Lashana Lynch Archives - Media Play News

4K ULTRA HD BLU-RAY REVIEW:

Street Date 12/21/21;
Universal/MGM;
Action;
Box Office $158.62 million;
$34.98 DVD, $39.98 Blu-ray, $49.98 UHD BD;
Rated ‘PG-13’ for sequences of violence and action, some disturbing images, brief strong language and some suggestive material.
Stars Daniel Craig, Léa Seydoux, Rami Malek, Lashana Lynch, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Ralph Fiennes, Billy Magnussen, Ana de Armas, David Dencik, Rory Kinnear, Dali Benssalah.

After nearly 60 years of cinematic history, audiences have a certain expectation of what a James Bond movie is supposed to be. No Time to Die defies a lot of those tropes.

The 25th film in the EON Productions Bond canon, No Time to Die serves as a coda to the Daniel Craig era of the character, a five-film arc that began with 2006’s Casino Royale. As such, it plays very much like a series finale, wrapping up a number of loose threads that interconnected the Craig’s films.

Most notably, the film finds Bond with the same love interest from the previous film, a first for the franchise. In this case, 2015’s Spectre had Bond retire from the British Secret Service and run away with Madeleine Swann (Léa Seydoux). No Time to Die picks up with their attempts to build a life together, a prospect hampered by her complicated past being the daughter of a top Spectre agent. When Bond assumes she arranged for Spectre to attack him on vacation, he puts her on a train and vows to never see her again.

Cut to five years later, and Bond is living in seclusion in Jamaica (a location iconic to the Bond franchise) when his old CIA buddy Felix Leiter (Jeffrey Wright) recruits him to help retrieve a missing Russian scientist who is responsible for a biological weapon that can target the DNA of specific bloodlines.

Bond has a run-in with the British agent (Lashana Lynch) who took over his 007 number, and learns the weapon was originally developed by the British government. It has fallen into the hands of a man named Safin (Rami Malek), who wants to use it to cleanse the world of people he considers detrimental to his utopian vision. What’s worse, the answers to retrieve it seem to lie with Bond’s Spectre nemesis Blofeld (Christoph Waltz) and Madeleine.

Director Cary Fukunaga has delivered an entertaining Bond adventure filled with splendid action sequences, beautiful visuals and amazing set designs that evoke the great over-the-top villain lairs of yesteryear.

As both a capper to the Craig era and a milestone film for EON, No Time to Die is loaded with references to several previous Bond films dating back to the beginning of the series with 1962’s Dr. No, as well as Bond creator Ian Fleming’s novels. The film draws particular influence from 1969’s On Her Majesty’s Secret Service, from Hans Zimmer’s terrific score quoting some of its music to Craig uttering the immortal line “We have all the time in the world,” which Bond fans know always foreshadows trouble ahead.

The Easter eggs should provide a serious blast of nostalgia for Bond fans without being distracting for viewers not intimately familiar with the entire history of the franchise.

Craig himself puts a memorable cap on a unique run for the character, in that all five of his films more or less tell a larger story of the life of a British superspy and his complicated love life. One interesting aspect of No Time to Die is that it is almost framed as a story told from Madeleine’s perspective, evoking the essence of Fleming’s The Spy Who Loved Me novel if not the plot itself.

The experiment of serializing the Bond movies certainly had its ups and downs, with the biggest complaint being that the films were too reliant on tracking Bond through missions that had a personal connection to him, from seeking revenge for fallen lovers to uncovering long-lost family secrets. While in retrospect the Craig saga plays fine for what it is, it’s hard to argue that the two best films in the sequence aren’t Casino Royale and 2012’s Skyfall, the only two films of the five that could be considered standalone adventures. Detractors will say the interconnectedness is just an attempt to modernize Bond by aping the Bourne movies. Fans would just as soon see Bond get back to duty carrying out just protecting the free world with fantastical missions he otherwise has no personal stake in.

While this is Craig’s swan song in the role, the movie does carry on the franchise tradition of promising that “James Bond Will Return,” which begs the question of where the series goes from here. I for one would be interested in seeing the series returning to its roots by going retro with Bond immersed in the Cold War in the 1960s.

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The No Time to Die Blu-ray presentation is a bit unusual in how the extras are presented. The 4K combo pack offers the extras on the 4K disc alongside the film, which the regular Blu-ray that is included has no extras. Most discs typically employ the reverse strategy, with minimal extras on the 4K disc and all of them on the Blu-ray.

The included extras consist of four behind-the-scenes featurettes and the 47-minute Being James Bond documentary that was previously released in the lead-up to No Time to Die and provides an intimate look at Craig’s history with the character. Being James Bond is exclusive to the 4K edition.

The making-of material totals about 35 minutes and gives a succinct EPK-style glimpse at the production. The longest is the 11-and-a-half-minute “Anatomy of a Scene: Matera,” which deconstructs one of the film’s pre-credits action scenes. The six-minute “Keeping it Real: The Action of No Time to Die” focuses on the film’s stuntwork, the eight-minute “A Global Journey” looks at the film’s shooting locations, and the 11-minute “Designing Bond” details the building of the film’s sets and costumes.

The standard Blu-ray combo pack and the DVD editions it seems have the supplements included on a separate bonus disc. Even keeping Being James Bond as a 4K exclusive, it’s only a handful of featurettes that would need to be included so it’s a bit baffling why they weren’t stacked onto the same Blu-ray disc as the film.

Also note that the included digital copy code is listed as redeemable through Apple TV/iTunes, but not Movies Anywhere, as MGM is not a signatory to the digital locker service.

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BLU-RAY REVIEW:

Street Date 6/11/19;
Disney/Marvel;
Action;
Box Office $425.98 million;
$39.99 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for sequences of sci-fi violence and action, and brief suggestive language.
Stars Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annette Bening, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Clark Gregg.

The 21st film in the Marvel Cinematic Universe, Captain Marvel, is the most entertaining backstory for a pager you’re likely to see.

First and foremost, the film answers the question of who Nick Fury was contacting in the post-credits sequence of Avengers: Infinity War as half of all life in the universe was turning to dust as a result of Thanos’ snap. And in doing so, it provides the introduction of a key hero who would otherwise be considered little more than a deus ex machina in Avengers: Endgame.

The film serves as a prequel for the rest of the MCU (aside from the World War II setting of Captain America: The First Avenger), and its 1995 setting is a big indicator of what direction the humor and soundtrack are going to go.

It starts off as something of a space opera, shades of “Guardians of the Galaxy,” focused an alien task force that includes the warrior Vers (Brie Larson). The team is helping the Kree Empire (the blue aliens seen in other MCU movies and the TV series “Agents of S.H.I.E.L.D.”) fight a war against the shape-shifting Skrulls.

When a mission goes awry and Vers finds herself captured by the Skrulls, she escapes to Earth, where the Skrulls are searching for a mysterious power source.

After encountering S.H.I.E.L.D., she learns she is really Carol Danvers, a human test pilot believed killed several years before in a crash that in actuality was an attack that left her with superpowers and no memory of her previous self.

Carol’s abilities in the film have been frequently compared with a hero from” rival DC Comics: Superman, which is interesting considering that Danvers” is also the last name of Supergirl’s human alter ego. She also wouldn’t even be the first Captain Marvel to be compared with Superman — that would be the Fawcett Comics Captain Marvel from the 1940s that was eventually acquired by DC Comics and renamed Shazam to avoid confusion with the Marvel Comics version of the character. (That the Shazam! movie would finally hit screens just a month after Captain Marvel is one of cinema’s great coincidences.)

Captain Marvel attempts to fiddle with the tropes of the superhero origin story by using a flashback mystery structure, which is a nice exercise in technique even if Vers’ true identity will only be a mystery to anyone who hasn’t seen the film’s trailers beforehand or has any passing familiarity with her comic book history (or has already seen the movie, of course). There are other surprises to be had and some subversion of expectations, which balances it all out.

It’s a perfectly entertaining adventure that doesn’t rise beyond more than mid-level Marvel at best (which in the greater scheme of things is still pretty good). It has fun filling in some pieces of the larger Marvel franchise, though it could use a lesson in subtlety.

The film is at its strongest when it involves Carol on her mission, be it as part of the Kree Starforce, or paired with the younger version of Nick Fury (Samuel L. Jackson, effectively de-aged by the magic of computers) in a kind of buddy cop movie.

The film is ultimately a piece of bright, cheery fun that will light up HD TV screens with warm colors and the kind of razzle-dazzle we’ve come to expect from Marvel’s cosmic adventures.

This was also the first MCU movie released after the death of Marvel legend Stan Lee, and contains one of his best cameos in the franchise, calling back to what he was actually up to in 1995. That’s in addition to the touching opening tribute that presents the Marvel Studios logo with video from his various cameos over the years.

These are the only tributes to Stan Lee on the Blu-ray, though, as there isn’t a separate bonus feature devoted to it, aside from a mention in the commentary track from co-directors Anna Boden and Ryan Fleck.

Otherwise, the commentary is a fairly typical back-and-forth in which they discuss various behind-the-scenes challenges, story points and their enjoyment of working with certain actors.

The movie also comes with an optional two-minute introduction by the directors.

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The Blu-ray includes a two-minute gag reel, nine minutes of deleted and alternate scenes, and six behind-the-scenes featurettes that total about 24 minutes of viewing time.

The seven-minute “Becoming a Super Hero” and three-and-a-half-minute “Big Hero Moment” deal with Larson taking on the role and the significance of having a superhero movie fronted by a female lead, while “The Dream Team” is a three-minute video about the directors.

“The Skrulls and the Kree” offers a three-and-a-half-minute primer on the primary conflict of the film.

The three-and-a-half-minute “The Origin of Nick Fury” gets MCU stars from other movies to discuss his character’s appearance over the years.

Finally, there’s “Hiss-sterical Cat-titude,” a tongue-in-cheek three-and-a-half-minute propaganda video about the cat named Goose that serves a central role in the story.

The digital copy of the film includes a seven-minute visual effects featurette, and a five-minute exploration about crafting an action scene for a Marvel movie. There are also galleries of set photos and concept art.

Vudu has an additional digital exclusive, a three-minute vignette called “Her Story,” which seems like a promotional piece cobbled together from video used in the other featurettes.