September 20, 2020
Stars Peter Cushing, Bernard Cribbins, Ray Brooks, Andrew Keir, Roberta Tovey, Jill Curzon.
The ending of Dr. Who and the Daleks hinted at a continuing adventure through time and space for Dr. Who (Peter Cushing) and his companions trying to find their way home. But, alas, in this 1966 sequel starts anew, with only Roberta Tovey joining Cushing from the previous film.
This was the second of three planned films based on the Dalek storylines from the “Doctor Who” television series, as chronicled in the review of Dr. Who and the Daleks, they were standalone adventures not related to the ongoing storylines of the TV series, and were essentially big-screen remakes of a few episodes with a new cast.
As with the previous film, Invasion was written by Milton Subotsky and directed by Gordon Flemyng. Based on the TV serial “The Dalek Invasion of Earth,” the movie deals with the time travelers stumbling across a future Earth that has been conquered by the Daleks, the mechanized aliens encountered in the previous film.
It begins, however, with a street cop named Tom (Bernard Cribbins) in a confrontation with some thugs who robbed a jewelry shop. He seeks refuge in what he thinks is a common police box, but it turns out to be Dr. Who’s TARDIS parked on the street, an instant before it travels to a new time.
Tom replaces Ian from the previous film, while Barbara is swapped out for Louise, Dr. Who’s niece (in the original serial, Barbara and Ian are still involved).
Landing in 2150, the team discovers a bombed out London patrolled by robomen — dead humans converted by the Daleks into mindless soldiers. Joining with the local resistance, they formulate a plan to defeat the Daleks, who are trying to mine the resources of Earth’s core and convert the planet into their new homeworld.
While it makes for a nice twin-bill with Dr. Who and the Daleks, Invasion has a bit more teeth than its predecessor as a standalone sci-fi film, taking advantage of great production design to depict the Dalek spaceship. However, the notion that the events take place nearly 200 years in the future leaves a lot to be desired, as humans don’t seem to have done much in the way of technological advancement or fashion sense beyond the 1960s. There are also posters for Sugar Puffs cereal plastered all over the city, the result of a product-placement deal that provided the film a significant portion of its budget.
The color palette is understandably more bleak than the previous film, but the more ambitious visual effects benefit from a restoration conducted by StudioCanal in 2013 for a European Blu-ray release. The model work is just the perfect amount of 1960s craftsmanship, in that the spaceship offers a nice sense of scope but the wires holding up the model are detectable in a few shots.
The Blu-ray includes a seven-minute featurette about the restoration process.
The film was ultimately considered a critical and commercial disappointment, leading producers to cancel plans for future adaptations.
Cribbins would return to “Doctor Who” more than 40 years later as a recurring character on the revised TV show during David Tennant’s run as the Doctor. A four-minute interview with Cribbins is included on the Blu-ray.
The cult fandom surrounding the two Dalek movies did inspire the 1995 documentary Dalekmania, which runs 57 minutes and is included here, as it is on the Dr. Who and the Daleks Blu-ray.
Likewise, the Invasion Blu-ray also includes a discussion of the film by author Gareth Owen, though this one runs just four minutes. And like with the previous film there’s a good audio commentary joined by film historians Kim Newman and Robert Shearman, with filmmaker Mark Gatiss, who wrote Dalek episodes for the 21st century iteration of the “Doctor Who” television series (the commentaries for both films were likely recorded at the same session).