Little Women (2019)

BLU-RAY REVIEW: 

Sony Pictures;
Drama;
Box Office $108.10 million;
$30.99 DVD, $34.99 Blu-ray;
Rated ‘PG’ for thematic elements and brief smoking.
Stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper.

The latest version of Little Women, masterfully directed and adapted by Greta Gerwig, manages to find the modern sensibilities of Luisa May Alcott’s signature work while retaining all the trappings of its mid-19th century period setting.

Gerwig takes Alcott’s semi-autobiographical coming-of-age novel that was originally published in two volumes in 1868 and 1869, and expertly translates the classic tome into the language of cinema, eschewing the linear narrative of the book and previous adaptations in favor of a flashback structure that better contrasts the childhood and adult lives of its characters.

The core of the story remains centered on the lives of the March sisters — Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and Beth (Eliza Scanlen) — growing up in Massachusetts around the time of the Civil War.

The film is filled with wonderful performances, anchored by Ronan’s confidence as Jo, and Pugh’s radiance as the bright-eyed Amy (both were nominated for Oscars). The exquisite period set design and (Oscar winning) costumes make for a film loaded with delightful visual touches that would make it worth viewing for those reasons alone.

But shifting the narrative back and forth between the two timelines allows Gerwig to focus on how the characters’ adult lives are practically responses to specific events of their childhoods, in a way that no doubt keeps the material fresh even for those who are fans of the novel or have seen the countless other adaptations of it.

Gerwig’s other spin on the material involves layering more elements from Alcott’s real life even more so than the original novel did. Historically, Jo is most often described as the most direct analog for Alcott in the story, as she’s the one who ends up writing about her sisters. And, as such, she remains the primary character of the film. But, according to Gerwig in the Blu-ray bonus materials, all the characters have some element of Alcott in them. In the very good nine-and-a-half-minute “Greta Gerwig: Women Making Art” featurette included with the Blu-ray, Gerwig relates that examining in her lifelong love of the novel in preparing to make the film, she realized that Jo was the hero of her childhood and Alcott is the hero of her adulthood.

Indeed, one of the best elements of the film is an ending that leaves much open to interpretation while honoring what Alcott once said was her original intent for some of the characters.

Gerwig’s script, while faithful to the original dialogue, plays up the artistic interests of its characters, emphasizing the struggles of the creative process, and how artists often face the choice of sacrificing the integrity of their visions for commercial realities (such as when a publisher declares to Jo that a novel with a female protagonist better see her married off by the end. Or dead.)

In crafting a screenplay that spoke to her as a 21st century female filmmaker, she suggests that this new film version becomes somewhat autobiographical for her as well.

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Other featurettes on the Blu-ray include the 13-minute “A New Generation of Little Women,” offering interviews with the cast and several of the filmmakers about the origins of the project, plus the nine-minute “Making a Modern Classic,” about looking at the story with a modern lens. The disc also includes a three-and-a-half-minute “Little Women Behind the Scenes” promotional video, and three minutes of hair and make-up test footage.

The best extra, in addition to the reflections from Gerwig, is undoubtedly “Louisa’s Legacy: Little Women and Orchard House” (labeled as “Orchard House, Home of Louisa May Alcott” in the menu), a 10-minute mini-documentary about Alcott’s real life and family. Hosted by Jan Turnquist, executive director of Louisa May Alcott’s Orchard House (the family home where she wrote Little Women), the video discusses what aspects of the book are based on reality, and the impact of the family’s real-life stories on the film.

The video also details the story of Alcott’s house, an old country home from the mid-1600s that has been rescued from destruction at least three times, most recently in 2002 when the walls were shored up and the foundation completely rebuilt to stop the house from sinking into the ground (the pictures of the house being propped up over a giant hole in the ground is rather striking). The real home ended up serving as the basis of the March house in the film.

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Interestingly, while this is the seventh movie adaptation of Little Women, not to mention numerous television and stage productions of it, not as much attention has been heaped on Alcott’s further adventures of the characters. Little Women was the first of what would end up being a March family trilogy, followed by Little Men and Jo’s Boys.

There have been three movie versions of Little Men, two of which were notably made more than 80 years ago, and a handful of television projects. But to date, there hasn’t been a Jo’s Boys movie — only an obscure 1959 BBC miniseries, as well as part of a Japanese anime television adaptation of the trilogy in the 1980s and ’90s.

Fighting With My Family

BLU-RAY REVIEW: 

Street Date 5/14/19;
Universal/MGM;
Comedy;
Box Office $22.96 million;
$29.98 DVD, $34.98 Blu-ray;
Rated ‘PG-13’ for crude and sexual material, language throughout, some violence and drug content.
Stars Florence Pugh, Lena Headey, Nick Frost, Jack Lowden, Vince Vaughn, Dwayne Johnson, Stephen Merchant.

The notion that professional wrestling is “fake” is pervasive enough that most people don’t realize it’s a world just as competitive as any sport. It’s just the indicators of success aren’t strictly focused on the results in the ring.

As is made abundantly clear in the very entertaining Fighting With My Family, while the results of wrestling matches are more or less fixed as a means of storytelling and showmanship, the athleticism on display is just as genuine as any contest where the results aren’t predetermined.

The film tells the story of WWE superstar Paige, who emerged from a family of wrestlers in England to become one of the top female performers in the world’s biggest pro-wrestling promotion.

With her family’s small promotion struggling to get by, Paige (Florence Pugh) and her brother, Zak (Jack Lowden) are invited to a WWE tryout. But when Paige is the only one deemed worthy of potential superstardom, the siblings must come to terms with the notion that one’s dream and one’s destiny might lead to separate paths.

For Paige, that means leaving her family to train in America, and dealing with the hardships of trying to fit in when it seems she doesn’t quite fit in. For Zak, it means coming to terms with the idea that maybe his place isn’t in the spotlight, but quietly working behind the scenes to further the traditions of his family profession.

Fighting With My Family is based on a British TV documentary about Paige and her family and their passion for professional wrestling. Director Stephen Merchant has refocused the story into a rather typical sports movie underdog tale, playing fast-and-loose with the reality it for a more concise narrative.

Vince Vaughn’s character of Hutch Morgan, for example, is a composite of a variety of WWE authorities Paige would have encountered during her training in the NXT developmental program, essentially the minor leagues of wrestling.

The movie also skips over dealing with NXT’s own championship hierarchy, where using it might have giving a better sense of Paige’s progress within the company aside from her reactions to a few contentious exchanges with Hutch, and some encouraging words from Dwayne “The Rock” Johnson, who pops in to play himself.

As such, the film’s climactic result seems a bit forced within the context of the story beats the movie itself has established, a development owing more to being a re-creation of the real event than something the film’s version of events has earned. Merchant’s comedic background serves the offbeat moments of the story well, but he admittedly wasn’t aware of the inner workings of professional wrestling before taking on the task of helming the film, and a few beats focused more on the mechanics of pro-wrestling storytelling might have been warranted.

Still, aided by some great performances by the main cast, the film offers plenty of heartfelt sentiment in celebrating the power of family to fuel the pursuit of a lifelong dream and find comfort and contentment when things don’t always go according to plan.

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Home video extras include nine minutes of deleted scenes, a three-minute gag reel, a nine-minute behind-the-scenes featurette and a three-minute video about training for the physicality in the film. Merchant also provides an audio commentary for the film.

The Blu-ray also features an “unrated director’s cut” of the film, but the alterations are so minor that its inclusion seems like more of a marketing gimmick than anything of consequential artistic value. That being said, based on the few identifiable differences, my preference tends to lean toward the unrated cut, which actually runs three seconds shorter than the theatrical version.

The changes don’t alter the story in any way and consist mostly of alternate takes featuring slightly cruder dialogue to get the same message across.

I’ve managed to identify five alterations:

1) A slightly faster edit for a key joke during the dinner scene of Zak’s girlfriend’s parents meeting his family;
2) The Rock having a slightly different reaction to Paige’s shock at meeting him for the first time;
3) A more grotesque line of dialogue from an audience member reacting to Paige’s first introduction to an NXT crowd;
4) A faster edit of Zak getting into a bar fight; and
5) An obscenity as Hutch is testing Paige’s comebacks to potential crowd insults.

Also note that while Universal is distributing the Blu-ray, the film is an MGM production and thus the digital copy is not compatible with Movies Anywhere, but redeemable only through iTunes.