Romero-Argento Duo ‘Two Evil Eyes’ Coming to 4K Ultra HD Aug. 24 From MVD

Horror masters George Romero and Dario Argento direct a pair of shockers inspired by the tales of Edgar Allan Poe in the two-disc set Two Evil Eyes, available on 4K Ultra HD Aug. 24 from Blue Underground and MVD Entertainment Group.

In Romero’s The Facts in the Case of Mr. Valdemar, a conniving wife (Adrienne Barbeau, The Fog) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. In Argento’s The Black Cat, a deranged crime scene photographer (Harvey Keitel, From Dusk Till Dawn) is driven to brutal acts of madness and murder by his girlfriend’s new pet.

Martin Balsam (Psycho), E.G. Marshall (Creepshow), John Amos (The Beastmaster) and Tom Atkins (Night of the Creeps) co-star in this horror duo that also features makeup effects by Tom Savini (Maniac).

Blue Underground scanned Two Evil Eyes in 4K 16-bit from the original camera negative. The release features Dolby Vision HDR and a new Dolby Atmos audio mix.

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Bonus features include:
  • audio commentary with Troy Howarth, author of Murder By Design: The Unsane Cinema of Dario Argento;
  • the theatrical trailer;
  • a poster and still gallery;
  • “Two Masters’ Eyes,” featuring interviews with Argento and Romero, Savini, executive producer Claudio Argento and Asia Argento;
  • “Savini’s EFX,” a behind-the-scenes look at the film’s special make-up effects;
  • “At Home With Tom Savini,” a personal tour of Savini’s home;
  • Adrienne Barbeau on Romero;
  • “Before I Wake,” an interview with star Ramy Zada;
  • “Behind the Wall,” an interview with star Madeleine Potter;
  • “One Maestro and Two Masters,” an interview with composer Pino Donaggio;
  • “Rewriting Poe,” an interview with co-writer Franco Ferrini;
  • “The Cat Who Wouldn’t Die,” an interview with assistant director Luigi Cozzi;
  • “Two Evil Brothers,” an interview with special make-up assistant Everett Burrell; and
  • “Working With George,” an interview with costume designer Barbara Anderson.

 

‘A Quiet Place Part II’ Coming to Digital July 13, Disc July 27

The thriller sequel A Quiet Place Part II will debut on digital July 13 and on 4K Ultra HD Combo Pack, Blu-ray and DVD July 27 from Paramount Home Entertainment.

In the sequel, written and directed by John Krasinski, following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.

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Special features include Krasinski on the set of the new film as he details the cast and crew’s work in a video director’s diary; information about the secrets of the monstrous invaders; an explanation of the two-film character arc of daughter Regan; a breakdown of the marina scene; and exploration of the visual effects and sound design.

The 4K Ultra HD and Blu-ray Discs also include a Dolby Atmos soundtrack, and the 4K Ultra HD disc features Dolby Vision.

The  two-movie collection will also be available to buy exclusively on digital or Blu-ray with bonus content on both films.

Paramount, CBS Celebrating 55th Anniversary of ‘Star Trek’ With New Blu-ray, 4K Releases

To celebrate the 55th anniversary of the “Star Trek” franchise, Paramount Home Entertainment will release a new Blu-ray Steelbook collection of the original series, as well as a boxed set of the first four “Trek” movies on 4K Ultra HD for the first time.

The first episode of the original “Star Trek” series aired Sept. 8, 1966. The sci-fi adventure chronicled the adventures of the starship Enterprise in the 23rd Century and starred William Shatner as Capt. James T. Kirk, Leonard Nimoy as Mr. Spock, and DeForest Kelley as Dr. McCoy.

CBS Home Entertainment is re-releasing the remastered Blu-ray editions of the show’s three seasons (1966-69) in collectible Steelbook packaging. The 20-disc Star Trek: The Original Series — The Complete Series set also includes nine hours of cast and crew interviews, commentaries, documentaries and archival materials. (Update 8/2/21: The set had been slated for Sept. 7 release but has been pushed back to Oct. 26 due to manufacturing delays, according to CBS.)

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Meanwhile, Paramount Sept. 7 is releasing the new Star Trek: The Original 4-Movie Collection boxed set containing 4K Ultra HD Blu-ray versions of 1979’s Star Trek: The Motion Picture, 1982’s Star Trek II: The Wrath of Khan, 1984’s Star Trek III: The Search for Spock and 1986’s Star Trek IV: The Voyage Home. Newly remastered from original elements, each film is presented with Dolby Vision and HDR 10. The set also comes with a digital copy of each film, and a regular Blu-ray copy of each film with hours of previously released bonus content.

Each of the original four “Star Trek” films will also be available individually on Blu-ray.

In Star Trek: The Motion Picture, the U.S.S. Enterprise boldly debuted on the big screen with the cast of the original “Star Trek” series, including Shatner, Nimoy, Kelley, George Takei, Nichelle Nichols, Walter Koenig and James Doohan. When an unidentified alien intruder threatens Earth, Kirk returns to duty in command of a newly transformed U.S.S. Enterprise. This is the original theatrical cut and features Jerry Goldsmith’s iconic overture.

Star Trek II: The Wrath of Khan includes both the original theatrical and director’s cuts. In the film, on routine training maneuvers, Admiral Kirk seems resigned that this may be the last space mission of his career. But an adversary from the past has returned with a vengeance. Aided by his exiled band of genetic supermen, Khan (Ricardo Montalbán) — brilliant renegade of 20th century Earth — has raided Space Station Regula One, stolen the top-secret device called Project Genesis, wrested control of another Federation starship, and now schemes to set a most deadly trap for his old enemy Kirk.

In Star Trek III: The Search for Spock, Kirk’s defeat of Khan and the creation of the Genesis planet are empty victories. Spock is dead and McCoy is inexplicably being driven insane. Then a surprise visit by Spock’s father provides a startling revelation: McCoy is harboring Spock’s living essence. Kirk attempts to steal the U.S.S. Enterprise and defy Starfleet’s Genesis planet quarantine to search for his friend, but the Klingons are planning a deadly rendezvous.

In Star Trek IV: The Voyage Home, when a mysterious alien power threatens the atmosphere of Earth in the 23rd century, Kirk and his crew must time travel back to 1986 San Francisco to save mankind. Exploring this strange new world, they encounter punk rock, pizza and exact-change buses that are as alien as anything in the far reaches of the galaxy.

To mark the 35th anniversary of Star Trek IV, Fathom Events will bring the film to select movie theaters nationwide on Thursday, Aug. 19, and Sunday, Aug. 22, with 3 p.m. and 7 p.m. local screening times. This special 35th anniversary screening will also include the featurette “Three Picture Saga,” which traces the unofficial “Star Trek Trilogy” storyline that begins in Star Trek II, continues in Star Trek III and concludes in Star Trek IV. A list of participating cinemas and tickets are available at www.fathomevents.com.

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In addition, Paramount and the Paramount+ streaming service have announced that a full restoration of Star Trek: The Motion Picture — The Director’s Edition is underway.

To meet its release date in December 1979, the filmmakers behind Star Trek: The Motion Picture were famously behind schedule in completing post-production work, preventing director Robert Wise from fine-tuning the final cut. Later, a television version added scenes back in, but some containing unfinished visual effects.

In 2001, Wise was given the chance to re-edit the film and replace several visual effects shots for a DVD director’s edition, but the final master was completed in standard-definition.

Thus, the restored version of the director’s edition will be prepared in 4K Ultra HD with Dolby Vision high dynamic range and a new Dolby Atmos soundtrack. The restoration will be overseen by producer David C. Fein, restoration supervisor Mike Matessino and visual effects supervisor Daren R. Dochterman, all of whom worked previously with Wise, who died in 2005.

The restoration is expected to take six to eight months and is expected to launch in 2022 with an exclusive window on Paramount+.

Jim Henson’s ‘Labyrinth’ Coming to 4K Ultra HD Aug. 17 for 35th Anniversary

The Jim Henson fantasy Labyrinth will debut on 4K Ultra HD Aug. 17 for its 35th anniversary from Sony Pictures Home Entertainment.

The 1986 film follows a 16-year-old girl (Jennifer Connelly) who is given 13 hours to solve a dangerous and wonderful labyrinth and rescue her baby brother when her wish for him to be taken away is granted by the Goblin King (the late David Bowie).

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The release will feature Dolby Vision and an hour of new and archival special features. The limited-edition collectible set also includes a 28-page Digibook — featuring artwork, photography and early script pages — styled to resemble Sarah’s book of The Labyrinth from the film.

‘Top Gun’ Flying Back to Theaters for 35th

The Tom Cruise action classic Top Gun will land at more than 150 Dolby Cinemas at AMC across the country for an exclusive one-week engagement beginning May 13.

Newly remastered, the film will be presented with Dolby Vision and Dolby Atmos audio.

The limited theatrical release is timed to Top Gun Day on May 13, as well as the 35th anniversary of the film, which was originally released on May 16, 1986.

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The film, starring Cruise, Kelly McGillis, Val Kilmer and Anthony Edwards,  is available now on digital, 4K Ultra HD and Blu-ray, with more than four hours of bonus content, including a featurette that explores the film’s legacy and enduring popularity through interviews with Cruise, producer Jerry Bruckheimer and members of the cast of the new film Top Gun: Maverick.

The story of an elite group of pilots competing to earn the title of “Top Gun” ultimately earned a worldwide box office of more than $350 million.

Apple Announces New Apple TV 4K Device With High-Frame-Rate HDR and Dolby Vision

Apple April 20 announced the next generation of Apple TV 4K, delivering high frame rate HDR with Dolby Vision.

The new Apple TV 4K features an A12 Bionic chip that provides a significant boost in graphics performance, video decoding and audio processing, according to Apple. The Siri Remote also has a new design.

The new Apple TV 4K will be available starting at $179 (U.S.) from apple.com, in the Apple Store app, and at Apple Store locations. Apple TV 4K is also available through Apple Authorized Resellers and select pay TV providers.

Customers can order the new Apple TV 4K beginning April 30, with availability beginning in the second half of May in more than 30 countries and regions, including the United States. Apple TV HD with the new Siri Remote will be available for $149. The new Siri Remote will be available separately for $59, and is compatible with the previous-generation Apple TV 4K and Apple TV HD.

“Apple TV 4K is in a category of its own, leveraging a deep integration of Apple hardware, software, and services that delivers a massive upgrade to any TV for the very best cinematic experience,” Bob Borchers, Apple’s VP of worldwide product marketing, said in a statement. “With the A12 Bionic and the all-new Siri Remote, Apple TV 4K lets customers enjoy their favorite shows, movies, and more in the highest quality, with simple and intuitive controls. And of course, Apple TV 4K offers easy access to Apple services, along with thousands of apps on the App Store for even more entertainment options.”

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With A12 Bionic, Apple TV 4K now supports high frame rate HDR (high dynamic range) and Dolby Vision video, enabling fast-moving action at 60 frames per second (fps) to play more smoothly and appear more lifelike, according to the Apple announcement. Apple is working with leading video providers around the world, including Fox Sports, NBCUniversal, Paramount+, Red Bull TV and Canal+, as they begin to stream in high-frame-rate HDR. With high-frame-rate support in AirPlay, videos shot on iPhone 12 Pro can be displayed in full 60-fps Dolby Vision on the new Apple TV 4K.

Through a new color balance process, Apple TV works with iPhone and its advanced sensors to improve a television’s picture quality, according to the announcement. Apple TV uses the light sensor in the iPhone to compare the color balance to the industry-standard specifications used by cinematographers worldwide. Using this data, Apple TV automatically tailors its video output to deliver much more accurate colors and improved contrast — without customers ever having to adjust their television settings, according to Apple.

The new Siri remote for Apple TV

The new Siri Remote features a clickpad control that offers five-way navigation for better accuracy and is also touch-enabled for fast directional swipes. The outer ring of the clickpad supports a circular gesture that turns it into a jog control, which can be used for finding a scene in a movie or show. The new Siri Remote also has a power button that controls a TV’s power and another for mute to eliminate the need for other remots. Using Siri, customers can search for specific shows or movies, control smart home accessories, check sports scores or the weather and more, according to Apple. Siri now works on Apple TV in Austria, Ireland, and New Zealand, joining the 13 countries and regions that already support Siri.

Apple TV 4K runs tvOS. AirPlay on Apple TV 4K lets customers effortlessly share videos, school projects and other content from their iPhone, iPad or Mac directly to the TV. Videos shot on iPhone 12 Pro can be displayed in full 60-fps Dolby Vision with high frame rate support in AirPlay. Apple TV 4K can be used as a home hub to control HomeKit accessories, and allows customers to view HomeKit video cameras and doorbell notifications on the television screen. With multiuser support on Apple TV 4K, family members can see personalized recommendations for shows, movies and music, access their purchased apps in the App Store, or play games on Apple Arcade.

For the first time, AppleCare+ will be available for Apple TV, providing three years of technical support and additional hardware coverage, including up to two incidents of accidental damage protection every 12 months.

‘Donnie Darko’ 4K Ultra HD, ‘Elvira’ Blu-ray Among Titles Available From MVD and Arrow in April

Donnie Darko on 4K Ultra HD Blu-ray, Elvira: Mistress of the Dark on Steelbook Blu-ray, and two 1970s cult films on Blu-ray, Switchblade Sisters and Death Has Blue Eyes, are available in April from Arrow Video and MVD Entertainment Group.

Richard Kelly’s debut feature Donnie Darko (2001) is coming to 4K Ultra HD Blu-ray April 27 in a two-disc set that includes both the theatrical and director’s cut. Initially beset with distribution problems, it would slowly find its audience and emerge as a cult classic. Donnie is a troubled high school student: in therapy, prone to sleepwalking and in possession of an imaginary friend, a six-foot rabbit named Frank, who tells him the world is going to end in 28 days, 6 hours, 42 minutes and 12 seconds. During that time, he will navigate teenage life, narrowly avoid death in the form of a falling jet engine, follow Frank’s maladjusted instructions and try to maintain the space-time continuum. Described by its director as “The Catcher in the Rye as told by Philip K. Dick,” Donnie Darko stars Jake and Maggie Gyllenhaal, Patrick Swayze, Drew Barrymore, Mary McDonnell, Katharine Ross and Noah Wyle and features a soundtrack of 1980s classics by Echo and the Bunnymen, Tears for Fears and Duran Duran. The new 4K restorations of both the theatrical cut and the director’s cut from the original camera negatives by Arrow Films were supervised and approved by director Richard Kelly and cinematographer Steven Poster and feature Dolby Vision. The release includes a 100-page hardcover book featuring writing by Nathan Rabin, Anton Bitel and Jamie Graham; an in-depth interview with Richard Kelly; an introduction by Jake Gyllenhaal; and contemporary coverage, illustrated with original stills and promotional materials. It also includes a double-sided fold-out poster featuring newly commissioned artwork by Luke Preece; six double-sided collector’s postcards; and limited edition packaging with a reversible sleeve featuring original and newly commissioned artwork by Luke Preece. Both discs include numerous extras, including commentaries and featurettes.

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Horror icon Elvira’s big screen debut Elvira: Mistress of the Dark (1988) is coming to Blu-ray in a Steelbook special edition April 27. In the film, having just quit her job as a Los Angeles TV horror hostess, Elvira receives the unexpected news that she’s set to inherit part of her great aunt Morgana’s estate. Arriving in the small town of Fallwell, Mass., to claim her inheritance, Elvira receives a less than enthusiastic reception from the conservative locals — among them, her sinister uncle Vincent, who, unbeknownst to Elvira, is in fact an evil warlock secretly scheming to steal the old family spell book for his own nefarious ends. Elvira: Mistress of the Dark helped solidify the horror hostess (played by Cassandra Peterson) as a major pop culture icon. Featuring a 2018 restoration from a 4K scan of original film elements, the release includes an introduction by director James Signorelli; 2017 audio commentary with Signorelli, hosted by Fangoria editor emeritus Tony Timpone; 2017 audio commentary with Patterson Lundquist, www.elviramistressofthedark.com webmaster and judge of U.S. TV show “The Search for the Next Elvira”; “Too Macabre – The Making of Elvira: Mistress of the Dark,” a 2018 version of this feature-length documentary on the making of the film, including interviews with various cast and crew and rare never-before-seen archival material; “Recipe for Terror: The Creation of the Pot Monster,” a 2018 version of this featurette on the concept and design of the pot monster, as well as the film’s other SFX; original storyboards; extensive image galleries; original U.S. theatrical and teaser trailers; a limited edition Steelbook featuring newly produced artwork; and a limited edition booklet featuring a foreword by writer and director Sam Irvin and writing on the film by Kat Ellinger and Patterson Lundquist.

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From Jack Hill, director of Spider Baby, Coffy, Foxy Brown and The Swinging Cheerleaders, comes the 1975 grindhouse classic Switchblade Sisters, due on Blu-ray April 27. In the film, Lace (Robbie Lee), the leader of inner-city girl gang the Dagger Debs, meets her match when new girl Maggie (Joanne Nail) moves into the neighborhood. Mistrust and conflict turn to friendship as the girls end up in Juvenile Detention together at the mercy of abusive guards. Meanwhile, the Dagger Debs’ male counterparts the Silver Daggers have to contend with the arrival of a new gang, led by the villainous Crabs (Chase Newhart). But when the girls get back on the streets, a planned retaliation strike in tandem with the Silver Daggers backfires and puts Lace in hospital. Maggie assumes control, teaming up with Muff (Marlene Clark) and her gang of African-American militants from across town to declare all-out war, but there’s a traitor in their midst. Extras include a new audio commentary by historians/critics Samm Deighan and Kat Ellinger; “We Are the Jezebels,” an archival documentary featuring director Jack Hill, producer John Prizer, casting director Geno Havans, production designer B.B. Neel, stunt coordinator Bob Minor, and stars Joanne Nail, Asher Brauner, and Chase Newhart; “Gangland: The locations of Switchblade Sisters,” an archival documentary in which Jack Hill and filmmaker Elijah Drenner revisit the shooting locations; Jack Hill and Joanne Nail at the Grindhouse Film Festival, a 2007 archival interview with the director and actor; an interview with Jack Hill, Robbie Lee and Joanne Nail, an archival 1990s interview with the director and stars in conversation with Johnny Legend; galleries of behind the scenes stills, international posters, video covers and lobby cards; theatrical trailers; a reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil; and, for the first pressing only, an illustrated collectors’ booklet featuring new writing by Alexandra Heller-Nicholas and Heather Drain.

Available now is Death Has Blue Eyes (1976) on Blu-ray, a paranormal action thriller from the director of the cult classic Island of Death (1976). In the film, when local gigolo Chess (Chris Nomikos) greets his vacationing friend Bob Kovalski (Peter Winter) at Athens airport, the pair embark on a string of scams and erotic dalliances that eventually lead them into contact with an elegant wealthy woman Geraldine Steinwetz (Jessica Dublin) and her glamorous daughter Christine (Maria Aliferi). Geraldine blackmails the two bachelors into acting as bodyguards for Christine, whom it transpires has telepathic abilities and has had her eye on them for some time. After fleeing from a series of assassination attempts, it soon becomes clear that Geraldine herself might not be quite who she seems, as the two young men find themselves caught up in a political conspiracy of international dimensions. In his debut feature, filmmaker Nico Mastorakis presents viewers non-stop car, bike and helicopter chases, a bevy of beautiful girls with guns, softcore sex scenes, psychic thrills, and Cold War political intrigue set against the picturesque landscapes of 1970s Greece. The release features a new restoration from the original camera negative approved by the director; two versions of the film, the widescreen 1.85:1 version and the full-frame 1.33:1 version; an exclusive new interview featurette with Nico Mastorakis; an exclusive new interview with actress Maria Aliferi; “Dancing with Death,” tracks from the Death Has Blue Eyes original soundtrack; original theatrical trailers; an image gallery; a reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys; and, for the first pressing only, an illustrated collectors’ booklet featuring new writing by Julian Grainger.

NATAS to Honor Dolby With Tech Emmy

The National Academy of Television Arts & Sciences has announced that Dolby will be honored with a Technology & Engineering Emmy Award for its contributions to dynamic metadata for optimal high-dynamic-range (HDR) and Wide Color Gamut (WCG) color volume mapping at the upcoming 72nd Technology & Engineering Emmy Awards.

“HDR has changed the way consumers experience films and TV shows at home and on the go,” according to a Dolby press release. “Dolby’s innovations in HDR dynamic metadata and WCG enable advanced HDR solutions, like Dolby Vision, to consistently deliver the best imaging experience possible across a wide variety of consumer devices — from TVs to smartphones. As one of history’s biggest advancements in picture quality, HDR with dynamic metadata and WCG is pushing the entertainment industry forward by providing millions of consumers around the world access to lifelike picture quality.”

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“Over a decade ago, we set out to transform entertainment through advancements in HDR. These innovations, brought to life as Dolby Vision, provide creatives the tools to tell their stories as they were imagined while allowing consumers to experience these stories in the best quality possible,” Giles Baker, SVP of consumer entertainment at Dolby Laboratories, said in a statement. “We are honored and humbled to be recognized by The National Academy of Television Arts & Sciences for these contributions, which have pushed picture quality forward by leaps and bounds.”

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Since its introduction in 2014, Dolby Vision dynamic metadata has allowed creatives to capture, preserve, and share their artistic expression with consumers exactly as it was intended, according to the release. Dolby Vision-enabled devices come from manufacturers such as Amazon, Apple, LG, Microsoft, Sony, TCL, Vizio and others. Thousands of films and TV episodes have been created in Dolby Vision. Dolby Vision content is also delivered to consumers via streaming services such as Apple TV+, Disney+, Netflix, Vudu and Tencent.

Dolby has also created Dolby Vision IQ, which extends the benefits of Dolby Vision beyond HDR by leveraging the ambient light sensor within a TV and Dolby Vision dynamic metadata to “intelligently deliver a perfect picture in any room, for every moment,” according to the release. Outside of film and TV, Dolby Vision is also used in next-gen gaming, live sports and user-generated content.

Horror Films ‘House by the Cemetery’ and ‘New York Ripper’ Coming to 4K From MVD

Two horror films from “The Godfather of Gore” Lucio Fulci, The House by the Cemetery and New York Ripper, are coming out on 4K Ultra HD Blu-ray from Blue Underground and MVD Entertainment Group Aug. 25.

Both feature Dolby Vision HDR and Dolby Atmos sound.

In 1981’s The House by the Cemetery, a young family moves from their cramped New York City apartment to a spacious new home in New England. But this is no ordinary house in the country: the previous owner was the deranged Dr. Freudstein, whose monstrous human experiments have left a legacy of bloody mayhem. Now, someone — or something — is alive in the basement, and home sweet home is about to become a horrific hell on earth.

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The film stars Catriona MacColl (The Beyond), Paolo Malco (The New York Ripper), Ania Pieroni (Tenebre), Carlo De Mejo (City of the Living Dead) and Dagmar Lassander (Hatchet for the Honeymoon).

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Special features include audio commentary with Troy Howarth, author of Splintered Visions: Lucio Fulci and His Films; a deleted scene; theatrical trailers; a TV spot; poster and still galleries; “Meet the Boyles,” interviews with stars Catriona MacColl and Paolo Malco; “Children of the Night,” interviews with Stars Giovanni Frezza and Silvia Collatina; “Tales of Laura Gittleson, an interview with star Dagmar Lassander; “My Time With Terror,” an interview with star Carlo De Mejo; “A Haunted House Story,” interviews with co-writers Dardano Sacchetti and Elisa Briganti; “To Build a Better Death Trap,” interviews with cinematographer Sergio Salvati, special make-up effects artist Maurizio Trani, special effects artist Gino De Rossi, and actor Giovanni De Nava; “House Quake,” an interview with co-writer Giorgio Mariuzzo; a Catriona MacColl Q&A; and “Calling Dr. Freudstein,” an interview with Stephen Thrower, author of Beyond Terror: The Films of Lucio Fulci.

The 1982 film The New York Ripper, co-written and directed by Fulci, follows a blade-wielding psychopath on the loose in the Big Apple killing beautiful young women. As NYPD detective Fred Williams (Jack Hedley) follows the trail of butchery from the decks of the Staten Island Ferry to the sex shows of Times Square, each brutal murder becomes a sadistic taunt.

Extras include audio commentary with Troy Howarth, author of Splintered Visions: Lucio Fulci and His Films; “The Art of Killing,” an interview with co-writer Dardano Sacchetti; “Three Fingers of Violence,” an interview with star Howard Ross; “The Second Victim,” an interview with co-star Cinzia de Ponti; “The Broken Bottle Murder,” an interview with co-star Zora Kerova; “I’m an Actress!,” a 2009 interview with Kerova; “The Beauty Killer,” an interview with Stephen Thrower, author of Beyond Terror: The Films of Lucio Fulci; “Paint Me Blood Red,” an interview with poster artist Enzo Sciotti; NYC locations then and now; the theatrical trailer; and a poster and still gallery.

MVD Releasing ‘Flash Gordon’ and ‘Pitch Black’ as Arrow’s First 4K Ultra HD Blu-rays

Arrow Video is set to release its first-ever 4K Ultra HD Blu-ray titles — the sci-fi cult movies Pitch Black, starring Vin Diesel, and Flash Gordon, featuring an iconic soundtrack by the rock band Queen.

Restored in 4K with Dolby Vision, the releases include numerous extras. The titles, distributed by MVD Entertainment Group, will also be available on as standalone Blu-rays.

“At Arrow we have always sought to have the best standards in home video presentation so it seemed a logical step that we would embrace this new format, to present you with the best versions of the finest cult and classic films,” said Francesco Simeoni, Arrow Video’s director of acquisitions and business development, in a statement.

Arrow is producing a slate of 4K releases, many completed in-house, but also in partnership with world leading labels.

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“Whilst we are focused on new releases, we do have select releases we are planning to release from our catalog in 4K with Dolby Vision,” said Simeoni in a statement. “For this year this will be releasing all upcoming UHD titles in separate UHD and new Blu-ray editions. This development will not change our processes at Arrow, and you can continue to expect the same variety of special and limited editions for our UHD releases as you have our Blu-rays. Whilst we would love to release certain titles on UHD, rights restrictions and materials will not make all releases possible. Any releases currently planned for Blu-ray will not have plans for subsequent UHD releases.”

Arriving Aug. 18 is Flash Gordon, produced by Dino De Laurentiis (Dune, Barbarella), which brings Alex Raymond’s classic cartoon strip and the long running movie serial to the big screen with director Mike Hodges at the helm. With camp style and the sonic stylings of rock band Queen, the film stars include Max von Sydow, Sam J. Jones, Melody Anderson, Ornella Muti, Timothy Dalton and Brian Blessed.

The director-approved limited edition 4K Ultra HD release includes:

  • A new 4K restoration by Studiocanal from the original camera negative approved by director Hodges;
  • a booklet featuring new writing on the film by critics and film historians including Neil Snowdon, Dennis Cozzalio, John-Paul Checkett, A.K. Benedict, and Kat Ellinger illustrated with original stills;
  • a fold-out double-sided poster featuring original and newly commissioned artwork;
  • six double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images; and
  • limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais.

 

Disc one (4K Ultra Blu-ray) has Flash Gordon (1980) and special features, including:

  • archival audio commentary with Hodges;
  • archival audio commentary with Blessed;
  • interviews with actors Sam J. Jones, Melody Anderson, Blessed, Queen icon Brian May, composer Howard Blake, and poster designer Renato Casaro;
  • “Behind the Scenes of Flash Gordon,” an archival documentary on the making of the film;
  • archival interviews with Hodges, screenwriter Lorenzo Semple Jr. and comic book artist Alex Ross;
  • “Lost in Space: Nic Roeg’s Flash Gordon,” a new documentary program exploring the version Roeg (The Man Who Fell to Earth) had originally planned to make with producer Dino De Laurentiis;
  • “Gremlin’s Finest Hour,” an episode from the animated “Flash Gordon” TV show written by J. Michael Reaves from November 1982;
  • deleted scenes and original endings with prop collector Bob Lindenmayer discussing dropped sequences and sequel ideas;
  • a 35th anniversary greenroom featurette, in which Hodges meets the cast for the first time since filming at the 35th anniversary reunion;
  • a 35th anniversary reunion featurette, in which the cast and crew discuss Flash Gordon;
  • Entertainment Earth on Flash Gordon merchandise;
  • a storyboards gallery;
  • a stills gallery;
  • the original trailer; and
  • Easter eggs.

 

Disc 2 (Blu-ray) has Life After Flash and special features, including:

  • 2017 feature length documentary by filmmaker Lisa Downs on the rollercoaster life of Sam J. Jones since his role in Flash Gordon, featuring the main cast and crew as well as a host of fans. including Stan Lee, Robert Rodriguez, Mark Millar and more;
  • “Sam J. Jones,” a variety of interviews and featurettes including coverage of a script read from the Chattanooga Film Festival, Sam discussing his career in Mexico, his “prayer walk,” and more;
  • “Melody Paintings Extended,” in which actress Melody Anderson talks about her love of painting and talks about various pieces displayed in her home;
  • “Topol,” a variety of interviews with the actor on his collections, awards and charity work;
  • “Brian Blessed,” in which the actor recounts amusing stories about Flash Gordon;
  • “Late, Great Wyngarde,” in which actor Peter Wyngarde discusses his experiences filming Flash Gordon and his relationship with Hodges;
  • “Deep Roy,” in which the actor raps about ambition and recounts an amusing story about “Eastbound & Down”;
  • “Alex Ross Talks Early Art,” in which the artist talks about Flash Gordon and the many pieces of art he created for it from childhood to modern day;
  • “Tell Me More About the This Man Houdini,” in which actor Rich Fuller and Jason Lenzi, founder of toy brand Bif Bang Pow, discuss a scene from Flash Gordon;
  • a Comic-Con early draft, a featurette looking at the phenomenon that is Comic-Con, featuring interviews with attendees and a host of regular talent including Sam J. Jones, Rich Fulton, Jason Mewes, Michael Rooker, Claudia Wells and more;
  • an interview with Lisa Downs, the director of Life After Flash, exploring her motivation to make the film and experiences during the production;
  • “Life After Flash on the Road,” a variety of featurettes on the film travelling to various festivals and production including Q&A excerpts with the Flash Gordon cast, behind-the-scenes footage and the Kickstarter funding video;
  • a trailer.

 

The director-approved special edition 4K Ultra HD release includes:

  • new 4K restoration by Studiocanal from the original camera negative approved by director Hodges;
  • archival audio commentary with Hodges;
  • archival audio commentary with Blessed;
  • interviews with actors Jones, Anderson, Blessed, Queen icon Brian May, composer Howard Blake, and poster designer Renato Casaro;
  • “Behind the Scenes of Flash Gordon,” an archival documentary on the making of the film;
  • archival interviews with Hodges, screenwriter Lorenzo Semple Jr. and comic book artist Alex Ross;
  • “Lost in Space: Nic Roeg’s Flash Gordon,” a new documentary program exploring the version Roeg (The Man Who Fell to Earth) had originally planned to make with producer Dino De Laurentiis;
  • “Gremlin’s Finest Hour,” an episode from the animated “Flash Gordon” TV show written by J. Michael Reaves from November 1982;
  • deleted scenes and original endings, in which prop collector Bob Lindenmayer discusses dropped sequences and sequel ideas;
  • a 35th anniversary greenroom featurette, in which Hodges meets the cast for the first time since filming at the 35th anniversary reunion;
  • a 35th anniversary reunion featurette, in which the cast and crew discuss Flash Gordon;
  • Entertainment Earth on Flash Gordon merchandise;
  • a storyboards gallery;
  • a stills gallery;
  • the original trailer;
  • Easter eggs; and
  • a reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais.

 

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Arriving Sept. 1, pushed back from its original Aug. 18 street date, is the 2000 film Pitch Black. The standalone Blu-ray version is still slated for Aug. 18.

Starring Vin Diesel, the film is about the crew of a crashed spaceship fighting for survival, is a creature-feature in which the monsters outside finally meet their match against a monster within. The release includes director’s cuts of the film and a host of behind-the-scenes featurettes. They include:

  • A new 4K restoration by Arrow Films of the theatrical and director’s cuts of the film, approved by director David Twohy;
  • archive commentary with Twohy and stars Diesel and Cole Hauser;
  • archive commentary with Twohy, producer Tom Engelman and visual effects supervisor Peter Chiang;
  • “Nightfall: The Making of Pitch Black,” a newly filmed interview with director/co-writer Twohy;
  • “Black Box: Jackie’s Journey,” a newly filmed interview with actor Rhiana Griffith
  • “Black Box: Shazza’s Last Stand,” a newly filmed interview with actor Claudia Black;
  • “Black Box: Bleach Bypassed,” a newly filmed interview with cinematographer David Eggby;
  • “Black Box: Cryo-Locked,” a newly filmed interview with visual effects supervisor Peter Chiang;
  • “Black Box: Primal Sounds,” a newly filmed interview with composer Graeme Revell;
  • “The Making of Pitch Black,” a short behind-the-scenes featurette;
  • “Pitch Black Raw,” a comparison between early CG tests and the final footage
  • additional behind-the-scenes footage from the making of the film;
  • 2004 archive bonus features, including an introduction by Twohy, “A View Into The Dark,” and “Chronicles of Riddick Visual Encyclopedia”;
  • “Johns’ Chase Log,” a short prequel narrated by Cole Hauser detailing the character’s hunt for Riddick;
  • “The Chronicles of Riddick: Dark Fury,” an animated short film directed by Peter Chung that acts as a bridgepoint between Pitch Blackand The Chronicles of Riddick, featuring vocal performances by Diesel, Keith David and Griffith reprising their roles;
  • “Dark Fury” bonus features, including “Bridging the Gap,” “Peter Chung: The Mind of an Animator,” “A View Into The Light” and a “pre-animation” version of the film;
  • “Slam City,” a motion comic from the film’s official website;
  • “Into Pitch Black,”a TV special offering an alternative non-canon glimpse into what happened before and after the events of the film;
  • “Raveworld: Pitch Black Event,” footage of a dance music event held to promote the film;
  • theatrical trailers, plus trailers for the two sequels and video game
  • image galleries; and
  • a reversible sleeve featuring newly commissioned ‘night’ and ‘day’ artwork by Luke Preece.

 

For the first pressing only, editions include a collectors’ booklet featuring new writing by Simon Ward on the film’s creature designs (including a new interview with creature designer Patrick Tatopolous), original production notes and information from the film’s official website, and an archive interview with Vin Diesel from Starlog magazine.

Arrow announced that due to a printing error, its UHD versions of Pitch Black in all territories will no longer include a slipcase.