Box Office $23.8 million;
Rated ‘PG-13’ for violent content, some disturbing/bloody images, some strong language, thematic elements and suggestive material.
Stars Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga, Blu Hunt, Henry Zaga, Adam Beach.
Reflecting its comic book source material, The New Mutants offers a horror-infused take on the “X-Men” franchise and its penchant for finding people with bizarre superpowers.
As a spinoff of the “X-Men” comics, the “New Mutants” series focused more on younger mutants — the people born with genes that evolved to give them superpowers — who might one day be developed into full-fledged X-Men. The book’s style took on more surreal elements than the rest of the brand, though over the years it was the book that introduced characters such as Deadpool, Cable and Domino.
The New Mutants film moves away from “X-Men” style action and leans more into the realm of Stephen King thrillers and psychological horror. The story centers on a group of teenagers locked up in an asylum for evaluation of their powers, which manifest at the onset of puberty. But they seem to be under attack by an unseen force that takes that form of what terrified them as children. As discussed by director Josh Boone in the bonus materials, the film’s story draws particular inspiration from the “Demon Bear” storyline, in which one of the kids manifests her fears into a giant bear that attacks everyone.
The film is taut in its execution and the cast is likable, but the film’s primary obstacle is its ‘PG-13’ rating, which doesn’t allow the filmmakers to take the story as extreme as it perhaps needs to go, resulting in the intended frightfest coming off as rather bland.
They also minimize any connection to the greater “X-Men” franchise, aside from a few generalized references. That it serves mostly as a standalone film is just as well, considering the film was delayed for so long its ownership in the interim transferred to Disney through its Fox studio purchase, making this the final “X-Men” film of the old regime, aside from more “Deadpool” movies that Disney-owned Marvel Studios might want to produce.
The Blu-ray includes 11 minutes of deleted scenes that are pretty much more of the same of what the film delivers.
There are also two featurettes running just over seven minutes: “Origins & Influences,” about how the original comic book influenced the filmmakers, and “Meet the New Mutants,” a profile of the characters and the cast behind them.
Finally, the disc includes a commentary track in which Boone interviews Bill Sienkiewicz, the comic book artist who worked on the “New Mutants” story arcs being adapted. It’s an interesting conversation about the artistic pathways taken by each man, but it’s not synched in any way to the movie itself.