MoviePass Subscription Theatrical Ticket Service Claims to Be Relaunching Aug. 25

MoviePass, the shuttered online subscription theatrical ticket service, is planning to re-emerge Aug. 25 from the ashes of failed entertainment disruptors — for a limited time.

On the service’s beta website, interested parties are greeted with a a countdown clock and a cautionary message that the MoviePass Beta App will be accessible by invite only. When the timer reaches zero the waitlist will be open for five days. All who join the waitlist will receive priority access to the service and 10 friend invites.

Once the waitlist is closed the only way to join service apparently will be through an invite from a friend.

Stacy Spikes, who was an original co-founder of MoviePass before selling the company to defunct Wall Street firm Helios and Matheson Analytics in 2017, repurchased the assets out of bankruptcy with plans to relaunch the service.

At its peak, MoviePass had more than 3 million subscribers paying $9.99 monthly for unlimited access to a select number theatrical releases every 30 days. The populous concept quickly became financially unsustainable as MoviePass had to pay theatrical operators for each ticket subscribers used.

Helios and Matheson Analytics filed Chapter 7 bankruptcy on Jan. 28, 2020.

The concept did spawn AMC Theatres Stubs A-List, a $19.95 monthly service that allows AMC Stubs loyalty members to see up to three movies per week.

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MoviePass Parent CEO Says Fraud Undermined $9.95 Monthly Service

With MoviePass re-introducing its loss-leader $9.95 monthly service affording subscribers daily access to any non-3D/Imax theatrical screening, Ted Farnsworth, CEO of parent Helios and Matheson Analytics, says the service reboot won’t self-destruct like the last one.

In an interview with The New York Post, Farnsworth says the initial $9.95 unlimited plan launched in the summer of 2017 paying exhibitors face value for every ticket consumed by subscribers didn’t fail due to a flawed business model, instead fraudulent use of the plan contributed to the service hemorrhaging hundreds of millions of dollars.

Ted Farnsworth

According to Farnsworth, 20% of Movie Pass subscribers abused the service by acquiring tickets for friends and family not enrolled, binge-watching select movies and/or buying tickets just to go to the bathroom.

He said the abuse, which according to MoviePass resulted in the loss of “tens of millions” of dollars, won’t happen again due to new fraud-detection software installed in the system.

“It definitely would have been a different story if we knew last summer what we know now,” Farnsworth told The Post. “We never had anything in place so that we could test those systems. Right now, we know so much more, we’re so much smarter.”

Indeed, without exhibitors discounting ticket prices or engaging in revenue-sharing deals to reduce costs, MoviePass resorted to blacking out access to select titles in high-traffic theaters in New York and Los Angeles, among other cities.

That led to mass cancelations among the service’s 3 million subscribers.

MoviePass 2.0 now can check legitimate use by monitoring the sub’s location through the service’s app on a user’s smartphone. If the user watching a movie isn’t connected to the service through their phone, MoviePass will know about it.

“Now, if somebody goes to 15 or 20 movies [in a month], they’ll be flagged and then we monitor them to make sure that they are watching the movie,” Farnsworth said. “And if they are, that’s fine.”

While that type of legitimate subscriber nonetheless contributed to HMNY shares being delisted as investors fled the company, Farnsworth said the typical MoviePass sub watched 1.7 movies monthly, which included the fraud data.

“Even if you [limit ticket access] or took a movie out of opening weekend, the same [number] of people went to that movie,” he said. “You either see it today or you see it next week.”

MoviePass claims it has seen an 800% spike in new subscribers since bringing back the $9.95 plan on March 20.

“We wouldn’t have gone back to what we had originally if we weren’t prepared for it,” Farnsworth said. “We would have sat there with our cap plan, kept doing our thing, kept going along.”

HMNY shares closed March 22 up more than 6% to 1.2 cents per share – 98.8% below Nasdaq’s $1-per-share minimum.



MoviePass Films Partners with Neon for Indie Releases

MoviePass Films, the production company co-owned by MoviePass parent Helios and Matheson Analytics (HMNY), has partnered with independent distributor Neon for upcoming releases of Sundance award-winner Monsters and Men and Cannes award-winner Border, both of which are anticipated to open in the U.S. in the next few weeks.

Neon, which distributed Oscar-nominated I, Tonya, Three Identical Strangers and Ingrid Goes West, shares equity ownership in Monsters and Border.

HMNY launched MoviePass Films as an ancillary revenue stream – streaming, DVD sales, transactional sales, international rights, retail – from its branded theatrical subscription ticket service.

“The films are high-caliber, prestige titles and are great fits for the MoviePass audience,” MoviePass Films CEO Randall Emmett, said in a statement.

The partnership kicks off with the New York City premiere of Monsters and Men on Sept. 25, ahead of the drama’s New York and Los Angeles opening on Sept. 27. The film will be available in theaters nationwide in mid-October.

Border, which was selected as Sweden’s entry for best foreign-language film at the Academy Awards, took home the top prize in the Cannes Film Festival’s Un Certain Regard category earlier this year.

Fiscally-challenged MoviePass will make the films available to subscribers as bonus movies, which will not count toward monthly in-theater movie allotments. Select subs will also have a chance to attend the film’s red-carpet premieres and receive other special perks throughout the duration of the partnership.

“It’s great to see the different Helios media companies coming together and working towards generating more business for each other,” said Helios CEO Ted Farnsworth.

Farnsworth could use all the synergies he can find. HMNY shares are currently trading at 1.6 cents, with the stock in threat of being delisted by Nasdaq. HMNY has a market cap around $10.5 million.

MoviePass Films’ partnership with Neon follows just-wrapped production on 10 Minutes Gone, starring Bruce Willis. Previously, MoviePass Films produced Gotti, The Row, co-acquired American Animals through MoviePass Ventures, and claims to have a slate of 10 films being prepared for production.



MoviePass Annual Subs Now Limited to Three Movies Monthly

With its stock hovering around two cents per share, Helios and Matheson Analytics — corporate parent of MoviePass — is now restricting annual subscribers to three theatrical screenings per month — down from a daily screening.

In an email to the service’s $89.95 annual subscribers, the company said the switch would help maintain lower overhead costs, while affording subs with greater access to content.

“After experimenting with different models and options, we believe that our current monthly plan captures the need of our community — keeping prices low while continually striving to offer a wider selection of films,” said MoviePass.

In effect, MoviePass is now subjecting annual subscribers to the same three-title screening restrictions it imposed upon month-to-month subs earlier this year. Subs are also restricted to select titles and screening titles.

The company is allowing annual subs to cancel their membership for a prorated refund if they choose.

Departing annual subs is the least of MoviePass’ issues, which have dogged the once-promising service after Wall Street grew leery of a business model that enables subs to essentially watch a theatrical screening daily for free.

After cutting the monthly subscription price to $9.95 a year ago, MoviePass took off among consumers, attracting three million subs. At the same time, the service was unable to leverage its sub base with exhibitors in exchange for lower ticket prices.

With MoviePass paying exhibitors face value for every ticket consumed by subscribers, fiscal losses have mushroomed – more than $200 million through June 30.

Despite a 1-for 250 shares reverse stock split and the company buying/selling hundreds of millions of shares to boost the stock price, HMNY’s stock continues to plummet – leaving initial investors with virtually nothing except a desire for revenge.

Numerous shareholder lawsuits have been filed against HMNY, and founder/CEO Ted Farnsworth, among others.

Shareholder Lawsuits Filed Against MoviePass Owner

As expected, two shareholder class action lawsuits have been filed against Helios and Matheson Analytics, parent of ticket subscription service MoviePass, alleging officers in the company engaged in a “scheme to deceive the market and a course of conduct that artificially inflated the company’s stock price, and operated as a fraud or deceit on acquirers of the company’s common stock.”

HMNY is 92% owner of MoviePass which enables subscribers daily (now three times monthly) access to a theatrical screening for $9.95 monthly fee.

The cases include Chang v. Helios and Matheson Analytics Inc., 18-cv-06965, and Braxton v. Benson, 18-cv-07242 – both filed this month in U.S. District Court, Southern District of New York.

Defendants named include Ted Farnsworth, CEO of HMNY, and Stuart Benson, CFO.

In recent weeks as shareholders have jettisoned HMNY stock – now worth pennies despite a 1-for-250 shares reverse stock split – as financial disclosures reveal an untenable business model that borders on a pyramid scheme.

HMNY this week said its ability to continue as a “going concern” remains in doubt without additional funding.

During the same time law firms specializing in securities litigation have flooded the market soliciting potential plaintiffs against HMNY.

Plaintiff Jeffrey Chang claims the Farnsworth and Benson (Mitch Lowe, CEO of MoviePass, was not named in the suit) as officers of a publicly traded company had a responsibility to “disseminate prompt, accurate and truthful information” regarding the HMNY fiscal condition.

Instead, the complaint alleges Farnsworth, Benson (and Lowe) misrepresentations and omissions during the class period violated these specific requirements and obligations.

Specifically, the complaint alleges the executives are liable for making knowingly false statements through so-called “group-published” information. To buttress its case, the filing included every HMNY/MoviePass press release since it acquired majority control of the ticket service on Aug. 15, 2017.

Chang seeks a jury trial and unspecified compensatory damages and legal costs.

A HMNY representative was not immediately available for comment.

MoviePass to Limit Subs to 3 Movies Monthly, Abandons Price Hike

Financially strapped MoviePass plans to limit subscribers to three theatrical screenings per month as it desperately tries to cut overhead costs and avoid insolvency. The service is also canceling a planned price hike.

The change comes just days after the service, which has more than 3 million subscribers, said it would increase the monthly subscription fee 50% to $14.95 (from $9.95) and restrict daily access to movies (i.e. blockbusters) released on more than 1,000 screens until two weeks after their debut.

“We have heard our MoviePass community and we will not be raising prices to $14.95 a month,” the service said in a statement. “The new plan is focused on usage by the bulk of our subscribers who have historically used MoviePass to attend three movies or fewer a month. Additionally, the new plan addresses past misuses which imposed undue costs on the system, including ticket scalping, unauthorized card usage and other activities, which in the past necessitated the use of certain remedial measures that have sometimes been inconvenient for our subscribers.”

In an interview with The Wall Street Journal, MoviePass CEO Mitch Lowe said the latest change would take effect Aug. 15 and help slash the company’s monthly cash burn by 60%. Through June, the service was spending $45 million more per month than it was generating.

“[Subscribers] will not be affected at all by this program, and even better, they’ll stop hearing MoviePass is going out of business,” said Lowe.

Indeed, with corporate parent Helios and Matheson Analytics’ stock hovering around 7 cents per share — after a 205-to-1 consolidation of shares — the company is in dire straits on Wall Street. Most analysts have written off a company that was heralded as industry disruptor/innovator just last September. Company officials predicted 5 million subs by the end of the year.

HMNY was forced to take out an emergency loan (since repaid) just to keep the lights running. Lowe admits efforts to stem the fiscal hemorrhaging should have been instigated earlier.

“I should have accelerated the process of reducing the burn faster in hindsight,” Lowe said. “Now I realize no matter how patient investors say they will be, they never are.”

How subscribers react to the new rules remains to be seen. AMC Theatres’ rival $19.95 service, AMC Stubs A-List, has generated nearly 200,000 subs since launching a month ago. It offers members access to three movies per week on any AMC screen, including Imax and Real3D.

MoviePass Parent Lobs More Fiscal Hail Marys

NEWS ANALYSIS — With its shares worth pennies, Helios and Matheson Analytics, corporate parent of ticket subscription service MoviePass, has launched a salvo of fiscal Hail Marys.

The company July 2 announced a “mixed shelf” securities filing with the Securities and Exchange Commission, which would allow it to sell $1.2 billion worth of securities over the next three years in various amounts and pricing.

The move follows a June 28 filing in which HMNY quietly agreed to exchange 22.6 million actual shares of HMNY with holders of more than 26 million warrants (to buy stock).

The latter sent the stock up nearly 35% to an (still) anemic 31 cents per share, a momentary swing that dropped to 27 cents in pre-market activity the morning of July 2.

Regardless, the action was a win for the holders of HMNY warrants, which were reportedly actionable only when the stock price topped $5.50 per share.

HMNY, which owns 92% of MoviePass, is attempting to right a loss-leader business model that enables MoviePass subscribers access to one theatrical screening daily for a $9.95 monthly fee.

While a boon to consumers, MoviePass (with more than 3 million subs) is a fiscal nightmare to HMNY’s liquidity: reportedly costing $40 million alone in May ticket purchases by subscribers.

The service from Jan. 1, 2017, through Dec. 10, 2017, lost more than $31 million, spending $46 million on tickets while generating less than $15 million in subscription revenue.

Simply put: MoviePass is hemorrhaging millions of dollars more than it takes in.

Not a position it wants to be in during a burgeoning domestic box office that saw revenue surpass a record $3 billion in the second quarter, according to AMC Theatres, which launched its own ticket subscription service in June.

Later this month, HMNY is expected to authorize a reverse stock split aimed at raising the share price well above the Nasdaq-mandated $1-per-share minimum. Indeed, the reverse split — which must be approved by shareholders — is a pre-requisite to the aforementioned securities offerings.

MoviePass Parent Stock Down 13% as AMC Theatres Ticket Subscription Service Launches

Shares of Helios and Matheson Analytics, parent of MoviePass, saw the stock price plummet 13% in early trading as AMC Theatres rolls out its ticket subscription service.

HMNY shares are trading around 25 cents as it struggles to sustain MoviePass’ business model enabling subscribers daily access to a theatrical screening for $9.95 monthly fee.

AMC contends such a program is unrealistic financially. Indeed, MoviePass spent $21 million monthly paying exhibitors such as AMC for tickets consumed by subscribers. That cost went up to $40 million in May – just as the summer movie blockbuster season begins.

AMC CEO Adam Aron, in a statement, said the chain’s AMC Stubs A-List subscription service – affording subs to three AMC movies weekly – is sustainable at $19.95 monthly.

He said there’s been “overwhelmingly positive response” since it began.

HMNY Puts Spin on MoviePass $26 Million Q1 Loss

NEWS ANALYSIS — The corporate parent of fiscally-challenged ticket subscription service, MoviePass, May 16 reported a first-quarter (ended March 31) loss of $26 million, compared with a loss of $6.4 million during the previous-year period.

To Ted Farnsworth, CEO of parent Helios and Matheson Analytics (HMNY), the quarter was huge success.

“We are excited to report our biggest quarter in Helios and Matheson and MoviePass combined history. This growth surpassed our expectations,” he said in a statement.

Indeed, HMNY said MoviePass passed 2.7 million subscribers in the quarter. Unfortunately, those subs — who have access to one theatrical screening per day for a $9.95 monthly fee — negatively impacted the bottom line.

HMNY boasts MoviePass is accepted in 91% of theaters nationwide, and indeed revenue ballooned to $49.4 million from $1.4 million a year ago. But the cost of that revenue skyrocketed to — $136 million. HMNY reported a negative $68.4 million in net cash used in operating expenses.

As has been previously reported, MoviePass continues to burn through millions of dollars more than it takes in. HMNY said it ended the quarter with $42.5 million in cash and cash equivalents.

But back to the spin. Citing third-party research hired by The Hollywood Reporter, HMNY said MoviePass continues to interrupt the theatrical market in positive ways.

It said 41% of respondents decide what theater to attend based on MoviePass, and only 18% would switch to a rival subscription service started by their favorite theater chain.

Not surprisingly, MoviePass subscribers are twice as likely to attend movies on opening weekend; 83% are seeing more movies than before they were subscribers. Respondents are twice as likely to see Oscar-nominated movies such as Lady Bird, The Post, Annihilation and I, Tonya. In addition, 49% are more willing to attend movies alone, and 49% say they are seeing movies that they wouldn’t normally see in theaters.

“Our core strategy has always been to provide a compelling value proposition to consumers that vastly improves their movie-going experience,” HMNY said in the fiscal release.

True, but someone has to pay for that strategy. And right now only MoviePass is holding the bill.

It’s Always Sunny at the Beach for MoviePass Owner

NEWS ANALYSIS – Ted Farnsworth, CEO of MoviePass corporate parent Helios and Matheson Analytics (HMNY), is sounding pretty confident for a guy whose company is trading like a penny stock.

MoviePass, the theatrical ticket subscription service that enables subscribers daily access to a screening for a $9.95 monthly fee, is burning through millions of dollars more than its subs are paying. The company’s auditor warned about its economic future.

But Farnsworth isn’t worried. Like a wannabe “Baghdad Bob,” the executive is holed up at the Cannes Film Festival in sunny South France spinning to anyone who will pay attention.

Apparently, Variety did. Farnsworth told the trade he’s “not worried at all” that investors have sent his stock valuation down nearly 98% in the past six months.

On the contrary, Farnsworth is supremely confident.

“You’re going to see. We’re doing more acquisitions of movies and companies,” he said.

HMNY has now become a buyer and seller of movies, while also dabbling in mergers and acquisitions. In April, it acquired Moviefone, in a deal that largely made Verizon – owner of the ’80s ticketing telecom holdover – a 9% stakeholder in Helios.

Impressive for a company that disclosed last week it had just $15.5 million in available cash operating a business model that was spending $21.7 million every 30 days.

Indeed, Farnsworth – who is on the French Riviera peddling John Travolta-starrer, Gotti, revealed the company has a $300 million line of credit and could sustain itself for another 17 months without additional funding. This mysterious lifeline was never mentioned in the regulatory filing.

In fact, MoviePass Ventures, HMNY’s content acquisition arm, is in Cannes on the prowl. In addition to Gotti, which Lionsgate dropped from its theatrical release slate, Ventures cut its teeth in March acquiring rights to indie crime caper, American Animals, in a partnership with The Orchard.

“We’re going to be selective, but it could be a dozen films a year,” Farnsworth said at the time. “It could be more. When we find a film that we think we could have a big positive type of impact on, we will come up to the table.”

And to Farnsworth, Cannes presents “un grand table” of opportunity.

“It’s going to be substantial,” he said. “People are going to go, ‘Hmm, how did they pull that off.’”

Investors, thus far, seem indifferent. HMNY shares closed May 14 at 68-cents per share.