Thriller ‘The Quarry’ Coming to Disc and Digital June 16 From Lionsgate

The thriller The Quarry arrives on Blu-ray (plus digital), DVD, and digital June 16 from Lionsgate.

The film is available now on demand.

Based on the novel by Damon Galgut, The Quarry stars Shea Whigham, Academy Award nominee Michael Shannon (2016, Best Supporting Actor, Nocturnal Animals) and Academy Award nominee Catalina Sandino Moreno (2004, Best Actress, Maria Full of Grace) and is from a writer of “Narcos: Mexico.”

In the film, after murdering a traveling preacher, a fugitive drifter (Whigham) travels to a small town in Texas and poses as the man he killed. Though the congregation loves the drifter’s sermons of forgiveness, the local police chief (Shannon) is suspicious.

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Bonus features include audio commentary with the director.

The Current War: Director’s Cut

DIGITAL REVIEW: 

Universal;
Drama;
Box Office $5.98 million;
$22.98 DVD, $34.99 Blu-ray;
Rated ‘PG-13’ for some violent content and thematic elements.
Stars Benedict Cumberbatch, Michael Shannon, Nicholas Hoult, Tom Holland, Matthew Macfadyen, Stanley Townsend, Katherine Waterston, Tuppence Middleton.

Director Alfonso Gomez-Rejon’s The Current War tells the story of something we take for granted so much nowadays it would be nearly impossible to imagine life without it — the installation of electrical systems to power society.

The story takes place in the 1880s and 1890s, with arrogant inventor Thomas Edison (Benedict Cumberbatch) and businessman George Westinghouse (Michael Shannon) locked in a contest to deliver electricity to America’s cities.

Edison pushes the direct current (DC) system, which requires a new power plant every mile or so. Westinghouse champions alternating current (AC), which can more efficiently transmit power over farther distances with fewer plants, but the technology is unproven.

The ruthless Edison even engages in a PR war, claiming Westinghouse’s AC is too dangerous to be used around populations. He goes so far as to arrange a demonstration of how AC could electrocute animals, prompting the government to ask Edison to create an electric chair to execute death row inmates as a “humane” alternative to hanging.

Westinghouse enlists the aid of futurist Nikola Tesla (Nicholas Hoult), the eccentric Serbian whose ideas were rejected by Edison but who may have conceived the breakthrough in constructing a generator capable of powering both lights and machines, when previous AC systems could only turn on the lights (putting AC at a disadvantage to DC from the standpoint of industry).

The Current War is a fascinating retelling of one of the great rivalries of the industrial revolution, marked by engaging performances from Cumberbatch and Shannon as the two men to dream of lighting America’s skies at night.

The story’s focus is more on the personalities of the men involved, rather than getting bogged down in the technical details. For example, there’s no scene that succinctly explains the differences between DC and AC systems, leaving that to inferences and implications spread throughout the film in scenes where discussions of such things warrant it.

What that leaves is an ode to innovation and inventiveness, and the fighting spirit that fueled the men who were inspired to bring the world into the future.

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The reason the film has been draped with the “director’s cut” label is almost as interesting a story.

Gomez-Rejon’s original cut played at the Toronto International Film Festival in 2017, though he admits it was rushed to meet the deadline and he wasn’t happy with the result. The film was going to be released theatrically by The Weinstein Company, but those plans fell through in light of the sexual abuse allegations against Harvey Weinstein. Contractual obligations regarding the TWC bankruptcy and the sale of its assets prevented Gomez-Rejon from adjusting the film to better meet his vision.

When the film’s new rights-holder emerged in 2019, Gomez-Rejon was able to convince executive producer Martin Scorsese to exercise a clause in his contract that gave Scorsese final cut approval, and Scorsese let Gomez-Rejon make the changes he wanted to make, trimming some scenes and adding others through reshoots. He also got rid of expositional title cards that explained what the stakes were but made the film feel too much like a documentary.

Gomez-Rejon discusses some of this process in his solo commentary for the film, in which he points out where some of the changes took place and how they resulted in a more satisfying film.

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The film’s home video edition also includes three interesting deleted scenes that run about five-and-a-half minutes in total.

While the film will play on any number of platforms, including Vudu or FandangoNow, thanks to Movies Anywhere, the bonus content is accessible through Apple TV (iTunes), as well as disc.

Universal Makes ‘Current War’ Available Digitally Now, on Disc March 31

Universal Pictures Home Entertainment was made the docudrama The Current War: Director’s Cut available through digital retailers now, and will bring the film to Blu-ray Disc and DVD March 31.

The film chronicles the legendary rivalry between Thomas Edison (Benedict Cumberbatch) and Nikolai Tesla (Nicholas Hoult) over the best system to provide electricity to the nation.

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In the 1880s, Edison is on the verge of bringing his direct current (DC) technology to Manhattan, but he is upended by businessman George Westinghouse (Michael Shannon), who believes Tesla’s alternating current (AC) is superior.

The cast also includes Tom Holland.

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Originally intended for release in 2017 by The Weinstein Co., the film was shelved following the Harvey Weinstein sexual abuse allegations, and then passed along to other distributors. In the interim, director Alfonso Gomez-Rejon re-shot scenes and re-edited the film, resulting in the “Director’s Cut” that was ultimately released to theaters in late 2019, earning $6 million at the domestic box office.

Bonus materials on the home video edition include deleted scenes and a commentary with Gomez-Rejon.

Knives Out

BLU-RAY REVIEW:

Street Date 2/25/20;
Lionsgate;
Mystery Comedy;
Box Office $163.71 million;
$29.95 DVD, $39.99 Blu-ray, $42.99 UHD BD;
Rated ‘PG-13’ for thematic elements including brief violence, some strong language, sexual references, and drug material.
Stars Daniel Craig, Ana de Armas, Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer, Riki Lindhome, Edi Patterson, Noah Segan, K Callan, M. Emmet Walsh, Frank Oz.

Director Rian Johnson’s penchant for subverting expectations has manifested itself in the delightful Knives Out, a modernized take on the classic murder mystery format.

The set-up is familiar. In a quirky mansion in the countryside of New England, the maid discovers the body of her wealthy employer — crime novelist Harlan Thrombey (Christopher Plummer) — dead from seemingly cutting his own throat.

As Harlan’s family comes out of the woodwork for the funeral and reading of the will, the police initially rule it a suicide. Yet the case remains open at the behest of private sleuth Benoit Blanc (Daniel Craig), Johnson’s southern-flavored homage to the likes of Columbo and Hercule Peroit. Hired by an anonymous party to ensure all aspects of Harlan’s death are explored, Blanc quickly uncovers dissension within the family, several members of which having had loud arguments with Harlan in the day leading up to his death.

The expertly-crafted, Oscar-nominated screenplay toys with the conventions of the genre, revealing what actually happened within the first 30 minutes or so, then uses the next hour-and-a-half to clue the audience in the fuller context of the events viewers have already seen, thus providing the true focus of the mystery.

Blanc recruits Harlan’s nurse, Marta (Ana de Armas), to aid in his investigation, though she is more aware of what happened than she lets on. A unique physical tic causes her to puke whenever she lies, providing one of the film’s central running gags but also lending a fair amount of tension to the proceedings as Marta has a fair number of secrets she’d rather not help expose either. The pairing of Craig and de Armas must have been agreeable enough for them, as she’s slated to appear in his next James Bond movie. And for Craig, tapped to reprise Blanc investigating new cases in future sequels, the role offers a nice new franchise once he wraps up his tenure as the super spy.

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This is the kind of film that not only invites multiple viewings, but practically demands them. Luckily, the Blu-ray offers a couple of nice options for the rewatch in the form of audio commentaries that dissect the story structure and reveal many of the details layered into the film’s intricate construction. Both are well worth a listen. One is a solo commentary by Johnson, originally released online while the film was still in theaters so fans could listen to it through headphones when they returned to their local cinema to partake in a fresh viewing. The second commentary, recorded for the home video release, features Johnson, cinematographer Steve Yedlin, and actor Noah Segan, who plays one of the cops investigating the murder.

Visually, Knives Out is gorgeous, shot digitally yet rendered to evoke the feeling of classic film, bringing forth textures and color that immerse the viewer in the story’s uneasy atmosphere while making one wish they too could be crawling around that quirky old mansion searching for clues.

The Blu-ray includes the outstanding “Making a Murder,” an eight-part, feature-length behind-the-scenes documentary that provides in-depth details on all aspects of the production, from writing it, to casting it, to making the costumes and sets, and recording the music. It runs a shade under two hours in total.

The “Rian Johnson: Planning the Perfect Murder” featurette supplements this a bit, with a six-minute video on how Johnson created the story to be, as he describes it, a Hitchcock thriller within a whodunit. There’s also a 42-minute Q&A from a SAG screening in November that gives the massive cast a chance to sing their own praises while recounting their joy in making the movie.

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The Blu-ray also includes two deleted scenes comprising about five total minutes, with optional commentary by Johnson. These add some interesting subtext to some of the film’s subplots, but it’s easy to understand the decision to omit them from the final cut.

Finally, the disc offers a trove of marketing materials, including trailers and viral ads starring several of the characters in the film.

All-in-all, it’s an impressive package that harkens back to the glory days of DVDs that really gave fans a lot of bang for their buck.

‘Knives Out’ Coming Home on Digital Feb. 7, Disc — Including 4K — Feb. 25

The murder mystery Knives Out, which earned writer-director Rian Johnson an Oscar nom for Best Original screenplay, is heading home.

Lionsgate will release the whodunnit on digital Feb. 7 and 4K Ultra HD combo pack, Blu-ray combo pack, DVD and on demand Feb. 25.

The film, which has earned $278 million at the global box office, also received Golden Globe nominations for Best Motion Picture — Musical or Comedy, Best Performance by an Actress in a Motion Picture — Musical or Comedy (Ana de Armas) and Best Performance by an Actor in a Motion Picture — Musical or Comedy (Daniel Craig). Written, produced, and directed by Johnson (Star Wars: The Last JediLooper), Knives Out also has received awards from AFI, National Board of Review, New York Film Critics, Philadelphia Film Festival, The Hollywood Critics Association and Rotten Tomatoes’ Golden Tomatoes Awards.

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In addition to Craig and de Armas, the film’s ensemble cast includes Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, LaKeith Stanfield, Katherine Langford, Jaeden Martell and Christopher Plummer. It follows the mysterious circumstances surrounding the death of crime novelist Harlan Thrombey (Plummer). There’s one thing that renowned Detective Benoit Blanc (Craig) knows for sure — everyone in the wildly dysfunctional Thrombey family is a suspect. Blanc must sift through a web of lies and red herrings to uncover the truth.

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Special features include an audio commentary and in-theater commentary by filmmaker Rian Johnson, two deleted scenes, the eight-part “Making a Murder” documentary, the “Rian Johnson: Planning the Perfect Murder” featurette, and a Q&A with the director and cast.