Stars and filmmakers from Steven Spielberg and J.J. Abrams to Steve Carell, Jennifer Aniston, Reese Witherspoon and Oprah turned out March 25 to help Apple launch it’s new streaming service Apple TV+.
Street Date 3/26/19;
Box Office $334.52 million;
$28.98 DVD, $35.99 Blu-ray, $44.95 UHD BD;
Rated ‘PG-13’ for sequences of sci-fi violence and action, and for language.
Stars Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Ludi Lin, Nicole Kidman, Temuera Morrison.
It’s a bit amazing to think that the Justice League member so often derided as “the one who talks to fish and is useless on land” is now the subject of the highest-grossing movie based on a DC Comics character at the worldwide box office.
Already a regular target of parody shows such as “Robot Chicken,” the Aquaman character was famously used as the centerpiece of a storyline on HBO’s “Entourage” involving a blockbuster movie version directed by James Cameron — poking fun at both Cameron’s penchant for water movies and the idea that anyone would ever make an Aquaman movie.
Well, the real film, directed by James Wan, certainly dispels any notion that Aquaman isn’t suited for the big screen. Coincidentally, with this film and Furious 7, Wan became the only director other than Cameron (with Avatar and Titanic) to guide two films from separate franchises into the global box office’s billion-dollar club.
Jason Momoa takes on the title role, his third film appearing as the character, after a cameo in Batman v Superman: Dawn of Justice and an expanded presence in Justice League. His larger-than-life persona and carefree attitude serve the film well by helping the audience accept the bizarreness of the worlds being created without the need to take it too seriously.
Arthur Curry (Momoa) is the product of the unexpected love of a lighthouse keeper (Temuera Morrison) and the Queen of Atlantis (Nicole Kidman) who ends up at his shore when she escapes an arranged marriage. Arthur’s unique heritage gives him superhuman abilities, such as strength, invulnerability, the ability to swim fast and a telepathic bond with sea creatures.
With his reputation as a hero established in Justice League, Arthur is sought out by the princess Mera (Amber Heard) to claim the throne of Atlantis from his half-brother (Patrick Wilson), who wants to destroy the surface world.
To do that, he and Mera must embark on a quest to locate a mythical weapon that will allow him to assert his claim as the rightful king of Atlantis.
The story will draw a lot of comparisons with Black Panther in that both deal with heroes introduced in earlier films, with their own films focused on tying their origins into storylines involving taking control of their hidden kingdoms away from maniacal family members who want to conquer the outside world. Tonally, the film is more like Thor: Ragnarok, which also deals with a battle for the throne of a powerful kingdom. These recent superhero movies have certainly embraced that Shakespearean power dynamics motif lately (which may just speak to how most comic books can be reduced to a few fundamental tropes before all the personality and detail that makes them popular are added).
Between the “Game of Thrones”-esque political intrigue and “Indiana Jones”-style adventure subplot, much of the film’s success owes to its sense of fun and its willingness to depict absolutely anything on screen despite how absurd it is while treating it as epic. Wan fills almost every frame with fantastic imagery awash in vibrant color that really shines through in its high-definition Blu-ray presentation. Many of the scenes look as if Wan pulled them directly from a comic book, and even makes Aquaman’s traditional orange and green costume look cool, which should no doubt please fans of the character.
The Blu-ray includes more than an hour-and-a-half of featurettes detailing all the aspects of the production, from Momoa’s casting, to the stunt work, to the development of the depictions of the undersea kingdoms that comprise the Atlantean realms.
One of the more interesting videos in this regard is the “Kingdoms of the Seven Seas,” a profile of underwater politics hosted by Dolph Lundgren, who plays the ruler of one of them. Between this and his recent turn in a “Rocky” retrospective on the Creed II Blu-ray, Lundgren has been pretty busy on the Warner lot hosting bonus videos.
Another interesting tidbit comes during an analysis of the film’s memorable sequence involving the devolved creatures of the Trench, which plays to Wan’s horror roots. At one point, an excited Wan suggests the Trench should be the basis of its own movie. Unsurprisingly, a Trench spinoff has already been announced.
Finally, the disc includes a three-minute scene from the upcoming Shazam! movie.
Warner Bros. Home Entertainment will release the DC Comics adaptation Aquaman through digital retailers March 5, and on Blu-ray, DVD and 4K Ultra HD Blu-ray March 26.
The sixth installment in the interconnected series of films based on DC Comics, Aquaman picks up with the title character’s adventures after his appearance in 2017’s Justice League. While Arthur Curry (Jason Momoa) is content on using his abilities to help people, he is summoned to Atlantis by Mera (Amber Heard), who urges him to assert his birthright as the true king of the undersea kingdom to prevent his half-brother Orm (Patrick Wilson) from waging a war against the surface world. To do this he must set off on a quest across the realms of the seven seas to recover the ancient artifact that will allow him to unite the oceans and fulfill his destiny as Aquaman.
The cast also includes Willem Dafoe, Dolph Lundgren, Yahya Abdul-Mateen II, Nicole Kidman, Temuera Morrison and Ludi Lin.
Directed by James Wan, the film has earned $325 million at the domestic box office, and $1.1 billion worldwide.
All versions of Aquaman will include a three-minute preview of Shazam, the upcoming live-action adaptation starring Zachary Levi as the DC superhero, due in theaters April 5.
The Blu-ray and DVD editions of Aquaman will also include scene study breakdowns and several featurettes: “Going Deep Into the World of Aquaman,” “Becoming Aquaman,” “James Wan: World Builder,” “Aqua Tech,” “Atlantis Warfare,” “The Dark Depths of Black Manta,” “Heroines of Atlantis,” “Villainous Training,” “Kingdoms of the Seven Seas,” “Creating Undersea Creatures” and “A Match Made in Atlantis.”
The 4K Ultra HD Blu-ray disc of Aquaman will feature Dolby Vision HDR and a Dolby Atmos soundtrack.
Box Office $229.01 million;
$28.98 DVD, $35.99 Blu-ray, $44.95 3D BD, $44.95 UHD BD;
Rated ‘PG-13’ for sequences of sci-fi violence and action.
Stars Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Amy Adams, J.K. Simmons, Amber Heard, Connie Nielsen, Diane Lane, Billy Crudup, Ciaran Hinds.
As a movie, Justice League is a perfectly fine, entertaining superhero adventure, in which Batman (Ben Affleck) and Wonder Woman (Gal Gadot) recruit a handful of superheroes to fight an alien invasion. Except, you just can’t shake the feeling that it could have been so much more.
This was supposed to be the DC Comics version of Marvel Studios’ The Avengers, with the greatest superheroes of all time finally coming together on the big screen. But with Marvel’s cinematic universe having such a head start (Black Panther is the 18th MCU film, while Justice League is just the fifth for DC), the DC films creative team took a few creative shortcuts to try to jump-start its mega franchise, mostly by foregoing introductory films for many of the characters and relying on the audience to have built-in knowledge of and nostalgia for who the characters are supposed to be.
In that regard, Justice League is primarily a sequel to 2016’s Batman v Superman: Dawn of Justice, which introduced Wonder Woman in advance of her own solo film, as well as most of the concepts meant to pay off in Justice League. But when audiences balked at BvS being too long and confusing, the studio allegedly mandated trimming Justice League to a manageable two hours, leaving little room for complex plot dynamics or character development.
So, where the Marvel films have become an intriguing network of interconnected stories and characters that invite and enable audience investment, the DC films have mostly been disposable popcorn entertainment, about as distinct a representation of the characters as any of the direct-to-video animated DC Universe movies, or the multitude of DC-based shows on the CW, which managed to pull off their own mega-crossover shortly after Justice League came out that many fans considered a much better example of how to present a satisfying superhero team-up.
The film itself was vastly overshadowed by rumors of production issues, as director Zack Snyder left the project following a family tragedy, and Avengers director Joss Whedon stepped in to guide re-shoots and post-production. That led to some fans trying to dissect the film to determine who directed what, with most guessing incorrectly. Then, irony of ironies, once the film came out, the fan base that decried Snyder’s vision as having muddled both Man of Steel and BvS suddenly demanded a mythical “Snyder Cut” of Justice League, as if he were suddenly their favorite filmmaker (a dichotomy somewhat echoed by the “Star Wars” fans who hated the unfamiliarity of The Last Jedi after criticizing The Force Awakens for being too familiar).
The Blu-ray offers no hint of whatever behind-the-scenes discord influenced what finally ended up on screen. For what it’s worth, Whedon is never mentioned in the bonus materials, and there’s plenty of footage of Snyder on set and praise from the cast for his direction.
Anyway, the film is fun, flashy and filled with action, though the abundance of CGI makes most of it look like it came from a video game. (I won’t even get into the controversy about Henry Cavill’s moustache grown for Mission: Impossible — Fallout having to be digitally removed because Paramount wouldn’t let him shave it for the JL reshoots.) And there are plenty of moments that comic book fans should enjoy, particularly when it comes to the homages to the classic versions of the characters.
Another highlight is the musical score from Danny Elfman, who mostly abandons the sound from the previous films in favor of something more akin to his traditional filmmusic sensibilities. In this case, that means straight-up re-using his own Batman theme from 1989 and John Williams’ classic Superman theme. Whether it serves the franchise will be open to debate, but it’s certainly helps fuel the nostalgia the film needs for the audience to embrace its version of the characters. (Though for some perspective, there were 21 years between the 1960s Batman show and the 1989 Tim Burton movie where Elfman debuted his theme, and then 25 years between Batman Returns and the theme’s return in Justice League; it’s no surprise some fans might have found it a bit jarring).
On top of all that, Justice League also serves as a decent set-up for the upcoming Aquaman (Jason Momoa) and Flash (Ezra Miller) movies, and with a little tweaking to the DC formula a team-up sequel with the same characters and some new additions wouldn’t be unwelcome.
With rumors the film was heavily edited from its original intentions, there has been a lot of speculation about what deleted scenes were out there. Notably, the Justice League home video versions do not include an extended cut of the film, as happened with previous DC entries BvS and Suicide Squad. Instead, the Blu-ray includes just two short deleted scenes, running a total of two minutes, tying into the “Return of Superman” subplot.
The rest of the extras consist of about an hour of behind-the-scenes material, segmented into shorter featurettes. Most interesting for fans of the lore will be the “Road to Justice” featurette that traces some of the history of the characters.