of Deloitte LLP and U.S. telecom, media and entertainment sector leader, said in a statement. “By building trusted and equitable relationships with consumers that address the need for more transparency, agency, privacy and security, social media services can continue to build on their success as dependence on their platforms continues to grow.”

As more consumers use advertising supported digital entertainment services, ad-related preferences and expectations around personalization and privacy vary across consumer segments and media, according to the survey. Some people welcome ads as a way to get more content while managing costs, building their own set of go-to services; others will do whatever they can to avoid advertising.

Findings about ads include:

  • Forty percent of U.S. consumers note that they would prefer to pay $12 a month for a streaming video service with no ads, versus 60% of consumers who would accept some ads for a reduction in monthly subscription costs.
  • Forty-five percent of consumers agreed they would rather pay than have ads on their music streaming service. For Millennials, 67% say they would rather pay.
  • For those that subscribe to a gaming service, adding or increasing the amount of advertising are the top reasons they would most likely cancel or stop using a paid service.
  • Younger generations say that social media influencers and ads on social media are the two most persuasive channels influencing their buying decisions (55% of Generation Z and 66% of Millennials say that ads on social media are influential versus 49% of Generation X and 13% of Boomers).
  • Sixty-two percent of Generation Z and 72% of Millennials would rather see ads personalized to their likes and activity than generic ones. However, only 40% of consumers overall said they would be willing to provide more personal information to receive advertising targeted to their interests.
  • Forty-three percent of consumers (39% of Generation Z and 54% of Millennials) say they would associate content that included hate speech with ads that are displayed nearby.

Parrot: Death of Prince Philip Gave ‘The Crown’ a Demand Bump

The death of the U.K.’s Prince Philip increased global demand for the Netflix series “The Crown,” according to Parrot Analytics.

In the days immediately following Prince Philip’s death, “The Crown” saw double digit percentage increases in demand worldwide, and in the show’s two most popular markets — the United Kingdom and the United States.

From April 8 (the day before Prince Philip’s death) to April 10, Parrot Analytics tracked the following increases in audience demand for “The Crown”:

  • U.S. demand increased by 47.1%, peaking at 28.1 times more in-demand than the average series in the United States on April 10;
  • U.K. demand increased by 28.8%, peaking at 30.4 times more in-demand than the average series in the United Kingdom on April 10;
  • Worldwide demand increased by 30.1%, peaking at 51.4 times more in-demand than the average series globally on April 10.

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By April 10, “The Crown” rose up the demand ranks, becoming the 30th most in-demand series in the United States across all platforms, up from 96th most on April 8; the fifth most in-demand series in the United Kingdom across all platforms, up from 12th most on April 8; and the eighth most in-demand series worldwide across all platforms, up from 25th most on April 8.

While the Prince Philip bump has been a boon for “The Crown,” Parrot tracked even higher global and United Kingdom demand for the show following two other recent news events — the show’s multiple wins at the Golden Globes on Feb. 28 and Prince Harry and Meghan Markle’s bombshell interview with Oprah Winfrey on March 7.

Parrot Analytics’ proprietary metric Demand Expressions measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

‘Wonder Woman 1984’ Keeps Top Spot on Watched at Home Chart

Warner Bros.’ Wonder Woman 1984 held at No. 1 on the “Watched at Home” chart the week ended April 10.

The DC-comic-based film, repeating in the top spot for a second week, continued to get a boost from its arrival on Blu-ray and DVD March 30 after being released though digital retailers on March 16 (a release preceded by PVOD and a simultaneous Christmas Day 2020 debut in theaters and on streaming service HBO Max).

News of the WorldThe Croods: A New Age and Monster Hunter all repeated in spots two through four, in order, from the previous week. The Oscar-nominated Promising Young Woman, which jumped from No. 6, rounded out the top five.

The comedy Barb & Star Go to Vista Del Mar, co-starring and co-written by Kristen Wiig and Annie Mumolo (Bridesmaids), entered the chart at No. 10 after coming out on Blu-ray and DVD April 6. Also new to the chart for the week was Willy’s Wonderland, starring Nicolas Cage, dropping in at No. 11. Shadow in the Cloud, starring Chloë Grace Moretz as a World War II flight officer on a secret mission when her bomber is attacked by gremlins, returned at No. 18 after its April 6 DVD and Blu-ray release in an otherwise steady chart.

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The Watched at Home chart, compiled from studio and retailer data and presented by DEG: The Digital Entertainment Group, tracks transactional video activity (both digital and on DVD and Blu-ray Disc, but not premium VOD or disc rental).

The Western News of the World (No. 2) stars Tom Hanks as a Civil War veteran who makes a living reading newspapers to people in frontier towns and is tasked with returning a young white girl who had been captured and raised by Indians to her family.

Universal Pictures’ DreamWorks Animation sequel The Croods: A New Age (No. 3) features the voices of Nicolas Cage, Emma Stone, Ryan Reynolds and Peter Dinklage and follows the caveman Crood family as they encounter the more civilized Bettermans.

Sony Pictures’ video game adaptation Monster Hunter (No. 4) stars Milla Jovovich as the leader of a military unit battling deadly creatures from another world.

Promising Young Woman (No. 5), nominated for five Oscars, stars Carey Mulligan as Cassie, whose promising future was derailed by a mysterious event.

  1. Wonder Woman 1984 (Warner)
  2. News of the World (Universal)
  3. The Croods: A New Age (Universal)
  4. Monster Hunter (Sony Pictures)
  5. Promising Young Woman (Universal)
  6. Girl in the Basement (A+E)
  7. Greenland (Universal/STX)
  8. Harry Potter: Complete 8-Film Collection (Warner)
  9. Soul (Disney)
  10. Barb and Star Go to Vista Del Mar (Lionsgate)
  11. Willy’s Wonderland (Screen Media)
  12. Wrong Turn: The Foundation (Lionsgate)
  13. Let Him Go (Universal)
  14. Yellowstone: Season 3 (Paramount)
  15. Godzilla: King of the Monsters (Warner)
  16. The Ten Commandments (Paramount)
  17. Yellowstone: Season 1 (Paramount)
  18. Shadow in the Cloud (Vertical)
  19. The Vault (Lionsgate)
  20. Tenet (Warner)

 

Source: DEG: The Digital Entertainment Group
Includes U.S. digital sales, digital rentals, and DVD, Blu-ray Disc and 4K Ultra HD sales for the week ended April 10.

‘Them’ Top Rising Show on Weekly TV Time Chart

Amazon Prime’s “Them” was the top show on the rise on the TV Time chart for the week ended April 11.

Season one of the horror series follows a Black family in the 1950s who moves from North Carolina to an all-white Los Angeles neighborhood. They are threatened in their idyllic home by malevolent forces, next door and otherworldly.

On the binge chart, following perennial binge favorite “Grey’s Anatomy” at No. 1 was the anime series “Attack on Titan,” which dropped from No. 1 to No. 2. The series is based on the manga and is set in a world where humanity lives within cities surrounded by enormous walls that protect them from gigantic man-eating humanoids referred to as Titans.

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TV Time, a Whip Media company, is a free TV viewership tracking app that tracks consumers’ viewing habits worldwide and is visited by almost 1 million consumers every day, according to the service. The weekly “Binge Report” ranks shows with the most binge sessions. A binge session is when four or more episodes of a show are watched and tracked in the app in a given day. The “Shows on the Rise” chart is calculated by determining the week-over-week growth in episodes watched for a given program. The network displayed is the network where the show first aired (e.g. “Friends” on NBC).

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Top Binge Shows Week Ended April 11 by Share of Binges:

  1. “Grey’s Anatomy” (ABC U.S.) — 2.28%
  2. “Attack on Titan” (NHK) — 2.15%
  3. “LOL: Last One Laughing” (IT) (Amazon Prime Video) — 1.96%
  4. “Modern Family” (ABC U.S.) — 1.76%
  5. “The 100” (The CW) — 1.75%
  6. “One Piece” (Fuji TV) — 1.71%
  7. “Who Killed Sara?” (Netflix) — 1.44%
  8. “The Office” (U.S.) (NBC) — 1.11%
  9. “Naruto Shippuden” (TV Tokyo) — 1.04%
  10. “Brooklyn Nine-Nine” (NBC) — 0.98%

 

Top “Shows on the Rise” Week Ended April 11 by Rise Ratio:

  1. “Them” (Amazon Prime Video) — 99.8%
  2. “Tokyo Revengers” (MBS) — 97.9%
  3. “Family Reunion” (Netflix) — 95.5%
  4. “Hippocrate” (Canal+) — 92.7%
  5. “Heaven Official’s Blessing” (Bilibili) — 92.7%
  6. “Ex on the Beach Brazil” (MTV Brazil) — 89.4%
  7. “How Not to Summon a Demon Lord” (AT-X) — 87.1%
  8. “LOL: Last One Laughing” (IT) (Amazon Prime Video) — 78.6%
  9. “The Serpent” (BBC One/Netflix) — 78.5%
  10. “Vivy-Flourite Eye’s Song” (Tokyo MX) — 76.8%

‘Raya and the Last Dragon’ Repeats at No. 1 on Vudu and FandangoNow Charts

Disney’s animated Raya and the Last Dragon again took the top spot on the Vudu and FandangoNow charts the week ended April 11.

Both are transactional VOD services owned by Fandango.

The fantasy adventure Raya became available for digital purchase April 2 following its debut in theaters and via Premier Access with an added charge for subscribers to the Disney+ streaming service. In the film, long ago, in the world of Kumandra, humans and dragons lived together in harmony. When sinister monsters known as the Druun threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, those same monsters have returned, and it’s up to a lone warrior, Raya, to track down the last dragon in order to finally stop the Druun for good.

Warner Bros.’ DC comic-based Wonder Woman 1984, starring Gal Gadot, repeated at No. 2 on the Vudu chart and fell one spot to No. 3 on the FandangoNow chart. It became available for digital purchase March 16 following its PVOD rental run.

Coming in at No. 2 on the FandangoNow chart (No. 4 on Vudu) was Lionsgate’s Chaos Walking, available for premium VOD rental April 2. Based on the best-selling novel The Knife of Never Letting Go and set in the not-too-distant future, the film follows Todd Hewitt (Tom Holland) who discovers a mysterious girl named Viola (Daisy Ridley). She has crash-landed on his planet, where the women have disappeared and the men are afflicted by “The Noise,” a force that puts all their thoughts on display. In this dangerous landscape, Viola’s life is threatened and, to protect her, Todd must discover his inner power and unlock the planet’s dark secrets.

Taking the bronze on the Vudu chart (No. 4 on FandangoNow) was City of Lies, which became available for digital rental and purchase April 9. Starring Johnny Depp and Forest Whitaker, it follows a disgraced L.A.P.D. detective who — unable to solve his biggest case, the murders of rap icons Tupac Shkur and The Notorious B.I.G. Poole — enters into an uneasy partnership to put the case to rest.

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Taking the fifth spot on both charts was Warner’s The Little Things, available via premium VOD rental starting March 19. The psychological thriller stars Denzel Washington, Rami Malek and Jared Leto and follows a Kern County deputy sheriff who is sent to Los Angeles for a quick evidence-gathering assignment, but instead becomes embroiled in the search for a killer who is terrorizing the city.

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Vudu’s top 10 titles for the week ended April 11, in terms of revenue, were:

  1. Raya and the Last Dragon
  2. Wonder Woman 1984
  3. City of Lies
  4. Chaos Walking
  5. The Little Things
  6. Willy’s Wonderland
  7. The Croods: A New Age
  8. Every Breath You Take
  9. Monster Hunter
  10. News of the World

 

FandangoNow’s top 10 titles for the week ended April 11, in terms of revenue, were:

  1. Raya and the Last Dragon
  2. Chaos Walking
  3. Wonder Woman 1984
  4. City of Lies
  5. The Little Things
  6. The SpongeBob Movie: Sponge on the Run
  7. News of the World
  8. The Croods: A New Age
  9. Every Breath You Take
  10. Judas and the Black Messiah

 

In other FandangoNow news, the service is offering a sale on the “Hotel Transylvania” trilogy in 4K Ultra HD for $24.99 (usually $29.97) as part of its “Triple Feature Bundle Sale.” Fandango debuted “Monster Pets: A Hotel Transylvania Short,” a Sony short released to celebrate Pets Day April 11 and in anticipation of a new feature in the series, Hotel Transylvania: Transformania, which debuts July 23.

‘Wonder Woman 1984’ Lassos Top Spot on Watched at Home Chart

Warner Bros.’ Wonder Woman 1984 flew to the top spot on the weekly “Watched at Home” chart the week ended April 3.

The film, which leapt from No. 6 the previous week, got a boost from its arrival on Blu-ray and DVD March 30 after being released on digital March 16 (preceded by PVOD release and simultaneous release in theaters and on streaming service HBO Max).

News of the World, The Croods: A New Age, Monster Hunter and Soul all fell one spot, in order, from the previous week to round out the top five spots.

The Watched at Home chart, compiled from studio and retailer data and presented by DEG: The Digital Entertainment Group, tracks transactional video activity (both digital and on DVD and Blu-ray Disc, but not premium VOD or disc rental).

The Western News of the World (No. 2) stars Tom Hanks as a Civil War veteran who makes a living reading newspapers to people in frontier towns and is tasked with returning a young white girl who had been captured and raised by Indians to her family.

Universal Pictures’ DreamWorks Animation sequel The Croods: A New Age (No. 3) features the voices of Nicolas Cage, Emma Stone, Ryan Reynolds and Peter Dinklage and follows the caveman Crood family as they encounter the more civilized Bettermans.

Sony Pictures’ video game adaptation Monster Hunter (No. 4) stars Milla Jovovich as the leader of a military unit battling deadly creatures from another world.

Disney’s Soul (No. 5) is a Pixar Animation Studios film that as a result of the pandemic bypassed theaters and was released directly through the Disney+ streaming service Dec. 25. Soul was made available on disc and digital sellthrough March 23.

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Meanwhile, Paramount’s classic The Ten Commandments, director Cecil B. DeMille’s 1956 epic starring Charlton Heston, entered the chart at No. 10 following its 4K Ultra HD disc debut March 30.

The 2019 monster flick Godzilla: King of the Monsters also entered the chart at No. 12 for the week, drafting off the theatrical and HBO Max release of Godzilla vs. Kong.

  1. Wonder Woman 1984 (Warner)
  2. News of the World (Universal)
  3. The Croods: A New Age (Universal)
  4. Monster Hunter (Sony)
  5. Soul (Disney)
  6. Promising Young Woman (Universal)
  7. Girl in the Basement (A+E)
  8. Greenland (Universal/STX)
  9. Harry Potter: Complete 8-Film Collection (Warner)
  10. The Ten Commandments (Paramount)
  11. Wrong Turn: The Foundation (Lionsgate)
  12. Godzilla: King of the Monsters (Warner)
  13. Yellowstone: Season 3 (Paramount)
  14. Yellowstone: Season 1 (Paramount)
  15. Tenet (Warner)
  16. Let Him Go (Universal)
  17. The Vault (Lionsgate)
  18. Yellowstone: Season 2 (Paramount)
  19. Fatale (Lionsgate)
  20. The Lord of the Rings Trilogy (Warner)

 

Source: DEG: The Digital Entertainment Group
Includes U.S. digital sales, digital rentals, and DVD, Blu-ray Disc and 4K Ultra HD sales for the week ended April 3.

Research: HBO Max Subs More Likely to Pay for Additional Services

HBO Max subscribers in the United States are far more likely than Disney+ or Netflix subscribers to pay for additional video services, according to Interpret Insights’ New Media Measure.

While 27% of HBO Max subscribers pay for four to five other video services, only 12% of Netflix subscribers and 17% of Disney+ subscribers do the same, suggesting that HBO Max “is seen as highly complementary to other options in the market,” according to Interpret.

While HBO Max has benefited from Warner Bros. movies debuting on the service at the same time they hit theaters, that is poised to change next year as an (albeit shorter) theatrical window returns, according to Interpret.

“The big challenge as HBO Max enters 2022 will be securing exclusive content to maintain this momentum,” Interpret wrote.

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‘Attack on Titan’ Top Binge Show on Weekly TV Time Chart

“Attack on Titan” was the top binge show on the TV Time chart for the week ended April 4.

The anime series is based on the manga and is set in a world where humanity lives within cities surrounded by enormous walls that protect them from gigantic man-eating humanoids referred to as Titans.

Topping the rising show chart was the French series “Les Vacances des Anges,” followed at No. 2 by “The Serpent,” about a serial killer targeting tourists in Asia in the 1970s, streaming on Netflix. Taking the third spot on the rising show chart was Netflix’s “Prank Encounters,” a hidden-camera series targeting real people with scares.

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TV Time, a Whip Media company, is a free TV viewership tracking app that tracks consumers’ viewing habits worldwide and is visited by almost 1 million consumers every day, according to the service. The weekly “Binge Report” ranks shows with the most binge sessions. A binge session is when four or more episodes of a show are watched and tracked in the app in a given day. The “Shows on the Rise” chart is calculated by determining the week-over-week growth in episodes watched for a given program. The network displayed is the network where the show first aired (e.g. “Friends” on NBC).

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Top Binge Shows Week Ended April 4 by Share of Binges:

  1. “Attack on Titan” (NHK) — 2.60%
  2. “Grey’s Anatomy” (ABC U.S.) — 2.15%
  3. “Modern Family” (ABC U.S.) — 1.89%
  4. “One Piece” (Fuji TV) — 1.58%
  5. “Who Killed Sara?” (Netflix) — 1.55%
  6. “The Office” (U.S.) (NBC) — 1.23%
  7. “Jujutsu Kaisen” (MBS) — 1.15%
  8. “New Amsterdam” (NBC) — 1.12%
  9. “Brooklyn Nine-Nine” (NBC) — 1.07%
  10. “The 100” (The CW) — 1.07%

 

Top “Shows on the Rise” Week Ended April 4 by Rise Ratio:

  1. “Les Vacances des Anges” (NRJ 12) — 99.3%
  2. “The Serpent” (BBC One/Netflix) — 97.4%
  3. “Prank Encounters” (Netflix) — 96.9%
  4. “Les Kassos” (Canal+) — 95.1%
  5. “The Equalizer” (CBS) — 86.1%
  6. “Zoey’s Extraordinary Playlist” (NBC) — 77.8%
  7. “The Rookie” (ABC U.S.) — 76.4%
  8. “Manifest” (NBC) — 72.9%
  9. “Moriarty the Patriot” (Tokyo MX) — 66.8%
  10. “Supergirl” (The CW) — 64.9%

TV Time: Warner’s ‘Mortal Kombat’ Most Anticipated Movie in April

Warner Bros.’ Mortal Kombat was the most anticipated movie in April on the TV Time chart.

Based on the video game franchise of the same name, the film follows Shaolin Monk Liu Kang, from Earth, who gets invited as a competitor in a mysterious, intergalactic tournament of ancient martial arts. It premieres April 23 in theaters and on WarnerMedia’s HBO Max streaming service.

A Whip Media company, TV Time is a free TV viewership tracking app that tracks consumers’ viewing habits worldwide and is visited by nearly 1 million consumers every day, according to the company. TV Time’s “Anticipation Report” is based on data from those users.

Tom Clancy’s Without Remorse, premiering on Amazon Prime April 30, took the second spot on the chart. The action thriller is based on the 1993 novel of the same name by Tom Clancy and is a spin-off of the Jack Ryan film series.

Coming in at No. 3 was Netflix’s Thunder Force, premiering April 9 on the streaming service. Starring Melissa McCarthy, Octavia Spenser and Jason Bateman, the film follows two childhood best friends who reunite as an unlikely crime-fighting superhero duo when one invents a formula that gives ordinary people superpowers.

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Also from Netflix, Stowaway, premiering April 22, took the fourth spot on the chart. In the film starring Anna Kendrick, Daniel Dae Kim, Shamier Anderson and Toni Collette, a three-person crew on a mission to Mars faces an impossible choice when an unplanned passenger jeopardizes the lives of everyone on board.

Another space story, Lionsgate’s Voyagers, landed at No. 5. Starring Colin Farrell, Tye Sheridan, Lily-Rose Depp and Fionn Whitehead, the film follows a crew of astronauts on a multi-generational mission who descend into paranoia and madness, not knowing what is real or not. It hits theaters April 9.

Rounding out the chart at No. 6 was Concrete Cowboy, which began streaming on Netflix April 2. Starring Idris Elba and Caleb McLaughlin (“Stranger Things”), it follows a rebellious teen, sent to live with his estranged father for the summer, who finds kinship in a tight-knit Philadelphia community of Black cowboys.

 Most Anticipated April Movies

  1. Mortal Kombat – April 23 (Warner Bros., theaters and HBO Max)
  2. Tom Clancy’s Without Remorse – April 30 (Amazon Prime)
  3. Thunder Force – April 9 (Netflix)
  4. Stowaway – April 22 (Netflix)
  5. Voyagers – April 9 (Lionsgate, theaters)
  6. Concrete Cowboy – April 2 (Netflix)

 

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