‘Stranger Things’ Tops Parrot’s Digital Originals Demand Chart for Week Ended May 30

Netflix’s “Stranger Things” remained No. 1 on Parrot Analytics’ digital originals rankings the week ended May 30.

“Stranger Things” had 59.4 times more demand in the United States than the average TV show in the market based on average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure demand for TV content. Demand for the show was down 4.4% from the previous week.

The Disney+ animated series “Star Wars: The Clone Wars” stayed at No. 2 for a second week. It was 51 times more in-demand over the average, with demand for the show down 17.6%.

Another Disney+ “Star Wars” spinoff series, the live-action “The Mandalorian,” remained No. 3 with 47.4 times average demand. The show dropped 10.5% in demand.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

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The superhero series “Titans,” a chart mainstay from the DC Universe streaming service, rose to No. 4, drawing 40.3 times the average demand, while demand for the show was up 0.8%.

The DC Universe animated series “Harley Quinn” dropped a spot to No. 5 with 38.3 times the demand, down 6.2% in demand from the previous week.

The AppleTV+ series “Defending Jacob,” the streaming upstart’s most successful original series in terms of demand according to Parrot, rose three spots to No. 6, with 33 times demand for the average show. Demand was up 9.9% after the season finale debuted May 29.

The top overall TV series was Adult Swim’s “Rick and Morty” with 86.6 times average demand. “Stranger Things” was No. 6 on the overall TV list.

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Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s proprietary metric called Demand Expressions, which measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

‘Stranger Things’ Back Over ‘Star Wars’ on Parrot’s Digital Originals Demand Chart

Netflix’s “Stranger Things” returned to the top spot on Parrot Analytics’ digital originals rankings the week ended May 23.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

“Stranger Things,” which was No. 3 the previous week, had 61 times more demand in the United States than the average TV show in the market based on average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure demand for TV content. Parrot changed its charts to reflect the relative demand metric in a given week, rather than the objective raw expressions number.

The previous week’s most in-demand digital original, the Disney+ animated series “Star Wars: The Clone Wars,” slid to No. 2 after four weeks in the top spot. It was 60.7 times more in-demand over the average.

Another Disney+ “Star Wars” spinoff series, the live-action “The Mandalorian,” slipped to No. 3 with 51.9 times average demand.

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The DC Universe animated series “Harley Quinn” rose two spots to No. 4 with 40 times the demand.

The superhero series “Titans,” a chart mainstay from the DC Universe streaming service, dropped to No. 5, drawing 39.3 times the average demand.

The biggest leap onto the top 10 was Netflix’s “She-Ra and the Princesses of Power,” climbing to No. 10 from No. 28 the previous week. It had 29.2 times average demand.

The top overall TV series was Nickelodeon’s “SpongeBob SquarePants” with 86.3 times average demand. “Stranger Things” was No. 6 on the overall TV list.

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Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s proprietary metric called Demand Expressions, which measures demand for TV content in a given market through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites. Results are expressed as a comparison with the average demand for a TV show of any kind in the market.

‘Star Wars’ Digital Originals Remain Most In Demand on Parrot Analytics Chart

The Disney+ animated series “Star Wars: The Clone Wars” remained No. 1 on Parrot Analytics’ digital originals rankings the week ended May 16, its fourth-consecutive week in the top spot.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

“The Clone Wars,” which concluded its seventh and final season on Disney+ May 4, registered 84.9 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content, down 39.3% from the previous week.

Another Disney+ “Star Wars” spinoff series, the live-action “The Mandalorian,” held onto the No. 2 spot on the digital originals list with 64 million expressions, a 2.8% increase from the previous week when news broke that Temuera Morrison would be returning to play Boba Fett. The latest reports have Katee Sackhoff playing the live-action version of her Bo-Katan character, a Mandalorian leader she previously voiced on “The Clone Wars” and “Star Wars: Rebels.”

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Netflix’s “Stranger Things” stayed at No. 3 on the digital originals chart, up 6.2% from the previous week to 61.5 million expressions.

The superhero series “Titans,” a chart mainstay from the DC Universe streaming service, ticked up a spot to take No. 4 for the week with 43 million expressions, up 4.9% from the previous week.

Netflix’s “Outer Banks” climbed to No. 5, with demand up 6.2% from the previous week to 41.5 million expressions. Demand for the teen drama has been steadily rising since the show’s April 15 premiere, though Parrot Analytics announced that quality control issues involving the show’s demand data prevented it from being reported on the charts previously.

Netflix’s “Lucifer” had the biggest jump into the top 10, placing 10th from No. 18 the previous week as the fourth season arrived on DVD and Blu-ray May 12. Expressions were up 18.9% to 30.6 million.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Star Wars’ Dominates Parrot’s Demand Expressions Chart

The annual “May the 4th Be With You” marketing event also known as Star Wars Day helped two of the franchise’s spinoffs dominate Parrot Analytics’ weekly list of the most in-demand digital original television shows the week ended May 9.

The Disney+ animated series “Star Wars: The Clone Wars” not only remained No. 1 on Parrot Analytics’ digital originals rankings for a third-consecutive week, it stayed atop the data firm’s overall list of TV series from any platform for a second week.

And the live-action series “The Mandalorian” climbed a spot to No. 2 on the digital originals list following a number of developments surrounding the upcoming second season of the series.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

The seventh and final season of “The Clone Wars,” available exclusively on Disney+, finished its run with a couple of the most-talked about episodes in the series’ history as the show chronicled how popular character Ahsoka Tano dealt with Order 66, the command to wipe out the Jedi seen in Revenge of the Sith. With the finale debuting on May 4 to coincide with Star Wars Day, “Clone Wars” registered a massive 139.9 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content, up 43.7% from the previous week.

“The Mandalorian” was up 25.2% in expressions to 62.3 million after receiving its own May the 4th boost from a couple of sources. First, Disney+ premiered a new documentary series called “Disney Gallery: Star Wars — The Mandalorian” to chronicle the making of the first season, with the first two of eight episodes available May 4 and 8, respectively. Also May 4, director Robert Rodriguez tweeted a picture of himself with the famous “Baby Yoda” puppet (officially known as The Child) to confirm he was directing a season two episode. Then on May 8 reports began swirling that actor Temuera Morrison, who played bounty hunter Jango Fett and the clone troopers in the prequel movies, would be playing fan-favorite bounty hunter Boba Fett on “The Mandalorian.”

The prequels established Boba was cloned from Jango to be raised as his son as payment for Jango serving as the template for the clone army, and Morrison previously voiced Boba while re-recording dialogue for the DVD special edition of The Empire Strikes Back. Boba Fett supposedly died in Return of the Jedi, but the notion that he survived has been a part of expanded “Star Wars” fiction in comic books and novels since shortly after that movie came out in 1983. There is some speculation that Morrison could also be playing Rex, a former clone trooper who abandoned the rising Empire during Order 66 (as depicted on “Clone Wars”) and is a close associate of Ahsoka (who was previously reported to be appearing on “The Mandalorian” to be played by Rosario Dawson).

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Netflix’s “Stranger Things” dropped to No. 3 on the digital originals chart, down 1.5% from the previous week to 57.9 million expressions.

Holding steady at No. 4 was the Netflix crime drama “Money Heist,” known internationally as “La Casa de Papel,” with expressions down 9.1% to 44.3 million.

The superhero series “Titans,” a chart mainstay from the DC Universe streaming service, ticked up a spot to take No. 5 for the week with 41 million expressions, up 1.2% from the previous week.

Another DC Universe series, the animated “Harley Quinn,” rose six spots to No. 6, with expressions up 15.6% to 37.7 million. The show is in the midst of its second season and its first season was recently announced for a June 2 DVD release.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Clone Wars’ Remains No. 1 on Parrot’s TV Demand Chart

The Disney+ animated series “Star Wars: The Clone Wars” not only remained No. 1 on Parrot Analytics’ digital originals rankings for a second-consecutive week, it also grabbed the top spot on the data firm’s overall list of TV series from any platform the week ended May 2.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

The seventh season of “The Clone Wars” is available exclusively on Disney+, and the penultimate episode that debuted May 1 was particularly well received by fans as it tied into the “Order 66” sequences from Revenge of the Sith, leading into the May 4 finale. “Clone Wars” registered 97.4 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content, up 43.3% from the previous week.

Netflix’s “Stranger Things” remained No. 2 on the digital originals chart, down 4.3% from the previous week to 58.7 million expressions.

The other notable Disney+ “Star Wars” spinoff, “The Mandalorian” rose a spot to No. 3, down 10.2% to 49.8 million expressions.

Netflix’s crime drama “Money Heist,” known internationally as “La Casa de Papel,” rose to No. 4, with expressions down 8.8% to 48.74 million.

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The new Apple TV+ crime drama “Defending Jacob” made a big jump to No. 5, from No. 23 a week earlier, with expressions up 115% to 40.7 million. The series, starring Chris Evans and Michelle Dockery, premiered April 24.

Also making a big move was Netflix’s surrealist animated series “The Midnight Gospel,”  which climbed from No. 33 to No. 10 with a 101.3% jump in expressions to 33.1 million. The show debuted April 20.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Clone Wars’ Takes Over Top Spot on Parrot’s Digital Originals Chart

The Disney+ animated series “Star Wars: The Clone Wars” took over the No. 1 spot on Parrot Analytics’ digital originals rankings the week ended April 25, its first time in the top spot.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

The 12-episode seventh season of “The Clone Wars” debuted exclusively on Disney+ Feb. 21. The show, which chronicles the galactic war taking place between the “Star Wars” movies Attack of the Clones and Revenge of the Sith, previously aired five seasons on Cartoon Network from 2008 to 2012, with a sixth season appearing on Netflix in 2014 after production was halted following Disney’s purchase of Lucasfilm.

All the episodes, plus the 2008 movie that began the series, are available from streaming on Disney+, with the new episodes meant to serve as a fitting conclusion for the series. The final four-part “Siege of Mandalore” story arc began April 17 and ties the end of the series into events of Revenge of the Sith, making them the most highly anticipated episodes of the new batch and explaining the show’s rise to the top spot. The final two episodes will be available May 1 and May 4, respectively.

“Clone Wars” registered 68 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was up 20.2% from the previous week, when it was No. 4.

Netflix’s “Stranger Things” remained No. 2 on the digital originals chart, down 9.6% from the previous week to 61.4 million expressions.

Netflix’s documentary series “Tiger King: Murder, Mayhem and Madness” dropped to No. 3, down 33.6% in expressions to 59.3 million. It had been most in-demand digital original the previous two weeks.

The other notable Disney+ “Star Wars” spinoff, “The Mandalorian” remained at No. 4, up 5.2% to 55.4 million expressions. For Disney, which has been hit particularly hard by the coronavirus lockdowns, the success of both “The Clone Wars” and “The Mandalorian” demonstrate the continued value of the “Star Wars” brand for the studio despite recent fan angst over the direction of the franchise.

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Netflix’s crime drama “Money Heist,” known internationally as “La Casa de Papel,” dropped to No. 5, with expressions down 9.3% to 53.4 million. The Spanish series was named by Parrot as the most in-demand series in the world after its fourth season debuted April 3.

Hulu’s “Little Fires Everywhere” gained 13.6% in demand after releasing its shocking finale April 22, pushing expressions to 37.7 million and moving up three spots to No. 7.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Tiger King’ Remains No. 1 on Parrot’s Digital Originals Chart

Netflix’s documentary series “Tiger King: Murder, Mayhem and Madness” remained No. 1 on Parrot Analytics’ digital originals rankings the week ended April 18, its second consecutive week in the top spot.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

“Tiger King,” which chronicles the feuds between several private exotic-animal owners in the United States, registered 89.3 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was up 0.4% from the previous week. The show also took over the top spot on the data firm’s overall list of TV series from any platform, including broadcast and cable.

With the limited series having become an Internet sensation since its March 20 debut, Netflix April 12 released an eighth episode, an “Aftershow” hosted by Joel McHale interviewing some of the people who appeared in the documentary.

Netflix’s “Stranger Things” remained No. 2 on the digital originals chart, down 2.4% from the previous week to 67.8 million expressions.

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Netflix’s crime drama “Money Heist,” known internationally as “La Casa de Papel,” stayed No. 3, with expressions down 14.7% to 58.8 million.

With Netflix in the top three spots, Disney+ took the next two with its two “Star Wars” shows. The animated “Star Wars: The Clone Wars” rose to No. 4, up 16.4% in expressions to 56.6 million. The final four-episode story arc of “The Clone Wars,” the highly anticipated “Siege of Mandalore” episodes that tie the show into the events of Revenge of the Sith, began April 17.

The “Star Wars” spinoff “The Mandalorian” slipped to No. 5 on the originals chart, but demand rose 4% to 52.7 million after Disney+ announced an eight-part documentary series about the making of the show to debut May 4.

Hulu’s “Little Fires Everywhere” entered the digital originals top 10 chart at No. 10, up two spots from the previous week. The minieries starring Reese Witherspoon and Kerry Washington rose 3% to 33.2 million demand expressions. The season finale will be available April 22.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Tiger King’ Ascends to No. 1 on Parrot’s Digital Originals Chart

Netflix’s documentary series “Tiger King: Murder, Mayhem and Madness” jumped to No. 1 on Parrot Analytics’ digital originals rankings the week ended April 11.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

“Tiger King,” which chronicles the feuds between several private exotic-animal owners in the United States, registered 88.9 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was up 118% from the previous week, when it was No. 8. With the limited series having become an Internet sensation since its March 20 debut, Netflix April 12 released an eighth episode, an “Aftershow” hosted by Joel McHale interviewing some of the people who appeared in the documentary.

Parrot reported that, according to its audience attention measurement metrics, Tiger King is Netflix’s most demanded documentary ever, surpassing the second season of “Making a Murderer.”

Netflix’s “Stranger Things” slid to No. 2 on the digital originals chart, down 6% from the previous week to 69.5 million expressions. It had been No. 1 for eight weeks in a row.

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Netflix’s crime drama “Money Heist,” known internationally as “La Casa de Papel,” jumped to No. 3, with expressions up 81.8% to 69 million. The Spanish series was named by Parrot as the most in-demand series in the world after its fourth season debuted April 3.

With Netflix in the top three spots, Disney+ took the next two with its two “Star Wars” shows. “The Mandalorian” dropped two spots to No. 4, down 7.6% to 54.8 million expressions. And the animated “Star Wars: The Clone Wars” slid to No. 5, down 6.8% in expressions to 48.6 million. The final four-episode story arc of “The Clone Wars” begins April 17.

Returning to the top 10 during the week was DC Universe’s “Harley Quinn,” which climbed to No. 9 from No. 11 the previous week. The second season of the animated Batman-universe spinoff premiered April 3. Expressions were up 3.9% to 36.6 million.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Tiger King’ Roars Onto Parrot’s Top 10 Originals Chart

Netflix’s documentary series “Tiger King: Murder, Mayhem and Madness” has become a cultural phenomenon thanks to a captivating subject matter and the coronavirus pandemic keeping people at home with plenty of time to watch TV. The show, which bowed its seven episodes on Netflix March 20, jumped to No. 8 on Parrot Analytics’ digital originals rankings the week ended April 4, up 434% from the previous week, when it was No. 110.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

“Tiger King,” which chronicles the feuds between several private exotic-animal owners in the United States, registered 40.8 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. Netflix is reportedly preparing an eighth episode of the series to debut soon.

Netflix’s “Stranger Things” remained No. 1 on the digital originals chart for the eighth-consecutive week, down 5.7% from the previous week to 65.5 million expressions.

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Demand for “Star Wars” continued to be split among the shows in the No. 2 and No. 3 spots. The Disney+ “Star Wars” spinoff “The Mandalorian” stayed at No. 2 with 54.8 million expressions, down 4.7% from the previous week. And the animated Disney+ series “Star Wars: The Clone Wars” remained No. 3, dropping 5.8% in expressions to 52.1 million.

The Netflix crime drama “Ozark” returned for a third season March 27, rising 86.5% in demand expressions to 46.7 million, placing it No. 4 from the week, compared with No. 20 a week earlier.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Stranger Things’ Takes Top Spot on Parrot’s Originals Chart for Seventh Week; ‘Mandalorian’ No. 2

Netflix’s “Stranger Things” remained No. 1 on Parrot Analytics’ digital originals rankings the week ended March 28, its seventh-consecutive week back in the top spot.

A “digital original” is Parrot’s term for a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+.

“Stranger Things” registered 69.4 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was up 0.3% compared with the previous week.

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The Disney+ “Star Wars” spinoff “The Mandalorian” rose to No. 2 with 57.5 million expressions, up 6.3% from the previous week. The show received some publicity in the past week over reports that Rosario Dawson had been cast to play the live-action version of fan-favorite character Ahsoka Tano in season two.

Speaking of Ahsoka Tano, the animated Disney+ series “Star Wars: The Clone Wars,” which is in the midst of showing an Ahsoka Tano story arc, slid to No. 3, dropping 0.2% in expressions to 55.3 million.

The CBS All Access series “Star Trek: Picard” climbed to No. 4 with a 15.2% jump in expressions to 47.6 million. The finale of the show’s first season debuted March 26.

Netflix’s “The Witcher” rose a spot to No. 5, with expressions down 4.3% to 42.7 million.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.