Netflix Picks Up Screen Rights to ‘Redwall’ Children’s Book Series

Brian Jacques’ “Redwall” book series will be reimagined on screen in a rights deal between Penguin Random House Children’s U.K. and Netflix.

Chronicling the adventures of the heroic animals that inhabit the forest haven of Redwall Abbey, the “Redwall” books have sold in excess of 30 million copies and have been translated into more than 20 languages.

A feature film based on Jacques’ first book in the series, Redwall, is currently in development with writer Patrick McHale (Over the Garden Wall, Guillermo del Toro’s Pinocchio), as well as an event series based on the character of Martin the Warrior.

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The deal marks the first time that the film rights to the entire book series have been held by the same company and the first time a feature film of any of Jacques’ works will be made.

“We couldn’t be more delighted to announce this deal,” Ben Horslen, fiction publisher, Penguin Random House Children’s, said in a statement. “These perennially popular stories have been etched onto the hearts of millions of readers, and we are thrilled to partner with Netflix to bring those beloved characters on screen for families worldwide to enjoy.”

“Brian often travelled the globe to tell his ‘Redwall’ stories to young audiences, more often than not at their schools,” Alan Ingram, representative of The Redwall Abbey Company (owner of Jacques’ intellectual property), said in a statement. “Brian would have been very happy to see that Netflix shares his joy and desire to bring his stories to life as a new universe of films, series and potentially much more for audiences of all ages to enjoy. We are very excited to embark on this new endeavour with Netflix and Penguin Random House UK.”

Reed Hastings Discusses ‘Netflix Keeper Test’ in New Book

Netflix co-founder Reed Hastings has observed much in the service’s meteoric rise from by-mail DVD rental company to global online TV platform and movie studio.

In a new book, No Rules Rules: Netflix and the Culture of Reinvention, co-authored by Erin Meyer, Hastings recounts how his and other executives’ (such as co-CEO Ted Sarandos) thinking outside the box and unorthodox company culture spearheaded the SVOD behemoth, including eschewing the traditional way movies and TV shows are made and distributed. Think binge-viewing and by-passing theatrical distribution, among other non-traditional moves.

A key management strategy disclosed in the book, dubbed “Netflix Keeper Test,” involves monitoring executives and employees’ performance in an unusual way. The policy reportedly contributed to the departure of CFO David Wells in 2018 and subsequent hiring of former Activision Blizzard CFO Spencer Neumann in 2019.

In an interview with Variety discussing the book, Hastings said the test revolves around the question: Would you keep an employee if they wanted to leave the company?

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Hastings said Wells was a very competent CFO when it came to numbers and fiscal policy, but “not hungry” for entertainment. He said Wells’ “resignation” afforded him the opportunity to hire an entertainment CFO.

“That’s a tough one, because your heart cares for the person and the’’re great,” Hastings said. “But your head is like, ‘We could be a better company if we had an entertainment CFO.'”

Hastings admitted the “Keeper Test” could be intimidating to some executives. Indeed, co-author Meyer wrote about one Netflix director who hadn’t unpacked their boxes after one year on the job. Hastings said the “test” is no different than what any professional athlete deals with facing a career-ending injury on every play.

“We have to hire the psychological type that can put that aside and who aspires to work with great colleagues and that that’s their real love, is the quality of their colleagues or the consistency of that, versus the job security,” Hastings said.

Notably, Hastings, in the book, discusses his ill-fated decision to spin off the DVD rental business as Qwikster in 2011 — a move that contributed to Netflix shares plummeting 75% and calls for Hastings’ firing. Nearly 20 years later, Netflix continues to rent movie discs despite the fact package media’s fiscal impact (and subscriber tally) has all but been removed from the company’s financials.