November 30, 2018
Street Date 12/4/18;
Box Office $220.16 million;
$29.99 DVD, $39.99 Blu-ray, $37.99 UHD BD;
Rated ‘PG-13’ for violence and intense sequences of action, and for brief strong language.
Stars Tom Cruise, Simon Pegg, Ving Rhames, Rebecca Ferguson, Henry Cavill, Sean Harris, Vanessa Kirby, Angela Bassett, Michelle Monaghan, Wes Bentley, Alec Baldwin.
The latest entry in the “Mission: Impossible” franchise brings together elements from all the movies to craft a top-notch, high-energy action adventure that could go down as a benchmark in the genre.
Central to the film’s success is star Tom Cruise, who took on many of the most dangerous stunt sequences himself. This emphasis on practical stunts lends a verisimilitude other contemporary action movies would be hard-pressed to match, as they so often resort to frenetic editing to mask underwhelming stuntwork or visual effects.
What’s even more remarkable about this is that Cruise is now 56 years old. By comparison, Roger Moore was 58 by the time he walked away from James Bond, when critics were saying he seemed way too old for the part. Even more astonishing, as has been pointed out online, perpetual old guy Wilford Brimley was five years younger in the quintessential senior citizen movie Cocoon than Cruise was in this movie. And yet Cruise shows no signs of slowing down (though a broken ankle during one of his stunts does raise the question of how far is too far).
In Mission: Impossible — Fallout, the sixth film in the franchise based on the classic TV series, Cruise personally executes a lengthy skydiving sequence, pilots a helicopter through a narrow mountain pass and races a motorcycle without a helmet through the streets of Paris. Not to mention his signature running scenes that have become a staple of the franchise. All this comes, of course, after he learned to hold his breath for five minutes for the previous movie.
In Fallout, Cruise’s Ethan Hunt has to track down stolen plutonium that got into the hands of terrorists because his personal attachment to members of his team led him to save them instead, compromising the safety of the world (and highlighting a big reason why James Bond usually works alone).
Hunt’s IMF squad is then saddled with a CIA observer (Henry Cavill) as they attempt to recover the plutonium again, which now involves a group that wants to free Solomon Lane (Sean Harris), the bad guy from the previous film who ran a covert network of rogue secret agents looking to undermine world governments.
Another subplot deals with Ethan’s relationship with Julia (Michelle Monaghan) from Mission: Impossible III, and how they had to part ways so he could continue to save the world without putting her at risk. (Cleaning up this storyline was one of Cruise’s main goals for the film, he says in the supplements).
What’s clear from the bonus materials is that, aside from the flexibility Cruise doing his own stunts being a huge advantage for the film’s editors, director Christopher McQuarrie and the writers were still making up the story as they were filming (which isn’t unlike Ethan’s methodology for completing the mission).
McQuarrie is the first person to direct a second “Mission: Impossible” movie, and even though this film is very much a direct sequel to his Rogue Nation, he insisted on bringing in a new production team to give the film a different style than his previous work, and the results speak for themselves. McQuarrie’s action is kinetic and thrilling while maintaining a clear sense of space and geography so the audience can easily track where the characters are and what is going on.
A number of the action sequences were shot using Imax cameras, and the Blu-ray aspect ratio adjusts to fill the full screen during these scenes.
The Blu-ray comes loaded with bonus materials, including three audio commentaries — a rarity in a day and age when most new home videos are reluctant to include even one.
McQuarrie is involved in two of the commentaries — sharing one with Cruise and another with editor Eddie Hamilton. The McQuarrie/Cruise pairing, amusingly dubbed “Tom Cruise University” at one point, is more an exercise in self-praise and an affirmation of how much fun they were having crafting the film. The track with Hamilton gets more into the filmmaking process in general.
The third commentary involves composer Lorne Balfe, who discusses his creative process and how he went about incorporating the iconic “Mission: Impossible” theme. Fittingly, there’s a score-only audio option to show off the terrific music.
The disc also includes an introduction of sorts in the form of a PSA-type video with Cruise and McQuarrie discussing motion-smooting settings on new TVs and telling viewers they should turn it off to avoid the movie looking like glossy videotape.
All the featurettes and behind-the-scenes material are on a bonus disc, with the main piece being “Behind the Fallout,” a grouping of seven featurettes that run a total of 53 minutes.
Balfe returns in a five-minute featurette to discuss mixing the music for the foot chase sequence. There’s also a three-minute featurette called “The Ultimate Mission” in which Cruise offers his own reflections on the franchise.
The bonus disc also includes the theatrical trailer and storyboards for several sequences, plus a four-minute montage of deleted scenes, offered with or without the director’s commentary.
The deleted scenes are alluded to frequently in the commentaries, but the montage is mostly just the visuals of the scenes set to music, with minimal sound effects and no dialogue. McQuarrie says he usually prefers not to show deleted scenes but decided to present them in a musical montage as a compromise because he really wanted audiences to see the hard work that went into them.
While a couple work fine without sound, it probably would have been more effective to just present the scenes as a disc typically would, rather than make a music video out of them.