MVD Releasing ‘Flash Gordon’ and ‘Pitch Black’ as Arrow’s First 4K Ultra HD Blu-rays

Arrow Video is set to release its first-ever 4K Ultra HD Blu-ray titles — the sci-fi cult movies Pitch Black, starring Vin Diesel, and Flash Gordon, featuring an iconic soundtrack by the rock band Queen.

Restored in 4K with Dolby Vision, the releases include numerous extras. The titles, distributed by MVD Entertainment Group, will also be available on as standalone Blu-rays.

“At Arrow we have always sought to have the best standards in home video presentation so it seemed a logical step that we would embrace this new format, to present you with the best versions of the finest cult and classic films,” said Francesco Simeoni, Arrow Video’s director of acquisitions and business development, in a statement.

Arrow is producing a slate of 4K releases, many completed in-house, but also in partnership with world leading labels.

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“Whilst we are focused on new releases, we do have select releases we are planning to release from our catalog in 4K with Dolby Vision,” said Simeoni in a statement. “For this year this will be releasing all upcoming UHD titles in separate UHD and new Blu-ray editions. This development will not change our processes at Arrow, and you can continue to expect the same variety of special and limited editions for our UHD releases as you have our Blu-rays. Whilst we would love to release certain titles on UHD, rights restrictions and materials will not make all releases possible. Any releases currently planned for Blu-ray will not have plans for subsequent UHD releases.”

Arriving Aug. 18 is Flash Gordon, produced by Dino De Laurentiis (Dune, Barbarella), which brings Alex Raymond’s classic cartoon strip and the long running movie serial to the big screen with director Mike Hodges at the helm. With camp style and the sonic stylings of rock band Queen, the film stars include Max von Sydow, Sam J. Jones, Melody Anderson, Ornella Muti, Timothy Dalton and Brian Blessed.

The director-approved limited edition 4K Ultra HD release includes:

  • A new 4K restoration by Studiocanal from the original camera negative approved by director Hodges;
  • a booklet featuring new writing on the film by critics and film historians including Neil Snowdon, Dennis Cozzalio, John-Paul Checkett, A.K. Benedict, and Kat Ellinger illustrated with original stills;
  • a fold-out double-sided poster featuring original and newly commissioned artwork;
  • six double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images; and
  • limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais.

 

Disc one (4K Ultra Blu-ray) has Flash Gordon (1980) and special features, including:

  • archival audio commentary with Hodges;
  • archival audio commentary with Blessed;
  • interviews with actors Sam J. Jones, Melody Anderson, Blessed, Queen icon Brian May, composer Howard Blake, and poster designer Renato Casaro;
  • “Behind the Scenes of Flash Gordon,” an archival documentary on the making of the film;
  • archival interviews with Hodges, screenwriter Lorenzo Semple Jr. and comic book artist Alex Ross;
  • “Lost in Space: Nic Roeg’s Flash Gordon,” a new documentary program exploring the version Roeg (The Man Who Fell to Earth) had originally planned to make with producer Dino De Laurentiis;
  • “Gremlin’s Finest Hour,” an episode from the animated “Flash Gordon” TV show written by J. Michael Reaves from November 1982;
  • deleted scenes and original endings with prop collector Bob Lindenmayer discussing dropped sequences and sequel ideas;
  • a 35th anniversary greenroom featurette, in which Hodges meets the cast for the first time since filming at the 35th anniversary reunion;
  • a 35th anniversary reunion featurette, in which the cast and crew discuss Flash Gordon;
  • Entertainment Earth on Flash Gordon merchandise;
  • a storyboards gallery;
  • a stills gallery;
  • the original trailer; and
  • Easter eggs.

 

Disc 2 (Blu-ray) has Life After Flash and special features, including:

  • 2017 feature length documentary by filmmaker Lisa Downs on the rollercoaster life of Sam J. Jones since his role in Flash Gordon, featuring the main cast and crew as well as a host of fans. including Stan Lee, Robert Rodriguez, Mark Millar and more;
  • “Sam J. Jones,” a variety of interviews and featurettes including coverage of a script read from the Chattanooga Film Festival, Sam discussing his career in Mexico, his “prayer walk,” and more;
  • “Melody Paintings Extended,” in which actress Melody Anderson talks about her love of painting and talks about various pieces displayed in her home;
  • “Topol,” a variety of interviews with the actor on his collections, awards and charity work;
  • “Brian Blessed,” in which the actor recounts amusing stories about Flash Gordon;
  • “Late, Great Wyngarde,” in which actor Peter Wyngarde discusses his experiences filming Flash Gordon and his relationship with Hodges;
  • “Deep Roy,” in which the actor raps about ambition and recounts an amusing story about “Eastbound & Down”;
  • “Alex Ross Talks Early Art,” in which the artist talks about Flash Gordon and the many pieces of art he created for it from childhood to modern day;
  • “Tell Me More About the This Man Houdini,” in which actor Rich Fuller and Jason Lenzi, founder of toy brand Bif Bang Pow, discuss a scene from Flash Gordon;
  • a Comic-Con early draft, a featurette looking at the phenomenon that is Comic-Con, featuring interviews with attendees and a host of regular talent including Sam J. Jones, Rich Fulton, Jason Mewes, Michael Rooker, Claudia Wells and more;
  • an interview with Lisa Downs, the director of Life After Flash, exploring her motivation to make the film and experiences during the production;
  • “Life After Flash on the Road,” a variety of featurettes on the film travelling to various festivals and production including Q&A excerpts with the Flash Gordon cast, behind-the-scenes footage and the Kickstarter funding video;
  • a trailer.

 

The director-approved special edition 4K Ultra HD release includes:

  • new 4K restoration by Studiocanal from the original camera negative approved by director Hodges;
  • archival audio commentary with Hodges;
  • archival audio commentary with Blessed;
  • interviews with actors Jones, Anderson, Blessed, Queen icon Brian May, composer Howard Blake, and poster designer Renato Casaro;
  • “Behind the Scenes of Flash Gordon,” an archival documentary on the making of the film;
  • archival interviews with Hodges, screenwriter Lorenzo Semple Jr. and comic book artist Alex Ross;
  • “Lost in Space: Nic Roeg’s Flash Gordon,” a new documentary program exploring the version Roeg (The Man Who Fell to Earth) had originally planned to make with producer Dino De Laurentiis;
  • “Gremlin’s Finest Hour,” an episode from the animated “Flash Gordon” TV show written by J. Michael Reaves from November 1982;
  • deleted scenes and original endings, in which prop collector Bob Lindenmayer discusses dropped sequences and sequel ideas;
  • a 35th anniversary greenroom featurette, in which Hodges meets the cast for the first time since filming at the 35th anniversary reunion;
  • a 35th anniversary reunion featurette, in which the cast and crew discuss Flash Gordon;
  • Entertainment Earth on Flash Gordon merchandise;
  • a storyboards gallery;
  • a stills gallery;
  • the original trailer;
  • Easter eggs; and
  • a reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais.

 

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Arriving Sept. 1, pushed back from its original Aug. 18 street date, is the 2000 film Pitch Black. The standalone Blu-ray version is still slated for Aug. 18.

Starring Vin Diesel, the film is about the crew of a crashed spaceship fighting for survival, is a creature-feature in which the monsters outside finally meet their match against a monster within. The release includes director’s cuts of the film and a host of behind-the-scenes featurettes. They include:

  • A new 4K restoration by Arrow Films of the theatrical and director’s cuts of the film, approved by director David Twohy;
  • archive commentary with Twohy and stars Diesel and Cole Hauser;
  • archive commentary with Twohy, producer Tom Engelman and visual effects supervisor Peter Chiang;
  • “Nightfall: The Making of Pitch Black,” a newly filmed interview with director/co-writer Twohy;
  • “Black Box: Jackie’s Journey,” a newly filmed interview with actor Rhiana Griffith
  • “Black Box: Shazza’s Last Stand,” a newly filmed interview with actor Claudia Black;
  • “Black Box: Bleach Bypassed,” a newly filmed interview with cinematographer David Eggby;
  • “Black Box: Cryo-Locked,” a newly filmed interview with visual effects supervisor Peter Chiang;
  • “Black Box: Primal Sounds,” a newly filmed interview with composer Graeme Revell;
  • “The Making of Pitch Black,” a short behind-the-scenes featurette;
  • “Pitch Black Raw,” a comparison between early CG tests and the final footage
  • additional behind-the-scenes footage from the making of the film;
  • 2004 archive bonus features, including an introduction by Twohy, “A View Into The Dark,” and “Chronicles of Riddick Visual Encyclopedia”;
  • “Johns’ Chase Log,” a short prequel narrated by Cole Hauser detailing the character’s hunt for Riddick;
  • “The Chronicles of Riddick: Dark Fury,” an animated short film directed by Peter Chung that acts as a bridgepoint between Pitch Blackand The Chronicles of Riddick, featuring vocal performances by Diesel, Keith David and Griffith reprising their roles;
  • “Dark Fury” bonus features, including “Bridging the Gap,” “Peter Chung: The Mind of an Animator,” “A View Into The Light” and a “pre-animation” version of the film;
  • “Slam City,” a motion comic from the film’s official website;
  • “Into Pitch Black,”a TV special offering an alternative non-canon glimpse into what happened before and after the events of the film;
  • “Raveworld: Pitch Black Event,” footage of a dance music event held to promote the film;
  • theatrical trailers, plus trailers for the two sequels and video game
  • image galleries; and
  • a reversible sleeve featuring newly commissioned ‘night’ and ‘day’ artwork by Luke Preece.

 

For the first pressing only, editions include a collectors’ booklet featuring new writing by Simon Ward on the film’s creature designs (including a new interview with creature designer Patrick Tatopolous), original production notes and information from the film’s official website, and an archive interview with Vin Diesel from Starlog magazine.

Arrow announced that due to a printing error, its UHD versions of Pitch Black in all territories will no longer include a slipcase.

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