‘The Suicide Squad’ Available for Premium Digital Ownership Sept. 17, on Disc Oct. 26

Warner Bros. Home Entertainment will make director James Gunn’s The Suicide Squad available for premium digital ownership starting Sept. 17, followed by a Blu-ray Disc, DVD and 4K Ultra HD Blu-ray release Oct. 26.

Written and directed by Gunn, the film is based on the DC Comics series about imprisoned supervillains who are recruited by the U.S. government for covert operations, and have a bomb implanted in their heads that will explode if they don’t comply.

A sequel to 2016’s Suicide Squad and the 10th film in the DC Extended Universe franchise, the film finds government agent Amanda Waller (Viola Davis) sending the team to infiltrate the island nation of Corto Maltese to eliminate a potentially dangerous weapon.

Among the recruits this time around are Harley Quinn (Margot Robbie), the sharpshooter Bloodsport (Idris Elba), the jingoistic Peacemaker (John Cena), team leader Rick Flag (Joel Kinnaman), Polka-Dot Man (David Dastmalchian), Ratcatcher 2 (Daniela Melchior), and King Shark (voiced by Sylvester Stallone).

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The cast also includes Peter Capaldi, Alice Braga, Michael Rooker, Jai Courtney and Pete Davidson.

The Suicide Squad earned $54.7 million during a domestic box office run in which it was simultaneously available for streaming on HBO Max for a month.

The Blu-ray, DVD and 4K editions will include the featurette “The Way of The Gunn.”

The Blu-ray and 4K combo packs will also include a digital copy of the film and additional extras such as a commentary with Gunn; deleted and extended scenes; a gag reel; “War Movie,” “Horror Movie” and “Buddy Cop” retro trailers; “It’s a Suicide Mission,” “My Guns Bigger Than Yours,” “Harley’s Great Escape” and “The Fall of Jotunheim” scene breakdown; and the

“Gotta Love the Squad,” “The Way of the Gunn,” “Starro: It’s a Freakin Kaiju!” and “Bringing King Shark to Life.”

A spinoff series about Cena’s Peacemaker character is set to debut on HBO Max in January.

The Suicide Squad

STREAMING REVIEW:

Warner/HBO Max;
Action;
Rated ‘R’ for strong violence and gore, language throughout, some sexual references, drug use and brief graphic nudity.
Stars Idris Elba, Margot Robbie, John Cena, Daniela Melchior, David Dastmalchian, Joel Kinnaman, Viola Davis, Alice Braga, Peter Capaldi, Taika Waititi, Jai Courtney, Nathan Fillion, Flula Borg, Pete Davidson, Sean Gunn, Michael Rooker, Jennifer Holland, Sylvester Stallone, Dee Bradley Baker.

Writer-director James Gunn’s subversive follow-up to 2016’s Suicide Squad resets the franchise by embracing the absurdity inherent in comic book movies.

Like its predecessor, The Suicide Squad is based on the DC Comics series about a team of supervillains who are blackmailed into conducting black ops for the American government through the threat of an explosive chip in their head. The 2016 edition, while a financial success, was panned by critics and audiences after it was infamously re-edited by a trailer company into essentially a series of vignettes set to popular music, trying to capture some of the magic that made Guardians of the Galaxy work so well.

So, for the sequel, DC just brought in Gunn, writer-director of Marvel’s “Guardians of the Galaxy” movies. The hire came shortly after Gunn was fired by Marvel over some questionable tweets in his past, only to be re-hired for Guardians of the Galaxy Vol. 3, which he’s working on now.

The Suicide Squad is just another example of why he’s such a good fit for these kinds of movies: a keen understanding of the source material, and a willingness to poke fun at it without undermining the credibility of the story. Here, Gunn assembles a team of some of the silliest comic book concepts ever created, gives their characters emotional depth, and makes it all work.

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This is one of the bloodiest comic book movies ever made, but also one of the funniest, with Gunn expertly finding the balance between the two extremes, beginning with an absolutely insane opening sequence that will leave audiences without a clue of what to expect from this movie.

The story involves the team heading to a tropical island to dispose of a top secret project before the new military dictatorship can expose U.S. involvement in its development. Idris Elba grounds the mission as Bloodsport, a weapons expert. He has a bit of a rivalry with the team’s other weapons expert, Peacemaker (John Cena), as they try to outdo each other running up the movie’s body count. With his earnest penchant for killing anything that stands in his way to achieve “peace,” Peacemaker would seem to be Gunn’s metaphor for American foreign policy (though Gunn found the character appealing enough to write an eight-episode TV spinoff about him, set to debut on HBO Max in 2022).

Other standouts on the team include King Shark, literally a walking, talking man-eating shark voiced by Sylvester Stallone; Ratcatcher II (Daniela Melchior), who uses her deceased father’s technology to control the minds of rats; Polka-Dot Man (David Dastmalchian), who was experimented on by his mother with an interdimensional virus that gives him the power to expel dots of deadly energy; and Harley Quinn (Margot Robbie), one of the few holdovers from the first movie, along with team commander Rick Flag (Joel Kinnaman), and Amanda Waller (Viola Davis), the government agent who will detonate their heads if they disobey her.

Like the first movie, the sequel has plenty of songs, but thanks to Gunn, they are well integrated into the structure of the film, rather than seemingly played at random.

The Suicide Squad is fun, vibrant and visually distinctive like a graphic novel come to life, though its hard-‘R’ sensibilities may not appeal to everybody.

The presentation on HBO Max also includes several behind-the-scenes promotional featurettes.

Crunchyroll Reaches 4M Subs, Inks Deal With Elbas for New Series

Anime SVOD distributor Crunchyroll Feb. 2 announced it reached the 4 million subscriber mark in January, just six months after hitting 3 million, and has inked a deal with Idris and Sabrina Elba to develop a dark fantasy animated series.

Idris and Sabrina Elba will serve as executive producers on “Dantai” (working title).

“For more than a decade, through anime and anime-inspired Originals, Crunchyroll has been leading the charge for the popularization of adult dramatic animation and we are fast becoming the epicenter for the next generation of animation fans, as is evidenced by our incredible growth in registered users and subscribers,” Crunchyroll GM Joanne Waage said in a statement. “Gens Y and Z have experienced superhero fatigue and are hungry for the new stories and ideas that our creators tell. This development deal with Sabrina and Idris Elba is another example of how we’re working with best-in-class partners to bring in new audiences and tell fresh and compelling stories through a medium that transcends genres and generations.”

Currently in development, the Afro-futuristic science-fiction series will be set in a city where the rise of biotechnology has created an ever-widening gap between the haves and have-nots. Two rising stars from either side of this divide are pitted against each other in a story that will ultimately explore equality and kinship within a corrupt society.

“We’re thrilled to be collaborating with Idris and Sabrina to develop this anime-inspired sci-fi epic,” Sarah Victor, head of development, Crunchyroll, said in a statement. “It is a privilege to work with such talented, creative partners and we look forward to bringing this exciting project to life.”

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“We’re really excited to be announcing this deal on our first anime,” the Elbas said in a statement. “We’re both fans of the genre and see a huge opportunity to create something unique for a powerhouse like Crunchyroll. The story of ‘Dantai’ is our first collaboration as producers together and is one that is close to our hearts.”

Crunchyroll, a WarnerMedia company, has a library of more than 1,000 titles and 30,000 episodes, available to fans in more than 200 countries and territories. Crunchyroll currently has more than 100 million registered users and more than 50 million followers across social media. Fans have access to licensed anime through Crunchyroll, Anime Digital Network (in partnership with Citel, a subsidiary of Média-Participations), and Anime on Demand video streaming services, translated in multiple languages for viewers worldwide. Viewers can also access simulcasts — series available immediately after Japanese broadcast. Crunchyroll’s services also extend to licensing of theatrical, TV, home video, consumer product and video game rights.

HBO Max Meets Troubled Times With ‘A World of Calm’ Series

WarnerMedia’s SVOD service HBO Max has ordered the 10-episode “A World of Calm,” a TV experience that combines mesmeric imagery with narration by stars — including Mahershala Ali, Idris Elba, Oscar Isaac, Nicole Kidman, Zoë Kravitz, Lucy Liu, Cillian Murphy and Keanu Reeves.

HBO Max’s first project in the health and wellness space, “A World of Calm” is the result of a collaboration between the makers of Calm, the app for sleep, meditation and relaxation, and Nutopia, the team behind Nat Geo’s series “One Strange Rock.”

“A timely antidote for our modern lives, each half-hour episode takes audiences on an immersive visual journey into another world,” according to the press release.

“Building on Calm’s Sleep Stories — bedtime stories for grown-ups with more than 250 million listens — each relaxing tale is designed to transform how you feel,” the release states. “Transporting the viewer into tranquility through scientifically-engineered narratives, enchanting music and astounding footage, to naturally calm your body and soothe the mind, each story is brought to life by a different iconic voice.”

“With the considerable amount of stress and chaos we are all experiencing at this particularly challenging time, we could all use a bit of guided relaxation and ‘A World of Calm’ is here to help,” Jennifer O’Connell, EVP of non-fiction and kids programming for HBO Max, said in a statement. “With soothing imagery and tranquil narration, this is one HBO Max original that we hope becomes part of your daily routine.”

“We are thrilled to work with such amazing partners as HBO Max and Calm for this new cutting edge endeavor,” Nutopia CEO and founder Jane Root said in a statement. “Although this collaboration has been in the works for many months, this series has been entirely created during quarantine using Nutopia’s worldwide network of award-winning cinematographers and filmmakers. We hope this series of serene stories will bring a sense of much needed calm to audiences.”

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“Calm started life as a meditation app but the brand has evolved far beyond that,” Calm co-founder and co-CEO Michael Acton Smith said in a statement. “We are delighted to bring the magic behind our audio Sleep Stories to the screen for the first time.  These experiences are visual Valium and will help people relax and unwind during these stressful times.”

The series is co-produced by Calm and Nutopia with Root, Nicola Moody, Smith and Chris Advansun serving as executive producers, and Sara Brailsford and Fiona Caldwell as co-executive producers.

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AppleTV+ Inks Idris Elba to Production Deal

Apple TV+ continues to up the ante for original programming, reportedly signing British actor Idris Elba to a “first-look” production deal that includes episodic programs and movies.

Apple TV+ launched on Nov. 1, 2019, priced at $4.99 monthly with advertising.

Elba launched Green Door Pictures in 2013, whose TV credits include comedies “In The Long Run,” and short-lived Netflix series ‘Turn Up Charlie,” in addition to feature film Concrete Cowboy.

Apple, which launched with director Steven Spielberg on board to create content, also has deals with Oprah Winfrey, Oscar winner Alfonso Cuarón (Roma) and Julia Louis-Dreyfus, among others.

Cuarón joined Apple through his agent, Theresa Kang-Lowe, the former WME executive who left to start her own talent agency, Blue Marble Pictures, with a mandate on discovering and amplifying “underrepresented voices” in film and on TV.

Elba, who next appears in Warner Bros.’ The Suicide Squad in 2021, remains represented by WME.

‘Cats’ Dancing to Digital March 17, Disc April 7 From Universal

Cats, the film adaptation of the hit Broadway show, will come out on digital March 17 and Blu-ray and DVD April 7 from Universal Pictures Home Entertainment.

Director Tom Hooper reimagines Andrew Lloyd Webber’s musical in the film starring James Corden, Judi Dench, Jason Derulo, Idris Elba, Jennifer Hudson, Ian McKellen, Taylor Swift, Rebel Wilson and introducing Royal Ballet principal Francesca Hayward. The film also includes a cast of dancers showcasing styles from classical ballet to contemporary, hip-hop to jazz, street dance to tap.

The story follows a tribe of cats called the Jellicles that must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle Life.

The film made $71.9 million at the global box office.

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Special features include:

  • “Making Music,” in which the stars of Catswill talk about Andrew Lloyd Webber, who conceived the musical almost 40 years ago, and how his music has stood the test of time;
  • “Singing Live,” in which talent and filmmakers explore what it was like to sing, dance, and act for live performance in front of the camera;
  • “Cat School,” a step behind the scenes to watch as the cast speak about their experiences learning how to move and embody their roles as felines;
  • “Making Macavity,”  in which viewers navigate through an immersive 360º video as the conniving cat duo, Idris Elba and Taylor Swift, master the iconic “Macavity” musical number;
  • “9 Lives: The Cast of Cats,” following the cast on set among the worlds that the filmmakers brought to life at Leavesden Studios;
  • “The Dancers,” a featurette about the dancers in the filmwith host “Frankie” Hayward of the London Royal Ballet;
  • “The Art of Dance,” about choreographer Andy Blankenbuehler work on the film;
  • “Scaling Up,” about how the film is scaled 2.5 times to that of the human perspective;
  • “A Director’s Journey,” with cast and crew talking about Hooper; and
  • “A Little Magic.”

 

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Season 2 of ‘Killing Eve’ on Disc June 18

BBC Studios will release Killing Eve: Season Two on Blu-ray and DVD June 18.

Picking up where the first season left off, MI6 operative Eve (Golden Globe winner Sandra Oh) renews her search for the psychopathic assassin Villanelle (Jodie Comer).

Extras include featurettes about the characters of Eve, Villanelle and Carolyn; the “Killing Eve” costume designer; filming on location; bringing the script to the screen; and new characters.

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BBC Studios will also release Luther: Season 5, starring Idris Elba, on DVD July 9, and a Luther: The Complete Series on DVD July 16.

Molly’s Game

BLU-RAY REVIEW:

Street 4/10/18;
Universal;
Drama;
Box Office $28.78 million;
$29.98 DVD, $34.98 Blu-ray;
Rated ‘R’ for language, drug content and some violence.
Stars Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera, Jeremy Strong, Chris O’Dowd, Bill Camp.

With its exploration of the tawdry world of underground gambling, not to mention a tour of the criminal justice system after its protagonist gets caught, Molly’s Game seems like the perfect subject matter for the Aaron Sorkin treatment.

The film is based on the same-titled memoir by Molly Bloom, a former competitive skier who ended up running a series of illegal, high-stakes poker rooms in Los Angeles and New York.

In making his directorial debut as well as writing the screenplay, Sorkin must have had a field day with the material, as the story allows him to indulge himself with the kind of expositional flourishes that often populate his trademark witty banter, as he gets to have the characters explain to each other (and the audience) all the intricacies of poker, gambling, shady business dealings and legal minutiae.

The film is structured a bit like The Social Network, in that the main story is told through a series of flashbacks in discussions with lawyers in preparation for court. Chastain shines as Bloom, front and center and in command of the proceedings as she refuses to be bullied or outmaneuvered, even in the face of pure physical brutality.

Molly’s Game clocks in at 141 minutes, but despite its wordiness it doesn’t feel like a chore to sit through thanks to a brisk pace and good performances from the rest of the likeable cast as well, particularly Idris Elba as Bloom’s attorney, and Kevin Costner as her father.

Unfortunately, the disc is rather barren of bonus material, featuring just a single three-minute behind-the-scenes featurette that appears to have been culled from the promotional campaign.

Thor: Ragnarok

BLU-RAY REVIEW: 

Street 3/6/18;
Disney/Marvel;
Action;
Box Office $314.97 million;
$29.99 DVD, $39.99 Blu-ray, $39.99 UHD BD;
Rated ‘PG-13’ for intense sequences of sci-fi violence and action, and brief suggestive material.
Stars Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins, Benedict Cumberbatch.

As with any movie franchise, the Marvel Cinematic Universe has become adept and finding formulas that work and sticking to them.

As a case in point, the first two standalone “Thor” movies are generally regarded as among the weaker of the Marvel films. It’s not that they’re bad per se, it’s just that they really didn’t establish themselves much beyond a general space-fantasy epic that connected to elements of the larger Marvel films. As a character, Thor worked better in the “Avengers” films, when he had other heroes to play off of and the films could take advantage of his other-worldly nature for moments of levity and comic relief.

Over the course of 10 years, the MCU as a whole has tended to take itself less seriously, embracing the sense of fun that a comic book movie franchise should have without sacrificing the emotional connection the audience needs to have with its characters.

One of the major contributors to this change in attitude since the second “Thor” movie landed in 2013 was the arrival of two “Guardians of the Galaxy” movies, which are not only the most comedy-driven of the Marvel films, but they also tread in the cosmic setting that should have been Thor’s bread and butter. Ant-Man and Spider-Man: Homecoming further demonstrated that the MCU could embrace a lighter tone while still remaining true to the source material and the overarching storylines being established for the crossover films.

So, it should really come as no surprise to see Thor: Ragnarok really deconstruct the elements of the MCU’s success, what has worked for Thor in the past, and let director Taika Waititi throw them into a blender to whip up his own unique cocktail for a hilarious big screen comic book thrill ride.

The secret ingredient, as far as Waititi is concerned, it seems, is a healthy pinch of 1970s and 1980s nostalgia, as Thor is essentially re-imagined as a Saturday morning cartoon hero akin to “He-Man” accompanied by a rockin’ techno-synth soundtrack, (from Mark Mothersbaugh, whose name popping up in the credits as the composer certainly elicits a “yeah, that makes sense” reaction).

Waititi does a masterful job of re-focusing the efforts of the “Thor” films while both wrapping up previous storylines (without much fuss) and positioning the characters for the next big crossover, Avengers: Infinity War, which arrives April 27.

Thor himself is now much more irreverent, with the script playing to Chris Hemsworth’s natural comedic talents. As for finding others for Thor to play with, this film offers a brief encounter with Benedict Cumberbatch’s Doctor Strange, but really hits a home run by pairing Thor with Hulk, taking advantage of a long-running rivalry between the two characters. A battle between Thor and Hulk in the gladiator pit of an alien world (inspired by the popular “Planet Hulk” comic book storyline) perfectly positions this film as a counterpoint to Captain America: Civil War, in which neither character appeared (as they were off conducting adventures in space, it would appear).

Thor’s only fighting Hulk, though, in order to escape from confinement and recruit a team to take back Asgard from his sister, Hela, the goddess of death. Hela (Cate Blanchett in a juicy performance that borders between menacing and sexy) had been imprisoned by Odin (Anthony Hopkins) for being too cruel, but manages to escape to claim her father’s throne.

The setting of the gladiator planet lets the filmmakers indulge themselves in the colorful renderings of legendary comic book artist Jack Kirby’s designs, and also provide an excuse to just insert Jeff Goldblum into the film (as the Grandmaster of the games) and allow him to just be his zany self, much to the delight of the audience.

The film is a visual spectacle, reminiscent of cult favorites such as Flash Gordon or Heavy Metal, and would be a spectacular showcase for home theater 3D effects were the format not being phased out (at least in the United States. All-region 3D Blu-rays are available from overseas markets such as Europe and Australia).

The home video offers extensive bonus materials, with some exclusive to the digital versions.

The highlight of the presentation on all platforms is probably the six-minute “Team Darryl” short film, the third installment in a spoof series about Thor’s roommate on Earth. This time, with Thor off the planet, Darryl’s new roommate is the Grandmaster, and any excuse for more Goldblum in any setting is a good one.

Also included are about 40 minutes of behind the scenes featurettes, with a three-minute video about the Thor-Hulk relationship presented as a digital exclusive. Other featurettes profile the new female characters, and look at many of the new elements this film brings to the franchise. There’s also a five-minute appreciation of the 10th anniversary of the MCU.

Offering digital exclusives is fine in this case, since the disc comes with access to the digital copies, but the extras are structured differently depending on where you try to watch them, particularly where the deleted scenes are concerned.

On disc, the deleted scenes are pretty straightforward, offered one at a time. Many of them are extended sequences from an earlier conception of the film before story elements were streamlined. So the glimpse of that alternate version is fascinating on its own. The deleted scenes run about 15 minutes, compared with less than six minutes on the disc.

Note that Vudu presents the deleted scenes as a single featurette with them strung together, ending with the fun Easter Egg reference to another Marvel movie that has created some online buzz.

Lastly, there’s an introduction and solo commentary by Waititi, in which he offers a few insights about the making of the film, but mostly maintains the jokey nature he often displays in public. He describes many scenes with tongue-in-cheek hyperbole, hypes up his own skills as both a director and actor, and spends considerable time allowing his young daughter onto the microphone and reacting to her rather than what’s on the screen. No doubt fans of Waititi’s brand of performance art will eat this up, but for general MCU fans, it seems like a missed opportunity to offer a good, in depth discussion about the film.