Comcast Adds Amazon Music to X1 Platform

Comcast Cable June 20 announced the availability of Amazon Music on Xfinity X1 and Xfinity Flex, marking the first time the ad-free and on-demand music streaming service is available directly on the TV through a pay-TV provider.

Amazon Music is now available on Xfinity Flex, Comcast’s recently launched service for Internet-only customers. Subs who haven’t yet tried Amazon Music Unlimited are eligible for a 30-day free trial.

Last year, Comcast and Amazon launched Prime Video on X1, enabling Xfinity subscribers to access Prime Video’s original programming and catalog of shows, movies and live events via Xfinity on Demand or through the Prime Video app.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The X1 platform is now in a majority of Xfinity customers’ homes.

Xfinity X1 and Flex customers can say “Amazon Music” into their voice remote to browse, search and listen to millions of songs and thousands of playlists and stations.

“Now Amazon Music listeners can effortlessly explore millions of songs, including the latest releases by their favorite artists, and much more directly through Xfinity,” Ryan Redington, director of Amazon Music, said in a statement.

With Amazon Music, Prime members have access to more than two million curated songs and thousands of playlists and stations. Users can also access to more than 50 million songs and thousands of playlists and stations with Amazon Music Unlimited, the premium subscription tier.

“Amazon Prime Video quickly became one of the most-viewed services on X1 following its launch last year, so we are excited to expand our collaboration and enable our customers to also enjoy Amazon Music on the biggest screen in the home,” said Nancy Spears, VP, business operations and strategy, Comcast Cable.

French Broadcasters Up Content Production to Combat Netflix, Amazon Prime Video

After a slow start, Netflix France has topped five million subscribers despite alienating exhibitors ignoring local theatrical windows for original movies.

To combat Netflix, Amazon Prime Video and over-the-top video distribution in general, French broadcasters are increasing their investment in local original productions.

Last year, the country’s top broadcasters — France Télévisions, Canal+, TF1, M6 and Orange — spent €5.4 billion ($6.1 billion) on content, with over 40% of that spending dedicated to original programming, according to new data from Ampere Analysis.

2235850.jpg

 

 

 

 

 

 

 

 

At the end of May, 106 new local shows were in development or production, while Netflix is currently producing 15 new TV shows for the French market.

“French consumers are adopting digital TV subscriptions quickly, and the local broadcasters know they must respond fast if they are to protect their revenues in a changing media landscape,” analyst Léa Cunat said in a statement.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

While increased competition from OTT services has French broadcasters on the defensive, proactively engaging in content production in the face of waning advertising revenue and budget cuts has some operators rethinking their business models.

As a result, licensing third-party content has given way to original productions. This strategy offers two significant benefits, according to Ampere: monetizable IP portfolios and a diversified revenue stream.

Pay TV group Canal+ launched a new SVOD service in March – Canal+ Séries – dedicated to a younger audience, supported by shows such as “Mouche,” a reboot of the BBC’s “Fleabag”.

TF1 just announced plans to further enhance its TVOD platform, MyTF1, with new advertising inventory and new exclusive content.

France Télévisions is focusing on international partnerships with other broadcasting groups to help support its local content investments.

Orange created a new division – Orange Content – merging pay-TV operations with the film division to produce original episodic programming. Literary adaptation The Name of the Rose was the first  original show to air, broadcast in March.

Ampere says SVOD represented only 3% of France’s €14 billion ($15.8 billion) audiovisual market in 2018.

France’s OTT market lags a number of its peers – including Scandinavia, the U.K. and the U.S. – but digital subscriptions are growing rapidly.

To tap into this growth broadcasters France Télévisions, TF1 and M6 announced the creation of Salto, a new SVOD platform set to launch later this year.

Offered alongside their free channels, Salto will provide TV shows and exclusive content with an emphasis on French and European productions.

Through this new service, the broadcasters aim to generate revenue from subscriptions and maintain control over content rights following their initial broadcast window.

For instance, France Télévisions has said it will cease licensing the French digital rights of “Call My Agent!” to Netflix and has signed an exclusivity time period on digital rights for the shows it co-produces or commissions.

“With increasing competition from international behemoths Netflix and Prime Video, there’s no shortage of tactics and strategies being employed to stay in the game,” Cunat said. “It’s a fascinating market to watch as it transforms.” 

Indeed, French broadcasters are looking abroad to grow key markets, including Africa where Canal+ has more than 4 million subscribers across 25 countries. This market has a rapidly expanding middle class with growing disposable income, which makes it particularly appealing.

Once again, the broadcasters have taken different approaches to international expansion.

Canal+’s production arm StudioCanal launched a new TV production unit in February 2018, dedicated to creating premium original content for an international audience.

Canal+ also produces content dedicated to its foreign local markets: “Invisibles” was released in October 2018, the broadcaster’s first African original series, a market the broadcaster has earmarked for growth.

The pay-TV operator also collaborates at an international level and has worked on the U.S. remake of its original “Calls” with Apple TV+ and “Safe” with Netflix via a U.K.-based subsidiary.

TF1 is increasing its investment in European creation via Newen, a global production company it acquired in 2015. It has also bought stakes in European production houses in Belgium, the Netherlands and Denmark. Shows created by these companies include “Versailles,” “Ares” and “The Bridge”.

France Télévisions partnered with Italian broadcaster RAI and German broadcaster ZDF to fund and produce TV series for domestic and international audiences. Projects announced thus far include “Leonardo” and “Around the World in Eighty Days”.

2235851.jpg

 

Analyst: Demand for Disney+ Streaming Service Stronger Than Expected

Disney’s branded subscription streaming video service, Disney+, is launching on Nov. 12.

Wall Street investment bank UBS is the latest to jump on the self-serving bandwagon championing the pending Netflix rival.

The research firm said that 43% of respondents in an internal survey said they were interested in subscribing to the $6.99 Disney+ service. That tops UBS’ previous 20% to 30% market penetration prediction by 2030 for Disney+.

“Marketing for the service has yet to hit critical mass,” analyst John Hodulik wrote in a note.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Morgan Stanley projects the SVOD service could help Disney generate more than 130 million subscribers when combining Disney+ with ESPN+ and Hulu.

Analyst Ben Swinburne contends Disney+ will have upwards of 90 million subs within five years, including 13 million subs by the end of 2020.

“We believe the market has often overstated the risk and underappreciated the reward of the transition to streaming,” Swinburne wrote in a June 13 note. “Investing in Disney shares is a play on the durability of its IP.”

Pluto TV Joins Comcast’s X1 Platform

Viacom’s online ad-supported TV service Pluto TV June 13 announced it has launched on Comcast Cable’s Xfinity X1 platform.

Pluto TV, which is already available on Comcast’s Internet-only $5 monthly Xfinity Flex service, joins Netflix, YouTube and Amazon Prime Video reaching the cabler’s cloud-based X1 subscribers.

“The launch of Pluto TV on Xfinity X1 is a pivotal moment for Pluto TV, expanding our reach to a whole new audience in search of free streaming entertainment,” Tom Ryan, CEO and co-Founder of Pluto TV, said in a statement. “Pluto TV is the perfect complement to the X1 platform, delivering a rich lineup of original live channels and on-demand movies and TV shows to Comcast’s customers right where they enjoy the rest of their entertainment experience.”

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The AVOD service would appear to complicate Comcast’s planned launch of an NBC Universal branded SVOD/AVOD service to subscribers in 2020. The ad-free version would be available to non-subs and priced comparable to Hulu and Netflix, or $9 to $14 monthly.

Regardless, Pluto TV, with 150 content partners, features movies: Pluto TV Movies 1 & 2and DramaComedyFamilyIndiesRomanceDocumentariesThrillersCult FilmsHorror 24/7Action MoviesFlicks of FuryThe Asylum, and Black Cinema.

News with Today’s Top StoryNews 24/7Cheddar NewsTYT NetworkNewsmaxTVTop Stories by NewsySky NewsBloomberg TV and WeatherNation.

Sports with Pluto TV SportsFox SportsMLS,Impact WrestlingFightCombate WorldStadiumSurf ChannelSports NewsWorld Poker TourCombat GoLucha Libre AAA, and Big Sky Conference.

Comedy with Funny AFPluto TV SitcomsStand Up TVMST3K,RifftraxFail ArmyCats 24/7The OnionCracked and Pet Collective.

Gaming with The FeedHiveAnime All DayAnime All AgesMinecraftvIGNGeek & Sundry and Nerdist.

Entertainment through the Crime NetworkThe New DetectivesUnsolved MysteriesForensic FilesDog the Bounty HunterPluto TV ConspiracyPluto TV AnimalsCold Case FilesShout TVBuzzrClassicTV,ConTVWipeoutKids TV, After School CartoonsClassic ToonsAwesomeness TVNoseyWhat?! and RevryMTV Pluto TVParamount (PZG) Movie Channel, Comedy Central Pluto TVSpike Pluto TVPluto TV LogoBET Pluto TVNick Pluto TV and Nick Jr. Pluto TV – all featuring iconic, hit shows from Viacom’s deep library.

Lifestyle content with Pluto TV CarsPeople TVGordon Ramsay’s Hell’s KitchenComplex NetworksWahlburgersPluto TV HerPluto TV Her DramasPluto TV TravelPluto TV WeddingsFrontDoorAdventure TVFood TV and Faith TV.

Curiosty with Voyager DocumentariesScience TVPluto TV HistoryDocuTVPluto TV BiographyLaw & CrimePluto TV Military and NASA.

Ava DuVernay’s ‘When They See Us’ Soars Up Digital Originals Chart

“When They See Us,” the controversial miniseries about the Central Park Five that was created, co-written, and directed by Ava DuVernay for Netflix, shot up to No. 2 on Parrot Analytics’ digital originals chart the week ended June 8.

The four-episode drama series is based on the notorious 1989 Central Park jogger case, in which five juveniles – four black and one Latino – were sent to prison for allegedly raping a white woman jogger. They were exonerated after the real rapist confessed, but by then had already served their time.

In the week since the program’s May 31 debut, the number of average daily Demand Expressions soared 170% to 52.5 million, sending the series to No. 2 from No. 13 on the digital originals chart – right behind “Stranger Things,” which remains at No. 1 for the third consecutive week.

Demand Expressions is a proprietary Parrot Analytics metric that draws from a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

A “digital original” is a multi-episode series in which the most recent season was first made available on a streaming platform such as Netflix, Amazon Prime Video or Hulu.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

“When They See Us” has generated a flood of media coverage in recent weeks. Most recently, prosecutor Linda Fairstein, who as head of the Manhattan District Attorney’s sex-crimes unit played a key role in prosecuting the five young men, in a Wall Street Journal opinion piece blasted the series as a “fabrication” and maintained that the suspects’ exoneration doesn’t mean they aren’t guilty of other crimes they were convicted of at the time.

The five were part of a group of about 30 teenagers in Central Park on the evening of April 19, 1989, when several people in the park were robbed and assaulted.

Demand for “Stranger Things” was relatively unchanged from the prior week. “Lucifer,” based on a character from the DC Comics comic-book series “The Sandman,” slipped to No. 3 despite a 4% uptick in demand – likely triggered by word that Netflix has renewed the show for a fifth and final season.

A 68% surge in average daily Demand Expressions sent “Black Mirror” back up to No. 4 from No. 8 the prior week. The British sci-fi anthology series from Charlie Brooker returned to Netflix for a fifth season on June 5.

Rounding out the top five on the weekly digital originals chart was Hulu’s “The Handmaid’s Tale,” up from No. 6 the prior week with a 39% spike in demand. The dystopian drama’s third season also premiered on June 5.

Two other series made it into the top 10 on Parrot Analytics’ digital originals chart with significant increases in demand.

Debuting at No. 6 was Amazon Prime Video’s “Good Omens,” a six-part miniseries starring Michael Sheen and David Tennant as angels seeking to prevent the apocalypse. All six episodes of the series were released on May 31, leading to a 93% gain in average daily Demand Expressions.

Returning to the top 10, at No. 10, was “Swamp Thing,” with a 116% spike in demand. The live-action DC Universe series premiered May 31 and was canceled a week later, with word that there would be no second season.

“Swamp Thing” was the third show to launch on DC Universe after “Titans” and “Doom Patrol” both enjoyed successful launches.

Media Play News has teamed with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the United States, based on the firm’s  proprietary metric called Demand Expressions, which measures global demand for TV content through a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, commenting on fan and critic rating platforms, and downloading and streaming via peer-to-peer protocols and file sharing sites.

 

PBS Kids Launches Spanish-Language Shows on Amazon Prime Video Channel

PBS Distribution has launched Spanish-language versions of a variety of PBS Kids programs on the PBS Kids Amazon Prime Video Channel.

Spanish-language versions of “Daniel Tiger’s Neighborhood,” “Dinosaur Train,” “Scigirls,” “Cyberchase” and “Caillou” debuted on the PBS Kids Amazon Prime Video Channel May 24.

“We’re excited to expand our PBS KIDS channel offering to include a selection of episodes presented in Spanish,” said Andrea Downing, co-president, PBS Distribution, in a statement. “Our aim is to provide educational and entertaining programming for all kids, and this expansion helps further that mission.”

Subscribe HERE to the FREE Media Play News Daily Newsletter!

The launch includes a total of 30 episodes of PBS Kids programming available in Spanish. Subscribers of the PBS Kids Amazon Prime Channel will not need to pay any extra fee for the newly available programs.

WarnerMedia Readying $16-$17 SVOD Service Focused on HBO, Cinemax, Warner Bros. Movies

WarnerMedia reportedly plans to launch a subscription streaming video service later this year revolving around HBO, Cinemax and Warner Bros. movies — and priced from $16 to $17 monthly.

The unnamed service, which will bow in beta later this year, would join similar SVOD efforts from Disney ($6.99 Disney+) and Apple aimed at competing against Netflix, Amazon Prime Video and Hulu, according to The Wall Street Journal, which cited sources familiar with the situation.

NBC Universal is readying an ad-supported VOD service for Xfinity subscribers in 2020, which would be available separately to consumers for a monthly fee.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

Notably, WarnerMedia’s service would cost slightly more than what HBO Now ($14.99) and Cinemax ($12.99) do now separately — the latter charged to pay-TV subscribers.

WarnerMedia, which formed following AT&T’s $85 billion acquisition of Time Warner, is also eyeing ad-supported VOD service.

The rush to over-the-top distribution comes as AT&T continues to hemorrhage pay-TV subscribers among its DirecTV and AT&T U-verse platforms. Standalone online TV service, DirecTV Now, for the first time lost subscribers in the most-recent fiscal period as well.

Indeed, AT&T is scrambling to find an OTT product that resonates with consumers. Late last month, it inked a joint venture deal with The Chernin Group aimed at investing $500 million into both ad-supported and subscription-based online video businesses.

“Combining our expertise in network infrastructure, mobile, broadband and video with The Chernin Group’s management and expertise in content, distribution, and monetization models in online video creates the opportunity for us to develop a compelling offering in the OTT space,” John Stankey, CEO of WarnerMedia, said in a statement.

NBA, TikTok Partner for Video Contest in India

India, with the world’s sixth-largest economy and youngest global population by 2020, is a coveted streaming video market for Netflix, Amazon Prime Video, Disney and now the NBA.

The National Basketball Association has partnered with user-generated short-form mobile video sharing platform TikTok for a campaign around the ongoing 2019 NBA Finals between the Golden State Warriors and the Toronto Raptors.

The social media venture – dubbed #DuetWithNBA – enables TikTok users to create and share video duets with content offered on the NBA India app.

The top-three winners who post and share content on the platform will be featured on a post-game presentation of the NBA Finals. Other participants will selected to receive NBA Fanwear.

The campaign follows last December’s partnership between the NBA and ByteDance, TikTok’s corporate parent.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

“We are always looking at partnerships that allow our fans to engage with the league across various content platforms,” Diane Gotua, VP, global business operations at the NBA, said in a statement.

Mayank Gandotra, director of business development at TikTok India, said the platform is ideal for users seeking to watch and interest with sports video.

“We are excited to bring to our active sports community pan-India exclusive content and engaging in-app challenges,” Gandotra said.

The TikTok app is available in more than 150 markets and 75 languages globally.

 

Disney+ SVOD Service Projected to Reach 19.1 Million Subs by 2024

Disney’s pending branded SVOD service, Disney+, is projected to generate 19.1 million subscribers by 2024, according to new data from Digital TV Research.

Disney is expected to launch the $6.99 monthly SVOD platform on Nov. 12 featuring movies from Marvel, Lucasfilm (Star Wars), Pixar, National Geographic and Disney, in addition to TV shows and original programming.

With Disney planning to roll out SVOD service globally, DTR contends the platform will help increase Western Europe SVOD users to 131.2 million by 2024 compared to 65.19 million at the end of 2018.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

“Disney+ will make a strong and immediate impact, given its extensive brand recognition and impressive content line-up,” Simon Murray, principal analyst at DTR, said in a statement.

Indeed, 43.4% of Western European homes will have at least one SVOD subscription by 2024, compared to 26.3% in 2018.

The report contends average households in Europe will pay for 1.71 SVOD subscriptions by 2024 compared to 1.41 subs in 2018.

Netflix will remain the largest pan-regional SVOD platform with 54.86 million paying subscribers expected by 2024 – or 42% of the region’s total. This proportion is down from 54% in 2018, but mean that the platform will add 20 million subscribers.

Report: Global SVOD Subs to Increase 86% Through 2024

The global number of SVOD subscriptions will increase 86%, or 439 million subs from 2018 to 2024 to 947 million. SVOD sub growth will climb by 119 million members in 2019, according to new data from Digital TV Research.

As the gross subscription total races towards 1 billion, the net sub count will rise by 175 million through 2024 to reach 531 million. This means that the average SVOD sub will pay for 1.78 subscriptions by 2024 – up from 1.43 in 2018.

 

 

 

 

 

 

 

Fifteen countries — led by United States and China — will have more than 10 million SVOD subscribers each by 2024 – collectively providing 86% of the global total.

Subscribe HERE to the FREE Media Play News Daily Newsletter!

By 2024, Netflix will contribute 203 million subs (21% of the global total), Amazon Prime Video 125 million (13%), China 289 million (31%), Disney+ 75 million and 255 million other SVOD subs. Netflix and Prime Video do not operate independently in China.

“China overtook the U.S. in 2018 to become the gross SVOD subscription leader,” analyst Simon Murray said in a statement. “These two countries will continue to dominate the world stage. China and the U.S. will together account for 59% of the global total by 2024. However, this proportion is down from 63% in 2018; indicating that other countries are growing faster.”