Reminiscence

BLU-RAY REVIEW: 

Street Date 11/9/21;
Warner;
Sci-Fi Mystery;
Box Office $3.9 million;
$34.98 DVD, $39.98 Blu-ray, $49.98 UHD BD;
Rated ‘PG-13’ for strong violence, drug material throughout, sexual content and some strong language.
Stars Hugh Jackman, Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, Brett Cullen, Natalie Martinez, Angela Sarafyan, Mojean Aria, Marina de Tavira, Daniel Wu, Nico Parker.

Memories of happy times can often be a bittersweet reminder of things lost, particularly when nothing better comes along to supplant them.

That seems to be a motivating dilemma in Reminiscence, an ambitious sci-fi mystery from in the mold of a Christopher Nolan thriller. As with most Nolan noir, Reminiscence is marked by a time-shifted non-linear narrative built around a high-concept sci-fi hook — in this case, a device that helps people re-live their favorite memories as if they were new.

Hugh Jackman plays a nostalgia merchant named Nick who runs a business where people can pay to use such as machine. The film is set sometime in the near future in a Miami flooded by rising oceans, where peoples’ everyday lives tend to be so depressing they’d rather turn to the past for a respite.

Late one night, a woman named Mae (Rebecca Ferguson), a singer at a local nightclub, walks in and asks to access her memories to find her lost keys. Nick is immediately obsessed with her, sparking a brief relationship that ends when she vanishes without a trace. Unwilling to let her go, Nick delves into his memories with her, until his partner and former war buddy (Thandiwe Newton) forces him to face reality.

Nick also takes contract work with the district attorney to depose criminals by retrieving their memories. When he discovers Mae in the memories of the associate of a drug lord, Nick sets off on a quest to uncover exactly what happened to her, even if it means learning she wasn’t exactly who she claimed to be.

Reminiscence was written by and marks the directorial debut of Lisa Joy, whose husband, Jonathan Nolan, is Christopher Nolan’s brother and frequent collaborator. The husband-wife team, who co-produced the film as well, also developed and produce HBO’s “Westworld,” a show with equally trippy sci-fi themes about the nature of identity and existence.

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The sci-fi trappings of Reminiscence make for a visually arresting experience, though the story and premise are often reminiscent of other films. The pairing of Jackman of Ferguson, for example, immediately brings to mind their teaming in The Greatest Showman, in which she also played a singer who caught the eye of a Jackman character (P.T. Barnum in that case). The drifting in and out of dreams to drive the narrative has echoes with Christopher Nolan’s Inception, which dealt with dreams instead of memories. And the very idea of memory manipulation, leading to questions of what is really happening or not, bring to mind films such as Total Recall. The depiction of a future world that has shifted its day-to-day routine around the culture of water travel, while interesting in its worldbuilding possibilities, seems a bit like a proto-Waterworld.

Still, if not as profound as its cinematic cousins in the Nolan canon, Reminiscence should manage to provide an entertaining diversion for a couple of hours, however fleeting the romance at its heart might be.

The Blu-ray includes nearly a half-hour of entertaining behind-the-scenes featurettes. The four-minute “You’re Going on a Journey” focuses on the premise, while the seven minute “The Sunken Coast” is about the production design and visual effects used to depict a Miami partially submerged by water. The eight-and-a-half-minute “Crafting a Memory” looks at how the filmmakers set about depicting the dream projections. The eight-minute “Reminiscence: A Family Reunion” looks at Joy’s collaboration with the cast and crew, some members of which worked with her previously on “Westworld.”

Rounding out the extras on disc is a five-minute “Save My Love” music video featuring Lonr.

The Blu-ray also includes a heartfelt printed note from Joy in which she relays her reasons for making the film, her inspirations, love of noir and appreciation of the cast for how they brought the characters she envisioned to life.

Originally published as a streaming review Aug. 30, 2021.

Dumbo (2019)

BLU-RAY REVIEW: 

Street Date 6/25/19;
Disney;
Family;
Box Office $114.03 million
$29.99 DVD, $39.99 Blu-ray, $39.99 UHD BD;
Rated ‘PG’ for peril/action, some thematic elements, and brief mild language.
Stars Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Alan Arkin, Nico Parker, Finley Hobbins.

With a running time of just 64 minutes, Disney’s original 1941 animated classic Dumbo is a bit thin on the source material required for a full-bore live-action remake.

To pad out the details, Disney turned to screenwriter Ehren Kruger, veteran of several “Transformers” movies, and director Tim Burton, who previously directed 2010’s Alice in Wonderland for the studio.

The end result is a remake that is equal parts reimagining of and sequel to the original classic.

The core of the story still focuses on the baby circus elephant named Dumbo who learns to use his oversized ears to fly. After his mother is locked up for aggressively defending him from the crowds picking on him for his large ears, he yearns to reunite with her.

However, whereas the bulk of the original film dealt with Dumbo learning how to fly and building his confidence, in the new version he figures out how to fly relatively quickly. Instead of a mouse to handle him, he is looked after by returning World War I veteran Holt Farrier (Colin Farrell) and his two young children, and soon becomes a star for the small traveling circus run by Max Medici (Danny DeVito).

Dumbo’s exploits gain the attention of entrepreneur V.A. Vandevere (Michael Keaton), who offers to buy out Medici in order to make Dumbo the headliner of his circus-themed amusement park, Dreamland. Meanwhile, the children hope to use Dumbo’s earnings to find his mother and bring her back to him.

The Vandevere storyline gives the film the air of self-parody, as his theme park is clearly an analog for Disneyland. What’s more, the plot turns on a corporate merger in which the smaller company is to be swallowed up and the bulk of its staffers laid off — a detail rife with parallels to the Disney-Fox merger that was completed shortly before this film hit theaters.

Keaton playing the slimy businessman is also a bit of a switch from his pairing with DeVito in another Burton film, 1992’s Batman Returns, in which DeVito was the one playing the bad guy.

These are clever details for what is ultimately a kids movie, and while Burton’s visual flair and penchant for oddity may amuse adults in the audience for a time, the film mostly settles in as a piece of inconsequential family fare that should keep younger viewers entertained.

Hardcore Disney fans can also take it to the next level in searching for the many subtle references to Disney history, particularly the 1941 film, layered throughout. To this end, the Blu-ray includes a four-minute “Easter Eggs on Parade” featurette.

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Other featurettes include the eight-minute “Circus Spectaculars,” featuring interviews with the cast and filmmakers; “The Elephant in the Room,” a six-minute recount of the process of updating the story of the animated film; and “Built to Amaze,” an eight-minute look at the film’s production and costume design.

The Blu-ray also includes nine deleted scenes running eight minutes in total; a two-minute “Clowning Around” gag reel; and a “Baby Mine” music video featuring Arcade Fire’s update of the Oscar-nominated song from the original film.

The digital copy of the film available through Movies Anywhere and select digital retailers also includes a breakdown of the creation of the Dreamland parade sequence.