4K ULTRA HD BLU-RAY REVIEW:
Street Date 2/1/22;
Box Office $128.06 million;
$30.99 DVD, $38.99 Blu-ray, $45.99 UHD;
Rated ‘PG-13’ for supernatural action and some suggestive references.
Stars Carrie Coon, Paul Rudd, Finn Wolfhard, Mckenna Grace, Logan Kim, Celeste O’Connor, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, Sigourney Weaver, Bob Gunton, J.K. Simmons, Bokeem Woodbine.
Somewhere out there, lost to the annals of time and space, is the ideal third “Ghostbusters” movie. While Ghostbusters: Afterlife might not achieve that lofty goal, the circumstances that led to its creation make it a valiant effort.
Following the 1984 original film and its 1989 sequel, plans for a third film eventually stalled out when the creative team couldn’t agree to a satisfactory story to tell. The 2014 death of Harold Ramis, who was one of the creative forces behind the franchise in addition to playing a key character, seemed to signal the end of attempts to continue the original storyline. The consolation prize for fans was the 2009 Ghostbusters video game, which franchise co-creator and co-star Dan Aykroyd referred to as essentially being a third movie.
In 2016 a third movie did come along, with director Paul Feig’s reboot of the original that severed ties with the continuity of the first two films, presenting a cast of talented female comedians whose characters invented the concept of and equipment for ghostbusting on their own, only to come across a villain who used similar equipment to summon ghosts. The remake, eventually dubbed Ghostbusters: Answer the Call, was largely rejected by franchise fans because it wasn’t rooted in a continuation of the lore, instead sticking original cast members into mostly awkward and bizarre cameos.
Then, director Jason Reitman, son of Ivan Reitman, who directed the 1980s movies, had a vision of a girl discovering ghostbusting equipment, leading her to discover her family’s legacy. This idea eventually germinated into Ghostbusters: Afterlife, a true continuation of the storyline from the original films.
The girl is Phoebe (Mckenna Grace), who along with her brother, Trevor (Finn Wolfhard), move to Oklahoma after their mother, Callie (Carrie Coon), inherits a derelict farm from her father, Phoebe and Trevor’s grandfather. While Callie tries to make sense of her father’s finances, Phoebe and Trevor discover their grandfather was one of the original Ghostbusters, who had settled in Oklahoma to combat supernatural forces that threatened to bring an end to the world. Along with some new friends and a teacher played by Paul Rudd, they take up his mission to avert the return of the evil forces.
Afterlife is far from a perfect movie and is at times almost too reverential to the 1980s films, with a third act that is essentially a re-creation of the end of the first film, relying more on nostalgia than originality. But it respects the lore, and that’s probably enough to earn the appreciation of longtime fans.
The “new generation” plot gives the younger characters an entry point into the mythology by making it a mystery for them to solve, which is a clever way to reintroduce the concept while also providing a touching way to address the absence of Ramis (though how it’s addressed in the film does raise a lot of questions that are left unanswered). However, longtime fans will see what’s coming from a mile away, as the retread elements of Afterlife really start to wear thin by the end.
In a way, this actually makes the existence of Answer the Call more infuriating, since its story arc of ghostbusting-like equipment being used to call forth the forces of darkness rather than stop them would have been a nice fit for a next-generation Ghostbusters movie and better served Afterlife. (In Answer the Call, the equipment isn’t ghostbusters gear per se, but similar hardware developed by a bad guy — the concept could have been adapted for a story about modifying ghostbuster tech).
So, what we are left with is a movie that is a bit of a double-edged sword. Up until some fan service in the third act, Afterlife works well as a standalone movie about a struggling family uncovering a lost legacy and learning who they are, playing more along Jason Reitman’s sensibilities as an indie filmmaker. But as a “Ghostbusters” movie, it’s more like a tribute band paying homage to the original, which might make it less appealing to viewers who don’t have the nostalgia for the 1980s films.
The Afterlife Blu-ray includes some thorough behind-the-scenes materials and a few featurettes aimed at the fandom.
The central making-of video is the 10-minute “Summoning the Spirit,” which starts with Jason Reitman’s concept for creating the film as previously mentioned, and picks up from there. Supplementary to this are a six-and-a-half-minute featurette about the visual effects.
For the fans, the eight-minute “We Got One!” looks at the many references to the earlier films layered into Afterlife. There’s also a six-minute guide to ghostbusting equipment, and a five-minute look at the return of the Ghostbusters’ car, the Ecto-1. The 10-minute “A Look Back” featurette offers a reminiscence with the surviving original cast members, while the four-minute “A Look Ahead” teases what might be yet to come.
Also included is a single deleted scene, running a minute-and-a-half, that offers a fun extension of a scene between Callie, Phoebe and one of the original cast members.