Warner Bros. Home Entertainment will release the HBO original movie Bad Education on DVD Sept. 8. A Blu-ray will be available through the Warner Archive Collection. The movie is already available for digital sellthrough.
The darkly comical film is inspired by the true story of a multi-million dollar embezzlement scheme that rocked the public education system in Roslyn, New York. Hugh Jackman stars as superintendent Frank Tassone and Allison Janney plays assistant superintendent Pam Gluckin, who reign over a popular Long Island school district on the verge of the nation’s top spot, spurring record college admissions and soaring property values. Between them, they racked up over $11.2 million dollars in extravagant personal expenses.
The cast also includes Geraldine Viswanathan, Alex Wolff, Rafael Casal, Annaleigh Ashford and Ray Romano.
Extras include the featurettes “Based on a True Story,” a detailed breakdown of the true story that inspired Bad Education; “The Perception of Perfection,” in which Jackman discusses playing the superintendent; “Hugh Jackman & Allison Janney: Virtual Conversation,” in which the stars discuss their performances and provide insight into the real-life characters they portrayed.
Missing Link, the newest stop-motion animated feature from Laika, arrives on digital July 9 and Blu-ray and DVD July 23 from Twentieth Century Fox Home Entertainment.
Hugh Jackman, Zoe Saldana and Zach Galifianakis lead the voice cast in the adventure from the makers of Coraline and Kubo and the Two Strings. Jackman is Sir Lionel Frost, a brave and dashing adventurer who considers himself to be the world’s foremost investigator of myths and monsters. The trouble is no one else seems to agree. Galifianakis is Mr. Link. As species go, he’s as endangered as they get; he’s possibly the last of his kind, he’s lonely, and he believes that Sir Lionel is the one man alive who can help him. Along with the independent and resourceful Adelina Fortnight (Saldana), who possesses the only known map to the group’s secret destination, the unlikely trio embarks on a journey to seek out Link’s distant relatives in the fabled valley of Shangri-La.
Disc extras include commentary by director Chris Butler; “Creating Mr. Link”; “Bringing the Final Battle on the Ice Bridge to Life”; animation inspiration w/optional commentary by Butler; a VFX breakdown reel; “Oh What a Mystery: Pulling the Camera Back on Missing Link’s Magic”; “Making Faces”; “Inside the Magic of Laika”; and a photo gallery.
Street Date 2/12/19; Sony Pictures; Drama; Box Office $2 million; $30.99 DVD, $34.99 Blu-ray; Rated ‘R’ for language including some sexual references. Stars Hugh Jackman, Vera Farmiga, J.K. Simmons, Alfred Molina, Sara Paxton, Mamoudou Athie, Spencer Garrett, Ari Graynor, Kaitlyn Dever, Steve Zissis, Bill Burr, Mike Judge, Kevin Pollak, Tommy Dewey, Molly Ephraim, Josh Brener.
The bright future of a rising political star runs smack into the maxim that “a lot can happen in three weeks” in director Jason Reitman’s exploration of the relationship between politics and media.
The Front Runner isn’t much of a political movie, in that it doesn’t overtly deviate into policy debates. Nor does it lay out any easy answers or preach to the audience what to think.
The docudrama relates the brief campaign of former Colorado senator Gary Hart (Hugh Jackman) for the presidential election of 1988, when he was considered the most likely nominee upon entering the race in April 1987.
Hart had come close to becoming the Democrats’ presidential nominee in 1984 and was considered a favorite for securing the spot for 1988. However, dogged by rumors of womanizing, Hart challenged a Washington Post reporter to follow him around, claiming anyone who did so would be “very bored.” Subsequently, a team from the Miami Herald decided to do just that after receiving an anonymous tip that Hart was having an affair was planning to host the girl in Washington, D.C.
When the Herald reported that Hart had been seen at his home with a potential campaign worker named Donna Rice (Sara Paxton), the story exploded, though Hart denied having any inappropriate relationship.
Hart bristled at the notion that the public and the media should have any interest in a politician’s private life, but the exposure took a toll on his family, and within a week his political career was over (save for a brief return to the presidential race in December 1987, which the movie doesn’t get into, and some appointments during the Obama administration).
Reitman, who co-wrote the screenplay with journalist Matt Bai and political operative Jay Carson, describes the event as a defining moment of tabloid journalism swerving into politics, fueled by the expansion of telecommunications technology and the rise of the 24-hour news cycle.
In the past, members of the media had made an almost tacit agreement to ignore the infidelities of the politicians they covered. But at some point, notions of character and morality began to intertwine with notions of policy and perceptions of leadership, shining an ever-wider spotlight on the personal lives of those seeking the public trust.
As relayed in the bonus materials, in Reitman’s eyes, the Hart incident serves to presage a modern media environment in which every scrap of social media will be scoured, every statement dredged up and over-analyzed, and every stone unturned in an effort to extract a partisan toll.
In terms of framing the story, then, Reitman asks two competing questions: “what is important?” versus “what is entertaining?” Accordingly, he constructs almost every scene to give the audience more than one thing to focus on, putting it on the viewer to decide what is more important to the story, and how it reflects the overall message of the film.
But in leaving so much for the audience to decide, The Front Runner ends up as more of a conversation starter than a definitive statement on the issue.
Fortunately, the regular trappings of cinema on hand make for an otherwise entertaining movie. The performances are spot on, and Reitman does a nice job handling an all-star cast whose orbs of influence only occasionally intersect.
Likewise, Reitman deftly captures the feel of the 1980s with some subtle camerawork that reinforces the costumes and set design in evoking the mood of the period. In particular, Reitman notes, is his insistence on letting the rawness of the film as a medium speak for itself, and not to clean up the image using modern computer editing.
The Blu-ray includes an audio commentary with Reitman, producer Helen Estabrook, production designer Steve Saklad, costume designer Danny Glocker and cinematographer Eric Steelberg, in which they delve into all the techniques and artistic touches they layered into the film.
There’s also a 15-minute featurette called “The Unmaking of a Candidate” that touches on the making of the film and the themes it’s exploring.
There are also three deleted scenes, including a slightly alternate opening sequence, that run about four-and-a-half minutes.
The Greatest Showman will arrive on digital and Movies Anywhere March 20 and VOD, DVD, Blu-ray Disc and 4K Ultra HD Disc April 10 from Twentieth Century Fox Home Entertainment.
The musical, starring Hugh Jackman, Michelle Williams, Zack Efron, Rebecca Ferguson and Zendaya, has earned more than $160 million at the box office.
The film picked up an Oscar nod for Best Original Song for “This is Me.” The song won a Golden Globe for Best Original Song, and Hugh Jackman was nominated for a Golden Globe for Best Actor for his performance.
Extras include two hours of behind-the-scenes footage, as well as sing-along and music machine “jukebox” features.