‘Stranger Things’ Spends Tenth Week Atop Parrot Analytics’ TV Demand Charts

Netflix’s “Stranger Things” remained No. 1 on not only Parrot Analytics’ digital originals rankings the week ended Aug. 31, but also the data firm’s overall list of TV series from any platform, including broadcast and cable, for the tenth straight week.

A “digital original” is a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video or Hulu.

For the week, “Stranger Things” registered 141.7 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was down 1.7% in expressions compared with the previous week.

Another Netflix series, “13 Reasons Why,” rose to No. 2, with expressions up 202% to 109 million. The third and final season of the show was released Aug. 24.

Netflix’s “Orange Is the New Black” remained at No. 3. Its demand expressions dropped 11.7% to 44.4 million.

Slipping two spots to No. 2 was Amazon Prime Video’s dark superhero adaptation “The Boys,” which registered 41.8 million expressions, down 28.3% from the previous week.

Netflix’s FBI-centered crime drama “Mindhunter” slid to No. 5, but was up 5% in demand expressions to 38.8 million.

Netflix’s “The Dark Crystal: Age of Resistance” bowed Aug. 30, helping it rise from 35th to 10th place on the weekly digital originals chart. Its expressions were up 102.1% to 23.5 million.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Amazon to Produce First Australian Original Series With Rebel Wilson

Australian actress, writer and producer Rebel Wilson (Pitch Perfect, The Hustle, Isn’t It Romantic) has signed on to host and executive produce the first Australian Amazon Original series “LOL: Last One Laughing.”

The comedy-variety series, produced with Endemol Shine Australia, will feature a star-studded cast of 10 Australian comedic actors and stand-ups competing to make each other laugh first. The final comedian left standing will win the grand prize of $100,000 (Australian).

The six-part series will premiere exclusively on Prime Video in more than 200 countries and territories in 2020.

“I’m thrilled to be joining the Prime Video family of creators and talent,” said Wilson in a statement. “I’ve already had the chance to work with Alexa — she’s great — and on Audible, so working with Prime Video seemed like an obvious choice. I can’t wait to see what these talented Australian comedians come up with and how far they’ll go to take home the prize.”

“LOL: Last One Laughing” follows the format of the Amazon Original series from Japan, “Hitoshi Matsumoto Presents Documental,” produced by and starring comedian Hitoshi Matsumoto. The format was also launched in Mexico with comedian Eugenio Derbez as host. The series in Japan and Mexico are currently on their seventh and second seasons, respectively.

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“We’re excited to bring ‘LOL: Last One Laughing’ to our Prime members in Australia and around the world,” said James Farrell, head of international originals for Amazon Studios, in a statement. “Customers in Japan and Mexico have told us they love ‘Documental’ and ‘LOL: Last One Laughing.’ Australia was an easy choice as the next country to bring this to and Rebel Wilson was at the top of our list to host and star. We think our Prime members are going to love it.”

‘Stranger Things’ Spends Eighth Week Atop Parrot Analytics’ TV Demand Charts

Netflix’s “Stranger Things” remained No. 1 on not only Parrot Analytics’ digital originals rankings the week ended Aug. 17, but also the data firm’s overall list of TV series from any platform, including broadcast and cable, for the eighth straight week.

A “digital original” is a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video or Hulu.

For the week, “Stranger Things” registered 152.6 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was down 9% in expressions compared with the previous week.

Rising a spot to No. 2 was Amazon Prime Video’s dark superhero adaptation “The Boys,” which registered 56 million expressions, down 10.3% from the previous week.

Netflix’s “Orange Is the New Black” dropped to No. 3. Its demand expressions dropped 32.4% to 48.9 million.

Hulu’s “The Handmaid’s Tale” rose to No. 4 with a 5.6% increase in expressions to 36.3 million. The finale of season three was released Aug. 14.

DC Universe’s “Titans” dropped to No. 5, with expressions down 9.8% to 32.9 million.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Finding the Key to SVOD Success

Original content has been the star on SVOD services such as Netflix, Amazon and Hulu, with upcoming services Apple TV+ and Disney+ teasing originals in celebrity-filled press conferences. But catalog content is an important supporting player.

Certainly, originals can attract eyeballs, said the NPD Group’s Kathi Chandler-Payatt at last month’s EMA summit. She noted that while both original movies and episodic shows are a small percentage of content on Netflix, they garner an outsized share of viewing.

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Still, originals aren’t the only shows that keeps viewers subscribing, noted Screen Engine/ASI’s Mark Orne at the event. Subscribers often stay with a service based on go-to backup shows, mostly long-running hit comedy series, such as “The Office,” “Friends,” “South Park” and “Family Guy.” It’s why Disney+ streaming “The Simpsons” from its Fox acquisition is a smart move, he noted.

No wonder WarnerMedia pulled “Friends,” and Universal “The Office,” from Netflix for their upcoming services.

Indeed, speakers on a consumer panel at the EMA summit said that they like to stream while doing other activities, such as cleaning a room, not the kind of thing one can do while viewing a gripping original. One even noted she likes to go to sleep to certain familiar shows.

Meanwhile, a few hits might not be enough to keep viewers subscribing, as consumers are willing to pay for a month or take the free trial, watch and cancel, or share passwords, Orne said.

While they may like the occasional title equivalent of a gourmet meal, consumers also like to binge on titles that are comfort foods. SVOD services that can offer a wide menu may be the winners in the OTT race.

TV Time: Amazon’s ‘Carnival Row’ Most Anticipated New Show, Netflix’s ‘Mindhunter’ Most Anticipated Returning Show in August

Amazon Prime’s “Carnival Row” is the most anticipated new show and Netflix’s “Mindhunter” is the most anticipated returning show coming in August, according to TV Time’s “Anticipation Report” chart.

TV Time is a free TV viewership tracking app that tracks consumers’ viewing habits worldwide and is visited by more than 1 million consumers every day, according to the company. TV Time’s “Anticipation Report” is based on data from those users.

“Carnival Row,” a fantasy series about mythical creatures starring Orlando Bloom and Cara Delevingne, debuts Aug. 30. “The Dark Crystal: Age of Resistance,” a series prequel to the Jim Henson film The Dark Crystal, also debuting Aug. 30, is the No. 2 anticipated new series.

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Among returning shows, the second installment of “Mindhunter,” Netflix’s crime thriller series, debuts Aug. 16. TV Time users also anticipate three other Netflix returning series at No. 2, No. 3 and No. 4, respectively: “Cable Girls,” hitting Aug. 9; “Dear White People,” debuting Aug. 2; and “GLOW,” coming Aug. 9. Starz’s drug kingpin drama “Power,” the sixth and final season of which hits Aug. 25, took the No. 5 spot among returning series.

Most Anticipated New Shows for August:

  1. “Carnival Row” (Amazon Prime) — Aug. 30
  2. “The Dark Crystal: Age of Resistance” (Netflix) — Aug. 30
  3. “Infinity Train” (Cartoon Network) — Aug. 5
  4. “Why Women Kill” (CBS) — Aug. 15
  5. “BH90210” (Fox) — Aug. 7

 

Most Anticipated Returning Shows for August:

  1. “Mindhunter” (Netflix) — Aug. 16
  2. “Cable Girls” (Netflix) — Aug. 9
  3. “Dear White People” (Netflix) — Aug. 2
  4. “GLOW” (Netflix) — Aug. 9
  5. “Power” (Starz) — Aug. 25

Netflix’s ‘Money Heist’ Remains Top Binge, ‘The Boys’ Leads ‘Shows on the Rise’ on TV Time Charts

The Spanish-language Netflix series “Money Heist” continued to top TV Time’s “Binge Report” while Amazon Prime’s “The Boys” came in at No. 1 on its “Shows on the Rise” chart for the week ended July 28.

TV Time is a free TV viewership tracking app that tracks consumers’ viewing habits worldwide and is visited by more than 1 million consumers every day, according to the company. The weekly “Binge Report” ranks shows with the most binge sessions. A binge session is when four or more episodes of a show are watched and tracked in the app in a given day. The “Shows on the Rise” chart is calculated by determining the week-over-week growth in episodes watched for a given program.

Season three of “Money Heist” dropped July 19. In this season, the Professor and his team reunite to free Rio, targeting the Bank of Spain with a new plan. Meanwhile, the Resistance continues.

“The Boys,” co-created by Seth Rogen, Evan Goldberg and Eric Kripke, dropped July 26. It follows a group of vigilantes who embark on a quest to take down selfish superheroes The Seven, a group who abuses their powers rather than using them for good.

Coming in at No. 2 on both charts was Netflix’s prison drama “Orange Is the New Black.” The seventh and final season of the series dropped July 26.

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Top Binge Shows Week Ended July 28 by Share of Binges:

  1. “Money Heist” (Netflix) — 11.78%
  2. “Orange Is the New Black” (Netflix) — 5.03%
  3. “Stranger Things” (Netflix) — 4.25%
  4. “Lucifer” (Neflix) — 2.33%
  5. “Friends” (NBC) — 2.13%
  6. “Glee” (Fox) — 1.77%
  7. “The Big Bang Theory” (CBS) — 1.47%
  8. “The 100” (The CW) — 1.24%
  9. “Brooklyn Nine-Nine” (NBC) — 1.22%
  10. “Grey’s Anatomy” (ABC) — 1.09%

 

Top Shows on the Rise Week Ended July 28 by Rise Ratio:

  1. “The Boys” (Amazon Prime Video) – 100%
  2. “Orange Is the New Black” (Netflix) — 88.5%
  3. “Veronica Mars” (Hulu) — 54.1%
  4. “Queer Eye” (Netflix) — 29%
  5. “Big Little Lies” (HBO) — 14.8%
  6. “The Flash” (The CW) — 11.9%
  7. “Supergirl” (The CW) — 11.8%
  8. “Suits” (USA) — 11.6%
  9. “Rick and Morty” (Adult Swim) — 9.9%
  10. “Station 19” (ABC) — 7.7%

‘Stranger Things’ Tops Parrot Analytics’ TV Demand Charts for Fourth Week

Netflix’s “Stranger Things” remained No. 1 on not only Parrot Analytics’ digital originals rankings the week ended July 20, but also the data firm’s overall list of TV series from any platform, including broadcast and cable, for the fourth straight week.

A “digital original” is a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video or Hulu.

For the week, “Stranger Things” registered 277.7 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was down 17.4% in expressions compared with the previous week, when the show peaked at 336 million in the immediate aftermath of its third-season premiere.

Hulu’s “The Handmaid’s Tale” held onto the No. 2 spot on the digital originals chart, though its demand expressions dropped 5.9% to 33.8 million.

DC Universe’s “Titans” remained at No. 3 with 33.7 million expressions, up 0.2%.

Netflix’s “Lucifer” stayed in the No. 4 spot. The series, based on a character from the DC Comics comic-book series “The Sandman,” dropped 4% in expressions to 28 million.

Rounding out the top five on the digital originals chart was Amazon Prime Video’s “Good Omens,” which jumped from No. 7 to No. 5 with 26.5 million expressions, up 2.9% from the previous week.

Netflix’s “When They See Us” jumped back into the top 10, from No. 16 to No. 6, with a 35% rise in expressions to 24.8 million.

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The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

‘Stranger Things’ Remains Most Popular TV Show on Parrot Analytics’ Demand Charts

Netflix’s “Stranger Things” remained No. 1 on not only Parrot Analytics’ digital originals rankings the week ended July 13, but also the data firm’s overall list of TV series from any platform, including broadcast and cable, for the third straight week.

A “digital original” is a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video or Hulu.

In the week following its July 4 third-season premiere, demand for “Stranger Things” more than doubled to 336 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was up 112% in expressions compared with the previous week.

Hulu’s “The Handmaid’s Tale” held onto the No. 2 spot on the digital originals chart, though its demand expressions dropped 4% to 35.9 million.

DC Universe’s “Titans” moved up a spot to No. 3 with 33.6 million expressions, up 1.75%, fueled a bit by online news of details for the upcoming second season. The first season arrives on Blu-ray July 16.

Netflix’s “Lucifer” moved up to the No. 4 spot. The series, based on a character from the DC Comics comic-book series “The Sandman,” dropped 8% in expressions to 29.1 million.

Rounding out the top five on the digital originals chart was Netflix’s German-language series “Dark,” with 28.4 million expressions, up 11.5% from the previous week, when it was No. 7.

The biggest rise in the digital original chart for the week was Amazon Prime Video’s “Good Omens,” which jumped from No. 17 to No. 7 with 25.8 million expressions, up 42.4% from the previous week.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Research: Amazon Prime, Hulu Users More Likely Than Netflix Users to Discuss Technical Problems, Dissatisfaction

Users of Amazon Prime Video and Hulu are much more likely to discuss technical problems and dissatisfaction with content than Netflix subscribers, according to a new report from Strategy Analytics.

The report “Voice of the Customer: What Are Netflix Subscribers Saying Compared to Competitors?” found that Netflix users were much more likely to spend time discussing characters and storylines in great detail, suggesting high levels of engagement with Netflix shows. By contrast, discussions involving Hulu users focused on resolving problems with the service, while Amazon users focused on negative comments to do with pricing and lack of content choice.

“The report concludes that Hulu and Amazon must address these deficiencies if they are to make inroads into Netflix’s leadership position,” according to the Strategy Analytics press release. “The findings should also serve as a warning to Disney and WarnerMedia as they prepare to launch new streaming services.”

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The research, which is based on “advanced language analytics techniques,” according to the firm, showed that, compared to Hulu and Amazon, Netflix users were much more likely to discuss binge-viewing; characters, scenes and storylines in great detail; evaluating shows, both positively and negatively; what people in general think of shows; and worrying about seeing spoilers before watching shows.

“Netflix’s advantages are numerous, but lie primarily in the fact that its users are much more engaged with the content than those using Amazon Prime Video or Hulu,” said Michael Goodman, director, TV & media strategies, at Strategy Analytics, in a statement. “Neither Amazon nor Hulu have managed to get much beyond technical or pricing issues in order to build that all-important content-viewer relationship which ensures higher retention levels and sustained subscription revenues.”

The research was carried out by Relative Insight in partnership with Strategy Analytics. Relative Insight is a U.K.-based language understanding technology company.

‘Stranger Things’ Tops All TV Shows on Parrot Analytics’ Demand Charts

With days to go before the July 4 premiere of its third season, Netflix’s “Stranger Things” not only topped Parrot Analytics’ digital originals rankings the week ended June 29, but also the data firm’s overall list of TV series from any platform, including broadcast and cable.

A “digital original” is a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video or Hulu.

“Stranger Things” grabbed 94 million average daily Demand Expressions, the proprietary metric used by Parrot Analytics to measure global demand for TV content. That was up 11.9% in expressions compared with the previous week, when it returned to the top spot following the release of its final season-three trailer.

It also passed “Game of Thrones” to take over the top spot among all TV shows. The HBO fantasy series had been the top overall series all year, but has been declining since its final episode aired in mid-May. It was the No. 2 overall show for the week with 91.6 million expressions.

Netflix’s “Black Mirror” remained in the No. 2 spot on the digital originals chart with 38 million expressions, down 23% from a week earlier.

Hulu’s “The Handmaid’s Tale” jumped up a spot to No. 3, though its demand expressions dropped 8% to 37.9 million.

Netflix’s “When They See Us,” the controversial miniseries about the Central Park Five that was created, co-written, and directed by Ava DuVernay, slipped to No. 4, its Demand Expressions dropping 16.6% to 34.9 million.

Rounding out the top five on the digital originals chart was Netflix’s “Lucifer,” maintaining the No. 5 spot from the previous week. The series, based on a character from the DC Comics comic-book series “The Sandman,” dropped 13.9% in expressions to 34.2 million.

Netflix’s German-language series “Dark” moved  into the top 10 at No. 10, with 24.4 million expressions following the June 21 premiere of its second season. That’s a 64.7% increase over the previous week, when it was No. 23.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The Demand Expressions metric draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.