Live-Action ‘Thomas the Tank Engine’ Film to Make Blu-ray Disc Debut

Shout! Kids has announced a Sept. 29 home release date for Thomas and the Magic Railroad: 20th Anniversary Edition, starring Alec Baldwin, Mara Wilson, the late Peter Fonda and others.

The release marks the first time the live-action film, based on the iconic “Thomas the Tank Engine” children’s books and cartoons, will be available on Blu-ray Disc.

The film tells the story of Mr. C (Baldwin), who comes from a family of miniature Conductors who travel between the Island of Sodor and Shining Time Station thanks to a supply of mysterious gold dust. However, the steam engines of Sodor suddenly find themselves in trouble when confronted by the ruthless Diesel 10, whose plan is to take over Sodor before Sir Topham Hatt’s return. Mr. C Teams up with Thomas and Lily (Wilson), who believes her grandfather (Fonda) may be the one who can crack the code and save the conductor family and get Sodor back on track.

While Thomas and the Magic Railroad celebrates its 20th anniversary, Thomas the Tank Engine is marking his 75th year as a beloved children’s character. Originally part of the Rev W. Awdry’s “Little Railway” book series, first released in 1945, Thomas was brought to life through the animated TV series “Thomas & Friends” in the 1980s.

Shout! Kids is the children’s imprint of Shout! Factory, one of the leading independent home entertainment distributors.

Glengarry Glen Ross: Collector’s Edition

BLU-RAY REVIEW 

Street Date 6/2/20;
Shout! Factory;
Drama;
$22.97 Blu-ray;
Rated ‘R’ for language including sexual references.
Stars Al Pacino, Jack Lemmon, Alan Arkin, Ed Harris, Kevin Spacey, Alec Baldwin, Jonathan Pryce, Jude Ciccolella, Bruce Altman.

Some movies just have a way of getting in your head and wrapping themselves around your brain. Glengarry Glen Ross, based on David Mamet’s stage play, is such a film. With a powerhouse cast (including four Academy Award winners) delivering juicy dialogue, how could it not be? Don’t be surprised if you find yourself quoting the film with regularity after a viewing.

In the 1992 film, as with the play, we meet four real-estate salesmen who will do anything to sell worthless property to customers who don’t want it.

Mamet has found a way to cram so many worthwhile themes, from transition to desperation, into such a simple framework. Jack Lemmon plays Shelley “The Machine” Levine, an elderly salesman who has fallen on hard times. Al Pacino plays smooth-talker Ricky Roma, who is in the midst of a winning streak. Alec Baldwin plays a hotshot from downtown who shows up in a classic cameo written specifically for the actor for the screen version. All are pitch perfect.

Baldwin puts the fear of God into the salesmen by telling them to close a deal or they’re fired. The next day, the office has been ransacked. Sensitive documents have been stolen. The subsequent investigation quickly gives way to one of the classic verbal beatdowns in cinema history, when Pacino berates the inept office manager, played by Kevin Spacey, after he costs Roma a big sale.

These are scenes you could watch again and again with continued fascination at the skill with which these performers give life to the words on the page. Mamet’s screenplay, which he adapted himself, is often hailed as being better than the stage version due to the inclusion of the Baldwin scene, which crystalizes the stakes of the story in a way the stage production only hints at.

Surprisingly, despite its legacy and acclaim, the film earned just one Academy Award nomination, Pacino for Best Supporting Actor. Pacino would lose that race to Gene Hackman in Unforgiven, but got the last laugh the same year when he took home Best Actor for Scent of a Woman. For some people it’s just in the cards. (When the movie came out, Lemmon had been the only Oscar winner in the cast. After Pacino, Spacey and Alan Arkin would later win Oscars, with Baldwin, Ed Harris and Jonathan Pryce earning Oscar nominations).

The new Shout Select Blu-ray presents the film with a gorgeous new 4K digital transfer from the original camera negative that offers a crisp, vivid image. Being sourced from a loquacious stage play, the film’s visual splendors are secondary concerns, though director James Foley and cinematographer Juan Ruiz Anchía do their best to enhance the dreary ambiance of the piece with moody shadows and reflections of rain while bathing the characters in various shades of neon.

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In terms of bonus material, the new Blu-ray offers a healthy mix of old and new extras.

The first of the new additions is a 30-minute interview with Foley as he reflects on the development of the film version and the relative ease of the production since he was working with such a talented cast and a tight screenplay. The other is “God Bless Ricky Roma,” a 24-minute interview with actor Joe Mantegna, who won a Tony playing Roma on Broadway in the 1980s.

The Shout Blu-ray also includes two half-hour documentaries from the old 10th anniversary DVD from 1992 that were subsequently included on Lionsgate’s 2016 Blu-ray edition: the “ABC: Always Be Closing” documentary about the psychological intersection of fictional and real-life salesmen, and the “Magic Time: A Tribute to Jack Lemmon” documentary.

The disc also includes two commentary tracks. One comes from Foley that originated on the 10th anniversary DVD and was included on the Blu-ray as well. He offers some good stories about the production, some of which he also recounts in the new interview, but there are lengthy gaps where he just lets the film run without saying a word.

The other commentary is by Jack Lemmon, originally recorded for the 1992 Laserdisc of the film but missing from subsequent disc releases, so it makes a welcome return here. Lemmon is effusive in his praise for his fellow cast members, whom he calls the most talented bunch he ever worked with. His commentary is a fantastic intermingling of stories from the set with tales of old Hollywood from the 1950s and ’60s.

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As to what didn’t make it from previous releases, the new Blu-ray jettisons a 10-minute clip of Lemmon on the Charlie Rose show talking about the movie in 1992, and a two-minute bit of Kevin Spacey reciting his “Go to lunch” scene with an audience member on “Inside the Actors Studio.” Both were featured on both the previous DVD and Blu-ray releases, but their absence here is understandable given the problematic revelations regarding both Rose and Spacey that have popped up in recent years. It’s a shame to lose the reflections from Lemmon in the Rose piece, though.

In addition, a couple of extras from the old DVD that didn’t carry over to the 2016 Blu-ray also aren’t resurrected here. These include a scene-specific commentary from the cast and crew, and filmmaker Tony Buba’s short documentary “J. Roy: New and Used Furniture.” So completist collectors who have that 10th anniversary DVD might want to pair this new Blu-ray with the second disc from that set (which offers the pan-and-scan version of the movie along with the extras missing from the later Blu-rays).

Shout Select Presents ‘Glengarry Glen Ross’ Collector’s Edition Blu-ray June 2

Shout! Factory’s premium home video label, Shout Select, June 2 will release a collector’s edition Blu-ray of the 1992 film Glengarry Glen Ross.

Adapted from the play by David Mamet, the film tracks a group of down-on-their luck Chicago real-estate salesman as they try to meet the month’s sale’s goals in order to avoid being fired.

The cast includes Al Pacino in an Oscar-nominated performance, plus Jack Lemmon, Ed Harris, Alan Arkin, Kevin Spacey, Jonathan Pryce and Alec Baldwin as the motivational speaker whose cameo was written into the film version.

The Shout! Blu-ray edition includes a new 4K transfer from the original camera negative; a new conversation with director James Foley; a new “God Bless Ricky Roma” featurette in which actor Joe Mantegna remembers working with Mamet on a stage production of the story; an “A.B.C. ‘Always Be Closing’ featurette; a “Magic Time: A Tribute To Jack Lemmon” featurette; and separate commentaries with Foley and Lemmon.

‘Motherless Brooklyn’ Comes Home in January

Warner Bros. Home Entertainment will release the drama Motherless Brooklyn through digital retailers Jan. 14, and on Blu-ray Disc and DVD Jan. 28.

Inspired by Jonathan Lethem’s novel by the same name, Motherless Brooklyn is directed by, written by and produced by Edward Norton, who also stars as Lionel Essrog, a lonely private detective living with Tourette Syndrome who ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis).

Norton aimed to transpose Lethem’s contemporary characters into a different period and plot and gave it a distinctive atmosphere by moving the story to 1950s New York City.

The cast also includes Gugu Mbatha-Raw, Bobby Cannavale, Cherry Jones, Michael Kenneth Williams, Leslie Mann, Ethan Suplee, Dallas Roberts, Josh Pais, Robert Ray Wisdom, Fisher Stevens, Alec Baldwin and Willem Dafoe.

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Motherless Brooklyn earned $9.3 million at the domestic box office.

The film is nominated for a Golden Globe for Best Original Score for its music composed by Daniel Pemberton. The film also features an original song written and performed by Thom Yorke.

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The Blu-ray and DVD will include a code redeemable for a digital copy of the film as well as the making-of featurette “Edward Norton’s Methodical Process.” The Blu-ray will also include deleted scenes and a commentary by Norton.

30th Anniversary ‘Hunt for Red October’ Steelbook Set for February Release

Paramount Home Entertainment has set a Feb. 25 home release date for The Hunt For Red October: 30th Anniversary Limited Collectors Edition.

The 4k Ultra HD/Blu-ray Disc combo comes packaged in a limited-edition Steelbook. The combo pack includes access to a digital copy of the film, as well as commentary by director John McTiernan. Also included is a behind-the-scenes featurette, “Beneath the Surface.”

The 1990 techno-thriller, an adaption of Tom Clancy’s 1984 debut novel, stars Sean Connery and Alec Baldwin. The Hunt for Red October earned more than $122 million at the domestic box office to become the year’s No. 6 movie — behind Teenage Mutant Ninja Turtles at No. 5 and Pretty Woman at No. 4. Home Alone was the year’s No. 1 earner.

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The film follows a Soviet submarine captain, Marko Ramius (Connery), who goes rogue with his country’s cutting-edge ballistic missile submarine known as Red October. The Soviets tell Americans he is planning to launch missiles on the United States, but CIA analyst Jack Ryan (Baldwin) thinks otherwise and tries to prove to the U.S. forces that the Red October isn’t a threat.

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The Hunt for Red October received mostly positive reviews from critics. At the 63rd Academy Awards, the film was honored with an Oscar for Best Sound Editing, along with nominations for Best Sound Mixing and Best Film Editing.

 

‘The Upside’ Again Tops Redbox Charts

Universal’s The Upside again climbed to the top of both the Redbox disc rental and digital charts for the week ended June 2.

The comedy, starring Bryan Cranston and Kevin Hart, took the No. 1 spot on the Redbox kiosk chart, which tracks DVD and Blu-ray Disc rentals at the company’s more than 40,000 red vending machines, as well as the Redbox On Demand chart, which tracks digital transactions, including both electronic sellthrough and streaming rentals. The film follows an out-of-work ex-con and a wealthy quadriplegic who unexpectedly come together and help each other. It made $108.3 million at the box office.

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Universal’s How to Train Your Dragon: The Hidden World and Warner’s Isn’t It Romantic, also repeated at No. 2 and No. 3, respectively, on the disc chart. Meanwhile, Romantic repeated at No. 2 and Dragon fell one spot to No. 4 on the digital chart for the week.

Lionsgate’s actioner Cold Pursuit, starring Liam Neeson as a snow plow driver who seeks revenge against the drug lords who killed his son, stayed in the fourth spot on the disc chart and climbed one spot to No. 3 on the digital chart.

Two new releases debuted on the disc chart for the week. Lionsgate/Quiver’s Drunk Parents, starring Alec Baldwin and Salma Hayek, landed at No. 5, and Universal’s horror thriller Greta, starring Isabelle Huppert and Chloe Grace Moretz, came in at No. 8. It earned $10.5 million in theaters. Greta also landed at No. 10 on the digital chart.

Top DVD and Blu-ray Disc Rentals, Redbox Kiosks, Week Ended June 2:

  1. The Upside — Universal
  2. How to Train Your Dragon: The Hidden World — Universal
  3. Isn’t It Romantic — Warner
  4. Cold Pursuit— Lionsgate
  5. Drunk Parents — Lionsgate/Quiver
  6. Fighting With My Family— Universal
  7. What Men Want— Paramount
  8. Greta — Universal
  9. The Lego Movie 2: The Second Part — Warner
  10. Aquaman — Warner

 

Top Digital, Redbox On Demand, Week Ended June 2:

  1. The Upside — STX
  2. Isn’t It Romantic — Warner
  3. Cold Pursuit — Lionsgate
  4. How to Train Your Dragon: The Hidden World— Universal
  5. What Men Want — Paramount
  6. Glass — Universal
  7. Aquaman — Warner
  8. The Mule — Warner
  9. John Wick — Lionsgate
  10. Greta — Universal

‘The Illusionist,’ ‘Winter Passing’ and ‘Resurrecting the Champ’ Among Star-Studded Films Joining MVD Marquee Collection

The MVD Marquee Collection is adding five films from Yari Film Group to its lineup on DVD and Blu-ray Disc.

Due June 25 are Resurrecting the Champ, Winter Passing and The Illusionist.

Resurrecting the Champ, directed by Rod Lurie (The Contender), stars Samuel L. Jackson and Josh Hartnett with Alan Alda, Kathryn Morris, Teri Hatcher, David Paymer and Peter Coyote. In the film, sportswriter Erik Kernan (Hartnett) wants nothing more than to discover a story great enough to make headlines. When he meets Champ (Jackson), a former boxing champion living on the streets, he knows he has a shot to save them both. Recording his newfound friend’s tale of triumph and defeat, Kernan gets his story and his fame. But as Champ’s tale falls under more scrutinizing eyes, Kernan learns what truly makes a story great is the quality of the man behind it. Bonus material includes a feature audio commentary from Lurie, a behind-the-scenes featurette, interviews with the cast and crew, and the original theatrical trailer.

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Winter Passing is an offbeat film about homecoming and reconciliation that features Zooey Deschanel, Will Ferrell, Ed Harris, Amy Madigan, Dallas Roberts, Michael Chernus, Anthony Rapp, Sam Bottoms and Rachel Dratch. When a book editor (Madigan) offers to buy the love letters of Reese Holden’s (Deschanel) parents, she returns home to recover them, only to find her widowed dad (Harris) golfing upstairs, sleeping outside and living with roommates — a pretty grad student (Amelia Warner) and a quirky wannabe musician (Ferrell). Bonus material includes a behind-the-scenes featurette and the original theatrical trailer.

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The Illusionist stars Paul Giamatti and Edward Norton along with Jessica Biel, Rufus Sewell, Eddie Marsan and Aaron Taylor-Johnson. In the film, acclaimed illusionist Eisenheim (Norton) has not only captured the imaginations of all of Vienna, but also the interest of the ambitious Crown Prince Leopold (Sewell). But when Leopold’s new fiancée (Biel) rekindles a childhood fascination with Eisenheim, the Prince’s interest evolves into obsession and the city’s chief inspector (Giamatti) finds himself investigating a shocking crime. As the Inspector engages him in a dramatic challenge of wills, Eisenheim prepares for his most impressive illusion yet. Bonus material includes a feature audio commentary from writer/director Neil Burger, “The Making of the Illusionist” featurette, the “Jessica Biel on the Illusionist” featurette and the original theatrical trailer.

Taking 18 years from the start of production to theatrical release, Shortcut to Happiness finally makes its debut on Blu-ray and DVD July 16. Originally titled The Devil and Daniel Webster, the film was to be the directorial debut of Alec Baldwin. With the film plagued by investor problems and rumored creative differences, Baldwin had his director credit removed from the film and replaced with the pseudonym Harry Kirkpatrick. Producer Bob Yari rescued the film from bankruptcy court and finished it without Baldwin’s participation. It received limited theatrical screenings in 2007. Years later, it aired on Showtime and Starz channels. Set in New York’s literary world, Shortcut to Happiness is a contemporary re-telling of the classic short story ”The Devil and Daniel Webster,” starring Baldwin, Dan Aykroyd, Anthony Hopkins, Jennifer Love Hewitt, Kim Cattrall, Bobby Cannavale, Amy Poehler and Darrell Hammond. It follows Jabez Stone (Baldwin), a down on his luck writer who sells his soul to the devil (Love-Hewitt) in exchange for fame and fortune. When things don’t turn out as planned, Stone ultimately decides that he wants his old life again and enlists the help of Daniel Webster (Hopkins) in order to win his soul.

Finally, Sept. 17 comes Find Me Guilty from director Sidney Lumet (Serpico, Network, Dog Day Afternoon). Vin Diesel stars with Peter Dinklage, Annabella Sciorra, Alex Rocco, Ron Silver and Linus Roache in this true story. When police arrest 20 members of the Lucchese crime family, the authorities offer Jackie Dee DiNorscio (Diesel) a bargain: a shortened prison term if he’ll testify against his own. But the wisecracking DiNorscio has other ideas. Refusing to cooperate, he decides to defend himself at his own trial and proceeds to turn the courtroom upside-down, culminating in one of the most shocking verdicts in judicial history. Bonus material includes the “A Conversation with Director Sidney Lumet” featurette, the original theatrical trailer and three TV spots.

Mission: Impossible — Fallout

BLU-RAY REVIEW:

Street Date 12/4/18;
Paramount;
Action;
Box Office $220.16 million;
$29.99 DVD, $39.99 Blu-ray, $37.99 UHD BD;
Rated ‘PG-13’ for violence and intense sequences of action, and for brief strong language.
Stars Tom Cruise, Simon Pegg, Ving Rhames, Rebecca Ferguson, Henry Cavill, Sean Harris, Vanessa Kirby, Angela Bassett, Michelle Monaghan, Wes Bentley, Alec Baldwin. 

The latest entry in the “Mission: Impossible” franchise brings together elements from all the movies to craft a top-notch, high-energy action adventure that could go down as a benchmark in the genre.

Central to the film’s success is star Tom Cruise, who took on many of the most dangerous stunt sequences himself. This emphasis on practical stunts lends a verisimilitude other contemporary action movies would be hard-pressed to match, as they so often resort to frenetic editing to mask underwhelming stuntwork or visual effects.

What’s even more remarkable about this is that Cruise is now 56 years old. By comparison, Roger Moore was 58 by the time he walked away from James Bond, when critics were saying he seemed way too old for the part. Even more astonishing, as has been pointed out online, perpetual old guy Wilford Brimley was five years younger in the quintessential senior citizen movie Cocoon than Cruise was in this movie. And yet Cruise shows no signs of slowing down (though a broken ankle during one of his stunts does raise the question of how far is too far).

In Mission: Impossible — Fallout, the sixth film in the franchise based on the classic TV series, Cruise personally executes a lengthy skydiving sequence, pilots a helicopter through a narrow mountain pass and races a motorcycle without a helmet through the streets of Paris. Not to mention his signature running scenes that have become a staple of the franchise. All this comes, of course, after he learned to hold his breath for five minutes for the previous movie.

In Fallout, Cruise’s Ethan Hunt has to track down stolen plutonium that got into the hands of terrorists because his personal attachment to members of his team led him to save them instead, compromising the safety of the world (and highlighting a big reason why James Bond usually works alone).

Hunt’s IMF squad is then saddled with a CIA observer (Henry Cavill) as they attempt to recover the plutonium again, which now involves a group that wants to free Solomon Lane (Sean Harris), the bad guy from the previous film who ran a covert network of rogue secret agents looking to undermine world governments.

Another subplot deals with Ethan’s relationship with Julia (Michelle Monaghan) from Mission: Impossible III, and how they had to part ways so he could continue to save the world without putting her at risk. (Cleaning up this storyline was one of Cruise’s main goals for the film, he says in the supplements).

What’s clear from the bonus materials is that, aside from the flexibility Cruise doing his own stunts being a huge advantage for the film’s editors, director Christopher McQuarrie and the writers were still making up the story as they were filming (which isn’t unlike Ethan’s methodology for completing the mission).

McQuarrie is the first person to direct a second “Mission: Impossible” movie, and even though this film is very much a direct sequel to his Rogue Nation, he insisted on bringing in a new production team to give the film a different style than his previous work, and the results speak for themselves. McQuarrie’s action is kinetic and thrilling while maintaining a clear sense of space and geography so the audience can easily track where the characters are and what is going on.

A number of the action sequences were shot using Imax cameras, and the Blu-ray aspect ratio adjusts to fill the full screen during these scenes.

The Blu-ray comes loaded with bonus materials, including three audio commentaries — a rarity in a day and age when most new home videos are reluctant to include even one.

McQuarrie is involved in two of the commentaries — sharing one with Cruise and another with editor Eddie Hamilton. The McQuarrie/Cruise pairing, amusingly dubbed “Tom Cruise University” at one point, is more an exercise in self-praise and an affirmation of how much fun they were having crafting the film. The track with Hamilton gets more into the filmmaking process in general.

The third commentary involves composer Lorne Balfe, who discusses his creative process and how he went about incorporating the iconic “Mission: Impossible” theme. Fittingly, there’s a score-only audio option to show off the terrific music.

The disc also includes an introduction of sorts in the form of a PSA-type video with Cruise and McQuarrie discussing motion-smooting settings on new TVs and telling viewers they should turn it off to avoid the movie looking like glossy videotape.

All the featurettes and behind-the-scenes material are on a bonus disc, with the main piece being “Behind the Fallout,” a grouping of seven featurettes that run a total of 53 minutes.

Balfe returns in a five-minute featurette to discuss mixing the music for the foot chase sequence. There’s also a three-minute featurette called “The Ultimate Mission” in which Cruise offers his own reflections on the franchise.

The bonus disc also includes the theatrical trailer and storyboards for several sequences, plus a four-minute montage of deleted scenes, offered with or without the director’s commentary.

The deleted scenes are alluded to frequently in the commentaries, but the montage is mostly just the visuals of the scenes set to music, with minimal sound effects and no dialogue. McQuarrie says he usually prefers not to show deleted scenes but decided to present them in a musical montage as a compromise because he really wanted audiences to see the hard work that went into them.

While a couple work fine without sound, it probably would have been more effective to just present the scenes as a disc typically would, rather than make a music video out of them.

Paramount Releasing ‘Jack Ryan Collection’ on 4K Blu-ray Aug. 21

Paramount Home Media Distribution is re-releasing the cinematic adventures of author Tom Clancy’s CIA analyst Jack Ryan with the new Jack Ryan Collection 4K Ultra HD Blu-ray boxed set Aug. 21.

The collection includes a UHD Blu-ray disc, a regular Blu-ray disc and a digital copy for each of the five films in the franchise: 1990’s The Hunt For Red October, with Alec Baldwin as Ryan; Harrison Ford in the role in 1992’s Patriot Games and 1994’s Clear and Present Danger; 2002’s The Sum of All Fears starring Ben Affleck; and 2014’s Jack Ryan: Shadow Recruit with Chris Pine.

The new boxed set is timed for the Aug. 31 release of the new Amazon TV series “Tom Clancy’s Jack Ryan,” starring John Krasinski as the character.

Great Balls of Fire!

BLU-RAY REVIEW:

Olive;
Drama;
$24.95 DVD, $29.95 Blu-ray;
Rated ‘PG-13.’
Stars Dennis Quaid, Winona Ryder, Alec Baldwin, Trey Wilson. 

Nobody pulled too many muscles remastering Orion Pictures’ cartoonish Jerry Lee Lewis biopic for Blu-ray release, but curio seekers may want to be reminded — because I had totally forgotten myself — that Alec Baldwin plays evangelist Jimmy Swaggart, the real-life cousin of rockdom’s self-ordained “Killer.” Actually, it’s another cousin who looms large in the Lewis saga (more on that in a minute), but let it be noted, also for the curious, that Baldwin doesn’t even attempt a characterization. We can almost hear the actor bellowing, “None of that Dennis Quaid peroxide mixed into in my hair, you don’t.”

It’s the similar lack of detail beyond the onetime standard tabloid boilerplate of the day that hurts the picture, which was positioned and certainly promoted to be a hit, what with Lewis’s cooperation and even his agreement to record improved-fidelity versions of his career-making Sun Records hits from his brief time at the highest rungs of the top. Since his wedding-related tumble, of course, Lewis has always been a formidable “name” at the very least, as well as an undeniable killer when it comes to showmanship. Boomers everywhere have long waited for him to co-author a health-tips volume with Keith Richards called How To Defy the Odds by Living Half-a-Century Longer Than Anyone Predicted.

Much like Richards’ Rolling Stones of the ’60s, at least when at least compared to the Beatles dressing like gentlemen on “The Ed Sullivan Show,” dangerous Lewis posed a threat to parental stress levels that Elvis didn’t fully replicate, or at least all the time. Elvis, after all, occasionally scored smash hits with ballads like “I Want You, I Need You, I Love You” or “Love Me Tender” or “Don’t” — and even romanced Debra Paget tender-ly in his Tender screen debut. Judging just from his performing behavior — and you can get a short idea of how scary he was at the time via a brief clip in that mammoth six-part American Music: The Root of Country doc that Ted Turner aired in 1996 — Lewis on screen with Paget would likely have been more akin to what the actress (as “Lilia”) had to endure during the Golden Calf orgy scene in DeMille’s The Ten Commandments.

All of this was exciting, of course, to us fourth and fifth graders at the time — a good topic of discussion during school detention, to be sure, after our near-daily adventures in Ohio classroom disrupting that anticipated everything in Truffaut’s The 400 Blows. On the small screen, as opposed to concert appearances, Lewis was at his piano-pounding wildest on “The Steve Allen Show” and even named his son after the comic host — whose not-ever-to be-missed Sunday night variety show got programmed by NBC opposite Sullivan for a much hipper hour, though one not as big in the ratings (think Cavett vs. Carson in the counterculture early ’70s). This is kind of odd because like the equally uproarious Stan Freberg, Allen disdained “the new sounds” (I think both made rock critic Dave Marsh’s “Enemies of Rock and Roll” list). But he also appreciated outrageousness when he saw it, went with the flow, and his too brief appearance as himself in this movie is a minor high point.

The high point here is probably Winona Ryder as Lewis’s 13-year-old first cousin (removed) Myra, whose marriage to him as wife No. 3 did not amount to a crackerjack career move in late 1957 (just as the film’s title tune was soaring the charts around Christmas time after Whole Lotta Shakin’ Going On had ripped up the previous summer). Ryder is fully credible playing someone very young (and, indeed, might even pass for 13), though this part of the movie’s chronology is completely screwed up here in terms of Lewis record releases. (The Dave “Baby” Cortez recording of “The Happy Organ” also shows up on the soundtrack about a year before it would have been possible to do so.) The Jerry-Myra union — which, for a long while, managed to survive a pompously negative British press of Uriah Heep types during a disastrous musical tour in early ’58 — didn’t keep that spring’s “Breathless” from being a top-10 hit (it’s a killer itself). But it likely did make a big dent in the potential sales of follow-up High School Confidential!, which sported one of the coolest 45 jackets ever in that it showcased not just Lewis, but the cast of actors who headlined that teen-junkie trash classic, including Russ Tamblyn and Mamie Van Doren. I had it (of course) and played it in my room after detentions.

After that, things went downhill for the singer pretty fast, and a final indignity came in 1959 when someone ghosted an article under (the original) Jerry Lewis’s name in Photoplay (with Elvis in army uniform on the cover) called, “I Am NOT Jerry Lee Lewis.” And even when Jerry Lee made one of the greatest live albums ever in the mid-’60s, its release was held up for years.

Even so, the movie ends on a happy note suggesting that Lewis and Myra ended up together for decades of walks into the sunset, but he ended up being as married almost as many times as Larry King (I can’t remember if they ever married each other). The director here is Jim McBride, who had directed Quaid in one of his most appealing efforts (The Big Easy) but in this case can’t keep his star from doing the truly impossible: fashioning a performance as Lewis that is, of all things, too broad — a trait it shares with the movie. Nearly two hours of sheer burlesque, Fire! tries to be (or, at least, is) such a pastiche of everything that was happening in the musical/pop culture scene at the time that nothing seems authentic. The minor compensation for this is the film’s accelerated pace and an occasionally hilarious response or reaction shot by Quaid, usually over some indignity. And though, as mentioned, the print could use a fresh, modern-day remastering, the production design is so sprightly under any circumstances that I’d even enjoy living with the wild two-toned carpet in the home the newlyweds look at, even if no one else I’ve ever known likely would.

Through it all, Baldwin’s Swaggart remains a moral compass who is many public years away from the phlegm-faced adulterer whose nationally broadcast-to-death mea culpa in 1988 inspired my then 21-month older son (now an anesthesiologist) to take a baby’s milk bottle out of his month and identify him, when asked on a lark, as the first George Bush. Thus, we do not get to see a Baldwin dramatization of quaking Swaggart crying, “I have sinned” on the airwaves three years and change before a subsequent arrest with a prostitute — but the way things are going with Donald Trump, maybe a newer version will eventually show up on “Saturday Night Live.”

Mike’s Picks: ‘Running Wild’ and ‘Great Balls of Fire!’