In the latest indicator that the subscription model has all but conquered the television landscape as far as the prescription for quality programming goes, HBO and a handful of SVOD services won 21 of the 27 categories awarded during the televised Emmys ceremony Sept. 22.
HBO led with nine wins, including Outstanding Drama Series for the final season of “Game of Thrones,” the fourth time the series captured that crown. Peter Dinklage also won his fourth Outstanding Supporting Actor in a Drama Series Emmy.
The pay-TV network, of course, pioneered the model of leveraging prestige programming to garner subscribers, albeit as an add-on to cable packages decades before the internet would allow SVOD services such as Netflix, Hulu and Amazon Prime Video to adopt the practice as well (and for HBO to offer its own SVOD app).
Another big winner for HBO was the miniseries Chernobyl, a harrowing account of the eponymous nuclear disaster of 1986 and the inherent corruption of socialist bureaucracies in both the cause of and response to the crisis. It won for Outstanding Limited Series as well as directing and writing in the limited series/TV movie categories.
Among additional HBO wins, Bill Hader won his second Outstanding Lead Actor in a Comedy Series trophy for “Barry,” “Succession” won for drama series writing, and “ Last Week Tonight With John Oliver” won for Outstanding Variety Talk Series and for variety series writing.
The show with the biggest haul was Amazon Prime Video’s “Fleabag,” with four trophies, including Outstanding Comedy Series. The show, about the adventures of a sexually aggressive woman living in London, was created by and stars Phoebe Waller-Bridge, who won for Outstanding Lead Actress in a Comedy Series and for writing the show. It also won an Emmy for directing.
Prime Video had seven wins for the night, also taking Outstanding Supporting Actor in a Limited Series or Movie for Ben Whishaw in A Very English Scandal, while “The Marvelous Mrs. Maisel” won Outstanding Comedy Series Supporting Actor and Actress for Tony Shalhoub and Alex Borstein, respectively (with Borstein repeating her win from last year).
Netflix won for Outstanding Television Movie for Black Mirror: Bandersnatch, the famed interactive film with the “choose-your-own-adventure” narrative that allowed the viewer to pick which action the main character should take at several points throughout the story. and
Also adding to Netflix’s tally of four were two trophies for “Ozark,” with Julie Garner pulling in a surprising Outstanding Supporting Actress in a Drama Series win, and series star Jason Bateman winning for directing the episode “The Gold Coast.” Netflix’s When They See Us won Outstanding Lead Actor in a Limited Series or Movie for Jharrel Jerome,
Hulu’s lone trophy came for Patricia Arquette winning Outstanding Supporting Actress in a Limited Series or Movie for “The Act.”
Sticking things out in the basic cable camp, FX shows won a pair of Emmys, with Michelle Williams taking Outstanding Lead Actress in a Limited Series or Movie for playing Gwen Verdon in FX’s Fosse/Verdon, and Billy Porter being named Outstanding Lead Actor in a Drama Series for “Pose.” VH1’s “RuPaul’s Drag Race” won Outstanding Competition Program, while Jodie Comer won Outstanding Lead Actress in a Drama Series for the second season of BBC America’s “Killing Eve,”
And still carrying the flag for broadcast television was NBC’s “Saturday Night Live,” which managed wins for Outstanding Variety Sketch Series and variety directing.
As media distribution competition intensifies, existing carriage agreements are changing.
Sony’s online TV service PlayStation Vue warned on its website that it may soon lose WarnerMedia’s HBO, Cinemax and NBA TV, among other programming.
“Most of the programming/content you watch on PlayStation Vue is licensed from programmers for the right to air their networks/channels,” read the site. “Once these agreements near expiration, we enter into renewal discussions where we work hard to try and obtain the best value for our customers.”
While Vue has license agreements with WarnerMedia through the end of the month, the AT&T subsidiary is reportedly looking for increased subscriber commitments from licensees.
Dish Network recently dropped HBO from its satellite and online service Sling TV due to the demands. CEO Charlie Ergen recently argued Dish users could subscribe to HBO Now separately if they wanted the programming he has no interest in subsidizing.
With Vue subscriptions reportedly trailing Sling, AT&T TV, YouTube TV, Sony is trying to streamline programming costs.
“Though infrequent, sometimes certain licenses will not be renewed, in which case PlayStation Vue would no longer carry the affected channels or networks,” read the site. “This section will be updated periodically to list channels and networks coming up for renewal.”
More than a year after Canal+ Group CEO Maxine Saada blamed Netflix and Amazon Prime Video for undermining a branded subscription streaming video service, Canal Play, the pay-TV operator has signed up Netflix.
Canal+ will begin offering subscribers direct access to the SVOD behemoth beginning Oct. 15 with single €35 monthly fee, which includes €20 for pay-TV and €15 for movies and TV shows from Netflix, Amazon Prime Video and HBO.
Canal+ warns that the loss-leading €15 surcharge is to lure subs and won’t last forever, which means a future price hike.
“Netflix is the global reference in the industry with world-acclaimed shows,” Said said in a statement. “This offer complements our all-round offer of first-run movies, major live sports events, world-class series, including our Créations Originales. It also helps us further consolidate our position as a key aggregator of content and services.”
For Netflix, which already has more than 6 million French subs after a sluggish start, the partnership underscores original content possibilities.
“Great stories can come from anywhere and be loved everywhere – and we’re committed to helping more people access a diverse range of content from creators all around the world both on Netflix and through our partnership with Canal+,” said Netflix CEO Reed Hastings.
Sofia Chang and Rich Warren have been named to lead WarnerMedia Sales and International’s distribution business.
Both will take the role of president of WarnerMedia Distribution, and will oversee distribution for all Turner channels, HBO, Cinemax and HBO Max and will report to Gerhard Zeiler, chief revenue officer of WarnerMedia, and president of WarnerMedia International Networks.
Chang held the previous post of EVP of global digital distribution for HBO, and Warren was president, Turner content distribution.
Chang has held several positions in the company since joining HBO in 2000. She has led the transactional digital and physical distribution of HBO and Cinemax programs worldwide and since 2015, she has been responsible for distributing HBO and Cinemax subscription services on all digital platforms.
Warren has been at the company for 19 years and has led Turner’s distribution team, where he was responsible for the company’s multiplatform distribution of linear networks, digital brands and on-demand content, affiliate marketing, business development, strategic planning and business affairs.
“Bringing together the distribution business is a further example of how WarnerMedia will be collaborating and working as one company,” according to a studio press release. “As the company looks to meet the challenges of the industry head on, this new structure does that.”
“We will have two hugely experienced leaders who know our business inside out,” said Zeiler in a statement. “Over the last few months I have worked closely with both; Sofia’s experience and success in driving HBO’s digital subscriptions has been of great value as I have looked to understand the U.S. HBO business in greater depth and detail, and Rich has brought his strategic skills to the table as we have sought this way forward. Working together both will provide the strategy and direction needed to enable future growth.”
Sky Vision, the U.K. satellite distributor’s production and distribution unit, is now operating under the NBC Universal corporate umbrella.
The move was disclosed by Sky Vision in a social media post: “On October 1, Sky Vision Content Sales transitions to NBCUniversal Distribution. Join us each weekday during September to celebrate The Best of Sky Vision.”
Netflix more than 10 years ago created algorithm-based content recommendation software. Many streaming services tout curated content selection in an attempt to differentiate from the competition.
HBO is taking a different approach: It’s paying people to hype programs such as “Game of Thrones,” “Chernobyl” and “Divorce,” “Euphoria,” “Big Little Lies,” and “Succession,” among other originals, as part of a “Recommended by Humans,” marketing campaign.
The promotion, which bowed Aug. 6, features a website (humanreco.hbo.com) featuring access to free episodes of HBO current and catalog shows with accompanying program shout-outs by real (okay, paid) fans.
When Netflix switched focus from rental discs to streaming video, it sought mathematical algorithms to recommend content to subscribers. It briefly offered a $1 million “Netflix Prize” to anyone who could increase predictions on user ratings for content.
HBO is taking a less expensive path, using social media (Twitter) and paid-for testimonials to generate content buzz in advance of parent WarnerMedia’s launch of a new (HBO Max) subscription streaming service.
While the “human” campaign has an April Fool’s feel to it, that appears to be part of its intent.
“We paid them for their time because we’re not monsters,” read the website.
WarnerMedia Aug. 2 announced the appointment of Giorgio Stock to the new role of President, WarnerMedia Entertainment Networks, Distribution and Advertising Sales, EMEA and APAC.
With immediate effect, Stock, previously President, EMEA, for Turner, takes on responsibility for all entertainment networks, distribution of all networks, advertising sales and the kids networks operations in Europe, Middle East, Africa and the Asia Pacific region.
Stock will continue to be based in London and reports into Chief Revenue Officer Gerhard Zeiler.
In his new role, Stock will be supported by the leadership team of Ricky Ow, President Turner Asia Pacific, Hervé Payan, CEO HBO Europe, and Jonathan Spink, CEO HBO Asia, all of whom now report into him.
“In his previous role as President, Turner EMEA, Giorgio transformed the organization and built a strong team who together invested in excellent premium content, created new revenue streams and optimized business operations,” Zeiller said.
The appointment represents WarnerMedia’s decision to give Europe and Middle Eastern operations singular leadership through the existing strengths of the Turner and HBO businesses, while also equipping them for further collaboration and growth.
In addition to Stock, the international executives reporting to Zeiler are Whit Richardson, President Turner Latin America, and Rani Raad, President CNNI Commercial.
Stock joined the company in 2013 as President Turner EMEA with executive oversight of all Turner kids and entertainment networks in the region, including digital and media services of core brands such as Cartoon Network, Boomerang, TNT and TCM as well as kids streaming service Toonix, available direct-to-consumer and via a partnership with HBO Nordic, the network’s over-the-top video service .
His role also included the distribution of CNN’s services, and licensing and merchandising activity in Europe, the Middle East and Africa as well as international L&M liaison.
Stock joined Turner after a 15-year career with Disney where he held publishing and content leadership roles out of Paris, New York, Milan and London overseeing television, publishing, retail, music and gaming.
Season six of “Strike Back” on disc and numerous programs on digital, including the first season of “Euphoria,” are coming from HBO Home Entertainment in August.
Strike Back Season 6 will bow on DVD and Blu-ray Aug. 6. When a Russian bomber crashes in the South China Sea, the covert special-ops soldiers of Section 20 — Thomas “Mac” McAllister (Warren Brown), Samuel Wyatt (Daniel MacPherson) and Gracie Novin (Alin Sumarwata) — are sent to investigate. There, they cross paths with Katrina Zarkova (Yasemin Allen), a rogue Russian operative with questionable loyalties. Under orders of the new commanding officer, Col. Alexander Coltrane (Jamie Bamber), Section 20 pursues stolen contents of the Russian jet across Southeast Asia.
Due on digital Aug. 12 is the documentary Song of Parkland. When Marjory Stoneman Douglas High School drama teacher Melody Herzfeld heard the fire alarm on Feb. 14, 2018, she was in rehearsals with her students for their annual children’s musical. Moments later, a Code Red sounded. Herzfeld rushed her 65 students into a storage closet while a shooter killed 17 teachers and students nearby. Filmed in the months following the shooting, when the Florida school community is grappling with the tragedy, the documentary chronicles the dedication of Herzfeld and her theater students as they return to school and resolve to continue with their production.
Also coming Aug. 12 on digital is The Many Lives of Nick Buoniconti, which captures the 78-year-old NFL Hall of Famer by taking viewers through his journey as a linebacker, lawyer, sports agent, broadcaster, executive and philanthropist. The son of a baker from the south end of Springfield, Mass., Buoniconti’s early inner drive propelled him to find great success on the field and in the workplace. But after his son’s crippling accident in 1985, he dedicated the latter part of his life to philanthropy and soon after co-founded The Miami Project to Cure Paralysis. Today, thanks in large part to his singular devotion, more than a half-billion dollars has been raised for spinal cord research.
Maria Full of Grace, also due on digital Aug. 12, follows 17-year-old Colombian Maria (Catalina Sandino Moreno). Pregnant and with a large family to care for, she’s forced to leave a demanding job after an altercation with her boss. Needing work as soon as possible, she encounters charming Franklin (John Álex Toro), who offers her a dangerous job as a drug mule. With cocaine pellets in her stomach, Maria flies to New York for the drug drop-off, but finds her new line of work may be far riskier than it initially seemed.
Boycott, also coming on digital Aug. 12, is a dramatization of the live of Rosa Parks (Iris Little-Thomas), who defiantly refuses to take a back seat on the bus. She sets into motion a tumultuous string of events centered around the 1955 bus boycott in Montgomery, Ala. Using archival footage to establish the strained atmosphere of the era, this dramatization of that chapter of the Civil Rights Movement’s history shows her interactions with such major figures as Dr. Martin Luther King Jr. (Jeffrey Wright), Coretta Scott King (Carmen Ejogo) and Ralph Abernathy (Terrence Howard).
Coming on digital Aug. 12 also is In the Gloaming, a drama that marked the directorial debut of Christopher Reeve. It follows 33-year-old AIDS sufferer Danny (Robert Sean Leonard) who returns to his parents’ home in the New York suburbs to spend his final days. While his father, Martin (David Strathairn), finds it difficult to accept his son’s sexuality, and his self-concerned sister, Anne (Bridget Fonda), avoids the issue, his mother, Janet (Glenn Close), forges a deeper and more honest relationship with her dying son.
Due on digital Aug. 19 is Los Espookys Season 1. It follows a group of friends who turn their love for horror into a peculiar business, providing horror to those who need it, in a dreamy Latin American country where the strange and eerie are just part of daily life. The group is led by the noble, kind, and naïve Renaldo (Bernardo Velasco), and joined by Ursula (Cassandra Ciangherotti), a tenacious dental assistant who eventually handles the logistics and execution of all projects; Ursula’s sister Tati (Ana Fabrega), who juggles several (very) odd jobs while acting as the group’s test dummy; and Renaldo’s longtime best friend Andrés (Julio Torres), the brooding heir to the chocolate empire, who unlocks secrets to his past while avoiding his trophy boyfriend, Juan Carlos (José Pablo Minor).
Next up on Aug. 19 is VICE: Special Report: The Future of Work. Hosted by VICE News correspondent Krishna Andavolu, with contributions from correspondents Gianna Toboni and Michael Moynihan, the special looks at how entire industries are being disrupted and how these changes are creating ripple effects throughout the global economy. VICE’s correspondents sit down with a wide variety of experts, including Nobel Laureate economists, CEOs, and workers whose jobs will radically change in the years to come. They document how industries that long seemed immune from automation, such as fast food, contract law and long-haul trucking, are rapidly being automated, with workers replaced by AI and algorithms.
Also on Aug. 19 on digital comes Year and Years, following the day-to-day lives of the Lyons family beginning on one crucial night in 2019. The story chronicles one family’s determination to survive the future as society changes faster than ever before, focusing on Stephen Lyons (Rory Kinnear), a financial advisor, who serves as the family’s peacekeeper; his wife Celeste (T’Nia Miller), an ambitious accountant; his brother Daniel (Russell Tovey), a housing officer; Edith (Jessica Hynes), their radical, calculating and potentially dangerous sister; Rosie (Ruth Madeley), their spirited youngest sibling, who was born with spina bifida and is a single mother of two; and their grandmother, Muriel (Anne Reid), the family’s opinionated matriarch.
Euphoria Season 1, coming on digital Aug. 26, is an American adaptation of the Israeli show of the same name. It follows the troubled life of 17-year-old Rue, a drug addict fresh from rehab with no plans to stay clean. Circling in Rue’s orbit are Jules, a transgender girl searching for where she belongs; Nate, a jock whose anger issues mask sexual insecurities; Chris, a football star who finds the adjustment from high school to college harder than expected; Cassie, whose sexual history continues to dog her; and Kat, a body-conscious teen exploring her sexuality. As the classmates struggle to make sense of their futures, the series tackles the teenage landscape of substance-enhanced parties and anxiety-ridden day-to-day life with empathy and candor. It stars Zendaya.
Also due on digital Aug. 26 is Share, a cautionary tale about social media. It follows 16-year-old Mandy, who, after discovering a disturbing video from a night she doesn’t remember, must figure out what happened — and how to navigate the escalating fallout. Rhianne Barreto leads as Mandy, alongside Charlie Plummer (“Boardwalk Empire”) as Dylan, Poorna Jagannathan as Kerri, J.C. MacKenzie as Mickey, Nicholas Galitzine as A.J., Lovie Simone as Jenna and Danny Mastrogiorgio as Tony.
WarnerMedia July 18 announced the creative, business operations and strategy teams responsible for original programming and acquisitions for HBO Max — the media company’s pending subscription streaming video service launching in early 2020.
The group of veteran executives, who has been involved in developing and producing film and television content for the past 30 years, reports to Kevin Reilly, chief content officer, HBO Max and president, TNT, TBS, and truTV.
HBO Max will feature originals, library and acquired programming totaling more than 10,000 hours of content.
The original programming group tasked with building on the HBO core audience by targeting younger adults as well as kids and families is led by Sarah Aubrey, head of original content.
Her new team includes Joey Chavez, EVP of Original Drama; Jessie Henderson, EVP of Original Feature Films; Jeniffer Kim, SVP of International Originals; Suzanna Makkos, EVP of Original Comedy and Animation; and Jennifer O’Connell, EVP of Original Non-Fiction and Kids.
The business operations and strategy group driving deals and managing the full scope of programming available on the service includes Eric Besner, SVP of Business Development and Strategy; Sandra Dewey, President of Business Operations and Production; Meredith Gertler, EVP of Program Strategy and Planning (who reports into Casey Bloys, president, HBO Programming, with a dual function on HBO Max); and Michael Quigley, EVP of Content Acquisitions and Strategy. Patrick Kelly, EVP of Business Affairs, will report into Dewey.
“HBO Max is committed to delivering IP of the highest quality by closely collaborating with top talent to bring their ideas to life, and then strategically managing that content to build and sustain lasting cultural impact and value,” Reilly said in a statement.
“Kevin has assembled a stellar creative team for new originals and acquisitions that will make our HBO Max service second-to-none,” added Robert Greenblatt, chairman, WarnerMedia Entertainment & Direct-To-Consumer. “With these originals and the full force of the vast WarnerMedia portfolio, including the might of HBO, I couldn’t be more proud of the content we are bringing together across this company that will appeal to everyone in the household.”
In addition to these teams, the development and production groups at HBO — overseen by Casey Bloys, president of programming, and Glenn Whitehead, EVP, business and legal affairs, will also supply HBO Max with a vast array of unparalleled content, with the entirety of HBO’s current slate and extensive library — everything from “The Sopranos” and “Sex and the City” to “Veep” and “Game of Thrones” — included in the service.
HBO Max will also offer key licensed third-party programming and an array of content that spans across WarnerMedia’s portfolio of brands that includes HBO, Warner Bros., New Line, DC Entertainment, CNN, TNT, TBS, truTV, The CW, Turner Classic Movies, Cartoon Network, Adult Swim, Crunchyroll, Rooster Teeth, Hello Sunshine, Looney Tunes and more.
Max Original series previously announced include:
“Gossip Girl,” eight years after the original website went dark, a new generation of New York private school teens are introduced to the social surveillance of Gossip Girl.
“Dune: The Sisterhood,” an adaptation of Brian Herbert and Kevin Anderson’s book based in the world created by Frank Herbert’s book Dune, from director Denis Villeneuve
“Tokyo Vice,” based on Jake Adelstein’s non-fiction first-hand account of the Tokyo Metropolitan Police beat starring Ansel Elgort
“The Flight Attendant,” a one-hour thriller series based on the novel by Chris Bohjalian, which will star Kaley Cuoco, who is also executive producing alongside Greg Berlanti
“Love Life,” a 10-episode half-hour romantic comedy anthology series starring Anna Kendrick, who will also executive produce alongside Paul Feig
“Station Eleven,” a postapocalyptic limited series based on Emily St. John Mandel’s international bestseller, adapted by Patrick Somerville and directed by Hiro Murai
“Made for Love,” a 10-episode, half-hour, straight-to-series adaptation based on the tragicomic novel of the same name by Alissa Nutting, also from Somerville and directed by S.J. Clarkson
“Gremlins,” an animated series from Warner Bros. Animation and Amblin Entertainment based on the original movie
Deals with Warner Bros. Television and others for HBO Max previously announced include:
The exclusive streaming rights at launch to all 236 episodes of “Friends” — one of the biggest hits on television and in streaming
The exclusive streaming rights at launch to all episodes of fan favorites “The Fresh Prince of Bel Air” and “Pretty Little Liars”
The exclusive streaming home to a string of new Warner Bros.’ produced dramas for The CW beginning with the fall 2019 season, including the highly-anticipated new DC Entertainment series “Batwoman,” and “Katy Keene” (spinoff of “Riverdale”)
New exclusive movie production deals with Greg Berlanti, one of Hollywood’s most prolific and successful producers, and Reese Witherspoon, Academy Award and Emmy Award-winning actress and producer; Berlanti will produce an initial four movies focused in the young adult space, while Witherspoon’s Hello Sunshine will produce at least two films
The executive leadership team is as follows:
Sarah Aubrey, Head of Original Content
Aubrey heads up Original Content for HBO Max, presiding over a robust slate that will offer programming options for every audience segment in the household.
Previously, Aubrey was Executive Vice President of Original Programming for TNT, where she played an integral role in the network’s evolution into one of the premier destinations for prestige original dramas such as Patty Jenkins’ “I Am the Night,” “Claws,” “Animal Kingdom” and the award-winning “The Alienist.”
Under her leadership, the number of women holding jobs at the highest levels on the average TNT scripted project more than doubled. TNT also jumped an impressive 320% on the annual GLAAD TV report rankings for LGBTQ representation.
Prior to joining TNT, Sarah was a prolific television and film producer, responsible for such projects as “Friday Night Lights” and “The Leftovers” while at Film 44, and films including “Bad Santa” and “Lars and the Real Girl” before that.
Eric Besner, SVP, Business Development and Strategy
Besner leads large-scale priority content initiatives for HBO Max, overseeing strategic content partnerships, content expansion and innovation, and business operations.
Prior to joining HBO Max, Besner held top positions at Warner Bros., as SVP and head of strategic partnerships for Digital Networks; Spotify, heading up content expansion and acquisition; and Netflix, where he was VP of original programming.
Joey Chavez, EVP, Original Drama
Chavez oversees creative development for HBO Max original drama series, tasked with bringing in distinctive and diverse projects from notable storytellers.
The slate already includes projects from Tokyo Vice, a multilingual crime series written by JT Rogers, starring Ansel Elgort, and directed by Destin Daniel Cretton, sci-fi epic Dune: The Sisterhood from writer John Spaihts and director Denis Villeneuve, and an adaptation of the acclaimed novel Station Eleven adapted by Patrick Sommerville and director Hiro Murai.
Prior to joining HBO Max, Chavez served as SVP of Original Programming at TNT, developing such series as the Emmy® Award-winning The Alienist, which was 2018’s #1 new cable series, and the critically-acclaimed, top-ten cable drama Claws, which explores the nuance of race, class, gender and sexual-orientation.
Before joining the WarnerMedia family, Chavez was VP of Drama Development where he was named one of Hollywood Reporter’s 35 under 35 in 2012. Chavez is also a mentor to rising junior executives with the Los Angeles chapter of the Hollywood Radio and Television Society (HRTS).
Sandra Dewey, president, business operations and productions
Dewey serves as head of business operations for HBO Max with oversight of WarnerMedia Entertainment’s business affairs and production teams for HBO Max, TBS, TNT and truTV. Dewey also continues to play a key role in the cable networks’ ongoing transition from a linear television company to omni-platform media brands with numerous revenue streams.
Prior to her current position, Sandra served as Executive Vice President, Head of Business Affairs for Turner Entertainment Networks and Cartoon Network Originals. In that role she was heavily involved with the growth and strategic evolution of the networks’ original programming, as well as its expansion in the global market.
She is also a longtime champion of various gender and diversity initiatives at the company, including her role as the founding member of WarnerMedia’s Feminist Fridays, an initiative dedicated to empowering, informing and mentoring women across the organization.
Meredith Gertler, EVP, program strategy and planning
Meredith Gertler is Executive Vice President, Program Strategy & Planning, responsible for developing programming strategies across HBO Max, HBO and Cinemax streaming and on-demand platforms, and linear networks. In addition, she oversees Program Scheduling, Promotion Planning & Scheduling and Program Planning Operations.
Gertler joined HBO in 2004 on HBO Video’s Marketing team, where she developed and executed strategic business and marketing plans for original programming on DVD.
In January 2009, she was named Vice President, Product Management, Operations & Production for HBO Home Entertainment, responsible for the short and long-term planning and profitability in North America. In 2012, she made the move to Program Strategy & Planning and helped craft the content planning and scheduling framework in support of the launch of the company’s HBO NOW direct-to-consumer product in 2015.
Prior to HBO,Gertler worked in publicity at Miramax Films and account management at the ad agency Ogilvy & Mather.
Jessie Henderson, EVP, original feature films
Henderson heads up creative development and production of original feature films for HBO Max and is developing a film slate designed to appeal to all audience segments.
Prior to HBO Max, Henderson formed and served as co-president of Feigco Entertainment with Paul Feig, where she produced film and television projects including The Golden Globe®-nominated “Spy” and such cultural and critical hits as “A Simple Favor” and “Someone Great.”
She also executive produced the female-led reboot of “Ghostbusters.” Among her upcoming projects include the rom-com anthology series “Love Life,” which will star Anna Kendrick and premiere on HBO Max.
Before her tenure at Feigco, Henderson held positions at Universal Pictures and Chernin Entertainment, where she co-produced “The Heat,” which was 2013’s highest domestic grossing comedy. Earlier in her career, the Emerson College alum worked on such series as “Chappelle’s Show.”
Patrick Kelly, EVP, business affairs
Kelly serves as EVP of Business Affairs, overseeing the day-to-day deal making for HBO Max’s forthcoming slate of Originals.
Reporting to Sandra Dewey, Kelly also continues to play a key role at TBS, TNT and truTV expanding their original programming slate, and works closely with Dewey to formulate business strategy for the networks. Kelly joined Turner in 2002 handling all business affairs for Turner’s entertainment networks, working on such hits as “Full Frontal with Samantha Bee,” “The Last O.G.,” “Miracle Workers,” “The Alienist” and “Claws.”
Prior to joining Turner in 2002, Kelly was vice president, business affairs, at Columbia TriStar Television (now Sony Pictures Television).
Jeniffer Kim, SVP, international originals
Kim will lead International content development for HBO Max, working in tandem with the U.S. originals team, and will be responsible for finding co-production opportunities in the non-U.S. markets. She will also continue to work on U.S. comedy originals, focusing on comedy standup specials.
Prior to joining HBO Max, Kim served as SVP of Original Programming for TBS, playing an integral role on the rebrand of the network and earning a reputation as a trailblazer, working on such culturally resonant series as “Search Party,” “Angie Tribeca,” “American Dad” and the Emmy®-winning “Full Frontal with Samantha Bee” among many others.
Kim began her career in 2002 as a comedy coordinator at Touchstone Television (now ABC Studios), supporting the comedy team from pilot-to-production of new series.
Suzanna Makkos, EVP, original comedy and animation
Makkos leads creative development for comedy and animation, with shows ranging from anthology rom-com series and millennial satire to stand-up comedy specials and new takes on legacy animated properties.
Makkos joins HBO Max from Fox Broadcasting, where she was EVP of Comedy Programming & Development, creating such series as the Golden Globe-winning “Brooklyn Nine-Nine,” “Bob’s Burgers,” “New Girl,” “The Last Man on Earth,” and “The Mindy Project.”
Makkos began her career in development and current programming at Walt Disney Television/Touchstone Television and Regency Television. She serves on the board of Girls Inc. Los Angeles.
Jennifer O’Connell, EVP, original non-fiction and kids
O’Connell leads original non-fiction and kids programming, developing a unique slate that encompasses live action, animation, scripted and unscripted fare. Expect a broad range from compelling docuseries to children’s-focused projects that leverage WarnerMedia’s portfolio of nostalgic brands.
Before HBO Max, the Lionsgate alum oversaw the development and production of the studio’s unscripted slate across all platforms as EVP and Head of Worldwide Alternative Programming, including TNT’s forthcoming revolutionary “Chasing the Cure” anchored by Ann Curry.
O’Connell has also held positions at NBCU, Core Media Group, Shed Media U.S., Disney Channel and the Family Channel, guiding and developing such projects as the Emmy Award®-winning “The Matthew Shepherd Story,” “The Biggest Loser,” “Who Do You Think You Are,” “The Real Housewives of New York City,” Kevin Hart’s “What the Fit,” and “Selling Sunset.”
O’Connell was recently a mentor for The Hollywood Reporter and Big Brothers Big Sisters’ Women in Entertainment Mentorship program. She is on the Emerson College Alumni Board and has launched an advisory program that links alumni with students studying in Los Angeles.
Michael Quigley, EVP, content acquisitions and strategy
Quigley heads up content acquisitions and strategy and content strategy for HBO Max, an expansion of his role that also includes TBS, TNT and truTV. His focus is on curating and catering programming to a wide range of different audience segments.
He is responsible for buying and licensing the most prized film and television titles from within WarnerMedia’s expansive library, as well as from third-party partners as he builds a profound content offering for HBO Max, as well as TNT, TBS and truTV. Quigley also oversees film acquisitions for HBO. Additionally, he is responsible for programming for TBS, TNT and truTV, and closely collaborates on programming for HBO Max.
In his prior role at WarnerMedia, the seasoned media executive served as EVP of Commercial Operations, Content Strategy and Monetization at Turner and, before that, as SVP of Content Distribution.
After disappointing Q2 subscriber growth numbers, Netflix senior management on the fiscal webcast took the high road deflecting the subscription streaming service’s first domestic quarterly decline (since 2011) while adding only half of projected international subs.
CEO Reed Hastings said it might be easy to “over-interpret” the lack of sub growth but that under similar circumstances three years ago management also could not be confident of any specific reason for the slowdown.
“Then, we were $2 billion in quarterly revenue,” Hasting said. “Now, we’re $5 billion. We’re just executing forward and trying to do the best forecast we can.”
When Netflix launched streaming video 12 years ago, there were three competitors (Hulu, Amazon and YouTube). Now, media giants NBC Universal, Disney, Apple and WarnerMedia are launching high-profile competitors – and taking their Netflix-licensed content with them.
Regardless, Hastings said Netflix remains in excellent position as the No.1 SVOD service in the world with more than 151 million subs.
“If investors believe in Internet television … then our position in that market is very strong,” he said.
Chief content officer Ted Sarandos said the service continues to focus on creating original content developed in local markets with global appeal.
He said recent releases “How to Sell Drugs Online” (Germany), “The Rain” season 2 from Denmark and “Quicksand” from Sweden, have generated upwards of 15 million combined viewers globally.
Netflix is expecting a similar reception to the second season of India’s “Sacred Games,” which launches this quarter.
“What’s been amazing is [that the shows have] been deeply relevant in the home country, traveled the region very well and found global audiences,” Sarandos said.
With WarnerMedia set to launch SVOD competitor “HBO Max” in early 2020, it was interesting to hear Netflix brass sing praise for the venerable premium pay-TV channel. Indeed, Hastings said most Netflix employees subscribe to HBO.
“We love the content they do and that spurs us on to want to be even better,” he said. “So, it’s a great competition that helps grow the industry.”
Sarandos congratulated HBO for re-taking the Primetime Emmy Award nominations title, which Netflix claimed from the network for the first time in 2018 after 17 years.
“They continue to be the gold standard that we chase, and we’re really thrilled for them,” Sarandos said.