The “Frontline” documentary A Thousand Cuts will debut on the PBS Documentaries Prime Video Channel Jan. 9.
The film follows Philippine journalist and Time Person of the Year Maria Ressa as she is targeted by President Rodrigo Duterte for exposing the truth of the political corruption in her country on her news site, Rappler. The film offers an inside look at the key players in the escalating war between press and government in the Philippines and the ongoing threat against freedom of the press.
It examines social media disinformation campaigns and the crackdown on the news media in the Philippines by Duterte — who has made Ressa one of his top targets. At great personal risk, Ressa has been at the forefront of holding Duterte and his government accountable for their violent war on drugs. In response, Duterte has barred Rappler reporters from the presidential palace and revoked Rappler’s license. Ressa herself has been charged with a cyber libel case. Ressa places the tools of the free press — and her own freedom — on the line in defense of truth and democracy in “A Thousand Cuts.”
The film received a Grand Jury Prize nomination from the Sundance Film Festival and a Best Documentary Award Nomination at the Gotham Independent Film Festival.
The subscription rate for the PBS Documentaries Prime Video Channel is $3.99 per month with an Amazon Prime or Prime Video subscription.
American Masters: How It Feels to Be Free, season seven of “Finding Your Roots with Henry Louis Gates, Jr.” and Ken Burns: Here and There are among the programs debuting on the PBS Documentaries Prime Video Channel in January.
The subscription rate for the PBS Documentaries Prime Video Channel is $3.99 per month with an Amazon Prime or Prime Video subscription.
American Masters: How It Feels to Be Free starts streaming Jan. 19. From Award-winning director Yoruba Richen and based on the book of the same name, the program tells the inspiring story of how six iconic African American female entertainers, Lena Horne, Abbey Lincoln, Nina Simone, Diahann Carroll, Cicely Tyson and Pam Grier, challenged an entertainment industry deeply complicit in perpetuating racist stereotypes, and transformed themselves and their audiences in the process. The documentary features interviews and archival performances with all six women, as well as original conversations with contemporary artists influenced by them, including one of the documentary’s executive producers Alicia Keys, along with Halle Berry, Lena Waithe, Meagan Good, LaTanya Richardson Jackson, Samuel L. Jackson and many others. The documentary also includes interviews with family members, including Horne’s daughter Gail Lumet Buckley.
Season seven of “Finding Your Roots with Henry Louis Gates, Jr.” is due Jan. 20. Over the course of 10 episodes, Gates uses genealogical detective work and cutting-edge DNA analysis to guide twenty influential guests through the branches of their family trees, traveling hundreds of years into the past to discover people and places long forgotten. The season features actors Glenn Close, John Lithgow, Jane Lynch, Christopher Meloni, and Tony Shalhoub; Broadway stars Audra McDonald and Mandy Patinkin; filmmakers Kasi Lemmons and John Waters; talk show host and author Andy Cohen; journalists Gretchen Carlson, Maria Hinojosa, Don Lemon, and Nina Totenberg; comedians Lewis Black, Jim Gaffigan, and Roy Wood, Jr.; and musicians Clint Black, Rosanne Cash, and Pharrell Williams.
Ken Burns: Here and There debuts Jan. 1. The biography is about the life and work of the documentary filmmaker and follows the story of his love for filmmaking and storytelling, the evolution of his career throughout the years, his fondness of small-town life, and his love for a bridge in Brooklyn. Filled with small stories and monologues, this program captures the 40-year intimate relationship Burns has with his America, with his colleagues, his family, his community, his craft, and taking sweeping historical concepts and making them relatable to his audiences.
Four new “Masterpiece” programs and several international series will be streaming on the PBS Masterpiece Prime Video Channel in January.
“Masterpiece” titles include a new adaptation of “All Creatures Great and Small,” starring Dame Diana Rigg in one of her last appearances, the newest “Masterpiece Mystery” installment “Miss Scarlet & the Duke,” “Elizabeth Is Missing” based on the acclaimed novel starring Oscar-winner Glenda Jackson, and “The Long Song” based on the award-winning novel.
The subscription rate for the PBS Masterpiece Prime Video Channel is $5.99 per month with an Amazon Prime or Prime Video subscription.
“Elizabeth Is Missing,” debuting Jan. 3, stars Jackson as the feisty grandmother Maud Horsham, a woman desperately trying to solve two mysteries as she declines ever deeper into dementia. Maud’s only friend, Elizabeth, ominously goes missing, leaving Maud determined to find her. The other mystery in Maud’s mind is a puzzle from her past, kindled when she unearths the top of an old cosmetics compact while gardening with Elizabeth. The discovery takes Maud back to her teenaged self and like many younger siblings, Maud looked up to her big sister, Sukey, considering her the height of glamour. This childhood idyll ended with Sukey’s failure to come home one night in 1949, never to be seen again. As Maud thinks back on it, she wonders if the family’s lodger at the time, Douglas, had anything to do with Sukey’s vanishing. And the cryptic warnings from the long-ago mad woman with the umbrella only deepens the riddle. In her increasingly disoriented perception, the disappearances of Sukey and now Elizabeth get mixed up. She attacks the problem with a system she uses around the house: sticky notes, posted everywhere, documenting daily reminders to herself — mostly about locking the door or turning off the stove, but also recording her meetings with Elizabeth and chance observations. Maud’s granddaughter, Katy, helps her arrange the notes. As memories, clues, and deductions pile up, viewers come to see the world as Maud does, and solve the mystery as this tenacious, vision-haunted sleuth does.
“All Creatures Great and Small,” debuting Jan. 10, is based on the autobiographical books by James Herriot and tells the adventures of a veterinarian in 1930s Yorkshire. The series takes place in 1937, when James Herriot, fresh out of Glasgow Veterinary College, follows his dream to become a vet in the magnificent Yorkshire Dales, one of England’s most beloved and beautiful landscapes. He soon discovers that treating the animals is as much about treating their owners, and the Dales’ farmers are a tough crowd to please. At Skeldale House, James gets to know his newly formed dysfunctional family: his chaotic and erratic boss Siegfried Farnon, his wayward brother Tristan and the shrewd Mrs. Hall, who is endlessly steering the ship. When local beauty Helen Alderson attracts James’s attention, he finds another, more enduring reason to stay in the Dales. The late Dame Diana Rigg plays Mrs. Pumphrey, the delightfully eccentric owner of the overly indulged Pekingese Tricki Woo.
“Miss Scarlet & the Duke,” coming Jan. 17, is set in the same 1850s London society that gave rise to Jack the Ripper. The Victorian detective drama features a fearless, independent heroine played by Kate Phillips (“Peaky Blinders”). With her inquisitive mind, Miss Eliza Scarlet has always been more interested in running her late father’s detective agency than behaving like a proper lady, much to the chagrin of family friend Inspector William Wellington of Scotland Yard (Stuart Martin, “Jamestown”). But nothing has prepared her for the dangers she is about to face as a woman in the murder investigation trade.
“The Long Song,” due Jan. 31, is an adaptation of the award-winning novel by Andrea Levy set during the final days of slavery in 19th century Jamaica. The story follows the strong-willed, young slave July on a sugar plantation owned by her odious mistress Caroline Mortimer. When a charming new arrival to the island, Robert Goodwin, becomes the new overseer, July and Caroline are both intrigued by his seemingly revolutionary determination to improve the plantation for the slaves and mistress alike.
“As Time Goes By: Reunion Specials,” available Jan 26, is the continuation to the long running series “As Time Goes By.” “Reunion Specials” follows up as Jean Pargetter’s (Dame Judi Dench) great anticipation for grandchildren is revealed much to husband Lionel’s (Geoffrey Palmer) dismay. With son-in-law Alistair and daughter Judy having problems things don’t look too promising. But will Jean’s dream of becoming a grandmother come true when their other daughter Sandy and her husband Harry return from Canada?
Also due in January are five “Walter Presents” series.
The French series “Walter Presents: Due North” is streaming starting Jan. 1. Set on the verge of the 20th century, “True North” is the untold story of the colonization of the Laurentian mountain rage in Quebec known as the “Wild West.” The series explores the turbulent period of the settlement and development of this northern region of Canada as the territory wreaks havoc on the new colony and an array of colorful characters try to make their mark
The German series “Walter Presents: The Nordic Murders” is coming Jan. 8. On the secluded island of Usedom off the north shore of Germany, former district attorney Karin Lossow has just been released from prison after serving a six-year sentence for shooting her husband. Her daughter Julia is the Detective Chief Inspector and their fragile relationship is put to the test as they team up to investigate criminal cases on the island.
The French-language series “Walter Presents: The Wall” is coming Jan. 15. In the remote Canadian mining colony Fremote, in the endless frozen hell that is the far North, the body of a young exotic dancer is found. The Quebec City police sends one of their toughest, most experienced detectives, Céline, to the colony to investigate. She is always up for a challenge. Being cooped up in the massive structure that is the colony which the inhabitants call “The Wall,” soon presents her with some challenges that exceed her investigative efforts. Not only does everyone here seem to have a secret and a connection to the victim, Céline’s own past has a way of catching up with her. Her estranged daughter Sophie has built a life of her own in the very same icy middle of nowhere where Céline is currently working. As Céline comes under increased pressure to find the killer of the dancer, she has to connect the dots to the suspicious death of a young boy three years ago. The inhabitants of the mine each think they know exactly who the culprit is, creating a sense of distrust and alarm among the community, but one fear is always present: will the murderer strike again soon?
Season three of the Italian series “Walter Presents: Rocco Schiavone” starts streaming Jan. 22. Deputy Police Commissioner Rocco Schiavone finds himself more and more alone, in the increasingly colder and inhospitable city of Aosta, forced to come to terms with everything that has happened. His best friend, Sebastiano, is under house arrest and refuses to speak to him as he’s convinced that Rocco had him arrested before he could kill Enzo Baiocchi, the man who murdered his wife. Rocco’s future doesn’t look great after Sebastiano escapes house arrest and everything in Rocco’s life starts to fall apart. It appears that he has no choice but to escape, leaving no trace of his whereabouts.
From the acclaimed novel by Louise Edrich comes the adapted historical German drama “Walter Presents: The Master Butcher,” due Jan. 29. After the social and financial destruction caused by World War I in Germany, a German butcher, and former military sniper, attempts to create a better life for himself and his family by moving to the United States. As the family struggles to acclimate to their new surroundings, many unexpected events occur, necessitating their plans and their lives to drastically adapt.
Amazon’s “Truth Seekers” was the top rising show and Netflix’s “The Queen’s Gambit” the top binge on the TV Time charts for the week ended Nov. 1.
“The Queen’s Gambit,” which debuted on Netflix Oct. 23, is a coming-of-age story following a young Beth Harmon (Anya Taylor-Joy), abandoned and entrusted to a Kentucky orphanage in the late 1950s, who discovers an astonishing talent for chess while developing an addiction to tranquilizers provided by the state as a sedative for the children. The title landed at No. 8 on the rising show chart.
No. 1 rising show “Truth Seekers” debuted on Amazon Prime Video Oct. 30 in time for Halloween. The horror comedy follows paranormal investigators who set out to film ghost sightings and uncover a conspiracy that could bring about Armageddon.
Coming in at No. 2 on the binge chart was “Emily in Paris,” created, written and executive produced by Darren Star (“Sex and the City”). It debuted Oct. 2 on Netflix and follows Emily (Lily Collins), an ambitious 20-something marketing executive from Chicago, who unexpectedly lands her dream job in Paris when her company acquires a French luxury marketing company.
Taking the silver on the rising show chart was HBO’s “The Undoing,” which premiered Oct. 25. From writer David E. Kelley (Big Little Lies), the new limited series focuses on Grace Fraser (Nicole Kidman), a successful therapist, her devoted husband, Jonathan (Hugh Grant), and their young son, who attends an elite private school in New York City. A chasm opens in Grace’s seemingly perfect life: a violent death, a missing spouse and a chain of terrible revelations.
TV Time is a free TV viewership tracking app that tracks consumers’ viewing habits worldwide and is visited by more than 1 million consumers every day, according to the service. The weekly “Binge Report” ranks shows with the most binge sessions. A binge session is when four or more episodes of a show are watched and tracked in the app in a given day. The “Shows on the Rise” chart is calculated by determining the week-over-week growth in episodes watched for a given program. The network displayed is the network where the show first aired (e.g. “Friends” on NBC).
The UHD Alliance on Sept. 30 announced that Amazon Prime will begin supporting Filmmaker Mode next year and that Hisense has joined consumer electronics companies Panasonic, Vizio, Samsung, LG, Kaleidescape and Philips in supporting the feature.
The announcements came during an online presentation with DEG: The Digital Entertainment Group.
Filmmaker Mode, introduced by the UHD Alliance in August 2019, is designed to reproduce the content in the way the creator intended. It allows viewers to enjoy a more cinematic experience on their UHD TVs when watching movies by disabling all post-processing (e.g. motion smoothing, etc.) so the movie or television show is displayed as it was intended by the filmmaker, preserving the correct aspect ratios, colors and frame rates, according to the Alliance.
“Prime Video will be launching this feature on select players next year,” said UHD Alliance chairman Mike Zink. “It’s something that we’ve been working very hard on, and I think we are very, very excited for this to come to life.”
UHD Alliance president Mike fiddler noted that CE companies supporting Filmmaker Mode represent a big chunk of TV unit shipments both domestically and globally.
Zink interviewed colorist Jill Bogdanowicz and Stephen Lighthill, president, the American Society of Cinematographers, about the importance of maintaining the intention of creators in content viewed in the home.
“Anyone that does not look at the way the image is going into the home is foolish,” noted Lighthill, adding “producers want to make sure it’s going to look the same in Jill’s suite as it does at home.”
CE company executives also joined the discussion to describe and express their support for Filmmaker Mode.
LG Electronics’ Tim Alessi said the company was putting Filmmaker Mode in every new UHD model produced in 2020.
“We kinda went all in on Filmmaker Mode,” he said, noting, “what really sets this whole effort apart is we got the entire industry to rally around one name and one set of features.”
LG is mounting an in-store display at Best Buy describing the advantages of the feature.
Samsung’s Bill Mandel said the manufacturer put the Mode in all its 2020 UHD TVs, and about a month ago launched new projectors with the feature. Samsung is running an in-store video loop about it on its TVs, he noted.
PBS Distribution in October will be adding a number titles focusing on current events and issues to the PBS Documentaries Prime Video Channel, including Frontline: America Unprotected: The Medical Supply Crisis, Latino Vote: Dispatches From the Battleground, Frontline: Race, Poverty and the Pandemic, Frontline: Battle for Hong Kong and Frontline: Amazon Empire — The Rise and Reign of Jeff Bezos.
The subscription rate for the PBS Documentaries Prime Video Channel is $5.99 per month with an Amazon Prime or Prime Video subscription.
Frontline: Race, Poverty and the Pandemic, which premiered Sept. 9, covers the effects of George Floyd’s death beneath the knee of a police officer, which has sparked grief and rage in the streets of Minneapolis and across the country. Jelani Cobb, a historian, professor of journalism at Columbia University and writer at The New Yorker examines a connection between George Floyd’s death and the disproportionate impact of COVID-19 deaths among African-Americans. Cobb helps put this volatile moment in context, explaining why we’ve reached a boiling point, and what he says needs to happen now. Cobb describes how the relationship between black Americans and the police has become a “barometer” for race relations in the country, drawing on his years of covering explosive tensions that he says are “overwhelmingly” in response to an issue of police use of force. “Once you looked at the way that policing functioned, it was almost an indicator of the way lots of other institutions were functioning in those communities,” he says. This time — as the nation battles a highly infectious outbreak — the outrage is spreading in a way that seems different, he says.
Frontline: Battle for Hong Kong, which premiered Sept. 9, covers the unrest in Hong Kong. In 2019, a controversial extradition bill that would allow criminal suspects to be sent for trial in mainland China sparked a massive and unprecedented pro-democracy movement in Hong Kong. At the start, the vast majority of protesters were peaceful, but a few tried to take on the police. The documentary traces what happened next. With remarkable access, the program follows five young protesters through intense and escalating clashes with Hong Kong’s police. The protesters say they’re fighting for their freedom against the communist government of China, which is due to take complete control of Hong Kong in 2047. China, meanwhile, says the protestors are “radicals,” “thugs” and “separatists.” The film tells the story of the eight-month, youth-driven pro-democracy movement through the eyes of the protesters. They are transformed — and, in some cases, radicalized — by their experiences. As the program unfolds, viewers meet Momo, a nurse in her late twenties; Vincent, a high school student who grew up in mainland China; Lomi, a researcher; Li, a young man who is married with a daughter; and Agnes, a veteran pro-democracy protestor. Through the stories of these five young people, the documentary explores the aims and motivations of the protesters. Amid concerns about China’s growing influence in Hong Kong, the extradition bill (which was eventually withdrawn) struck a nerve. Ultimately, the film sheds new light on what both the movement and the authorities’ response to it portend for Hong Kong’s future.
Frontline: Amazon Empire — The Rise and Reign of Jeff Bezos, which premiered Sept. 9, covers the rise of the tycoon. Amazon’s Bezos built a business empire that is unprecedented in the history of American capitalism — delivering endless products, entertainment services and technology innovations to customers with just a click of a button. But what is the cost of Amazon’s convenience? The documentary examines Amazon and Bezos’ ascent to power — and his ability to shape everything from the future of work, to the future of commerce, to the future of technology. From award-winning filmmakers James Jacoby and Anya Bourg (The Facebook Dilemma), the documentary draws on interviews with current top executives and former insiders, as well as regulators and critics, raising tough questions about Bezos and the empire he built. Through these interviews, Jacoby and Bourg’s investigation presents an inside look at who Bezos is, and how he transformed a tiny company run out of a garage into a staple of American consumerism that critics contend is willing to dominate the market at all costs.
Frontline: America Unprotected: The Medical Supply Crisis, which premieres Oct. 7, explores questions around readiness for the epidemic. Why was the U.S. left scrambling for critical medical equipment as the coronavirus swept the country? With the Associated Press the documentary investigates the fragmented global medical supply chain and its deadly consequences for Americans.
Latino Vote: Dispatches From the Battleground, which premieres Oct. 7, explores how voters in Nevada, Texas, Florida and Pennsylvania could very well determine the next American president. One of the top priorities on both sides of the political divide is to engage Latino voters. Projected to be the largest voting-eligible ethnicity in the country, Latino voters are often sought after by both Republicans and Democrats as if they are a monolith. With both younger Latinos and new citizens joining the ranks of registered voters across the country, the growing magnitude of this cross-section of the electorate has clear political implications for the 2020 presidential election. But trying to woo voters based on their cultural similarities without factoring in their complex and varying individual interests could prove to be a losing game plan. Following activists, organizers and others who are working to maximize Latino turnout in their local communities while simultaneously devoting their efforts to COVID-19 relief as the pandemic surges, the program delves into the high-stakes fight to activate Latino votes in these battleground states and give voices to newly registered Latino voters themselves about what the galvanizing issues are for them.
About 11% of Americans signed up for “Walmart Plus,” the $98 annual subscription program aimed at competing with the Amazon Prime membership, just 14 days after launch. Citing data from a survey of 20,179 respondents, research firm Piplsay found that 35% of respondents had a favorable impression of the platform, with another 38% saying they believe Walmart+ will be competitive with Amazon Prime.
The findings are significant since they suggest broad consumer appeal and the possibility Walmart would expand the platform’s appeal with streaming access to movies, TV shows and music — now available on Prime Video and Prime Music.
Walmart+ bowed offering subscribers the ability to “scan-and-go” purchasing in stores and discounts on gas. Other features cited favorably by survey respondents included free shipping (35%) on orders over $35, same-day/24-hour deliveries (24%) and pricing (5%). The platform is $21 cheaper than Amazon Prime on an annual basis.
Notably, 45% of respondents said they subscribe to both Walmart+ and Amazon Prime; 36% said it was their first retailer subscription service and 19% said they were dropping Amazon Prime for Walmart+. Another 60% of men think Walmart+ will be a big threat to Amazon Prime as compared to just 40% of women. Among those interested, about 36% of millennials and Gen Xers have taken both Walmart Plus and Amazon Prime subscriptions. About 56% of Gen Zers are excited about the mobile scan-and-go feature as compared with 44% of Gen Xers.
“Walmart Plus is taking on Amazon Prime in what is the biggest online retail battle to hit the U.S. in recent times,” read the report.
In support of National Voter Registration Day Sept. 22, Prime Video will stream the Amazon Original movie All In: The Fight for Democracy featuring Stacey Abrams to audiences globally, without needing a Prime membership.
The voting rights documentary will be in front of the Prime Video paywall for 24 hours. The film will also be available on Twitch and Twitter.
Also on Sept. 22 Twitter and Twitch will host watch parties. The Twitter watch party will be hosted by Stacey Abrams and Lin-Manuel Miranda starting at 4 p.m. PT at , and the Twitch livestream will be hosted by social influencer Neeko at 11 a.m. PT.
All In: The Fight for Democracy will stream at no cost for 24 hours on Prime Video.
In anticipation of the 2020 presidential election, All In: The Fight for Democracy examines the often overlooked, yet insidious issue of voter suppression in the United States. The film interweaves personal experiences with current activism and historical insight to expose a problem that has corrupted our democracy from the very beginning. With the perspective and expertise of Abrams, the former minority leader of the Georgia House of Representatives, the documentary offers an insider’s look into laws and barriers to voting that most people don’t even know are threats to their basic rights as citizens of the United States.
“Voting is fundamental for our country and democracy, and should be accessible and available to Americans everywhere,” Abrams said in a statement. “All In: The Fight for Democracy will be accessible on multiple platforms in support of voter awareness and registration for all Americans.”
As previously announced, the filmmakers with support from foundations, private funders and Amazon Studios launched #AllInForVoting, a non-partisan social impact campaign aimed at educating and registering first-time voters, mobilizing communities to turn out to vote and training citizens to know their rights and report voter suppression. As part of the impact campaign, the 50 State Ambassador initiative brought together a team of influential actors, artists, musicians, athletes and newsmakers to use their platforms to educate voters and mobilize participation in the upcoming national and regional elections. The Ambassadors include Taraji P. Henson, Connie Britton, Tyler Blackburn, Zooey Deschanel, Don Cheadle, Gabrielle Union, Seth MacFarlane, Padma Lakshmi, Melissa Ethridge, Zach LaVine, Viola Davis and Janelle Monáe.
The impact campaign is in partnership with Stacey Abrams’ Fair Fight Action and other leading civic engagement organizations including: Advancement Project, Alliance for Youth Action, ALL IN Campus Democracy Challenge, All Voting Is Local, Black Voters Matter, BLOC, Campus Voter Project, Community Change, Election Protection, Equality NC, Florida Rights Restoration Coalition, GenEquality, HeadCount, Higher Heights for America, Indivisible, Jewish Women International, Lawyers’ Committee for Civil Rights Under Law, Leadership Conference on Civil and Human Rights, League of Women Voters and National Organization for Women (NOW), LUCHA, Movement Voter Project, National Democratic Redistricting Committee (NDRC), New Virginia Majority, People for the American Way, Rock the Vote, Spread the Vote, Southern Poverty Law Center, Voto Latino Foundation and When We All Vote. Users are encouraged to join the movement by posting with “#AllInForVoting.” More information on activations and programming can be found at AllInForVoting.com.
All In: The Fight for Democracy is directed by Oscar-nominated and Emmy-winning filmmaker Liz Garbus and Oscar-nominated and Emmy-winning filmmaker Lisa Cortés, and produced by Garbus, Cortés, Academy Award-winning producer Dan Cogan and Abrams. Amazon Studios acquired worldwide rights to All In: The Fight for Democracy from production company Story Syndicate.
Amazon Prime Video Sept. 3 hosted a drive-in screening of “The Boys” season two ahead of its Sept. 4 premiere. Stars Antony Starr, Jack Quaid, Erin Moriarty, Karen Fukuhara, Shantel VanSanten, Claudia Doumit, Langston Kerman and Abraham Lim arrived at Level 8 at The Grove in Los Angeles to celebrate the new season. Guests arrived in their cars through Lucy the Whale, who makes a special appearance in the third episode of season two. Ahead of the drive-in special screening, guests were invited to a socially distant pre-party in their cars, where they had their pictures taken at the drive-through photo op activation, danced in their cars to the music of DJ Michelle Pesce, and enjoyed Umami Burgers, Popcorn and Swedish Fish. Before the two-episode screening, fans enjoyed a pre-taped introduction from the cast and executive producers Eric Kripke, Seth Rogen and Evan Greenberg. A special encore drive-in screening for cast and fans is also being held Sept. 4 and is at full capacity.
The first three episodes of season two premiere Sept. 4, withnew episodes available each Friday following, culminating in a season finale Oct. 9. The eight-episode Amazon Original series will be available exclusively on Prime Video in more than 200 territories around the world.
Based on the New York Times best-selling comic by Garth Ennis and Darick Robertson, “The Boys” is an irreverent take on what happens when superheroes — who are as popular as celebrities, as influential as politicians and as revered as gods — abuse their superpowers rather than use them for good. The Boys continue on a quest to expose the truth about The Seven, and Vought — the multi-billion-dollar conglomerate that manages these superheroes and covers up all of their dirty secrets.
Free, transactional and subscription video all grew significantly in the second quarter versus the same period in 2019, according to NPD Group data.
The market experienced “growth across just about every way you can consume video,” said NPD’s John Buffone during the online OTT.X summit Sept. 1. (The summit continues today; to register click here.)
Transactional VOD alone jumped by 57%, while subscription VOD grew 42%, Buffone reported.
Sales of TVs and streaming players (“largely driven by Roku”) also grew by double digits during stay-at-home orders, he said, while sales of DVD and Blu-ray players also saw a jump in sales “for a while.”
The most frequently used services in April 2020 (Netflix, Hulu, Disney+, CBS All Access, Amazon Prime Video) are gaining the most ground, NPD research found. Among that group, 87% of Netflix subs said they use the service at least weekly, with 80% saying the same of Hulu, 70% of Disney+, 68% of CBS All Access and 64% of Amazon Prime. During April, 48% of Netflix subscribers said they were using it more often, compared to 57% of Disney+ subs, 42% of Hulu subs, 40% of CBS All Access subs and 39% of Amazon Prime subs.
A third of SVOD users said that exclusive content made them subscribe or watch more because content was not available any other way, he noted.