The Mandalorian: Season 2

STREAMING REVIEW:

Disney+;
Sci-Fi;
Not rated.
Stars Pedro Pascal, Gina Carano, Temuera Morrison, Ming-Na Wen, Katee Sackhoff, Mercedes Varnado, Rosario Dawson, Timothy Olyphant, Bill Burr, Carl Weathers, Horatio Sanz, Giancarlo Esposito.

The eight episodes of the second season of “The Mandalorian” offer the kind of “Star Wars” moments the franchise’s fans have been clamoring to see for decades.

Series creator Jon Favreau and executive producer Dave Filoni are drawing from nearly all aspects of “Star Wars” lore for inspiration — not just the original trilogy, but also the prequels and animated spinoffs as well.

Instead of trying to reinvent the universe the way the sequel trilogy seemed to be trying to do, “The Mandalorian” unmistakably wants to play in George Lucas’ sandbox. The episodes have all the fun and joy of what it’s like to play with “Star Wars” toys as a kid, and imagine all the adventures possible in that galaxy far, far away.

It’s not fan service. It’s fantastic.

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Picking up from last season, bounty hunter Din Djarin, the Mandalorian of the title, embarks on his quest to return to the Jedi the child everyone refers to as “Baby Yoda” (whose name is finally revealed to be Grogu). But doing so will require a great deal of compromise and sacrifice. Along the way he encounters Bo-Katan (Katee Sackhoff), a Mandalorian from the “Clone Wars” and “Rebels” animated shows who desires to reclaim her home planet from the chaos of the Empire’s wrath. She leads Mando to another animated character brought into live-action, the former Jedi Ahsoka Tano (Rosario Dawson), who needs his help to free a village from a warlord in one of the season’s standout episodes.

Another great episode sees the return of Bill Burr, who has to help Mando on a mission to locate the menacing Moff Gideon (Giancarlo Esposito). Their infiltration of an Imperial base leads to some of the tensest moments on the show, culminating in the “Star Wars” version of the great basement shootout from Inglourious Basterds.

And if that weren’t enough, we get the return of Boba Fett (Temuera Morrison), last seen being swallowed by the Sarlacc in Return of the Jedi. Not only did he survive, but he’s finally living up to the potential for badassery only hinted at in his limited screen time in the movies but which has nonetheless made him a fan favorite since his introduction.

The season also has a few more surprises in store, leading to one of the most emotional and satisfying finales a fan could hope for.

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There have been some grumblings about the wide variance in running times of the episodes — ranging from barely more than a half-hour to more than 50 minutes. But this just demonstrates the creative advantages of posting content to an ad-free streaming service as opposed to needing to fill a set run time to account for a time slot and advertising. The show’s creators are telling the stories they want to tell, and they are using the time they need to tell them. No more, no less. And the results speak for themselves.

 

Creepshow: Season 1

BLU-RAY REVIEW:

RLJ/Shudder;
Horror;
$34.98 DVD, $34.98 Blu-ray;
Not rated.
Stars Tobin Bell, Adrienne Barbeau, Giancarlo Esposito, Cailey Fleming, Jeffrey Combs, DJ Qualls, Bruce Davison, David Arquette, Dana Gould, Tricia Helfer, Scott Mescudi.

This original series of the Shudder streaming service continues the tradition of anthology horror established in the 1982 movie Creepshow directed by George A. Romero and written by Stephen King, as well as the 1987 sequel written by Romero.

The new series, executive produced by Greg Nicotero of “The Walking Dead,” offers two short stories per hourlong episode, with six episodes in the first season. The series expands on the visual style of the films, which were heavily influenced by horror comic books of the 1950s and 1960s. Episodes frequently use comic book-style artwork for story introductions and scene transitions, as well as a vibrant color palette for the title designs and linking materials.

The shorts are a mixture of adaptations of existing stories and original material. They range from the downright disgusting to the generally creepy, typically offering a helpful metaphor to a real-life problem. For example, the first story in the first episode, “Grey Matter,” presents an allegory for the dangerous effects of alcoholism on friends and family, in transforming a drunk father into a monster who eats local pets and absorbs anyone he comes into contact with, causing him to duplicate and spread his numbers to the rest of society.

The back half of the episode is the charming “The House of the Head,” about a little girl (Cailey Fleming of “The Walking Dead”) whose dollhouse seems to be haunted by a strange miniature rotting head that causes the figures of the family to move while she isn’t looking (shades of the Weeping Angels from “Doctor Who”) leading to her discovering them in new poses of varying degrees of terror as she tries to figure out what is happening to them.

Those looking for a more comedic mix in their horror should like “The Finger,” which stars DJ Qualls as a loner who stumbles upon a weird demon-like creature that ends up doing his bidding in ridding the world of the people who plague his life.

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The Blu-ray is absolutely loaded with bonus materials, including several episode commentaries, featurettes for each episode and myriad behind-the-scenes galleries. There’s also a special featurette about the Easter Eggs in the episodes that reference the movies — and as a fun touch it’s set up like an unlabled old-school DVD Easter Egg you actually have to search for in the menus. It’s a nice touch that lends to the throwback nature of the series.

Disney+ Shares First Look at Original Movie ‘Stargirl,’ Streaming March 13

Disney+ Jan. 15 released the trailer for upcoming first live-action original movie Stargirl, starring and featuring music from “America’s Got Talent” winner Grace VanderWaal.

The movie, which is billed as a “tender and offbeat coming-of-age story,” premieres on March 13. The film is directed by Julia Hart and also stars Graham Verchere, Karan Brar, Maximiliano Hernandez, Darby Stanchfield and Giancarlo Esposito (“The Mandalorian,” “Breaking Bad”).

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