Valley Girl, a musical romantic comedy adaptation of the 1983 film, arrives on Blu-ray and DVD from Warner Bros. Home Entertainment and MGM Oct. 6.
From MGM’s Orion Pictures and directed by Rachel Lee Goldenberg, the film stars Jessica Rothe (Happy Death Day, La La Land) as Julie Richman, Josh Whitehouse (The Knight Before Christmas) as Randy, Mae Whitman (The Perks of Being a Wallflower, Scott Pilgrim vs. the World) as Jack, and Judy Greer (13 Going on 30, Ant-Man, 27 Dresses) as Diana.
Set to a new wave ’80s soundtrack, the film follows a pair of young lovers from different backgrounds defy their parents and friends to stay together.
The 1983 classic, directed by Martha Coolidge, starred Nicolas Cage and Deborah Foreman.
The Criterion Collection in November will release new Blu-ray and DVD editions of catalog titles Moonstruck, Girlfriends and Ghost Dog.
Arriving Nov. 10 on Blu-ray and DVD is the 1978 comedy Girlfriends from director Claudia Weill. Melanie Mayron stars as a struggling artist who considers a fling with a married, older rabbi (Eli Wallach).
The film comes with a new, restored 4K digital transfer supervised by Weill and director of photography Fred Murphy, with uncompressed monaural soundtrack on the Blu-ray. Extras include new interviews with Weill, Mayron, actors Christopher Guest and Bob Balaban, screenwriter Vicki Polon; Joyce at 34, a 1972 short film by Weill and Joyce Chopra; Commuters, a 1973 short film by Weill; the film’s trailer; and essays by critic Molly Haskell and scholar Carol Gilligan.
The new Moonstruck Blu-ray and DVD editions arrive Nov. 17 with a new 4K digital restoration, and a 5.1 surround DTS-HD master audio soundtrack on the Blu-ray.
The film stars Cher in an Oscar-winning role as Loretta, an unlucky-in-love bookkeeper whose feelings about her engagement to the staid Johnny (Danny Aiello) are thrown into question after she meets his hot-blooded brother, Ronny (Nicolas Cage). The film also won Academy Awards for Best Supporting Actress for Olympia Dukakis), and Best Original Screenplay for playwright John Patrick Shanley.
Extras include a new interview with Shanley; a new interview with scholar Stefano Albertini about the use of opera in the film; an introduction from 2013 featuring Cher; interviews from 1987 with director Norman Jewison and actors Cher, Nicolas Cage, Vincent Gardenia and Olympia Dukakis; an interview from 2002 with actor Danny Aiello; an audio interview from 1989 with Shanley about screenwriting and the development of Moonstruck; “At the Heart of an Italian Family,” a 2006 program about the making of the film; “The Music of Moonstruck,” a 2006 program featuring interviews with Jewison and composer Dick Hyman; audio commentary from 1998 with Cher, Jewison and Shanley; the film’s trailer; and an essay by critic Emily VanDerWerff.
Also due Nov. 17 on Blu-ray and DVD, 1999’s Ghost Dog: The Way of the Samurai, directed by Jim Jarmusch, stars Forest Whitaker as a Zen contract killer working for a bumbling mob outfit, a modern man who adheres steadfastly to the ideals of the Japanese warrior code even as chaos and violence spiral around him.
The film comes with a restored 4K digital transfer supervised and approved by Jarmusch, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray, as well as an alternate isolated stereo music track. Extras include a new Q&A with Jarmusch, in which he responds to questions sent in by fans; new conversation between actors Forest Whitaker and Isaach De Bankolé, moderated by film scholar Michael B. Gillespie; a new interview with casting director Ellen Lewis; a new interview with Shifu Shi Yan Ming, founder of the USA Shaolin Temple; a new video essay on RZA’s original score for the film; deleted scenes and outtakes; archival itnerviews; “The Odyssey: A Journey into the Life of a Samurai,” a 2000 program on the making of the film; the film’s trailer; and an essay by critic Greg Tate and quotations from Hagakure: The Book of the Samurai, by the early-18th century monk Yamamoto Tsunetomo.
The film wShout! Factory has announced the Oct. 20 home release date of Adaptation, a 2002 American comedy-drama starring Nicolas Cage (Face/Off, Valley Girl), Meryl Streep (Little Women, Sophie’s Choice), and Chris Cooper (Little Women, August: Osage County).
ill be available on Blu-ray Disc, and includes special features such as the original featurette, a stills gallery, and a trailer.
Based on the 1998 nonfiction book The Orchid Thief by Susan Orlean, the film is a blend of fictional characters and situations with the lives of reach people.
Directed by Spike Jonze and scripted by Charlie Kaufman, Adaption follows the story of Hollywood screenwriter Charlie Kaufman (Cage) as he struggles to adapt Susan Orlean’s (Streep) best-selling book The Orchid Thief. The lives of Kaufman and Orlean’s book become strangely intertwined, as each one’s search for passion collides with one another and his life quickly goes from unamusing and pathetic to bizarre.
RLJE Films will release A Score to Settle on Blu-ray and DVD Sept. 24.
The action film stars Academy Award winner Nicolas Cage as an ex-con with a terminal disease who hopes to make amends with his son while plotting revenge against the members of his old gang. The cast also includes Noah Le Gros, Karolina Wydra, Mohamed Karim and Benjamin Bratt.
Extras include three behind-the-scenes featurettes.
Street Date 3/19/19; Sony Pictures; Animated; Box Office $189.87 million; $30.99 DVD, $38.99 Blu-ray, $45.99 UHD BD; Rated ‘PG’ for frenetic sequences of animated action violence, thematic elements, and mild language. Voices of Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, Zoë Kravitz, John Mulaney, Kimiko Glenn, Nicolas Cage, Kathryn Hahn, Liev Schreiber, Chris Pine.
One of the Holy Grails of adapting a comic book to film is the idea of evoking the feeling of reading a comic while watching the story play out. Filmmakers have tried different techniques over the years to achieve this, such as brighter colors or hyper-stylized action, to varying effect, with the best results often focusing on just telling the story in a way that brings the spirit of the work into a different medium.
Animation would seem to be closer to the artistic foundations of comic books, but often present challenges of their own.
Spider-Man: Into the Spider-Verse is probably the closest a movie has come to finding that sweet spot between telling a comic book story while immersing the viewer in the fantastic art that is often unique to the panel-to-panel format.
Its innovative animation style, layering hand-drawn animation over CGI, combined with a thrilling story of self-discovery are just a few of the reasons Spider-Man: Into the Spider-Verse won the Oscar for Best Animated Feature at the 91st Academy Awards.
The film is a deft blending of self-parody with an ambitious attempt by Sony Pictures to explore new aspects of the Spider-Man concept while the live-action version of the character is on loan to Marvel Studios.
In particular, the film is an adaptation of the Miles Morales version of the character, a mixed-race teenager who gains the powers of Spider-Man in an alternate reality in which Peter Parker is killed.
In the film, Miles (voiced by Shameik Moore), stumbles upon a plot by the villainous gangster Kingpin (Live Schreiber) to open a portal into alternate dimensions in search of replacement versions of his recently deceased wife and son. The plan goes awry when versions of Spider-Man from a variety of realities began to appear, and they team up to help Miles learn how to control his new powers and figure out how to return home before Kingpin’s machine damages the multiverse.
The alternate versions of Spider-Man really let the creative team shine with the parody aspects of the film by introducing characters in a variety of styles. There’s a late-30s Spider-Man (Jake Johnson) who has become depressed after years of being a hero has left his personal life in shambles; there’s Spider-Gwen (Hailee Steinfeld), a teenage girl version of Spidey; there’s Spider-Man Noir (Nicolas Cage), a black-and-white private detective from the 1930s; there’s an anime version involving a little girl and her pet robot from the future; and there’s Spider-Ham (John Mulaney), essentially Porky Pig in a Spider-Man costume.
The combination of the various versions offers not only some of the best laughs ever to be had with a superhero movie, but make for a terrific tribute to what has made Spider-Man such an iconic character over the years. There’s also a post-credits sequence that really takes it up a notch in that regard.
It’s enough to thrill longtime fans of the character, particularly the Miles Morales version, while providing enough nods to the aspects of the mythology that most average viewers would already be familiar with so as not to need to be an avid comics reader to follow along.
The Blu-ray is loaded with a ton of bonus material, including the new animated short “Spider-Ham: Caught in a Ham,” which serves as a prequel to the film in showing us a Spider-Ham adventure that was interrupted when he gets pulled into Miles’ reality.
In addition, there’s an “Alternate Universe Mode” for the movie in which some scenes are replaced with storyboards of earlier concepts, as a way for the filmmakers to ponder how the film could have turned out. It runs about 26 minutes longer than the theatrical cut (which comes in at 117 minutes) and even starts with the Spider-Ham short.
The regular version of the film includes a commentary with the filmmakers, which is a nice guide to how the various creative decisions evolved to get to the final movie, including casting decisions and the re-imagining of certain well-known characters.
Many of the topics are covered in specific featurettes as well.
The eight-minute “We Are Spider-Man” examines the key messages of the film, while the five-minute “Spider-Verse: A New Dimension” deals with the animation style and techniques for adapting the comics.
The 15-minute “The Ultimate Comics Cast” showcases the actors involved in the film and what makes them such a good fit for their characters. The two-part “Designing Cinematic Comics Characters” offers an eight-minute look at the design of the heroes, and five-minutes devoted to the creation of the villains.
“The Spider-Verse Super-Fan Easter Egg Challenge” is a five-minute video that points out some of the references hidden throughout the film, while inviting viewers to look for more.
There’s also the eight-and-a-half-minute “A Tribute to Stan Lee & Steve Ditko,” the co-creators of Spider-Man who both passed away in 2018. Stan Lee recorded one of his famous cameos for the film.
Finally, the disc includes music lyric videos for two songs, “Sunflower” and “Familia.”
There are also some digital-exclusive bonus featurettes. The three-minute “Another, Another Times Square” provides a primer on the concept of alternate realities, the minute-and-a-half “Meanwhile, in a Gassy Universe” is a juvenile montage of various clips from the film with dialogue replaced by fart sounds (no doubt the work of Spider-Ham).
Vudu has a minute-long “An All-Star Cast” promotional video, while Movies Anywhere provides videos for how to draw Miles and Gwen, about three minutes for each character.
The Hollywood documentary Becoming Iconic: Jonathan Baker will come out on digital, DVD and VOD from Random Media Dec. 4.
Featuring some of the industry’s most iconic filmmakers, including Jodie Foster, Taylor Hackford, Adrian Lyne and John Badham, the film explores the process of directing a big-budget feature, from the ground up, through the eyes of top directors as they tell their own stories. The documentary, directed by Neal Thibedeau, was created in tandem with Baker’s preparation for and production of his own directorial debut, Inconceivable, starring Nicolas Cage, Gina Gershon and Faye Dunaway. The documentary chronicles the “first time” stories of these celebrated directors, combined with the story of Baker’s dream of making it big in Hollywood, and it includes stories on topics ranging from the pressures of financing and working with top talent, to the ultimate challenge of making sure to stay true to the film’s vision.