FUBAR: Season 1

STREAMING REVIEW:

Netflix;
Action;
Not rated;
Stars Arnold Schwarzenegger, Monica Barbaro, Milan Carter, Gabriel Luna, Fortune Feimster, Travis Van Winkle, Fabiana Udenio, Jay Baruchel, Barbara Eve Harris, Aparna Brielle, Andy Buckley.

Arnold Schwarzenegger’s first scripted series finds him in his comfort zone, in an action comedy playing a CIA agent on the verge of retirement who is lured back into the field for one last mission.

Schwarzenegger plays Luke Brunner, who is looking forward to a peaceful retirement with his family after years of lying to them about what he does for a living. They think he works at a fitness supply company, which is actually a cover for his role as a secret agent for the CIA. However, the deception has taken its toll on his personal life, having resulted in a divorce years earlier. But he still loves his ex-wife and hopes to reconcile with her once he retires.

Before he can step down, he is tasked with one final assignment for which he is uniquely qualified — to extract a compromised undercover operative from the organization of an international arms dealer named Boro (Gabriel Luna) who Luke once knew as a child. Years earlier, Luke had infiltrated the criminal empire of Boro’s father in order to kill him, and tried to provide for the boy before he eventually broke bad. The plan is for Luke to resume his cover identity to gain access to Boro’s compound to rescue the endangered agent and find out what Boro is up to.

To Luke’s surprise, the agent turns out to be his daughter, Emma (Monica Barbaro of Top Gun: Maverick), who is equally surprised to learn her father also is a spy. They then have to work together to stop Boro from creating a miniaturized nuclear weapon to sell on the black market to terrorists, forming the central arc of the first season’s eight episodes.

The premise is essentially the sequel we never got to Schwarzenegger’s True Lies (the original 1994 movie, not CBS’s awful reboot series that just got canceled), with a few tweaks by creator Nick Santora (“Scorpion”) to make it its own thing.

One of the primary plot threads of True Lies was the subterfuge between an agent and his loved ones, which is also one of the main story elements of “FUBAR.” Emma at first resents her father for lying to her for years and causing so much anguish for her mother, but soon comes to realize she and her father are all too alike. Luke, on the other hand, must come to terms with the fact his daughter has taken up his profession, and cautions her against making the same mistakes he made, particularly when it comes to the boyfriend (Jay Baruchel) she has to constantly lie to about being out of town on business.

“FUBAR” also offers a lot of laughs in between the action, as the series also serves as a tongue-in-cheek homage to Schwarzenegger’s entire career with plenty of references for fans to enjoy.

By its very existence, however, the show also serves as a reminder that a proper American True Lies Blu-ray release is long overdue, let alone a 4K release. While it pops up on a streaming service or cable occasionally, the only domestic disc release True Lies has ever received is the old DVD first released in 1999, and it isn’t available for digital purchase either — an oversight that this show provides the perfect excuse to rectify.

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Soul

BLU-RAY REVIEW:

Disney;
Animated;
$29.99 DVD, $35.99 Blu-ray, $43.99 UHD BD.
Rated ‘PG’ for thematic elements and some language.
Voices of Jamie Foxx, Tina Fey, Graham Norton, Rachel House, Alice Braga, Richard Ayoade, Wes Studi, Fortune Feimster, Zenobia Shroff, Phylicia Rashad, Donnell Rawlings, Questlove, Angela Bassett.

A music teacher with dreams of jazz glory nearly unlocks the secrets of the universe in Soul, which is about as profound a rumination on the nature of existence as one is likely to find in an animated movie.

Soul is another film from Pixar, like Inside Out and Monsters, Inc., before it, that explores mysterious aspects of how reality works by breaking ontological concepts down into cute and cuddly characters children can relate to, framed in a story their parents are more likely to appreciate.

Jamie Foxx voices Joe, a middle-aged jazz pianist whose stagnant music career has been supplanted by the routines of a middle school band teacher, leaving him artistically unsatisfied. One day, a former student offers him a gig in the quartet of a well-known jazz performer, which Joe sees as his big break. In his excitement over the opportunity, however, Joe slips into an open manhole, and before he realizes what has happened he finds himself a disembodied soul in a black void floating toward the bright light of the Great Beyond.

Unwilling to accept death just as he’s on the verge of realizing what he considers his purpose in life, Joe runs from the light and winds up in a different part of the spiritual realm, the Great Before, where young souls are nurtured until ready to experience life on Earth. The powers that be mistake Joe for a mentor for the new souls, and assign him a troublesome student named 22 (Tina Fey), who for thousands of years has shown little interest in proceeding to Earth. Learning of Joe’s situation, however, 22 agrees to help him return to his body.

And this is pretty much what the film’s marketing materials made the story out to be. But things get a bit more complicated than a trip through the afterlife. The pair journey to an astral plane where 22 knows a meditating guru who specializes in saving lost souls, but a mishap sends both of them to Earth. When 22 awakes in the hospital in Joe’s body, and Joe in a nearby cat, Soul quickly turns into Pixar’s version of a body-swap movie. As they work to correct the mistake, Joe the cat instructs 22 on getting ready for the gig, while 22 as Joe begins to experience true life and its simple pleasures for the first time.

Here it becomes clear that the film’s integration of jazz into the plot is more than a stylistic choice, but a clever narrative shorthand that builds upon the improvisational nature of the musical form to symbolize and express many of the motifs the film is exploring.

Soul is one of those movies that uses big ideas to teach simple lessons. The way the film depicts the relationship between the real and spiritual worlds might open the door to quite a few questions about just what is going on with Joe’s body, and may even prompt a few frank discussions between parents and children — but as a plot device it’s best not to delve into the mechanics of it too deeply. The film itself knows this, which is why the spiritual constructs are always described as an “illusion” and “hypothetical.”

However, the realm of the Great Before provides a great excuse to depict the kind of colorful setting Pixar excels at. It’s a beautiful, ethereal place of calming blues, serene golden light and soothing new age music. Pixar is no stranger to wistful films, but this is certainly one of its most beautiful, and a terrific reminder to slow down and appreciate the simple pleasures life has to offer.

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The Blu-ray presentation offers a bevy of bonus materials typical of a Pixar release.

Included with the film on the standard-Blu-ray Disc is an informative commentary with director Pete Docter, producer Dina Murray, and co-writer/co-director Kemp Powers. Also included on this disc are a couple of featurettes: the eight minute “Astral Taffy,” about designing the soul world; and the 10-minute “Not Your Average Joe,” about crafting Pixar’s first black lead character.

The 4K disc includes just the film presentation without any extras.

A dedicated standard-Blu-ray bonus disc includes a number of interesting behind-the-scenes featurettes that delve into the challenges of crafting the film’s complex subject matter into a digestible narrative. These include the six-and-a-half-minute “Pretty Deep for a Cartoon,” about the film’s heady themes; the eight-minute “Into the Zone,” about finding the film’s musical identity with Trent Reznor, Atticus Ross and John Batiste, the latter helping incorporate jazz into the film’s visual style; the three-minute “Jazz Greats,” in which a number of jazz musicians discuss what music means to them; and the seven-minute “Soul, Improvised,” which chronicles the creative team’s challenges of working from home to finish the film during the pandemic. (The same featurettes are included with the movie on Disney+ as well.)

Also included on the bonus disc are 22 minutes of deleted sequences showcasing earlier, different concepts for telling the story, providing some good insights into the story process, plus several of the film’s trailers in various languages.

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‘Barb & Star Go to Vista Del Mar’ Traveling to Digital March 26, Disc April 6 From Lionsgate

Barb & Star Go to Vista Del Mar, from co-stars and co-writers Kristen Wiig and Annie Mumolo (Bridesmaids), will come out on digital March 26 and on Blu-ray combo pack and DVD April 6 from Lionsgate.

The film debuted on PVOD Feb. 12.

The comedy follows lifelong friends Barb and Star, who embark on the adventure of a lifetime when they decide to leave their small Midwestern town for the first time ever. The trip includes romance, friendship and a villain’s evil plot. The film also stars Jamie Dornan, Damon Wayans Jr., Fortune Feimster, Wendi McLendon-Covey, Rose Abdoo, Vanessa Bayer, Phyllis Smith and Kwame Patterson.

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Special features include audio commentary with director Josh Greenbaum, Mumolo and Wiig; the “Barb & Star: Making Life a Little Brighter” featurette; the “Barb & Star: Casting in Paradise” featurette; bloopers; deleted scenes; and the “Barb & Star Go to Vista Del Mar Fashion Show” piece.