4K ULTRA HD BLU-RAY REVIEW:
Street Date 4/5/22;
Box Office $45.43 million;
$29.99 DVD, $35.99 Blu-ray, $43.99 UHD BD;
Rated ‘PG-13’ for violence, some bloody images, and sexual material.
Stars Kenneth Branagh, Gal Gadot, Armie Hammer, Rose Leslie, Emma Mackey, Tom Bateman, Annette Bening, Russell Brand, Ali Fazal, Dawn French, Jennifer Saunders, Sophie Okonedo, Letitia Wright.
The end of the 2017 adaptation of Agatha Christie’s Murder on the Orient Express featured famed fictional Belgian detective Hercule Poirot (Kenneth Branagh) summoned to Egypt to handle another murder case, seemingly teasing Christie’s Death on the Nile as a potential sequel.
Well, Branagh does return as Poirot and as director for Death on the Nile, but it ends up not following up on that tease. Instead, it’s three years later, 1937 (the year Christie released Nile, incidentally), and Poirot is mentioned as having solved that case in Egypt, which ends up being unrelated to the new storyline.
After beginning with a flashback to World War I that depicts an origin story for Poirot’s famous mustache, the film finds the detective returning to Egypt for a bit of a vacation, where he ends up as a guest to the wedding party of Linnet and Simon (Gal Gadot and Armie Hammer). The couple have invited some friends on a swanky cruise down the Nile, and enlist the aid of Poirot in keeping an eye on Jackie (Emma Mackey), Simon’s former fiancée who has taken to stalking the couple out of jealous rage for being spurned for the wealthier Linnet.
When a string of murders do take place onboard the ship, Poirot is hard-pressed to stop them, though he is keen on solving them, which does beg the question of why the killers insist on continuing with their plans even knowing that a world-class sleuth is accompanying them and he always solves the case. Maybe they’re just masochistic for the challenge of stumping him.
Anyway, Branagh and screenwriter Michael Green have tweaked the source material a bit to give the story a more modern feel despite its period setting, swapping the race and gender of a few characters, such as making the romance novelist character from the book into a touring jazz singer and budding love interest for Poirot.
Beautifully shot and visually exquisite on HD and Ultra HD displays, Branagh imbues the film with an impeccable sense of style, staying true to the spirit of the original novel while peaking behind the mustache at what makes Poirot tick.
The Blu-ray includes nearly 40 minutes of behind-the scenes featurettes that offer some good insights into the making of the film. The 15-and-a-half-minute “Death on the Nile: Novel to Film” examines the collaboration between the filmmakers and Christie’s estate to bring the latest adaptation of her book to life, while the six-minute “Agatha Christie: Travel Can Be Murder” takes a look at some of Christie’s inspirations for setting the book in Egypt. “Design on the Nile” is an 11-minute featurette about the creation of the costumes and sets for the film, highlighted by a tour of the river yacht at the center of the story. The five-and-a-half-minute “Branagh/Poirot” focuses on Branagh’s talents as a director while also starring in the film.
Rounding out the extras are eight deleted scenes that are pretty interesting and run about 10 minutes in total.